Mercer Ellington
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BULLETIN NR 2, MAJ 2014, ÅRGÅNG 22 Mercer Ellington Being Duke Ellington´s son formed his whole life. His career includes composing, arranging, playing the trumpet, leading his own bands, running a recording company - but all the time more or less in connection with his father. From the 50´s on he had an influent and important role in the Duke´s organization as band manager. – We present Mercer Ellington in this issue, pages 4-9. 2-2014 När vi närmar oss midsommar Vårt föregående nummer av Bulletinen har och vi förstår att de uppskattar vår Bul- rönt stor uppskattning både inom och utom letin. Kunskapen i engelska språket är som rikets gränser. Innehållet fick till vissa delar regel mycket god bland svenskar i gemen så ändras i sista stund pga Alice Babs plötsliga vi tror inte någon av våra medlemmar har bortgång men ändå fick vi inte utrymme för svårigheter att tillgodogöra sig innehållet i allt material om henne som stod till redak- dessa artiklar. tionens förfogande. Därför innehåller det- Vårt senaste medlemsmöte som gick i Alice ta nummer några kompletterande artiklar Babs tecken besöktes av drygt 50 medlem- om föreningens hedersmedlem. Alice blev mar och underhållningen som erbjöds med självklart föremål för en nekrologisk presen- Lasse Zackrissons insiktsfulla kåseri om sitt tation vid den nyligen genomförda Elling- samarbete med Alice som kvällens clou upp- tonkonferensen i Amsterdam. Mer om detta skattades. En recension av kvällen kan läsas på annan plats i denna Bulletin. på annan plats. En av våra medlemmar har ställt frågan Ytterligare två medlemsmöten kommer att till styrelsen varför en svensk förening har arrangeras under hösten och vi räknar med artiklar på engelska i sin medlemstidning. och hoppas på en likartad uppslutning från Vårt svar var att om föreningen skall attra- våra medlemmars sida. Styrelsen vill passa på hera utländska medlemmar så finner dessa att välkomna de av våra medlemmar som kän- det endast meningsfullt att betala medlems- ner för att kåsera om något Duke Ellington avgiften om de får någon form av valuta för närliggande ämne att inkomma med förslag. pengarna. Den valutan får bestå i ett visst Avslutningsvis vill jag önska alla våra antal artiklar i vår Bulletin författade på en- medlemmar en trevlig sommar! gelska. Vi kan knappast räkna med att de ut- ländska medlemmarna skall göra sig besväret att komma till våra medlemsmöten. F.n. har föreningen cirka 25 medlemmar i utlandet. Flera av dessa är på något sätt verksamma Leif Jönsson, internationellt inom Ellingtonforskningen ordförande i DESS Ändrad kalender 2014 Styrelsen vill göra våra medlemmar uppmärksamma på att ett datum för höstens medlemsmöten har ändrats. Notera följande tillfällen i era almanackor: 6 oktober – Medlemsmöte i Franska Skolan 1 december – Medlemsmöte i Franska Skolan (Ändrat från 24 november) Kallelser kommer att skickas ut i vanlig ordning. 2 Djupdykningar i Ellingtonia Man kan tro att Oxford Journal är en engelsk publikation men så är inte fal- let. Den är amerikansk och grundades redan 1915 för att ägna sig åt musika- lisk forskning och publicerar genom sin tidskrift The Muscial Quarterly insikts- fulla artiklar om musik. I sitt senaste nummer – Fall-Winter 2013 – ägnar man sig uteslutande åt Duke Ellington. Man kan få tillgång till artiklarna genom att gå in på http://mq.oxfordjournals.org/ content/current och ladda ner artiklar i olika format. I nämnda nummer finns följande artik- lar att studera: John Howland – Ellingtonia, Histori- cally Speaking Andrew Berish – Leisure, Love, and Dreams in Depression America: Duke Ellington and Tin Pan Alley Song Aaron J. Johnson – A Date with the Duke: Ellington on Radio Harvey G. Cohen – Duke Ellington on Film in the 1930s Lisa Barg and Walter van de Leur – “Your Music Has Flung the Story of ‘Hot Harlem’ to the Four Corners of the Earth!” Race and Narrative in Black, Brown and Beige. David Schiff – Symphonic Ellington? Duke Ellington i Örebro 1963 orkesterkollegornas förnöjelse. Paul Rehearing New World A-Comin’ DESS-medlemmen Jan Olsson besökte Brunnsparken i Örebro den 2 juni Gonsalves tycks dock vara djupt kon- Olle Edström – Ellington in Sweden 1963 då Duke Ellingtons orkester centrerad i sitt solo och man kan inte framträdde där. Tursamt nog hade han låta bli att ställa sig frågan vilken låt Travis A. Jackson – Tourist Point of View? kameran med sig och tog denna festli- det är som framförs. Har våra läsare Musics of the World and Ellington’s Suites ga bild på Ray Nance som håller show någon uppfattning? inte bara till publikens utan även till Efter att ha tagit del av dessa författares gedigna kunnande vet man säkert avse- värt mer om Duke Ellingtons musik. Jazz Humour Bo Haufman Once Clark Terry was asked in an interview if Duke told him anything in particular that stuck with him? Clark answered: “He told us many things. His life was an open book, and everybody read it their way. He lived his quote: ‘I’m easy to please, Just give me the best!’” 3 Mercer Kennedy Ellington The Duke’s son Duke Ellington’s only son Mercer had no easy position in life. To be the son of a cultural giant like Duke Ellington created expecta- Is this a significant picture of father and son – tions not only from Duke but also Duke holding a grip over Mercer who is trying to release himself ? from the jazz world around him. It surely was a struggle for Mercer cident Mercer grew up mostly with his jazz cliché into something that made to meet those expectations. grandparents James and Daisy living in sense.” In the program for Jump For Joy Duke’s apartment in Harlem. performed in 1941 the melody Stomp Ca- price is marked as a Mercer composition The father/son relation between the two Duke brought his son to many perfor- but New DESOR claims it to be created was not a normal one. Duke was very mances with his band and Mercer at an by Billy Strayhorn. much concerned about his own ego and early age got to know many of the mu- felt there was room for one Ellington sicians. So, needless to say, music was Another tune associated with Mercer’s only. Mercer tried many times to find an integral part of his early years in life. name is the beautiful Moon Mist recor- his own way both as an orchestra leader After finishing high school he studied at ded by Duke on January 21, 1942. We and in other fields but Duke was always Juilliard and took a degree in composi- have however been made to understand around pulling his strings. He had more tion and orchestration at New York Uni- that there was a long struggle before the or less total control over Mercer. In his versity. This happened during WW II melody reached its final stage. Duke had book Duke Ellington in Person – An Inti- and he was of course drafted and spent many suggestions for alterations before mate Memoir Mercer offers a very intri- two years in the US Army playing the he could accept the composition so it is cate information about his father: “Duke trumpet in a band led by Sy Oliver. probably correct to say that it is as much Ellington never particularly wanted the Did he play any other instrument? Duke’s composition as Mercer’s. role of a parent, especially not that of There exists an early picture with Duke parent of a boy! He was always girl- at the piano and with Mercer holding Legal feuds In 1942 the ASCAP-BMI feud started conscious, and if he had to have any an alto saxophone so maybe he started and lasted for about two years. This feud offspring he would rather have had a out with playing reed instruments but prevented Duke Ellington’s music from girl than a boy. The average man looks as we now know he eventually became forward to having a male child to con- a trumpet player. Still we believe he ne- being broadcasted by the radio stations tinue his name. Not Pop. He wanted a ver considered himself much of an in- and most important of all he could not daughter! To have him tolerate my pre- strumentalist but rather saw himself in play his compositions from a location sence, my mother kept my hair in long the same role as his father – an orchestra that had air time on any radio station. braids”. Some unveiling words indeed leader and arranger. Duke was forced to find other numbers that may well have been the basics for to play and this gave way to primarily forming their future relation. Composer Billy Strayhorn who was not an ASCAP Mercer early tried his capacity as a member. The same applied to Mercer Childhood composer. His first composition called who likewise was not a member of AS- Duke married Edna Thompson on July Pigeons And Peppers was recorded by CAP. Strayhorn began to produce me- 2, 1918 and Mercer Kennedy Ellington Cootie Williams and his Rug Cutters on lodies in great numbers most of which was born on March 11, 1919. The couple October 26, 1937. However, the number have become well known Ellington was young and soon afterwards Duke is credited to Duke and Mercer Ellington standards. It goes without saying that began his career as a musician who both. Mercer made the following com- during this legal feud Duke Ellington would soon leave the family in New ments on his first composition: “While was not sitting with his armed crossed. York while the husband established I was only 13 or 14 years old, I’d begun His composing ability could not be stop- himself as an orchestra leader and a to write things.