The View, Summer 2014
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
History of German Immigration in the United States and Successful
w*r» . & <J> 1> t U *7* y"J, 7^ ^ ,/~ J i- ^ « *^ ^V ^VB *bVB * ^ <>••••<** CARL SCML'RZ. HISTORY OF V& GERMAN IMMIGRATION IN THE UNITED STATES AND Successful German-Americans and Their Descendants BY GEO. VON SKAL 1908 I of CuI\mRESS* I wo tAKiiei o SEP 17 laua UUtt LX_ AAC. > ) | a. S « 3 J f a. To the memory of the late (Earl ^rlutrz who, a steadfast and loyal American, remained true to German ideals, and devoted his life to the betterment of his adopted country, never forget- ting or belittling the gifts he had received from the land of his birth, this utnrk is iirMratrii COPYRIGHT, 1908, BY F. T. & J. C. SMILEY NEW YORK CITY — INTRODUCTION THIS work is intended to be a record of all that Germans have accomplished in the United States a record of honest endeavor, energy, perseverance, strength and achievement. It shall, in addition, show the part that the American citizen of German blood has taken in the making of these United States, in peace and war, on the battlefield as well as in the counting house, the workshop and laboratory, in the realm of science and education or in the long fight that was neces- sary to extend civilization and culture over a continent. It contains a history of German immigration in the United States from the first settlements to the present day, showing what the Germans were who left the fatherland, why they came, and what they did in their new country. Every incident throwing light upon the work done by the German element has been made use of to give a complete, though concise, and impartial re- cital of its activity, and a description of the influence it has exerted upon the development of the Union. -
Adjutant-General
ANNUAL REPORT, OP THE ADJUTANT-GENERAL OP THE STATE OF NEW YORK. FOR THE YEAR 1899. Registers of the Twentieth, Twenty-first* Twenty- second, Twenty-third, Twenty-fourth, and Twenty-fifth Regiments of Infantry. (FOR THAT OF NINETEENTH INFANTRY, see THIRD ARTILLERY.) TRANSMITTED TO THE LEGISLATURE FEBRUARY 5, 1900. SERIAL No. 20. ALBANY: JAMES B. LYON, STATE POINTER, 1900. 7615104 TWENTIETH INFANTRY. AAB, GEORGE.—Age, 21 years. Enlisted, May 3, 1861, at New York city, to serve two years; mustered in as private, Co. B, May 6, 1861; wounded, September 17, 1862, at Antietam, Md.; mustered out wTitli company, June 1, 1863, at New York city. ABERLE, JACOB.—Age, 21 years. Enlisted, May 3, 1861, at New York city, to serve two years; mustered in as private, Co. B, May 6, 1861; promoted corporal, May 28, 1862; mustered out wTitk company, June 1, 1863, at New York city. ACHENBACK, PHILIP, see Philipp Aschenbach. ADAM, LOUIS.—Age, 22 years. Enlisted, September 23, 1862, at New York city, to serve twTo years; mustered in as private, Co. A, September 25, 1S62; transferred, May 7, 1863, to Ar• tillery Second Division, Sixth Corps; to Fifth United States Artillery; to Third New York Battery; also borne as Lewis Adam. ADAM, OTTO.—Age, 25 years. Enlisted, May 3, 1861, at New New York city, to serve twro years; mustered in as private, Co. B, May 6, 1861; died of wounds received in action, September 17, 1862, at Antietam, Md. ABLER, JOHN.—Age, 24 years. Enlisted, May 3, 1861, at New York city, to serve two years; mustered in as private, Co. -
Discography Updates (Updated May, 2021)
Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard. -
It's All Good
SEPTEMBER 2014—ISSUE 149 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JASON MORAN IT’S ALL GOOD... CHARLIE IN MEMORIAMHADEN 1937-2014 JOE • SYLVIE • BOBBY • MATT • EVENT TEMPERLEY COURVOISIER NAUGHTON DENNIS CALENDAR SEPTEMBER 2014 BILLY COBHAM SPECTRUM 40 ODEAN POPE, PHAROAH SANDERS, YOUN SUN NAH TALIB KWELI LIVE W/ BAND SEPT 2 - 7 JAMES CARTER, GERI ALLEN, REGGIE & ULF WAKENIUS DUO SEPT 18 - 19 WORKMAN, JEFF “TAIN” WATTS - LIVE ALBUM RECORDING SEPT 15 - 16 SEPT 9 - 14 ROY HARGROVE QUINTET THE COOKERS: DONALD HARRISON, KENNY WERNER: COALITION w/ CHICK COREA & THE VIGIL SEPT 20 - 21 BILLY HARPER, EDDIE HENDERSON, DAVID SÁNCHEZ, MIGUEL ZENÓN & SEPT 30 - OCT 5 DAVID WEISS, GEORGE CABLES, MORE - ALBUM RELEASE CECIL MCBEE, BILLY HART ALBUM RELEASE SEPT 23 - 24 SEPT 26 - 28 TY STEPHENS (8PM) / REBEL TUMBAO (10:30PM) SEPT 1 • MARK GUILIANA’S BEAT MUSIC - LABEL LAUNCH/RECORD RELEASE SHOW SEPT 8 GATO BARBIERI SEPT 17 • JANE BUNNETT & MAQUEQUE SEPT 22 • LOU DONALDSON QUARTET SEPT 25 LIL JOHN ROBERTS CD RELEASE SHOW (8PM) / THE REVELATIONS SALUTE BOBBY WOMACK (10:30PM) SEPT 29 SUNDAY BRUNCH MORDY FERBER TRIO SEPT 7 • THE DIZZY GILLESPIE™ ALL STARS SEPT 14 LATE NIGHT GROOVE SERIES THE FLOWDOWN SEPT 5 • EAST GIPSY BAND w/ TIM RIES SEPT 6 • LEE HOGANS SEPT 12 • JOSH DAVID & JUDAH TRIBE SEPT 13 RABBI DARKSIDE SEPT 19 • LEX SADLER SEPT 20 • SUGABUSH SEPT 26 • BROWN RICE FAMILY SEPT 27 Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps with Hutch or different things like that. like things different or Hutch with sometimes. -
Eartrip7.Pdf Download
CONTENTS Editorial An internet-related rant and a summary of the delights to follow in the rest of the current issue. By David Grundy. [pp.3-4] Listening to Sachiko M 12,000 words (count' em) – a lengthy, and no-doubt futile attempt to get to grips with some of the recordings of empty-sampler player (or, in her own words, 'non-musician'), Sachiko M, including interminable ramblings on such albums as 'Bar Sachiko,' 'Filament 1', and 'Tears'. By David Grundy. [pp.5-26] The Drop at the Foot of the Ladder: Musical Ends and Meanings of Performances I Haven't Been To, Fluxus and Today 11,000 words (count 'em), covering the delicate and indelicate negotiations between music and performance, audience and performer, art and non-art, that take place in the 1960s works of Fluxus and their distant inheritors, Mattin and Taku Unami. By Lutz Eitel. [pp.27-52] Feature: Live in Seattle Two solo takes and a duo relating to Coltrane's 1965 recording, made at the breaking point of his 'Classic Quartet', poised between old and new, music that pushes at the limits and drops back only to push again with furious persistence. By David Grundy and Sean Bonney. [pp.53-74] Interview: The Rent To call The Rent a Steve Lacy 'tribute band' would be to do them an immense disservice, though their repertoire consists mainly of Lacy compositions. Their conversation with Ted Harms covers such topics as inter-disciplinarity, the Lacy legacy, and the notion of jazz repertoire. [pp.75-83] You Tube Watch: Billy Harper A feature devoted this issue to the great Texan tenor Billy Harper. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC). -
The Avant-Garde in Jazz As Representative of Late 20Th Century American Art Music
THE AVANT-GARDE IN JAZZ AS REPRESENTATIVE OF LATE 20TH CENTURY AMERICAN ART MUSIC By LONGINEU PARSONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Longineu Parsons To all of these great musicians who opened artistic doors for us to walk through, enjoy and spread peace to the planet. ACKNOWLEDGMENTS I would like to thank my professors at the University of Florida for their help and encouragement in this endeavor. An extra special thanks to my mentor through this process, Dr. Paul Richards, whose forward-thinking approach to music made this possible. Dr. James P. Sain introduced me to new ways to think about composition; Scott Wilson showed me other ways of understanding jazz pedagogy. I also thank my colleagues at Florida A&M University for their encouragement and support of this endeavor, especially Dr. Kawachi Clemons and Professor Lindsey Sarjeant. I am fortunate to be able to call you friends. I also acknowledge my friends, relatives and business partners who helped convince me that I wasn’t insane for going back to school at my age. Above all, I thank my wife Joanna for her unwavering support throughout this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF EXAMPLES ...................................................................................................... 7 ABSTRACT -
Andrew Zimmerman
Andrew Zimmerman Department of History Phone: 202-994-0257 The George Washington University E-mail: [email protected] Washington, DC 20052 Fax: 202-994-6231 Academic Employment 2011-present Professor, Department of History, The George Washington University. 2006-2011 Associate Professor, Department of History, The George Washington University. 2000-2006 Assistant Professor, Department of History, The George Washington University. 1998-2000 Mellon Fellow in History, Society of Fellows in the Humanities, Columbia University. 1997 Adjunct Instructor, San Diego State University. Education Ph.D. History, University of California, San Diego. 1998. M.Phil. History and Philosophy of Science, Darwin College, Cambridge University, 1991. B.A. History, University of California, Los Angeles, 1990. Additional Study: Humboldt University, Berlin (1994-1996); University of Vienna (1988-1989). Prizes and Honors Robert W. Kenny Prize for Excellence in Teaching, George Washington University, 2007. Bender Teaching Award, George Washington University, 2003. Fritz Stern Dissertation Prize, German Historical Institute, Washington, DC, 1999. Phi Beta Kappa, University of California, Los Angeles, 1990. External Grants and Fellowships Member, Institute for Advanced Study, School of Social Science, Princeton, 2017-18. Guggenheim Foundation Fellowship, 2017. American Council of Learned Societies Fellowship, 2017-18. Visiting Fellow, Institute for Advanced Study, Warwick University, May 2017. Fellowship, Charles Warren Center for Studies in American History, Harvard University, Spring 2011. American Council of Learned Societies Junior Faculty Fellowship, 2004-2005. National Endowment for the Humanities Summer Stipend, 2002. American Philosophical Society Franklin Research Grant, 2002-2003. Society of Fellows in the Humanities, Columbia University, 1998-2000 Fulbright Research Award, Germany (and renewal), 1994-1996. George Washington University Grants and Fellowships University Facilitating Fund Grant, 2002, 2008, 2010. -
MIGUEL ANGEL CENTENO Department of Sociology Princeton University Princeton, New Jersey 08544 (609) 258-4452/3148 (Office) 2180
MIGUEL ANGEL CENTENO Department of Sociology Princeton University Princeton, New Jersey 08544 (609) 258-4452/3148 (office) 2180 (fax) http://www.princeton.edu/~cenmiga EDUCATION 1990 Ph.D., Sociology, Yale University 1987 MBA, School of Organization and Management, Yale University 1980 BA, History, Yale College HONORS, GRANTS AND FELLOWSHIPS 2014-15 Faculty Council, WWS 2013 Watson Institute, Brown U., Board of Overseers 2013 Musgrave Professorship, Princeton University 2012 MLK Journey Award 2012-2015 Fung Global Fellows, Princeton University 2011-2014 Princeton Society of Fellows 2008 Conferencia Magistral, Universidad Católica de Chile 2005 McFarlin Lecture, University of Tulsa 2005 Elected member Sociological Research Association 2004-2006 ASA, Comparative Historical Section Council 2004 Bonner Foundation Award 2004 Jefferson Award for Community Service, Trenton Times 2003 Mattei Dogan Prize. Honorable Mention for Blood and Debt. 2001 Advising Award, Department of Sociology, Princeton University 1997 Presidential Teaching Award, Princeton 1997-98 Harry Frank Guggenheim Foundation, Research Grant 1995 Leadership Award, Princeton 1995 Latin American Studies Association, Nominated for Executive Council 1995 National Endowment for the Humanities Fellowship 1994-97 Class of 1936 Bicentennial Preceptorship, Princeton 1994 Choice Outstanding Academic Book for Democracy within Reason. 1993 Center for Advanced Study in the Behavioral Sciences, Invitation 1990-2003 Faculty Research Grants, Princeton University 1992 Fulbright Lecturing Fellowship, -
Keeping Jazz Alive: a Workshop on Contemporary Vocal Improv with Sheila Jordan, Theo Bleckmann, Lewis Porter, Billy Harper and Friends
Keeping Jazz Alive: A Workshop on Contemporary Vocal Improv with Sheila Jordan, Theo Bleckmann, Lewis Porter, Billy Harper and friends featuring Kenny Davis and Steve Johns The legendary and beloved Sheila Jordan, with her famous protégé Theo Bleckmann, present a workshop about what all jazz singers need to know and how to prepare for a future in this music--with a special emphasis on improvisation. Presented by Learning Live together with the Council for Living Music Lewis Porter At 90, NEA Master Sheila Jordan continues to sing and teach jazz nurturing generations of Billy Harper singers, including her former student Theo Bleckmann. “The important thing to me is getting out there doing the workshops, doing Theo Bleckmann concerts and keeping the music alive.” ©Bill May Grammy-nominated jazz singer and new music Sheila Jordan composer Theo Bleckmann’s explores the boundaries of music in all its forms and genres appearing "live" and on records with everyone from Ambrose Akinmusire, Laurie Anderson, Philip Glass, and John Zorn. Lewis Porter, P.h.D.,is a Grammy-nominated Kenny Davis pianist and composer on 29 albums with Dave Caterina diPerri Liebman, John Patitucci, Terri Lyne Carrington, and many others, as well as a celebrated Steve Johns author, researcher, and educator. Renowned saxophonist and accomplished singer, Billy Harper moved to New York in 1966 and soon began performing and recording with Gil Evans, Max Roach, Lee Morgan and Art Blakey. He is currently teaching singers and instrumentalists at The New School. FREE ADMISSION Light refreshments served Tuesday April 2, 2019 Local 802, 322 W. -
The Antietam and Fredericksburg
North :^ Carolina 8 STATE LIBRARY. ^ Case K3€X3Q£KX30GCX3O3e3GGG€30GeS North Carolina State Library Digitized by tine Internet Archive in 2011 with funding from State Library of North Carolina http://www.archive.org/details/antietamfredericOOinpalf THE ANTIETAM AND FREDERICKSBURG- Norff, Carof/na Staie Library Raleigh CAMPAIGNS OF THE CIVIL WAR.—Y. THE ANTIETAM AND FREDERICKSBURG BY FEAISrCIS WmTHEOP PALFEEY, BREVET BRIGADIER GENERAL, U. 8. V., AND FORMERLY COLONEL TWTENTIETH MASSACHUSETTS INFANTRY ; MEMBER OF THE MASSACHUSETTS HISTORICAL SOCIETF, AND OF THE MILITARY HIS- TORICAL SOCIETY OF MASSACHUSETTS. NEW YORK CHARLES SCRIBNEE'S SONS 743 AND 745 Broadway 1893 9.73.733 'P 1 53 ^ Copyright bt CHARLES SCRIBNER'S SONS 1881 PEEFAOE. In preparing this book, I have made free use of the material furnished by my own recollection, memoranda, and correspondence. I have also consulted many vol- umes by different hands. As I think that most readers are impatient, and with reason, of quotation-marks and foot-notes, I have been sparing of both. By far the lar- gest assistance I have had, has been derived from ad- vance sheets of the Government publication of the Reports of Military Operations During the Eebellion, placed at my disposal by Colonel Robert N. Scott, the officer in charge of the War Records Office of the War Department of the United States, F, W. P. CONTENTS. PAGE List of Maps, ..«.••• « xi CHAPTER I. The Commencement of the Campaign, .... 1 CHAPTER II. South Mountain, 27 CHAPTER III. The Antietam, 43 CHAPTER IV. Fredeeicksburg, 136 APPENDIX A. Commanders in the Army of the Potomac under Major-General George B.