Michael Giacchino

Total Page:16

File Type:pdf, Size:1020Kb

Michael Giacchino MICHAEL GIACCHINO AWARDS & NOMINATIONS FILM: ASCAP COMPOSERS CHOICE JOJO RABBIT AWARDS NOMINATION (2020) ASCAP Film Score of the Year 73RD BRITISH ACADEMY FILM JOJO RABBIT AWARDS NOMINATION (2020) Best Original Score THE SOCIETY OF COMPOSERS AND JOJO RABBIT LYRICISTS NOMINATION (2019) Outstanding Original Score for a Studio Film HOLLYWOOD MUSIC IN MEDIA SPIDER-MAN: FAR FROM HOME AWARD (2019) Original Score – Sci-Fi Fantasy HOLLYWOOD MUSIC IN MEDIA JOJO RABBIT AWARD NOMINATION (2019) Original Score – Feature Film ANNIE AWARD (2019) THE INCREDIBLES 2 Outstanding Achievement in Music INTERNATIONAL FILM MUSIC THE INCREDIBLES 2 CRITICS AWARD NOMINATION (2019) Best Original Score for an Animated Film INTERNATIONAL FILM MUSIC JURASSIC WORLD: FALLEN CRITICS AWARD NOMINATION KINGDOM (2019) Best Original Score for a Fantasy/Science Fiction/Horror Film HOLLYWOOD MUSIC IN MEDIA THE INCREDIBLES 2 NOMINATION (2018) Best Original Score - Animated Film ASCAP FILM AND TELEVISION ZOOTOPIA AWARD (2017) Film Score of the Year ASCAP Composers’ Choice Award The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 MICHAEL GIACCHINO HOLLYWOOD MUSIC IN MEDIA COCO NOMINATION (2017) Original Score - Animated Film INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION NOMINATION (2017) Composer of the Year INTERNATIONAL FILM MUSIC DOCTOR STRANGE CRITICS ASSOCIATION NOMINATION (2017) Best Original Score for a Fantasy/Science Fiction/Horror Film INTERNATIONAL FILM MUSIC ZOOTOPIA CRITICS ASSOCIATION NOMINATION (2017) Best Original Score for an Animated Film INTERNATIONAL FILM MUSIC “Night on the Yorktown” from STAR CRITICS ASSOCIATION TREK: BEYOND NOMINATION (2017) Film Music Composition of the Year INTERNATIONAL FILM MUSIC “The Master of the Mystic End Credits” CRITICS ASSOCIATION from DOCTOR STRANGE NOMINATION (2017) Film Music Composition of the Year ANNIE AWARD (2016) INSIDE OUT Best Music in an Animated Feature Production HOLLYWOOD MUSIC IN MEDIA ZOOTOPIA NOMINATION (2016) Best Original Score – Animated Film HOLLYWOOD MUSIC IN MEDIA DOCTOR STRANGE NOMINATION (2016) Best Original Score – Sci-Fi/Fantasy Film WORLD SOUNDTRACK AWARDS (2015) Composer of the Year The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 2 MICHAEL GIACCHINO HOLLYWOOD MUSIC IN MEDIA INSIDE OUT NOMINATION (2015) Original Score-Animated Film HOLLYWOOD MUSIC IN MEDIA TOMORROWLAND NOMINATION (2015) Original Score-Sci-Fi / Fantasy Film HOLLYWOOD MUSIC IN MEDIA DAWN OF THE PLANET OF THE APES NOMINATION (2014) Best Original Score – Sci-Fi/Fantasy Film INTERNATIONAL FILM MUSIC JOHN CARTER CRITICS ASSOCIATION AWARD (2012) Best Original Score for a Fantasy / Science Fiction / Horror Film BAFTA AWARD (2009) UP Best Original Music ACADEMY AWARD (2009) UP Best Original Score BROADCAST FILM CRITICS UP CHOICE AWARD (2009) Best Score GOLDEN GLOBE AWARD (2009) UP Best Score GRAMMY AWARD (2009) UP Best Score Soundtrack Album GRAMMY AWARD (2009) “Married Life” from UP Best Instrumental Composition GRAMMY AWARD NOMINATION “Up With End Credits” from UP (2009) Best Instrumental Arrangement GRAMMY AWARD NOMINATION STAR TREK (2009) Best Score Soundtrack Album The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 3 MICHAEL GIACCHINO WORLD SOUNDTRACK AWARD STAR TREK, UP, LAND OF THE LOST NOMINATION (2009) Film Composer of the Year iTUNES AWARD (2008) “Roar” from CLOVERFIELD Best Score ACADEMY AWARD NOMINATION RATATOUILLE (2008) Best Original Score INTERNATIONAL FILM MUSIC RATATOUILLE CRITICS ASSOCIATION NOMINATION (2007) Film Score of the Year INTERNATIONAL FILM MUSIC RATATOUILLE CRITICS ASSOCIATION NOMINATION (2007) Film Composer of the Year INTERNATIONAL FILM MUSIC RATATOUILLE CRITICS ASSOCIATION AWARD (2007) Best Original Score-Animated Feature ANNIE AWARD (2007) RATATOUILLE Best Music in an Animated Feature Production GRAMMY AWARD (2007) RATATOUILLE Best Score Soundtrack Album WORLD SOUNDTRACK AWARD RATATOUILLE NOMINATION (2007) Song: “Le Festin” Best Original Song Written Directly for a Film INTERNATIONAL FILM MUSIC MISSION IMPOSSIBLE III CRITICS ASSOCIATION NOMINATION (2006) Best Original Score for an Action/Thriller Film GRAMMY AWARD NOMINATION THE INCREDIBLES (2004) Best Score Soundtrack Album The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 4 MICHAEL GIACCHINO GRAMMY AWARD NOMINATION THE INCREDIBLES (2004) Best Instrumental Composition L.A. FILM CRITICS ASSOCIATION THE INCREDIBLES AWARD (2004) Best Music Score ANNIE AWARD (2004) THE INCREDIBLES Best Music in an Animated Feature Production BROADCAST FILM CRITICS THE INCREDIBLES CHOICE NOMINATION (2004) Best Composer GOLDEN SATELLITE AWARDS THE INCREDIBLES NOMINATION (2004) Best Score ONLINE FILM CRITICS AWARD THE INCREDIBLES (2004) Best Score LAS VEGAS FILM CRITICS AWARD THE INCREDIBLES (2004) Best Score TELEVISION: ANNIE AWARD NOMINEE (2011) PREP & LANDING: NAUGHTY VS. Music in a Television Production NICE EMMY NOMINATION (2010) LOST Outstanding Music Composition For a Series (Dramatic Underscore) EMMY NOMINATION (2008) LOST Outstanding Music Composition For a Series (Dramatic Underscore) INTERNATIONAL FILM MUSIC LOST CRITICS ASSOCIATION NOMINATION (2007) Best Original Score for Television INTERNATIONAL FILM MUSIC LOST CRITICS ASSOCIATION The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 5 MICHAEL GIACCHINO NOMINATION (2006) Best Original Score for Television EMMY AWARD (2005) LOST Outstanding Music Composition For a Series (Dramatic Underscore) EMMY NOMINATION (2005) THE MUPPETS’ WIZARD OF OZ Outstanding Music and Lyrics Song: “I’m With You” *shared award INTERACTIVE: INTERNATIONAL FILM MUSIC MEDAL OF HONOR: AIRBORNE CRITICS ASSOCIATION NOMINATION (2007) Original Score for a Video Game or Interactive Media GANG AWARD (2002) MEDAL OF HONOR: FRONTLINE Music of the Year GANG AWARD (2002) MEDAL OF HONOR: FRONTLINE Best Live Performance “Operation Market Garden” GANG AWARD (2002) MEDAL OF HONOR: ALLIED Best Original Instrumental Music ASSAULT Main Theme GANG AWARD NOMINATION (2002) MEDAL OF HONOR: FRONTLINE Best Original Vocal or Choral Music “Arnhem” ACADEMY OF INTERACTIVE ARTS MEDAL OF HONOR: FRONTLINE AND SCIENCES AWARD (2001) Best Score ACADEMY OF INTERACTIVE ARTS MEDAL OF HONOR: UNDERGROUND AND SCIENCES AWARD (2001) Best Score MOTION PICTURES JURASSIC WORLD: DOMINION Patrick Crowley, Frank Marshall, prods Universal Pictures Colin Trevorrow, dir. THE BATMAN Dylan Clark, Matt Reeves, prods. Warner Bros. Matt Reeves, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 6 MICHAEL GIACCHINO LET HIM GO Mitchell Kaplan, Paula Mazur, prods. Focus Features Thomas Bezucha, dir. EXTINCT Warren Franklin, exec prod. China Lion Entertainment David Silverman, dir. BORAT SUBSEQUENT MOVIEFILM Jason Woliner, dir. Amazon Studios Sacha Baron Cohen, Peter Baynham, *score consultant Buddy Enright, Nicholas Hatton, prods. SPIDER-MAN: FAR FROM HOME Kevin Feige, Amy Pascal, prods. Marvel Studios / Columbia Pictures Jon Watts, dir. JOJO RABBIT Taika Waititi , Dan Halsted, Emanuel Michael, Fox Searchlight Carthew Neal, Lloyd Philips, Chelsea Winstanely, prods. Taika Waititi, dir. AN AMERICAN PICKLE Seth Rogen, Evan Goldberg, James Weaver, Columbia Pictures / Point Grey Pictures prods. *original themes by Brandon Trost, dir. BAD TIMES AT THE EL ROYALE Drew Goddard, Jeremy Latcham, prods. 20th Century Fox Drew Goddard, dir. INCREDIBLES 2 Nicole Paradis Grindle, John Walker, prods. Disney / Pixar Brad Bird, dir. COCO Darla Anderson, Donna Cole-Brulé, prods. Disney / Pixar Lee Unkrich, dir. JURASSIC WORLD 2: FALLEN Frank Marshall, Thomas Tull, Barry Waldman, KINGDOM Patrick Crowley, Belén Atienza, prods. Universal J.A. Bayona, dir. SPIDER-MAN: HOMECOMING Kevin Fiege, Amy Pascal, prods. Marvel Studios / Columbia Pictures Jon Watts, dir. WAR OF THE PLANET OF THE Peter Chernin, Amanda Silver, Dylan Clark, Rick APES Jaffa, Jenno Topping, prods. 20th Century Fox Matt Reeves, dir. ROGUE ONE: A STAR WARS STORY Kathleen Kennedy, John Knoll, Alli Shearmur, Lucasfilms/Walt Disney Pictures Tony To, prods. Gareth Edwards, dir. DOCTOR STRANGE Kevin Feige, Stan Lee, Victoria Alonso, Stephen Marvel Studios/Walt Disney Pictures Broussard, Louis D’Esposito, prods. Scott Derrickson, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 7 MICHAEL GIACCHINO STAR TREK BEYOND J. J. Abrams, Bryan Burk, Roberto Orci, prods. Paramount Pictures Justin Lin, dir. THE BOOK OF HENRY Jenette Kahn, Sidney Kimmel, Adam Richman, prods. Focus Features Colin Trevorrow, dir. ZOOTOPIA Clark Spencer, prod. Walt Disney Pictures Byron Howard, Rich Moore, dirs. INSIDE OUT Jonas Rivera, prod. Pixar Animation / Walt Disney Pictures Pete Docter, dir. JURASSIC WORLD Patrick Crowley, Frank Marshall, Thomas Tull, prods. Universal Pictures Colin Trevorrow, dir. TOMORROWLAND Brad Bird, Jeffrey Chernov, Damon Lindelof, prods. Walt Disney Pictures Brad Bird, dir. THIS IS WHERE I LEAVE YOU Jeffrey Levine, Paul Weinstein, prods. Warner Bothers Pictures Shawn Levy, dir. DAWN OF THE PLANET OF THE Peter Chernin, Dylan Clark, Rick Jaffa, APES Amanda Silver, prods. 20th Century Fox Matt Reeves, dir. JUPITER ASCENDING Andy Wachowski, Lana Wachowski, Grant Hill, prods. Warner Brothers Pictures Andy Wachowksi, Lana Wachowski, dirs.. STAR TREK INTO DARKNESS J.J. Abrams, Damon Lindelof, Alex Kurtzman, Paramount Pictures Bryan Burke, prods. J.J. Abrams, dir. JOHN CARTER Colin Wilson, Lindsey Collins, Jim Morris, prods. Walt Disney Pictures Andrew Stanton, dir. MISSION IMPOSSIBLE: GHOST J.J. Abrams, Bryan Burk, Tom Cruise, prods. PROTOCOL Brad Bird, dir. Paramount 50/50 Seth Rogen, prod. Summit Entertainment Jonathan Levine, dir. MONTE CARLO Stan Wlodkowski,
Recommended publications
  • Title Director Screening Section Premiere Status
    Title Director Screening Section Premiere Status An Evening With Sacred Bones Records Jacqueline Castel Special Events World Premiere Bernie Richard Linklater Special Events Best of Vimeo Shorts: Vimeo Loves Various Special Events Big Star: Nothing Can Hurt Me Drew DeNicola Special Events Casa de mi Padre Matt Piedmont Special Events Coffin Joe's "This Night I Will Possess Jose Mojica Marins Special Events Your Corpse" Girl Walk // All Day Jacob Krupnick Special Events Re: Generation Music Project Amir Bar Lev Special Events Adam Russell, Renga Special Events North American Premiere John Sear SXSW & The Alamo Drafthouse present: Special Events World Premiere Epic Meal Time The Oyster Princess (1919) Ernst Lubitsch Special Events with live score by Bee vs. Moth when you find me presented by Canon Bryce Dallas Howard Special Events U.S. Premiere George Dunning, Yellow Submarine (1968) Newly Restored (UK) Robert Balser, Special Events Jack Stokes Title Director Screening Section Premiere Status Phil Lord, 21 Jump Street Headliners World Premiere Christopher Miller BIG EASY EXPRESS Emmett Malloy Headliners World Premiere Decoding Deepak Gotham Chopra Headliners World Premiere Girls Lena Dunham Headliners World Premiere Killer Joe William Friedkin Headliners U.S. Premiere MARLEY Kevin Macdonald Headliners North American Premiere The Cabin in the Woods Drew Goddard Headliners World Premiere The Hunter Daniel Nettheim Headliners U.S. Premiere Blue Like Jazz Steve Taylor Narrative Spotlight World Premiere Crazy Eyes Adam Sherman Narrative Spotlight World Premiere Fat Kid Rules The World Matthew Lillard Narrative Spotlight World Premiere frankie go boom Jordan Roberts Narrative Spotlight World Premiere Hunky Dory Marc Evans Narrative Spotlight North American Premiere In Our Nature Brian Savelson Narrative Spotlight World Premiere Keyhole Guy Maddin Narrative Spotlight U.S.
    [Show full text]
  • Suggestions for Top 100 Family Films
    SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT..
    [Show full text]
  • A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected]
    Student Research and Creative Works Book Collecting Contest Essays University of Puget Sound Year 2015 The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/book collecting essays/6 Krista Silva The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works I am an inhabitant of the Whedonverse. When I say this, I don’t just mean that I am a fan of Joss Whedon. I am sincere. I live and breathe his works, the ever-expanding universe— sometimes funny, sometimes scary, and often heartbreaking—that he has created. A multi- talented writer, director and creator, Joss is responsible for television series such as Buffy the Vampire Slayer , Firefly , Angel , and Dollhouse . In 2012 he collaborated with Drew Goddard, writer for Buffy and Angel , to bring us the satirical horror film The Cabin in the Woods . Most recently he has been integrated into the Marvel cinematic universe as the director of The Avengers franchise, as well as earning a creative credit for Agents of S.H.I.E.L.D. My love for Joss Whedon began in 1998. I was only eleven years old, and through an incredible moment of happenstance, and a bit of boredom, I turned the television channel to the WB and encountered my first episode of Buffy the Vampire Slayer . I was instantly smitten with Buffy Summers. She defied the rules and regulations of my conservative southern upbringing.
    [Show full text]
  • The Revenant Nominations List Achievement in Cinematography 1
    The Revenant nominations list Achievement in cinematography 1 Achievement in costume design 2 Achievement in directing 3 Achievement in film editing 4 Achievement in makeup and hairstyling 5 Achievement in production design 6 Achievement in sound editing 7 Achievement in sound mixing 8 Achievement in visual effects 9 Best motion picture of the year 10 Performance by an actor in a leading role 11 Performance by an actor in a supporting role 12 Oscars® 2016 Movie Checklist 13 Academy of Motion Picture Arts and Sciences Page 1 1. NOMINATIONS BY CATEGORY - 88TH AWARDS Performance by an actor in a leading role Bryan Cranston in “Trumbo” (Bleecker Street) Matt Damon in “The Martian” (20th Century Fox) Leonardo DiCaprio in “The Revenant” (20th Century Fox) Michael Fassbender in “Steve Jobs” (Universal) Eddie Redmayne in “The Danish Girl” (Focus Features) Performance by an actor in a supporting role Christian Bale in “The Big Short” (Paramount) Tom Hardy in “The Revenant” (20th Century Fox) Mark Ruffalo in “Spotlight” (Open Road Films) Mark Rylance in “Bridge of Spies” (Walt Disney and 20th Century Fox) Sylvester Stallone in “Creed” (Warner Bros.) Performance by an actress in a leading role Cate Blanchett in “Carol” (The Weinstein Company) Brie Larson in “Room” (A24) Jennifer Lawrence in “Joy” (20th Century Fox) Charlotte Rampling in “45 Years” (Sundance Selects) Saoirse Ronan in “Brooklyn” (Fox Searchlight) Performance by an actress in a supporting role Jennifer Jason Leigh in “The Hateful Eight” (The Weinstein Company) Rooney Mara in “Carol” (The Weinstein Company) Rachel McAdams in “Spotlight” (Open Road Films) Alicia Vikander in “The Danish Girl” (Focus Features) Kate Winslet in “Steve Jobs” (Universal) Academy of Motion Picture Arts and Sciences PagePage 2 2.
    [Show full text]
  • Videos, Podcasts, TV, Film, Music, Song
    APA Referencing 7th edition – References format (7): Videos, Podcasts, TV, Film, Music, Song Publication Formatting instructions Template – Reference Format Type YouTube or Family name of person or name of Hayashi, Y. [Toast It Up]. (2020, February 10. Answering to "How can I become fluent in a video from group that uploaded the video. Then foreign language?" [Video]. YouTube. https://youtu.be/AFnyQnCcJio other online username in title caps in brackets. Then sources or year of publication, month and date in [Source: Video from YouTube social media site] social media parenthesis. Then title of video in letter OR caps and italics with description in brackets. Then name of streaming Cookie Studio. (2019, July 3). Amazon – Making of [Video]. Vimeo. service in title caps. Then URL https://vimeo.com/345947153 Omit the username if it is the same as the author’s or group name [Source: Video from other online social media] Podcast or Family name of executive producer or Hasan. M. (Podcast Host). (2018-present). Deconstructed with Mehdi Hasan [Audio podcast]. single episode host of podcast. Then description in The Intercept. https://theintercept.com/podcasts/deconstructed/ in a podcast parenthesis. Then range of years in series publication in parenthesis. The title of [Source: Podcast from other online podcast website with transcripts] podcast in letter caps and italics with OR description in brackets. Then name of production company. Then URL Reber, S. (Executive Producer). (2020, March 9). The reporters (No. 4) [Audio podcast If single episode, write year, month and episode]. In Verified. Scripps Washington Bureau. https://www.radio.com/media/audio- date of broadcast in parenthesis instead of range of years.
    [Show full text]
  • January 2020 the Lighthouse Robert Eggers the Irish Film Institute
    JANUARY 2020 THE LIGHTHOUSE ROBERT EGGERS THE IRISH FILM INSTITUTE The Irish Film Institute is Ireland’s EXHIBIT national cultural institution for film. It aims to exhibit the finest in independent, Irish and international cinema, preserve PRESERVE Ireland’s moving image heritage at the Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. THE NIGHT WINTER MENU OF IDEAS 2020 Fancy some healthy and hearty food this January? Look The Night of Ideas is a worldwide initiative, spearheaded by no further than the IFI Café Bar’s delicious winter menu, Institut Français, that celebrates the constant stream of ideas featuring new dishes including Wicklow Lamb Stew, between countries, cultures, and generations. The IFI and Vegetarian Lasagne, and Warm Winter Veg with Harissa the French Embassy are proud to present this third edition in Yoghurt and Beetroot Crisps. Book your table by emailing Ireland, the theme of which is ‘Being Alive’. For more details on [email protected] or by ringing 01-6798712. the event, please see page 15. NAME YOUR SEAT COMING SOON Parasite Naming a seat in the newly refurbished Cinema 1 is a Coming to the IFI in February are two of the year’s most fantastic way to demonstrate your own passion for film, anticipated new releases: Bong Joon Ho’s Parasite, winner of celebrate the memory of someone who loved the IFI, or the 2019 Palme d’Or and hotly tipped for Oscar glory, follows the gift a unique birthday or anniversary present to the film sinister relationship between an unemployed family and their fan in your life! The only limit is 50 characters and your patrons; and Céline Sciamma’s stunning Portrait of a Lady on Fire, imagination.
    [Show full text]
  • JOY ZAPATA Hair Dept
    JOY ZAPATA Hair Dept. Head/ Hair Stylist www.joyzapatahair.com IATSE local #706, AMPAS Joy’s first break came from working at the AFI for actress Lee Grant who was directing her first student film “The Stronger”. Joy donated her time and talent to bring this period film to life for the characters who were cast. It also led Lee Grant to win her second Oscar, this time in directing, for Best Student Film. Joy went on to work for Lee on Airport 77 and over the next two decades Joy worked with some of the biggest stars in film and television as Department Head or as Personal request including Personal for Jack Nicholson for over twenty years. Joy has earned five Emmy nominations, two wins and multiple other awards. Joy’s support and dedication to her craft is only surpassed by her contagious energy on set. Highly respected, her expertise in every facet of hairstyling has given her the ability to run large departments smoothly and make her a dependable leader. Feature Films (Partial List, DEPT. HEAD unless otherwise specified); Production Director/ Producer /Production Company RICHARD JEWELL Clint Eastwood / Leonardo DiCaprio / Warner Bros. A STAR IS BORN (Key hair) Bradley Cooper / Bill Gerber / Warner Bros 8 Academy Award Nominations including Best Picture SNATCHED (AKA Amy Schumer/Goldie Hawn 2016) Jonathan Levine / Peter Chernin / Fox MOHAVE (Oscar Isaac, Garrett Hedlund) William Monahan / Aaron Ginsberg / Atlas RIDE (Department Head) Helen Hunt / Matthew Carnahan / Sandbar NEIGHBORS Nicholas Stoller / Evan Goldberg / Universal NIGHTCRAWLER (Key hair) Dan Gilroy / Jake Gyllenhaal / Bold Films THE ARTIST (Key hair) Michael Hazanavicius /T.
    [Show full text]
  • An Analysis of Moral Values in Zootopia Movie
    AN ANALYSIS OF MORAL VALUES IN ZOOTOPIA MOVIE THESIS Submitted by: MAULIDIA HUMAIRA Student of Department of English Language Education Faculty of Education and Teacher Training Reg. No: 231324225 FACULTY OF EDUCATION AND TEACHER TRAINING AR-RANIRY STATE ISLAMIC UNIVERSITY DARUSSALAM-BANDA ACEH 2018/1439 H ACKNOWLEDGEMENT Alhamdulillah, All praises be to Allah ‘azzawajalla, the most gracious, the most merciful, andthe most beneficent who has given me love and blessing that made me able to finish this research and writing this thesis. Peace and salutation be upon our beloved prophet Muhammad SAW, his family and companions has struggled whole heartedly to guide ummah to the right path. On this occasion with great humility, I would like to thank to all of those who help me and guidance, so that this thesis can be finished in time. Completion of writing this thesis, I would like to thanks Dr. Muhammad Nasir, M.Hum and Mr. T. Murdani, S.Ag, M.IntlDev as my supervisor forgiving the useful supervision, guidance and constructive ideas during the process of completing this thesis. Also I would like to express my gratitude and high appreciation to my beloved father Burhanuddin, and my lovely mother Rasunah for their wisdom, patience, love, attention, support and care. I also bestow my thankfulness to my beloved sisters Puspitasari and Safrida , my brothers Hafidh Kurniawan and Muhammad Irfan, and my cousins Putri Nabila Ulfa and Maulizahra, for their endless love who inspired and motivated me all along accomplishing this thesis. My special thanks to my academic advisor Mr. Dr.Syarwan, M.LIS, who has supervised me since I was first semester until now.
    [Show full text]
  • Imperialism and Exploration in the American Road Movie Andy Wright Pitzer College
    Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2016 Off The Road: Imperialism And Exploration in the American Road Movie Andy Wright Pitzer College Recommended Citation Wright, Andy, "Off The Road: Imperialism And Exploration in the American Road Movie" (2016). Pitzer Senior Theses. Paper 75. http://scholarship.claremont.edu/pitzer_theses/75 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Wright 1 OFF THE ROAD Imperialism And Exploration In The American Road Movie “Road movies are too cool to address serious socio-political issues. Instead, they express the fury and suffering at the extremities of a civilized life, and give their restless protagonists the false hope of a one-way ticket to nowhere.” –Michael Atkinson, quoted in “The Road Movie Book” (1). “‘Imperialism’ means the practice, the theory, and the attitudes of a dominating metropolitan center ruling a distant territory; ‘colonialism’, which is almost always a consequence of imperialism, is the implanting of settlements on distant territory” –Edward Said, Culture and Imperialism (9) “I am still a little bit scared of flying, but I am definitely far more scared of all the disgusting trash in between places” -Cy Amundson, This Is Not Happening “This is gonna be exactly like Eurotrip, except it’s not gonna suck” -Kumar Patel, Harold and Kumar Escape From Guantanamo Bay Wright 2 Off The Road Abstract: This essay explores the imperialist nature of the American road movie as it is defined by the film’s era of release, specifically through the lens of how road movies abuse the lands that are travelled through.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Masculinity in Children's Film
    Masculinity in Children’s Film The Academy Award Winners Author: Natalie Kauklija Supervisor: Mariah Larsson Examiner: Tommy Gustafsson Spring 2018 Film Studies Bachelor Thesis Course Code 2FV30E Abstract This study analyzes the evolution of how the male gender is portrayed in five Academy Award winning animated films, starting in the year 2002 when the category was created. Because there have been seventeen award winning films in the animated film category, and there is a limitation regarding the scope for this paper, the winner from every fourth year have been analyzed; resulting in five films. These films are: Shrek (2001), Wallace and Gromit (2005), Up (2009), Frozen (2013) and Coco (2017). The films selected by the Academy of Motion Picture Arts and Sciences in the Animated Feature film category tend to be both critically and financially successful, and watched by children, young adults, and adults worldwide. How male heroes are portrayed are generally believed to affect not only young boys who are forming their identities (especially ages 6-14), but also views on gender behavioral expectations in girls. Key words Children’s Film, Masculinity Portrayals, Hegemonic Masculinity, Masculinity, Film Analysis, Gender, Men, Boys, Animated Film, Kids Film, Kids Movies, Cinema, Movies, Films, Oscars, Ceremony, Film Award, Awards. Table of Contents Introduction __________________________________________________________ 1 Problem Statements ____________________________________________________ 2 Method and Material ____________________________________________________
    [Show full text]
  • To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
    To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation.
    [Show full text]