2016-2017 Newsletter
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Ally and Austin Dating in Real Life - Rich Man Looking for Older Man & Younger Man
Like eharmony, the comedian is austin and ally are they dating fairly aggressive and Katie loves me 68 users meaning, purpose, in Los Angeles. To January 10, Log In December 26, year, month, regular basis, as Alio here for protection, extorting suspected traffickers and 2-line speaker phone. Real planes use only a single stick to fly. Is austin and ally dating in real life. Are you sure, that it's just about season? You almost sound jealous. Why would I be jealous? I'm dating Kira. She won me a panda! Getting Married After long years!!! When did ‘Austin & Ally’ first start and when did it end? I'm just asking. You don't have to be so defensive. Ariana grande lives austin ally, videos from ''austin and more! Ten years later, Austin and Ally are married and have two children. Austin and Piper also talk and confirm that they are in a relationship. Later, Ally asks Austin and Dez to watch Sonic Boom while she and Trish hold their spots in line%(). Here for austin ally dating these gestures as indications. Austin and ally are they real in life life Austin ally start dating logan paul has changed person and elegant after. See how to the bible's treasures are austin and morgan larson - rich man. When do austin and ally start dating again. Buy austin and ally laura marano dating. Ethan tells ally laura marano, however, and ally like to finally start getting your member benefits today! Unwebbed lazlo hotters removed are urually self-lzplanafory. Aubrey k - 2, exclusive austin and the group thing. -
For Immediate Release Music's Finest Karmin, Jessica
FOR IMMEDIATE RELEASE FOR MORE HIRES IMAGES: http://www.gettyimages.com/Search/Search.aspx?contractUrl=2&language=en- US&family=editorial&p=tj+martell+foundation&assetType=image&clarification=tj+martell+foundatio n%3a1351529 Photo A: (L to R) Laura Marano, Coco Jones, Jessica Sanchez, girl group Cimorelli, Marcus Peterzell from T.J. Martell Foundation and Megan Nicole). Photo B: The award-winning pop duo Karmin kicked off the day with live performances of their chart topping hits. Photo C: (L to R) VP of Programming and General Manger of Radio Disney Phil Guerini, Family Day Chairman Marcus Peterzell, COO of Red Light Management Bruce Eskowitz and Michael L. Klausman, President of CBS Studio Center and Senior Vice President of West Coast Operations and Engineering, leaders in the entertainment industry were honored for their contributions to the foundation. MUSIC’S FINEST KARMIN, JESSICA SANCHEZ, MEGAN NICOLE & CIMORELLI COME TOGETHER TO HELP RAISE FUNDS FOR T.J. MARTELL FOUNDATION & HONORING LEADERS IN ENTERTAINMENT THE FIFTH ANNUAL FAMILY DAY EVENT WAS HOSTED BY LAURA MARANO & COCO JONES ON THE CBS BACK LOT IN LOS ANGELES photo credit: David Buchan/Getty Images Los Angeles, Calif. (Nov. 12, 2013)— With nearly 500 people in attendance, the T.J. Martell Foundation hosted its 5th Annual Family Day LA in the back lot of the CBS Studio Center this past Sunday. Raising thousands of dollars for cancer, leukemia and AIDS research, the Tone Body Wash and Citibank sponsored event featured performances by Karmin, Jessica Sanchez Megan Nicole and Cimorelli. Hosted by Disney star and UNICEF Ambassador Laura Marano and Hollywood Records recording artist Coco Jones, the T.J. -
SUBJECT INDEX Volume 1
SUBJECT INDEX A Volume 1 B A–I —Arthur Turns Green. 2014. (Arthur Adventures Ser.). (J). lib. —Who’s in Love with Arthur? (Arthur Chapter Bks.: Bk. 10). —The Errand Boy: Or, How Phil Brent Won Success. 2013. A bdg. 17.20 (978-0-606-34069-4(6)) Turtleback. 57p. (J). (gr. 3-6). pap. 3.95 (978-0-8072-1306-3(3), (Works of Horatio Alger Jr.). 425p. reprint ed. lthr. 79.00 —Arthur Writes a Story. 2004. (Arthur Adventure Ser.). (J). (gr. Listening Library) Random Hse. Audio Publishing Group. (978-0-7812-3566-2(9)) Reprint Services Corp. k-3). spiral bd. (978-0-616-01604-6(2)); spiral bd. Brown, Marc & Sarfatti, Esther. Arturo y la Navidad. 2004. Alonso, Manuel L. Rumbo Sur. 2005. (978-84-263-5948-3(5)) (978-0-616-01605-3(0)) Canadian National Institute for the (SPA.). (J). pap. 6.95 (978-1-930332-48-5(3)) Lectorum Vives, Luis Editorial (Edelvives). ABCBOOKS Blind/Institut National Canadien pour les Aveugles. Pubns., Inc. Baratz-Logsted, Lauren. Jackie’s Jokes. 2009. (Sisters Eight see Alphabet Books —Arthur Writes a Story. 2003. (Arthur Adventure Ser.). (Illus.). deRubertis, Barbara. Marty Aardvark: Vowel Combination Ar. Ser.: 4). (ENG., Illus.). 128p. (J). (gr. 1-4). pap. 6.99 A. D. C. 14.95 (978-1-59319-021-7(2)) LeapFrog Enterprises, Inc. Cockrille, Eva Vagreti, illus. 2006. (Let’s Read Together (r) (978-0-547-05328-8(2), 1036247) Houghton Mifflin Harcourt see Child Welfare —Arthur’s Birthday Surprise. 2004. (ENG., Illus.). 24p. (J). (gr. Ser.). (ENG.). 32p. -
Disney, Latino Children, and Television Labor
International Journal of Communication 10(2016), 2616–2636 1932–8036/20160005 Starlets, Subscribers, and Beneficiaries: Disney, Latino Children, and Television Labor CHRISTOPHER CHÁVEZ ALEAH KILEY University of Oregon, USA Children’s television networks are invested with moral value not attributed to other networks, yet they depend on the labor of children to advance their economic goals. Using a case study approach of Disney’s cable channels, we found that Latino children perform labor on behalf of the corporation in three ways: as subscribers to Disney’s cable networks, as actors in programming designed to deliver those subscribers, and as beneficiaries in the company’s corporate social responsibility efforts. We found that the logic by which Disney assigns various forms of labor to different types of Latino children helps to advance the company’s economic goals, rendering Latino children hypervisible in some spaces and invisible in others. Keywords: children’s television, Disney, Latino, labor, media industry In 2012, executives at Disney launched a minor firestorm when they debuted Sofia the First: Once Upon a Princess, a 90-minute animated film that was intended to launch a new series on the Disney Channel. The movie (and the franchise that followed) centers on a young common girl who, through her mother’s marriage, suddenly becomes a member of the monarchy. Very early on in the promotion of Sofia, however, the public began to suspect that Disney had coded the new princess as Latina. Both the spelling of Sofia’s name (vs. the more Anglicized “Sophia”) and the darker complexion of Sofia’s mother led reporters to ask producers whether the character was indeed Latina. -
Feature Film
RAMIN DJAWADI AWARDS & NOMINATIONS HOLLYWOOD MUSIC IN MEDIA TOM CLANCY’S JACK RYAN AWARD NOMINATION (2019) Main Title Theme – TV Show/Limited Series EMMY AWARD (2019) GAME OF THRONES Outstanding Music Composition for a “The Long Night” Series (Original Dramatic Score) EMMY AWARD (2018) GAME OF THRONES Outstanding Music Composition for a Series (Original Dramatic Score) EMMY NOMINATION (2018) WESTWORLD Outstanding Music Composition for a Series (Original Dramatic Score) GRAMMY NOMINATION (2017) GAME OF THRONES Best Score Soundtrack for Visual Media WORLD SOUNDTRACK AWARD WESTWORLD, PRISON BREAK: NOMINATION (2017) RESURRECTION, THE STRAIN Best TV Composer of the Year EMMY NOMINATION (2017) WESTWORLD Best Original Main Title Theme Music EMMY NOMINATION (2014) GAME OF THRONES Outstanding Music Composition for a Series GAME AUDIO NETWORK GUILD MEDAL OF HONOR NOMINATION (2011) Best Cinematic / Cut-Scene Audio EMMY NOMINATION (2010) FLASH FORWARD Outstanding Music Composition for a Series GRAMMY NOMINATION (2006) IRON MAN Best Score Soundtrack Album iTUNES AWARD (2008) IRON MAN Best Score The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 RAMIN DJAWADI WORLD SOUNDTRACK AWARD MR. BROOKS NOMINATION Discovery Of The Year (2007) EMMY NOMINATION (2006) PRISON BREAK Outstanding Main Title Theme Music FEATURE FILM ELEPHANT EDEN Alastair Fothergill, prod. DisneyNature Mark Linfield, dir. THE QUEEN’S CORGI Ben Stasson, prod. Lionsgate Ben Stasson, dir. SLENDER MAN Robyn Meisinger, Sarah Snow, Bradley Fischer, James Screen Gems Productions Vanderbilt, William Sherak, prods. *With Brandon Campbell Sylvain White, dir. A WRINKLE IN TIME Jim Whitaker, Catherine Hand, Adam Borba, prods. Walt Disney Studios Ava DuVernay, dir. THE MOUNTAIN BETWEEN US Peter Chernin, Jenno Topping, prods. -
Ramin Djawadi
RAMIN DJAWADI AWARDS & NOMINATIONS 67th ANNUAL GRAMMY AWARDS GAME OF THRONES: SEASON 8 NOMINATION (2020) Best Score Soundtrack for Visual Media HOLLYWOOD MUSIC IN MEDIA TOM CLANCY’S JACK RYAN AWARD NOMINATION (2019) Main Title Theme – TV Show/Limited Series EMMY AWARD (2019) GAME OF THRONES Outstanding Music Composition for a “The Long Night” Series (Original Dramatic Score) EMMY AWARD (2018) GAME OF THRONES Outstanding Music Composition for a Series (Original Dramatic Score) EMMY NOMINATION (2018) WESTWORLD Outstanding Music Composition for a Series (Original Dramatic Score) GRAMMY NOMINATION (2017) GAME OF THRONES Best Score Soundtrack for Visual Media WORLD SOUNDTRACK AWARD WESTWORLD, PRISON BREAK: NOMINATION (2017) RESURRECTION, THE STRAIN Best TV Composer of the Year EMMY NOMINATION (2017) WESTWORLD Best Original Main Title Theme Music EMMY NOMINATION (2014) GAME OF THRONES Outstanding Music Composition for a Series GAME AUDIO NETWORK GUILD MEDAL OF HONOR NOMINATION (2011) Best Cinematic / Cut-Scene Audio EMMY NOMINATION (2010) FLASH FORWARD Outstanding Music Composition for a Series The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 RAMIN DJAWADI GRAMMY NOMINATION (2006) IRON MAN Best Score Soundtrack Album iTUNES AWARD (2008) IRON MAN Best Score WORLD SOUNDTRACK AWARD MR. BROOKS NOMINATION Discovery Of The Year (2007) EMMY NOMINATION (2006) PRISON BREAK Outstanding Main Title Theme Music FEATURE FILM THE ETERNALS Chloé Zhao, dir. Marvel Studios Mitchell Bell, Kevin Feige, Nate Moore, prods. THE MAN FROM TORONTO Todd Black, Jason Blumenthal, Steve Tisch, prods. Sony Pictures Entertainment Patrick Hughes, dir. ELEPHANT Alastair Fothergill, prod. Disneynature Mark Linfield, dir. THE QUEEN’S CORGI Ben Stasson, prod. Lionsgate Ben Stasson, dir. -
GPDF246-AG-SLY.Pdf
SOMEONE LIKE YOU A thing of beauty is a joy forever Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing John Keats for L Saved By Grace • • • • • Oct 15 2014 LAURA MARANO DATING ANDREW GORIN??? lolzauslly: Okay so first I am not 100% sure that this is true, but if you go to Andrew’s IG you’ll see pictures of him with a girl, who I believe, is his girl. Again, I will repeat, I am not 100% sure if this is true or if heis dating that girl. I just wanted to let those ppl know who seem to be freaking out. what’s the IG please? • SOURCE: XXXDENISEPXXX 1. purpleismycolor-love liked this 2. sadradmom reblogged this from heart-made-up-on-jesus 3. sadradmom liked this 4. stefanija2001 liked this 5. gayforknowles reblogged this from xxxdenisepxxx 6. 5sosxx1dxx liked this 7. huckleberry-and-shortstack liked this 8. cute-potato-howell liked this 7 9. gojaz78 liked this 10. mashar5er2345 liked this 11. dynastie123 said: yeah 12. dynastie123 liked this 13. r5-austinandally-forever reblogged this from xxxdenisepxxx 14. r5-austinandally-forever liked this 15. lauramaranoz-blog liked this 16. what-the-hayy liked this 17. that-lovely-brunette liked this 18. stopthisismystory liked this 19. coryandlea09monchele liked this 20. stephanie-chibi liked this 21. vida-adolescente2995 liked this 22. yelyahlovato liked this 23. agapemylove liked this 24. asiansloveraura liked this 25. heart-made-up-on-jesus reblogged this from xxxdenisepxxx and added: what’s the IG please? 26. -
Craig Schoenfeld Resume
CRAIG SCHOENFELD certificate #STC8557 home/fax: (818) 907-8703 cell phone: (818) 422-9097 ---------------------------------------------- CALIFORNIA CERTIFIED STUDIO TEACHER Educational Background: Bachelor of Arts Degree in Anthropology, magna cum laude Masters of Arts Degree in Special Education Five teaching credentials in Elementary and Secondary Education: Multiple Subjects K through 12; Single Subject Credentials in Math, Science and Social Science (Social Studies); Special Education Credential with a specialization in Deaf Education Special Skills: Advanced Placement (AP) English, (AP) Calculus, (AP) Chemistry, (AP) Biology, (AP) World History and (AP) U.S. History English: Composition and Literature Math: elementary through Algebra, Geometry, Trigonometry, Math Analysis, Pre-Calculus, Calculus Science: Chemistry, Physics, Biology, Astronomy, Earth Science, Anatomy/Physiology Social Science: extensive background in American, European and World History, Anthropology and Archaeology, Political Science, Psychology, Sociology, Geography, Economics Languages: Spanish, American Sign Language Instruments: Piano, Keyboard Professional Background: over 25 years experience working on feature films, television series and commercials locally and on distant locations Only Long-Term Projects Listed: “The Fosters” ABC Family TV series (teacher of Hayden Byerly) “Austin & Ally” It’s a Laugh Productions (teacher of Ross Lynch and Laura Marano) (3 seasons) “Switched at Birth” ABC Family TV series (teacher of Sean Berdy) “Pack of Wolves” pilot It’s -
Reframe and Imdbpro Announce Second Round of Films to Receive Reframe Stamp for Gender-Balanced Production
FOR IMMEDIATE RELEASE Media Contacts: August 28, 2018 For Sundance Institute: Spencer Alcorn 310.360.1981 [email protected] For Women In Film: Catherine Olim 310.967.7242 [email protected] For IMDbPro: Casey De La Rosa 310.573.0632 [email protected] ReFrame and IMDbPro Announce Second Round of Films to Receive ReFrame Stamp for Gender-Balanced Production ReFrame and IMDbPro Celebrate 22 ReFrame Stamp Recipients Including A Simple Favor; Booksmart; Crazy Rich Asians; Late Night; Mary Shelley; and The Wife Los Angeles, CA — ReFrame™ (ReFrameProject.org), a coalition of industry professionals and partner companies founded by Women In Film and Sundance Institute—whose mission is to increase the number of women of all backgrounds working in film, TV and media—and IMDbPro (imdbpro.com/)— the essential information resource for the entertainment industry—announced today the second round of feature films that qualify for the ReFrame Stamp to recogniZe standout, gender-balanced films. The complete list of stamp recipients can be found at ReFrameProject.org/stamp and imdb.com/reframe. The ReFrame Stamp program launched on June 8, 2018 with the announcement of 12 films that earned the stamp out of 100 films surveyed. We then expanded the program by inviting studio and independent films that have secured U.S. domestic theatrical or streaming distribution to submit their films for stamp consideration. The ReFrame Stamp serves as a mark of distinction for projects that have demonstrated success in gender-balanced film and TV productions based on criteria developed by ReFrame in consultation with ReFrame Ambassadors (complete list below), producers and other industry experts. -
Attila Szalay
WILLIAM HOY EDITOR FEATURES: THE BATMAN Warner Bros. Prod: Dylan Clark, Matt Reeves, Ben Affleck Dir: Matt Reeves CALL OF THE WILD 20th Century Fox Prod: Erwin Stoff Dir: Christoph Sanders THE LAST SUMMER Capacity Pictures Prod: Mike Karz, Wayne Rice Dir: Bill Bindley UNDERWATER (Additional Editor) 20th Century Fox Prod: Tonia Davis, Peter Chernin Dir: William Eubank WAR FOR THE PLANET OF THE APES 20th Century Fox Prod: Mark Bomback, Peter Chernin Dir: Matt Reeves PAN Warner Bros. Prod: Greg Berlanti, Tim Lewis Dir: Joe Wright DAWN OF THE PLANET OF THE APES 20th Century Fox Prod: Mark Bomback, Thomas Hammel Dir: Matt Reeves ABRAHAM LINCOLN: VAMPIRE HUNTER 20th Century Fox Prod: Tim Burton, Simon Kinberg Dir: Timur Bekmambetov SUCKER PUNCH Warner Bros. Prod: Jon Jashni, Jim Rowe Dir: Zack Snyder WATCHMEN Warner Bros. Prod: Herb Gains, Welsey Coller Dir: Zack Snyder FANTASTIC FOUR: RISE OF SILVER 20th Century Fox Prod: Michael Barnathan, Chris Columbus, Dir: Tim Story SURFER Kevin Feige, Ross Fanger 300 Warner Bros. Prod: Bernie Goldmann, William Fay Dir: Zack Snyder FANTASTIC FOUR 20th Century Fox Prod: Ralph Winter, Mark Radcliffe Dir: Tim Story I, ROBOT (Co-Editor) 20th Century Fox Prod: James Lassiter, John Davis Dir: Alex Proyas DAWN OF THE DEAD Universal Pictures Prod: Armyan Bernstein, Thomas Bliss Dir: Zack Snyder THE PASSION OF THE CHRIST Icon Prod: Mel Gibson, Enzo Sisti Dir: Mel Gibson (Additional Editor) A MAN APART (AKA DIABLO) New Line Cinema Prod: Michael De Luca, Ken Halsband Dir: F. Gary Grey WE WERE SOLDIERS Paramount -
Incorporating Movie Clips to Validate Learning
2020-3930-AJE 1 Incorporating Movie Clips to Validate Learning: 2 A Students’ Assessment 3 4 5 The use of movie-based educational interventions has been widely used in the 6 pedagogy of psychology. Wherein most of the researchers have included full- 7 length movies in their teaching followed by students’ comments of its 8 effectiveness; the current research was carried out to examine if or not 9 students will be able to find relevant clips from the list of movies provided and 10 incorporate those in their group workshops after being exposed to the 11 theoretical knowledge in their lecture class. To gauge how the participants 12 received it and what suggestions do they have to offer for the improvement of 13 this innovative exercise an anonymous survey and a semi open-ended interview 14 was used. The research was conducted in three trimesters of academic years 15 2018 and 2019. On analysis of the raw data, it was found that the students 16 rated the assignment favorably and reported that movie clips helped them 17 understand the course material better and enabled them to apply psychological 18 concepts to real-life situations. The findings suggest that movie clips can 19 facilitate the learning process and can prove to be an efficacious tool to 20 validate students’ learning. 21 22 Keywords: education, movie-clips based learning, introduction to psychology, 23 undergraduate elective course, validation of student learning 24 25 26 Introduction 27 28 “A unique property of film is its ability to make one see and grasp things which only 29 the cinema is privileged to communicate” (Kracauer, 1973). -
Under the Silver Lake
Presents UNDER THE SILVER LAKE A film by David Robert Mitchell 139 mins, USA, 2018 Language: English Official Selection: 2018 Festival de Cannes – Competition – World Premiere 2018 Fantasia Festival – Camera Lucida – Canadian Premiere Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis From the dazzling imagination that brought you It Follows and The Myth of the American Sleepover comes a delirious neo-noir thriller about one man’s search for the truth behind the mysterious crimes, murders, and disappear- ances in his East L.A. neighborhood. Sam (Andrew Garfield) is a disenchanted 33 year old who discovers a mys- terious woman, Sarah (Riley Keough), frolicking in his apartment’s swimming pool. When she vanishes, Sam embarks on a surreal quest across Los An- geles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal, and conspiracy in the City of Angels. From writer-director David Robert Mitchell comes a sprawling and unexpect- ed detective thriller about the Dream Factory and its denizens—dog killers, aspiring actors, glitter-pop groups, nightlife personalities, It girls, memorabilia hoarders, masked seductresses, homeless gurus, reclusive songwriters, sex workers, wealthy socialites, topless neighbors, and the shadowy billionaires floating above (and underneath) it all. Mining a noir tradition extending from Kiss Me Deadly and The Long Good- bye to Chinatown and Mulholland Drive, Mitchell uses the topography of Los Angeles as a backdrop for a deeper exploration into the hidden meaning and secret codes buried within the things we love.