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Media Kit Location Lakeside stage, Bregenz, Austria “Opera happens every day.” “Opera inspires, exhilarates and stimulates us every day, all over the world, in hundreds of spectacular settings.” —F. Paul Driscoll, Editor in Chief, Opera News “Opera tells stories through the pure emotion of music.” — Lisa See, American novelist “!e combination of genius music, gripping drama and astonishing singing makes opera a uniquely attractive art.” — Sameer Rahim, cultural critic and editor Castel Sant’Angelo, Rome At a Glance MISSION STATEMENT Speaking with Authority OPERA NEWS is the preeminent source for opera enthusiasts worldwide. Noted as one of the most compelling authorities in the industry, OPERA NEWS is committed to providing its print, digital and live audiences with diverse, current and poignant insights into a continually evolving world of passion and drama. Sound Bites by MARIA MAZZARO Vital Stats AUDIENCE: Wallis 150,000 Giunta. This month, the mezzo sings Ti! any in Adams’s I Was Looking at the Ceiling and Then I Saw the Sky for her Rome debut. TOTAL WALLIS GIUNTA’S MEZZO boasts then come back down again, a silvery top and a hearty mid- Mozart is non-relenting passag- CIRCULATION: range, both deployed with crisp gio singing. So for me, it’s a chal- diction in an ever-growing reper- lenge. It’s a good challenge.” toire of modern and classic roles. Alongside traditional gems, In November, she makes her Giunta likes to sing twentieth- German debut as Cherubino at and twenty-fi rst-century music. 100,000 Oper Leipzig, where her other In April, her fi rst Naxos recording assignments through June are was released — a new song suite Rossini’s Angelina, Siébel in Faust for mezzo-soprano and orchestra, and even a Valkyrie. A July debut Silent Film Heroines, by William in Frankfurt, as Mercédès in Perry. She has also sung world Carmen, follows. premieres in Canada by Dean FREQUENCY: An alum of the Met’s Linde- Burry and Andrew Ager, as well mann Program, which she com- as R. Murray Schafer’s Children’s pleted in 2013, the Canadian Crusade, in which “the audience began her studies in Ottawa and and the performers were all just Monthly Toronto, where her fi rst under- mingling around willy-nilly in a grad assignments were quintes- warehouse, and the scenes in the sential soprano roles — Mozart’s show would evolve organically Queen of the Night and Susanna. out of the crowd. It was one of Now, she says, “I have high notes, the most inspiring things I’ve ever but I can’t live there. It’s not that been a part of. And it was opera.” I have a bad technique and I’m Because of the “unbelievable” MALE/FEMALE: actually a soprano in hiding. The expanding defi nition of opera, most colorful part of my voice is Giunta never worries about the the middle. So if anyone ever says future of her art form. “I think to me, ‘I think you’re a soprano,’ I it’s very easy to say it’s bad right 52/48 say, ‘Well, yes, I am. A mezzo-so- now and the future is precarious, prano is just a different kind of so- but when in history has there not prano, and that’s the kind I am.’” been some sword hanging over Mozart continues to hold an the head of opera? Whether it’s important place in Giunta’s rep- a war, or a great depression, or ertoire. “I am very, very satisfi ed an industrial revolution, there’s MEDIAN AGE: singing Mozart operas, but I have always something. So we say now to work harder — as opposed to it’s worse than it’s ever been, but Britten or Rossini, which tends we don’t know. We didn’t live a MAKEUP MALIK AND HAIR: AFFAN 56 to lie pretty low and then go up, hundred years ago!” GUTTER CREDIT !" OPERA NEWS ! SEPTEMBER !"#$ Photograph by DARIO ACOSTA SEPTEMBER !"#$ ! OPERA NEWS !# MEDIAN HHI: $172,995 Source: 2014 IPSOS Prague’s Stáni Opera A!uent Survey; (State Opera) Opera News publisher- defined prototype Opera Today OPERA EVERYWHERE In Popular Culture Mission Impossible: Rogue Nation,ma^[hq& h§\^\aZfih_lnff^k+)*.%_^Zmnk^lZg Z\mbhgl^jn^g\^lahmZmma^Ob^ggZLmZm^Hi^kZ ]nkbg`Zi^k_hkfZg\^h_Turandot. BlZZ\FbskZab%Mhf?hk]%Fbn\\bZIkZ]Z% DZkeEZ`^k_^e]Zg]SZg]kZKah]^lZk^ lhf^h_ma^_ZlabhglmZklpahaZo^]^lb`g^] hi^kZ\hlmnf^l' The Vienna Opera, Lnik^f^<hnkm:llh\bZm^Cnlmb\^lÆZg] a star player in hi^kZ_ZglÆKnma;Z]^k@bgl[nk`Zg]:gmhgbg Mission Impossible L\ZebZZk^ma^ln[c^\mlh_Zg^p\hfb\hi^kZ% Scalia / Ginsburg%pab\aaZ]bmlphke]ik^fb^k^ Tom Ford bg+)*.' BgL^im^f[^k+)*.%Ie\b]h=hfbg`hpbee hi^gma^Ehl:g`^e^lHi^kZl^ZlhgbgZ k^oboZeh_Phh]r:ee^gÊlÓklmhi^kZikh]n\mbhg% Gianni Schicchi. Increase in Accessibility BgCner+)*.%fhk^maZg,)%)))i^hie^ Zmm^g]^]LZg?kZg\bl\hHi^kZÊlebo^lbfne\Zlm h_Le Nozze di Figaro Zm:MMIZkd%ahf^ James Conlon, h_ma^LZg?kZg\bl\h@bZgml' Woody Allen and Plácido Domingo at Fhk^maZg*0fbeebhgmb\d^mlphke]pb]^aZo^ LA Opera premiere [^^glhe]mhThe Met: Live in HDmkZglfbllbhgl' Ma^I^Z[h]rZg]>ffr&pbggbg`l^kb^l%ghp \^e^[kZmbg`bmlm^gmaZggbo^klZkr%\nkk^gmerk^Z\a^lfhk^maZg+%))) fhob^ma^Zm^klbg0)\hngmkb^lZkhng]ma^phke]' San Francisco Opera simulcast in AT&T Park Reader Pro!le OPERA NEWS readers represent an educated and affluent audience with signi"cant assets, tremendous income levels, and proven spending habits. Demographics MALE/FEMALE 52%/48% MEDIAN AGE 56 Affluence MEDIAN HHI $172,995 MEDIAN HOUSEHOLD NET WORTH $950,955 HOUSEHOLD NET WORTH $2.5 MILLION + 21% MEDIAN VALUE PRINCIPLE RESIDENCE $488,418 OWN 2+ HOMES 35% Influence COLLEGE DEGREE + 88% POST COLLEGE DEGREE + 60% PROFESSIONAL/MANAGERIAL 73% TOP MANAGEMENT 22% ANY CHIEF OFFICER 24% Isabel Leonard Source: 2014 IPSOS A!uent Survey; Opera News publisher-defined prototype Reader Pro!le AUDIENCE OF AFFLUENCE & INFLUENCE Household Income $500,000+ MAGAZINE INDEX OPERA NEWS 356 Opera festival WINE SPECTATOR 350 audience in Glyndebourne, ARCHITECTURAL DIGEST 349 England NEW YORK MAGAZINE 343 HARVARD BUSINESS REVIEW 297 CONDÉ NAST TRAVELER 276 THE NEW YORKER 268 TOWN & COUNTRY 264 FORBES 246 VANITY FAIR 237 TRAVEL + LEISURE 215 Household Net Worth $5 Million+ MAGAZINE INDEX OPERA NEWS 316 TOWN & COUNTRY 266 WINE SPECTATOR 257 ARCHITECTURAL DIGEST 245 FORBES 229 NEW YORK MAGAZINE 218 VANITY FAIR 209 THE NEW YORKER 200 CONDÉ NAST TRAVELER 194 TRAVEL + LEISURE 158 HARVARD BUSINESS REVIEW 150 Sondra Radvanovsky Source: 2014 IPSOS A!uent Survey; Opera News publisher-defined prototype. and Piotr Beczala Competitive set includes Architectural Digest, Condé Nast Traveler, Forbes, Harvard at the OPERA NEWS Business Review, New York Magazine, The New Yorker, Opera News (prototyped), Awards in 2015 Town & Country, Travel + Leisure, Vanity Fair, Wine Spectator. Numbers EXTRAORDINARY DEMOGRAPHICS Liquid Assets $5 Million + MAGAZINE INDEX TOWN & COUNTRY 605 OPERA NEWS 527 ARCHITECTURAL DIGEST 519 THE NEW YORKER 486 FORBES 461 NEW YORK MAGAZINE 435 CONDÉ NAST TRAVELER 400 WINE SPECTATOR 367 VANITY FAIR 311 HARVARD BUSINESS REVIEW 257 TRAVEL + LEISURE 243 Attended 50+ Cultural Events or Institutions in past year MAGAZINE INDEX OPERA NEWS 580 VANITY FAIR 379 TOWN & COUNTRY 358 THE NEW YORKER 336 NEW YORK MAGAZINE 328 CONDÉ NAST TRAVELER 319 HARVARD BUSINESS REVIEW 303 WINE SPECTATOR 298 ARCHITECTURAL DIGEST 295 TRAVEL + LEISURE 216 FORBES 205 Source: 2014 IPSOS A!uent Survey; Opera News publisher-defined prototype. Competitive set includes Architectural Digest, Condé Nast Traveler, Forbes, Harvard Business Review, New York Magazine, The New Yorker, Opera News (prototyped), Wallis Giunta Town & Country, Travel + Leisure, Vanity Fair, Wine Spectator. Numbers EXTRAORDINARY DEMOGRAPHICS Spent $15,000+ on !ne watches or !ne jewelry in past year MAGAZINE INDEX TOWN & COUNTRY 941 HARVARD BUSINESS REVIEW 774 OPERA NEWS 662 WINE SPECTATOR 616 FORBES 524 VANITY FAIR 482 TRAVEL + LEISURE 404 CONDÉ NAST TRAVELER 351 ARCHITECTURAL DIGEST 327 A Vegas-style Rigoletto NEW YORK MAGAZINE 191 at the Metropolitan Opera THE NEW YORKER 117 EXCLUSIVE INTERVIEW Heavy household expenditures on Artwork & Collectibles Style Designer Catherine Zuber in past year ces pendants p.22 d’oreille MAGAZINE INDEX YOUR Cartier High Jewelry Earrings in platinum, BACKSTAGE 77.44-grain and PASS 72.16-grain natural ARCHITECTURAL DIGEST 407 pearls, natural pearls and brilliant-cut THE diamonds. Price upon request. Available by appointment only. OPERA NEWS 381 1-800-CARTIER, STARS www.cartier.us c’est la fi lle d’un roi OF THE Yellow and White Diamond Tiara NEW YORK MAGAZINE 378 (Diamonds 177.64 cts.) by Gra! Diamonds. Price upon request, www.gra! diamonds.com NEW A NEW Jewel Song. LULU TOWN & COUNTRY 355 SEASON ARRIVES From The Met to AT THE WINE SPECTATOR 330 Los Angeles with MET Sondra Radvanovsky p.42 Aleksandrs Antonenko HARVARD BUSINESS REVIEW 294 Angela Meade Riccardo Muti THE THE NEW YORKER 286 p.30 CRISIS INSIDE VANITY FAIR 267 ENO p.38 CONDÉ NAST TRAVELER 242 A new opera season is beginning. Do you FORBES 234 need some new jewels for opening night? Wouldn’t it be the picture of a “rêve charmant” if, like Faust’s Marguerite, you TRAVEL & LEISURE 228 were given a chest full of dazzling diamonds and precious stones? Maria Mazzaro visits Faust’s jewel song to pair some modern-day bijoux with lyrics from Gounod’s golden-age gem. le bracelet The Art of the Sea ONSTAGE); CARLTON DAVIS/TIFFANY & CO.; COURTESY DE GRISOGONO Diamond Bracelet DianaSoprano DAMRAU with baguette FAUST le collier and round brilliant Superpower Source: 2014 IPSOS A!uent Survey; Opera News publisher-defined prototype.
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  • The American Opera Series May 16 – November 28, 2015

    The American Opera Series May 16 – November 28, 2015

    The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary.
  • Opera Australia 2018 Annual Report

    Opera Australia 2018 Annual Report

    2018 ANNUAL REPORT Cover image: Simon Lobelson as Gregor in Metamorphosis, which played at the Opera Australia Scenery Workshop in Enriching Australia’s Surry Hills and the Malthouse cultural life with Theatre in Melbourne. exceptional opera. One of Opera Australia’s new Vision productions, it was written by Australian Brian Howard, performed by an all Australian cast To present opera that excites and produced by an all Australian audiences and sustains and creative team. Photo: develops the art form. Prudence Upton Mission TABLE OF CONTENTS At a glance 3 Artistic Sydney Screens on stage 32 Director’s Report 12 Conservatorium Productions: of Music 2018 awards 34 performances and Regional Tour 13 Internships 23 attendances 4 China tour 36 Regional Student Professional and Artists 38 Season star ratings 5 Scholarships 16 Talent Development 24 Orchestra 39 Revenue and expenditure 6 Schools Tour 18 Evita 26 Philanthropy 40 Australia’s biggest Auslan Handa Opera arts employer 7 shadow-interpreting 20 on Sydney Harbour – Opera Australia Community reach 8 Community events 21 La Bohème 28 Capital Fund 43 Chairman’s Report 10 NSW Regional New works Staff 46 Conservatoriums in development 30 Partners 48 Chief Executive Project 22 Officer’s Report 11 opera.org.au 2 At a glance 77% Self-generated revenue $61mBox office 1351 jobs provided 543,500 58,000 attendees student attendees 7 637 productions new to Australia performances opera.org.au 3 Productions Productions Performances Attendance A Night at the Opera, Sydney 1 2,182 Performances and total attendances Aida, Sydney 19 26,266 By the Light of the Moon, Victorian Schools tour 85 17,706 Carmen, Sydney 13 18,536 Die Meistersinger von Nürnberg, Melbourne 4 6,175 Don Quichotte, Melbourne 4 5,269 Don Quichotte, Sydney 6 7,889 Great Opera Hits 2018 27 23,664 La Bohème, Handa Opera on Sydney Harbour 26 48,267 La Bohème, Melbourne 7 11,228 La Bohème, New Year 1 1,458 The chorus of Bizet’s Carmen, directed by John Bell.