Foreign Government Participation” of the John Marsh Files at the Gerald R
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“Bicentennial Speeches (2)” of the Ron Nessen Papers at the Gerald R
The original documents are located in Box 2, folder “Bicentennial Speeches (2)” of the Ron Nessen Papers at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Ron Nessen donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 2 of The Ron Nessen Papers at the Gerald R. Ford Presidential Library THE WHITE HOUSE WASHINGTON June 28, 1976 MEMORANDUM FOR ROBERT ORBEN VIA: GWEN ANDERSON FROM: CHARLES MC CALL SUBJECT: PRE-ADVANCE REPORT ON THE PRESIDENT'S ADDRESS AT THE NATIONAL ARCHIVES Attached is some background information regarding the speech the President will make on July 2, 1976 at the National Archives. ***************************************************************** TAB A The Event and the Site TAB B Statement by President Truman dedicating the Shrine for the Delcaration, Constitution, and Bill of Rights, December 15, 1952. r' / ' ' ' • THE WHITE HOUSE WASHINGTON June 28, 1976 MEMORANDUM FOR BOB ORBEN VIA: GWEN ANDERSON FROM: CHARLES MC CALL SUBJECT: NATIONAL ARCHIVES ADDENDUM Since the pre-advance visit to the National Archives, the arrangements have been changed so that the principal speakers will make their addresses inside the building . -
Research Report 2012
IWM RESEARCH REPORT 2012 Contents 1. Introduction 3 2. Fellowships, Collaborative Doctoral Awards and PhDs, and successful research funding bids 4 2.1 Fellowships 4 2.2 Collaborative Doctoral Awards, supported PhDs and commissioned research 4 2.3 Successful research funding bids 6 3. Publications 7 3.1 Publications by IWM staff 7 3.2 Media Involvement by IWM staff 9 3.3 Expert Assistance by IWM staff 11 4. Conferences, lectures, talks and other significant representation 14 4.1 Seminar series and conferences etc arranged by IWM 14 4.2 Individual representation 16 2 1. Introduction Efforts to build IWM’s reputation as a research organisation continued apace in 2012, with several promising developments. The start of the year saw the beginning of the first IWM project to be wholly funded by a grant from AHRC, following IWM’s achievement of Independent Research Organisation (IRO) status. Whose Remembrance? was a scoping study which set out to investigate levels of awareness of the experiences of the peoples of Britain’s former empire in the two world wars. Its scope and achievements are detailed in the section on ‘successful funding bids’ below. Led by the Research Department, the project – funded under the Connected Communities scheme – addressed a particularly pressing issue and produced lively and engaging workshops during the summer of 2012. The year saw continued effort on Research across IWM. Staff generated over 20 publications and gave presentations at more than 50 workshops, conferences and symposia during the year, in addition to providing advice, expertise and media appearances across a wide range of subjects. -
SOUTH BANK GUIDE One Blackfriars
SOUTH BANK GUIDE One Blackfriars The South Bank has seen a revolution over the past 04/ THE HEART OF decade, culturally, artistically and architecturally. THE SOUTH BANK Pop up restaurants, food markets, festivals, art 08/ installations and music events have transformed UNIQUE the area, and its reputation as one of London’s LIFESTYLE most popular destinations is now unshakeable. 22/ CULTURAL Some of the capital’s most desirable restaurants and LANDSCAPE bars are found here, such as Hixter, Sea Containers 34/ and the diverse offering of The Shard. Culture has FRESH always had a place here, ever since the establishment PERSPECTIVES of the Festival Hall in 1951. Since then, it has been 44/ NEW joined by global champions of arts and theatre such HORIZONS as the Tate Modern, the National Theatre and the BFI. Arts and culture continues to flourish, and global businesses flock to establish themselves amongst such inspiring neighbours. Influential Blue Chips, global professional and financial services giants and major international media brands have chosen to call this unique business hub home. With world-class cultural and lifestyle opportunities available, the South Bank is also seeing the dawn of some stunning new residential developments. These ground-breaking schemes such as One Blackfriars bring an entirely new level of living to one of the world’s most desirable locations. COMPUTER ENHANCED IMAGE OF ONE BLACKFRIARS IS INDICATIVE ONLY 1 THE HEART OF THE SOUTH BANK THE SHARD CANARY WHARF 30 ST MARY AXE STREET ONE BLACKFRIARS TOWER BRIDGE -
Bridget Riley: Painting and Perception
Bridget Riley: Painting and Perception Saturday 18 January 2020, 1pm - 5.30pm Bridget Riley: Painting and Perception Hayward Gallery’s major Bridget brings together a wide range Riley retrospective, which was of speakers and practitioners developed in close collaboration for a series of talks and panel with the artist herself, and in discussions designed to unpack partnership with National Galleries Bridget Riley’s innovative painting of Scotland. Spanning 70 years of practice and explore the ideas and Riley’s work, the exhibition offers themes that recur throughout this visitors an unparalleled opportunity artist’s formidable body of work. to experience powerful and This event has been programmed engaging works by one of the most in connection with the important artists of our time. Schedule 1pm Introduction from Cliff Lauson 1.10pm Talk: Richard Shiff Richard Shiff discusses the special kind of perception that Bridget Riley’s art provokes. He proposes that Riley’s art represents a distinct kind of ‘composition’, distancing it from the work of previous generations of painters. 2pm Panel Discussion: Colour and Perception In response to Bridget Riley’s ongoing investigation into colour interactions and visual perception, Kassia St Clair, Philip Ball, Liz West and Sophie Oxenbridge contemplate our relationship to colour and the act of looking. 2.45pm Q&A 3pm Break 3.30pm Talk: Éric de Chassey Éric de Chassey explores the apparent paradox that lies at the core of Bridget Riley’s art: in order to solicit personal and subjective responses from her viewers, she creates work in an impersonal and objective manner. 4.20pm Panel Discussion: Curating and Commissioning Lucy Askew, Daniel F. -
One Hundred Fourth Congress of the United States of America
S. J. Res. 64 One Hundred Fourth Congress of the United States of America AT THE SECOND SESSION Begun and held at the City of Washington on Wednesday, the third day of January, one thousand nine hundred and ninety-six Joint Resolution To commend Operation Sail for its advancement of brotherhood among nations, its continuing commemoration of the history of the United States, and its nurturing of young cadets through training in seamanship. Whereas Operation Sail is a nonprofit corporation dedicated to building good will among nations and encouraging international camaraderie; Whereas Operation Sail has represented and promoted the United States of America in the international tall ship community since 1964, organizing and participating in numerous tall ship events across the United States and around the world; Whereas Operation Sail has worked in partnership with every American President since President John F. Kennedy; Whereas Operation Sail has established a great tradition of celebrating major events and milestones in United States history with a gathering of the world's tall ships, and will continue this great tradition with a gathering of ships in New York Harbor, called OpSail 2000, to celebrate the 224th birthday of the United States of America and to welcome the new millennium; Whereas President Clinton has endorsed OpSail 2000, as Presidents Kennedy, Carter, Reagan, and Bush have endorsed Operation Sail in previous endeavors; Whereas OpSail 2000 promises to be the largest gathering in history of tall ships and other majestic vessels -
America the Beautiful Part 2
America the Beautiful Part 2 Charlene Notgrass 1 America the Beautiful Part 2 by Charlene Notgrass ISBN 978-1-60999-142-5 Copyright © 2021 Notgrass History. All rights reserved. All product names, brands, and other trademarks mentioned or pictured in this book are used for educational purposes only. No association with or endorsement by the owners of the trademarks is intended. Each trademark remains the property of its respective owner. Unless otherwise noted, scripture quotations are taken from the New American Standard Bible®, Copyright © 1960, 1962, 1963, 1971, 1972, 1973, 1975, 1977, 1995 by the Lockman Foundation. All rights reserved. Used by permission. Cover Images: Statue of Liberty by Mihai_Andritoiu / Shutterstock.com; Immigrants and Trunk courtesy Library of Congress Back Cover Author Photo: Professional Portraits by Kevin Wimpy The image on the preceding page is of the Pacific Ocean near the Channel Islands. No part of this material may be reproduced without permission from the publisher. You may not photocopy this book. If you need additional copies for children in your family or for students in your group or classroom, contact Notgrass History to order them. Printed in the United States of America. Notgrass History Gainesboro, TN 1-800-211-8793 notgrass.com Aspens in Colorado America the Beautiful Part 2 Unit 16: Small Homesteads and Big Businesses ............... 567 Lesson 76 - Our American Story: Reformers and Inventors .....................................................568 19th President Rutherford B. Hayes .......................................................................................575 -
Fi 94Th Congress Joint Resolution
90 STAT. 708 PUBLIC LAW 94-318—JUNE 25, 1976 Public Law 94-318 '^ > - f i 94th Congress Joint Resolution June 25, 1976 To authorize and direct the Secretary of the Army, acting through the Chief of [S.J. Res. 201] Engineers, to undertalce dredging operations for Operation Sail. Whereas the Congress finds that— (a) Operation Sail is a major Bicentennial activity and an inter national undertaking involving almost every four-masted sailing ship in the world plus many smaller vessels and a display and review of United States and foreign naval vessels. The President of the United States and the Queen of England are scheduled to partici pate in this activity; (b) on or about July 3, 1976, approximately two hundred unique sailing ships representing many nations of the world are scheduled to arrive in New York Harbor and surrounding waters to com memorate the United States Bicentennial; (c) the sailing ships will be berthed in basins and marinas throughout the New York/New England area for public display and visits. Four of the most significant sailing vessels are scheduled for berthing in the South Street Museum area of downtown New York City which is the focal point of this major Bicentennial event; (d) some docking areas for the ships participating in Operation Sail are of inadequate depth; (e) the United States Army Corps of Engineers currently main tains New York Harbor and surrounding waters for navigation purposes and has the capability of providing adequate docking depths for the ships of Operation Sail; and (f) the United States Army Corps of Engineers has extensive knowledge of the technical and environmental aspects of dredging in the New York area and can apply this expertise to the dredging required in the areas proposed for the docking of the ships of Operation Sail: Now, therefore, be it Resolved hy the Senate and House of Representatwes of the United Operation Sail. -
Appendix 1: Temporary (Special) Exhibitions, 1912–1983 Peter J.T
Appendix 1: Temporary (Special) Exhibitions, 1912–1983 Peter J.T. Morris and Eduard von Fischer The year given is the year the exhibition opened; it may have continued into the following calendar year. The main source before 1939 is Appendix I of E.E.B. Mackintosh, ‘Special Exhibitions at the Science Museum’ (SMD, Z 108/4), which has been followed even when the exhibitions do not appear in the Sceince Museum Annual Reports, supplemented by the list in Follett, The Rise of the Science Museum, pp. 122–3. Otherwise the exhibitions have been taken from the Annual Reports. 1912 History of Aeronautics 1914 Gyrostatics 1914 Science in Warfare First World War 1919 Aeronautics James Watt Centenary 1923 Typewriters 1924 Geophysical and Surveying Instruments Kelvin Centenary Centenary of the Introduction of Portland Cement 1925 Stockton and Darlington Railway Centenary Centenary of Faraday’s Discovery of Benzine [sic] Wheatstone Apparatus Seismology and Seismographs 1926 Adhesives Board, DSIR Centenary of Matthew Murray Fiftieth Anniversary of the Invention of the Telephone 1927 British Woollen and Worsted Research Association British Non-Ferrous Metals Research Association Solar Eclipse Phenomena Newton Bi-centenary 1928 George III Collection of Scientific Apparatus Cartography of the Empire Modern Surveying and Cartographical Instruments Weighing Photography 317 318 Peter J.T. Morris and Eduard von Fischer 1929 British Cast Iron Research Association Newcomen Bicentenary Historical Apparatus of the Royal Institution Centenary of the Locomotive Trials -
A MINISTRY of PRESENCE Cimr Ptioid: Ljie Itt Rev
A MINISTRY OF PRESENCE CIMr ptIoID: lJIe Itt Rev. Mcufc S. Silk, Bishop of the ~ .... ~NewYOli GIld HOIIOffIry Chmnnan of sa. .... af'7ftaUes. ship WIItinr CIt the New York .........1inIIinal I'hOID bIIow: ~ awilfll'lC&Clf-Sea manners'scarves .. m.1eftJ JeIf"""" Letuy Lucas, and DoreU Cann who .... fJe MIl 1IDbeI1M.1<Dppet; v.mJc:h Is part of ....f.Iedric I'Dwer RIver Opemdans. ~ Director. The Rev. Dr. Jean R. Smith C1tGImttm: Georp D. Benjamin PrfisIdent: Henry C.B. Undh &IImr. Debra A. Wagner Desip Be Production: J F Amold Group THE SEAMEN'S CHURCH INSTITUTE OF NEW YORK & NEW JERSEY MISSION STATEMENT T Sea/T'e"·, Church Ir.t 'ute < uvocate~ for the personal. professional. and splrtual well-being of merchant manners around e NO Through Its Certer for Marlllme tduC'ltlon. Center for Seafarel"s' Rights. and Center fOI- Seafarers' Services. the Institute proMO e (e y. dlgntt, d llpmved iNorkJ"g and living condit ons fo,- more than one million men and women serving In the rn.,r.T·"~" NOrkp'ace Founded In 183";. the Inst tute IS a voluntarY'. ecumenICal agency affiliated with the Episcopal Church. CHAIRMAN'S MESSAGE George D. Benjamin Chairman, Board of Trustees The Seamen's Church Institute, I am happy to report, contin 2003 was the first year of a new subsidiary in SCI's ues to sail along at an ever-increasing pace. Not many insti umbrella. The startup of the Alliance of Episcopal Marrtime tutions get to be 170-years-young, which suggests we have Ministries, whose purpose is to share our experience and had, and continue to have, the right officers and crew to carry programs wrth other maritime centers throughout the out our mission on behalf of mariners around the world. -
Press Release Hayward Gallery Welcomes a Series of New Outdoor
Press Release Date: Tuesday 06 July Contact: [email protected] Images: downloadable HERE This press release is available in a variety of accessible formats. Please email [email protected] Hayward Gallery welcomes a series of new outdoor commissions in partnership with the Bagri Foundation Credits (from left): Hayward Gallery exterior © Pete Woodhead; Hayward Gallery Billboard showing Salman Toor’s Music Room © Rob Harris; Jeppe Hein's Appearing Rooms outside Queen Elizabeth Hall. A three-year partnership, announced today, between the Hayward Gallery and the Bagri Foundation will brinG a series of new outdoor art commissions to the Southbank Centre. Aimed at providinG artists from or inspired by Asia and its diaspora with the opportunity to create a prominent public commission, this new initiative is the latest addition to a growing programme of outdoor art installations and exhibitions across the Southbank Centre’s iconic site. The BaGri Foundation commission, launchinG next month, will take place every summer until 2023. Founded with roots in education, the Bagri Foundation is dedicated to realising artistic interpretations and ideas that weave traditional Asian culture with contemporary thinkinG. This mission underpins the three-year partnership between the Foundation and the Hayward Gallery, brinGinG new artistic encounters to the General public. Each year, an artist will be commissioned to produce a site-specific work that invites visitors to London’s Southbank Centre to experience contemporary art in a unique and unexpected space beyond the gallery. The first commission launches in AuGust 2021 with a larGe-scale installation by collective Slavs and Tatars. With a focus devoted to an area East of the former Berlin Wall and West of the Great Wall of China known as Eurasia, Slavs and Tatars’ practice questions understandings of language, ritual and identity through a blend of pop aesthetics, cultural traditions and overlooked histories. -
Ukraine's Domestic Affairs
No. 1 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 7, 2001 7 2000: THE YEAR IN REVIEW on February 22, aimed to “increase the economic inde- cent of farmers leased land, according to the study, while Ukraine’s domestic affairs: pendence of the citizenry and to promote entrepreneurial another 51 percent were planning to do so. activity,” said Minister of the Economy Tyhypko. The survey produced by the IFC came at the conclu- Mr. Tyhypko, who left the government a few weeks sion of a $40 million, five-year agricultural and land the good, the bad, the ugly later over disagreements with Ms. Tymoshenko and was reform project. elected to a vacant Parliament seat in June, indicated that n the domestic front in 2000 it was a roller coast- Trouble in the energy sector the program would assure deficit-free budgets, and even er ride for Ukraine, the economy being one of the budget surpluses for Ukraine, which could lead to repay- few surprisingly steady elements in an otherwise Reform of Ukraine’s most troubled economic sector, ment of wage and debt arrears, a radical reduction in the unstable year. fuel and energy, proceeded much more turbulently and country’s debt load and a stable currency. A stated longer- The new millennium began at a high point for Ukraine. claimed at least two victims. Ms. Tymoshenko, the con- O term goal was the privatization of land and resurgence of At the end of 1999 the nation had re-elected a president troversial energy vice prime minister, was not, however, the agricultural sector. -
Listed Exhibitions (PDF)
G A G O S I A N G A L L E R Y Anish Kapoor Biography Born in 1954, Mumbai, India. Lives and works in London, England. Education: 1973–1977 Hornsey College of Art, London, England. 1977–1978 Chelsea School of Art, London, England. Solo Exhibitions: 2016 Anish Kapoor. Gagosian Gallery, Hong Kong, China. Anish Kapoor: Today You Will Be In Paradise. Gladstone Gallery, New York, NY. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor. Lisson Gallery, Milan, Italy. Anish Kapoor. Museo Universitario Arte Contemporáneo, Mexico City, Mexico. 2015 Descension. Galleria Continua, San Gimignano, Italy. Anish Kapoor. Regen Projects, Los Angeles, CA. Kapoor Versailles. Gardens at the Palace of Versailles, Versailles, France. Anish Kapoor. Gladstone Gallery, Brussels, Belgium. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor: Prints from the Collection of Jordan D. Schnitzer. Portland Art Museum, Portland, OR. Anish Kapoor chez Le Corbusier. Couvent de La Tourette, Eveux, France. Anish Kapoor: My Red Homeland. Jewish Museum and Tolerance Centre, Moscow, Russia. 2013 Anish Kapoor in Instanbul. Sakıp Sabancı Museum, Istanbul, Turkey. Anish Kapoor Retrospective. Martin Gropius Bau, Berlin, Germany 2012 Anish Kapoor. Museum of Contemporary Art, Sydney, Australia. Anish Kapoor. Gladstone Gallery, New York, NY. Anish Kapoor. Leeum – Samsung Museum of Art, Seoul, Korea. Anish Kapoor, Solo Exhibition. PinchukArtCentre, Kiev, Ukraine. Anish Kapoor. Lisson Gallery, London, England. Flashback: Anish Kapoor. Longside Gallery, Yorkshire Sculpture Park, West Bretton, England. Anish Kapoor. De Pont Foundation for Contemporary Art, Tilburg, Netherlands. 2011 Anish Kapoor: Turning the Wold Upside Down. Kensington Gardens, London, England. Anish Kapoor: Flashback. Nottingham Castle Museum, Nottingham, England.