Nikolay Karlovich Medtner Papers [Finding Aid]. Library of Congress
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ARSC Journal, Spring 1992 69 Sound Recording Reviews
SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr. -
All Strings Considered a Subjective List of Classical Works
All Strings Considered A Subjective List of Classical Works & Recordings All Recordings are available from the Lake Oswego Public Library These are my faves, your mileage may vary. Bill Baars, Director Composer / Title Performer(s) Comments Middle Ages and Renaissance Sequentia We carry a lot of plainsong and chant; HILDEGARD OF BINGEN recordings by the Anonymous 4 are also Antiphons highly recommended. Various, Renaissance vocal and King’s Consort, Folger Consort instrumental collections. or Baltimore Consort Baroque Era Biondi/Europa Galante or Vivaldi wrote several hundred concerti; try VIVALDI Loveday/Marriner. the concerti for multiple instruments, and The Four Seasons the Mandolin concerti. Also, Corelli's op. 6 and Tartini (my fave is his op.96). HANDEL Asch/Scholars Baroque For more Baroque vocal, Bach’s cantatas - Messiah Ensemble, Shaw/Atlanta start with 80 & 140, and his Bach B Minor Symphony Orch. or Mass with John Gardiner conducting. And for Jacobs/Freiberg Baroque fun, Bach's “Coffee” cantata. orch. HANDEL Lamon/Tafelmusik For an encore, Handel's “Music for the Royal Water Music Suites Fireworks.” J.S. BACH Akademie für Alte Musik Also, the Suites for Orchestra; the Violin and Brandenburg Concertos Berlin or Koopman, Pinnock, Harpsicord Concerti are delightful, too. or Tafelmusik J.S. BACH Walter Gerwig More lute - anything by Paul O'Dette, Ronn Works for Lute McFarlane & Jakob Lindberg. Also interesting, the Lute-Harpsichord. J.S. BACH Bylsma on period cellos, Cello Suites Fournier on a modern instrument; Casals' recording was the standard Classical Era DuPre/Barenboim/ECO & HAYDN Barbirolli/LSO Cello Concerti HAYDN Fischer, Davis or Kuijiken "London" Symphonies (93-101) HAYDN Mosaiques or Kodaly quartets Or start with opus 9, and take it from there. -
César Franck's Violin Sonata in a Major
Honors Program Honors Program Theses University of Puget Sound Year 2016 C´esarFranck's Violin Sonata in A Major: The Significance of a Neglected Composer's Influence on the Violin Repertory Clara Fuhrman University of Puget Sound, [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/honors program theses/21 César Franck’s Violin Sonata in A Major: The Significance of a Neglected Composer’s Influence on the Violin Repertory By Clara Fuhrman Maria Sampen, Advisor A thesis submitted in partial fulfillment of the requirements as a Coolidge Otis Chapman Scholar. University of Puget Sound, Honors Program Tacoma, Washington April 18, 2016 Fuhrman !2 Introduction and Presentation of My Argument My story of how I became inclined to write a thesis on Franck’s Violin Sonata in A Major is both unique and essential to describe before I begin the bulk of my writing. After seeing the famously virtuosic violinist Augustin Hadelich and pianist Joyce Yang give an extremely emotional and perfected performance of Franck’s Violin Sonata in A Major at the Aspen Music Festival and School this past summer, I became addicted to the piece and listened to it every day for the rest of my time in Aspen. I always chose to listen to the same recording of Franck’s Violin Sonata by violinist Joshua Bell and pianist Jeremy Denk, in my opinion the highlight of their album entitled French Impressions, released in 2012. After about a month of listening to the same recording, I eventually became accustomed to every detail of their playing, and because I had just started learning the Sonata myself, attempted to emulate what I could remember from the recording. -
Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-7-2018 12:30 PM Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse Renee MacKenzie The University of Western Ontario Supervisor Nolan, Catherine The University of Western Ontario Sylvestre, Stéphan The University of Western Ontario Kinton, Leslie The University of Western Ontario Graduate Program in Music A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Musical Arts © Renee MacKenzie 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Music Performance Commons Recommended Citation MacKenzie, Renee, "Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse" (2018). Electronic Thesis and Dissertation Repository. 5572. https://ir.lib.uwo.ca/etd/5572 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This monograph examines the post-exile, multi-version works of Sergei Rachmaninoff with a view to unravelling the sophisticated web of meanings and values attached to them. Compositional revision is an important and complex aspect of creating musical meaning. Considering revision offers an important perspective on the construction and circulation of meanings and discourses attending Rachmaninoff’s music. While Rachmaninoff achieved international recognition during the 1890s as a distinctively Russian musician, I argue that Rachmaninoff’s return to certain compositions through revision played a crucial role in the creation of a narrative and set of tropes representing “Russian diaspora” following the 1917 Bolshevik Revolution. -
UNIVERSITY of CALIFORNIA Los Angeles
UNIVERSITY OF CALIFORNIA Los Angeles Transcending Imagination; Or, An Approach to Music and Symbolism during the Russian Silver Age A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Musicology by Ryan Isao Rowen 2015 © Copyright by Ryan Isao Rowen 2015 ABSTRACT OF THE DISSERTATION Transcending Imagination; Or, An Approach to Music and Symbolism during the Russian Silver Age by Ryan Isao Rowen Doctor of Philosophy in Musicology University of California, Los Angeles, 2015 Professor Mitchell Bryan Morris, Chair The Silver Age has long been considered one of the most vibrant artistic movements in Russian history. Due to sweeping changes that were occurring across Russia, culminating in the 1917 Revolution, the apocalyptic sentiments of the general populace caused many intellectuals and artists to turn towards esotericism and occult thought. With this, there was an increased interest in transcendentalism, and art was becoming much more abstract. The tenets of the Russian Symbolist movement epitomized this trend. Poets and philosophers, such as Vladimir Solovyov, Andrei Bely, and Vyacheslav Ivanov, theorized about the spiritual aspects of words and music. It was music, however, that was singled out as possessing transcendental properties. In recent decades, there has been a surge in scholarly work devoted to the transcendent strain in Russian Symbolism. The end of the Cold War has brought renewed interest in trying to understand such an enigmatic period in Russian culture. While much scholarship has been ii devoted to Symbolist poetry, there has been surprisingly very little work devoted to understanding how the soundscape of music works within the sphere of Symbolism. -
A Study of Nikolai Medtner's Compositional Technique: Form and Narrative in Tales
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2017 A Study of Nikolai Medtner's Compositional Technique: Form and Narrative in Tales Oliver H. Markson The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1853 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] A STUDY OF NIKOLAI MEDTNER’S COMPOSITIONAL TECHNIQUE: FORM AND NARRATIVE IN TALES by OLIVER MARKSON A dissertation submitted to the Graduate Faculty in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2017 ii © 2017 OLIVER MARKSON All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Musical Arts. Date Philip Ewell Chair of Examining Committee Date Norman Carey Executive Officer Supervisory Committee: Richard Kramer Norman Carey Philip Ewell Geoffrey Burleson THE CITY UNIVERSITY OF NEW YORK iv Abstract A STUDY OF NIKOLAI MEDTNER’S COMPOSITIONAL TECHNIQUE: FORM AND NARRATIVE IN TALES by Oliver Markson Advisor: Richard Kramer This dissertation delves into the compositional approach of Russian-born composer Nikolai Medtner. A discussion of Medtner’s own words on composition from his book The Muse and Fashion: Being a Defence of the Foundations of the Art of Music is followed by original analyses of four Tales. -
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG -
Tomer Gewirtzman Photo by Claudio Papapietro
Tomer Gewirtzman Photo by Claudio Papapietro Juilliard Scholarship Fund The Juilliard School is the vibrant home to more than 800 dancers, actors, and musicians, over 90 percent of whom are eligible for financial aid. With your help, we can offer the scholarship support that makes a world of difference—to them and to the global future of dance, drama, and music. Behind every Juilliard artist is all of Juilliard—including you. For more information please contact Tori Brand at (212) 799-5000, ext. 692, or [email protected]. Give online at giving.juilliard.edu/scholarship. iii The Juilliard School presents Leo B. Ruiz Memorial Award Recital Tomer Gewirtzman, Piano Friday, November 30, 2018, 7:30pm Weill Recital Hall at Carnegie Hall DMITRI SHOSTAKOVICH Prelude and Fugue in D Minor, Op. 87, No. 24 (1906-75) LUDWIG VAN BEETHOVEN Andante Favori in F Major, WoO 57 (1770-1827) NIKOLAI MEDTNER Fairy Tale, Op. 51, No. 3 (1880-1951) ALEXANDER SCRIABIN Sonata No. 2 in G-Sharp Minor, Op. 19 (1871-1915) Andante Presto Three Études, Op. 65 Allegro Fantastico Allegretto Molto Vivace Intermission JOHANNES BRAHMS Sonata No. 3 in F Minor, Op. 5 (1833-97) Allegro maestoso Andante espressivo Scherzo – Allegro energico Intermezzo – Andante molto Finale – Allegro moderato ma rubato Tomer Gewirtzman is the winner of the seventh annual Leo B. Ruiz Memorial Recital Award. This concert is made possible by the Artists International Leo B. Ruiz Recital Memorial Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. -
Nikolai Medtner: a New Source for Sonata in F Minor, Op
James Madison University JMU Scholarly Commons Dissertations The Graduate School Summer 2018 Nikolai Medtner: A new source for Sonata in F Minor, Op. 5 Clement Barrera Acevedo James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Music Performance Commons, and the Music Practice Commons Recommended Citation Acevedo, Clement Barrera, "Nikolai Medtner: A new source for Sonata in F Minor, Op. 5" (2018). Dissertations. 199. https://commons.lib.jmu.edu/diss201019/199 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Nikolai Medtner: A New Source for Sonata in F Minor, Op. 5 Clement Barrera Acevedo A document submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Doctor of Musical Arts School of Music August 2018 FACULTY COMMITTEE: Committee Chair: Gabriel Dobner Committee Members/ Readers: Lori Piitz Mary Jean Speare ii ACKNOWLEDGEMENTS I am very grateful for so many people who truly care to be a positive part of my life. First, I would like to thank my committee members for this document: Dr. Gabriel Dobner, my adviser and piano teacher for the last six years, for showing me a myriad of possibilities in making the music come alive; Dr. Lori Piitz, for her undying support as I build a career as a musician and her patience in helping me to clarify my writing; Dr. -
Solo Recital Ensemble Recital Competition
CONTESTANTS hen Tianyuan Liu was six, he wondered whether he wanted to become a pilot or Wa pianist. He happily chose the musical path that he had begun at age four as a piano student. At age ten, he was accepted into the Central Conservatory of Music’s primary school, and three years later, into the secondary school. At the same time, he was attending the British School of Beijing. During those years, Tianyuan studied with Bao Huiqiao and toured China, winning top prizes in eleven competitions and a concerto performance with the Wuhan Philharmonic Orchestra. In his teen years, Tianyuan’s China tours grew into international ones through his participation in music festivals and competitions in the Ukraine, Spain, and Poland. Yianyuan has played eighteen concertos. Among his notable concerto performances are those with the Xiamen Philharmonic featuring concertos by Sergei Rachmaninoff, Ludwig van Beethoven, and Franz Liszt. He performed both of Frédéric Chopin’s concertos with the Polish Torum City Orchestra. Tianyuan Liu ~ age 20 In addition to music, Tianyuan’s international interests include European History and Beijing, China and Baltimore, Maryland English Literature. He has an International Baccalaureate Diploma and a bilingual diploma. Currently, Tianyan is a sophomore at the Peabody Institute of Music at Johns Hopkins University where he studies with Boris Slutsky. SOLO RECITAL ENSEMBLE RECITAL JOHANN SEBASTIAN BACH NIKOLAI MEDTNER The Well-Tempered Clavier, Book II Sonata Reminiscenza, Opus 38, No.1 Prelude and Fugue No. 23 in B major, BWV 892 JOHANNES BRAHMS SERGEI RACHMANINOFF Sonata No. 2 for piano and violin in A major, Opus 100 Étude-Tableaux, Opus 39 I. -
Bermuda Piano Festival! We Are Excited to Present Three Concerts Which Showcase the Remarkable Richness of the Russian Piano Repertoire
BERMUDA PIANO FESTIVAL™ July 2 - 5, 2019 HAMILTON PRINCESS & BEACH CLUB Trudeau Ballroom ALEX TUCHMAN, ARTISTIC DIRECTOR a presentation of Charity # 483 1 CONTENTS MESSAGE FROM THE FOUNDER & ARTISTIC DIRECTOR 1 MESSAGE FROM BERMUDA SCHOOL OF MUSIC 3 EVENTS July 2, 2019 4 July 3, 2019 5 July 4, 2019 6 July 5, 2019 7 ARTIST BIOGRAPHIES Alex Tuchman 8 Eteri Andjaparidze 9 Jeanelle Brierley 10 Sung-Soo Cho 11 Stephen Cook 12 Eliza Fath 13 SUPPORT THE FESTIVAL 14 MESSAGE FROM THE FOUNDER & ARTISTIC DIRECTOR Dear Friends and Supporters, It gives me great pleasure to welcome you to the 3rd annual Bermuda Piano Festival! We are excited to present three concerts which showcase the remarkable richness of the Russian piano repertoire. On Tuesday, July 2nd, I look forward to opening the Festival with solo works for piano by Pyotr Ilyich Tchaikovsky, Sergei Prokofiev, and Nikolai Medtner. Later in the program, it is my privilege to be joined by violinist Jeanelle Brierley and cellist Eliza Fath for a performance of Dmitri Schostakovich’s Piano Trio No. 2, Op. 67. On Wednesday, July 3rd, pianist Sung-Soo Cho performs Alexander Scriabin’s Études, Op. 8, an early set of works which shows the influence of Fryderyk Chopin. The program also includes works for two pianos by Anton Arensky and Igor Stravinsky. The Festival concludes on Friday, July 5th with a concert dedicated to the music of Sergei Rachmaninoff, one of the greatest and most celebrated composer/pianists of the twentieth century. Stephen Cook performs the Études-Tableaux, Op. 39, and he is joined by Eteri Andjaparidze for a performance of the Suite No. -
Michael Tilson Thomas Named Judge Widney Professor of Music at the University of Southern California
4/6/14 9:45 PM Web Version | Contact Media Reps | Find Experts Like Tweet Forward Michael Tilson Thomas Named Judge Widney Professor of Music at the University of Southern California CONTACT: Allison Engel 213/740-1927 [email protected] Michael Tilson Thomas, one of the world’s most prominent musicians and a two-time alumnus of the USC Thornton School of Music (’67 and MM ’76), has been named a Judge Widney Professor of Music at USC. The appointment, which takes effect in Fall 2015, will give USC Thornton students the chance to work directly with Thomas through mentorship and other educational opportunities that will further enhance their developing careers. "Michael Tilson Thomas stands among USC's most distinguished alumni, and our students will benefit tremendously from his exceptional experience and expertise," said USC President C. L. Max Nikias. "Given his longstanding and illustrious career, he is a singular role model, particularly for our students at USC Thornton. In becoming a Judge Widney Professor, he joins a select group of distinguished individuals, including Frank Gehry, Dana Gioia and General David Petraeus, all of whom have graciously agreed to serve as mentors for our talented students." Robert Cutietta, dean of USC Thornton, said: “We are thrilled to welcome Michael Tilson Thomas back to campus. It is so meaningful that one of our outstanding alumni has such fond memories of his time at USC that he has decided to give back and impact today’s students.” “I have always been honored to be a part of the USC family,” said Thomas.