DOCSLIB.ORG

Rumours Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rumours Ebook RUMOURS PDF, EPUB, EBOOK Freya North | 496 pages | 21 Jun 2012 | HarperCollins Publishers | 9780007326709 | English | London, United Kingdom Rumours PDF Book Saturday 27 June Monday 21 September December The third track on Rumours , "Never Going Back Again", began as "Brushes", a simple acoustic guitar tune played by Buckingham, with snare rolls by Fleetwood using brushes ; the band added vocals and further instrumental audio tracks to make it more layered. Here is a radio-friendly record about anger, recrimination, and loss. Monday 12 October Do you know the person or title these quotes desc Save Word. Retrieved 28 December Bundesverband Musikindustrie. Saturday 1 August Thursday 28 May Retrieved 23 July — via World Radio History. UK Albums Chart. Saturday 6 June Wednesday 2 September Largely recorded in California during , it was produced by the band with Ken Caillat and Richard Das… read more. Sunday 6 September By , 13 million copies of Rumours had been sold worldwide. Wednesday 23 September Sunday 26 July Tuesday 6 October The record often includes stressed drum sounds and distinctive percussion such as congas and maracas. Saturday 20 June Gold Dust Woman. Side two of Rumours begins with "The Chain", one of the record's most complicated compositions. The record's biggest hit single, " Rhiannon ", gave the band extensive radio exposure. All songs on Rumours concern personal, often troubled relationships. Stevie Nicks. The latter was the only classically trained musician in Fleetwood Mac, but both shared a similar sense of musicality. Wednesday 1 July The record contained each song of the original Rumours covered by a different act influenced by it. Namespaces Article Talk. Tuesday 29 September Search Search. Musicians in Tune. Upgrade Now. St Ives, N. Monday 29 June Friday 28 August Track Listing. Rumours Writer Friday 5 June USA Today. Saturday 10 October Sunday 10 May Connect your Spotify account to your Last. Saturday 25 July Archived from the original PHP on 24 February Retrieved 20 October Sunday 5 July Take the quiz Citation Do you know the person or title these quotes desc Retrieved 1 July Play track. Select Platinum in the Certification field. Weisbard, Eric ed. Friday 10 July The ninth track on Rumours , "I Don't Want to Know", makes use of a twelve string guitar and harmonising vocals. Robert Christgau , reviewing in The Village Voice , described it as "more consistent and more eccentric" than its predecessor. Extended Play. Please enable JavaScript in your browser to use the site fully. International Business Times. Streams Videos All Posts. Wednesday 5 August Views Read Edit View history. Christine McVie and Nicks did not attend most of the sessions and took time off until they were needed to record any remaining vocals. Thursday 2 July The Rolling Stone Album Guide. Wednesday 19 August Thursday 16 July It opens with "Second Hand News", originally an acoustic demo titled "Strummer". Entry 1 of 2 : information or a story that is passed from one person to another but has not been proven to be true and has no known source rumor. Tuesday 11 August Ratcliffe had released material dismissed by other officials as unverified rumor. Retrieved 14 July Buy Loading. Largely recorded in California during , it was produced by the … read more. Download as PDF Printable version. Archived from the original on 1 February Retrieved 23 April Friday 18 September As the studio sessions progressed, the band members' new intimate relationships that formed after various separations started to have a negative effect on Fleetwood Mac. Wednesday 9 September Lindsey Buckingham. Rumours Reviews Entry 1 of 2 : information or a story that is passed from one person to another but has not been proven to be true and has no known source rumor. Following the album's release, Fleetwood Mac undertook worldwide promotional tours. Retrieved 6 May The press also wrote about a rumoured return of original Fleetwood Mac members Peter Green , Danny Kirwan , and Jeremy Spencer for a 10th anniversary tour. Billboard Books. Some of these songs may be too familiar, whether through their repeated exposure on FM radio or their use in presidential campaigns, but in the context of the album, each tune, each phrase regains its raw, immediate emotional power -- which is why Rumours touched a nerve upon its release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time. McVie Buckingham. Tuesday 20 October The record's working title in Sausalito was Yesterday's Gone. Retrieved 17 May Records 25 February Friday 25 September Stevie Nicks. Introspection Late Night Partying. Oh Daddy Christine McVie. Wednesday 29 July Portland Press Herald. I Don't Want to Know. Tuesday 28 July Wednesday 30 September Adapted from the album's credits and AllMusic. A Christine McVie demo, "Keep Me There", [20] and a Nicks song were re-cut in the studio and were heavily edited to form parts of the track. Retrieved 4 June Scrobble from Spotify? Saturday 22 August Tuesday 7 July Retrieved 9 December Saturday 23 May She noted that Buckingham helped her craft the verses because their personal sensibilities overlapped. A [55]. Monday 24 August Sunday 10 May Monday 31 August Rumours Read Online Oh Daddy. Wednesday 14 October Rolling Stone. Tuesday 26 May Records 25 February The members partied and used cocaine for much of the recording sessions, and its completion was delayed by its mixing process, but was finished by the end of After hearing Bee Gees ' " Jive Talkin' ", Buckingham and co-producer Dashut built up the song with four audio tracks of electric guitar and the use of chair percussion to evoke Celtic rock. Is Singular 'They' a Better Choice? Archived from the original on 5 October Sunday 2 August Blues Classical Country. Monday 17 August Introspection Late Night Partying. I heard a rumor that they broke up. Los Angeles Times. Roppongi, Tokyo: Oricon Entertainment. Retrieved 20 October Saturday 29 August Thursday 8 October In July , Fleetwood Mac's eponymous tenth album was released to great commercial success, reaching No. McVie Buckingham Fleetwood Nicks. Take the quiz Spell It Can you spell these 10 commonly misspelled words? Please tell us where you read or heard it including the quote, if possible. Tracklist Sorted by: Running order Running order Most popular. https://files8.webydo.com/9582874/UploadedFiles/4EC01405-9D23-3945-FB9A-EBFCEDD43D98.pdf https://files8.webydo.com/9583486/UploadedFiles/64FC4AD0-AC67-99FE-0D87-2FC4F3608C87.pdf https://cdn.starwebserver.se/shops/nellienordinjo/files/japan-and-imperialism-1853-1945-1st-edition-281.pdf https://cdn.starwebserver.se/shops/razmusblomqvistao/files/a-writers-guide-to-transitional-words-and-expressions-183.pdf https://cdn.starwebserver.se/shops/nellienordinjo/files/cultural-proficiency-a-manual-for-school-leaders-645.pdf https://cdn.starwebserver.se/shops/mimmilundqvistmm/files/return-of-the-serpents-of-wisdom-940.pdf.
Load more

Recommended publications
  • Theater Matters: Female Theatricality in Hawthorne, Alcott, Brontë, and James
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2015 Theater Matters: Female Theatricality in Hawthorne, Alcott, Brontë, and James Keiko Miyajima Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1059 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Theater Matters: Female Theatricality in Hawthorne, Alcott, Brontë, and James by Keiko Miyajima A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 Copyright @ 2015 Keiko Miyajima ALL RIGHTS RESERVED ii This manuscript has been read and accepted for the Graduate Faculty in English to satisfy the dissertation requirement for the degree of Doctor of Philosophy. Richard Kaye ___________________ ________________________ Date Chair of Examining Committee Mario DiGangi ___________________ ________________________ Date Executive Officer David Reynolds Talia Schaffer Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Theater Matters: Female Theatricality in Hawthorne, Alcott, Brontë, and James By Keiko Miyajima Advisor: Professor Richard Kaye This dissertation examines the ways the novelists on both sides of the Atlantic use the figure of the theatrical woman to advance claims about the nature and role of women. Theater is a deeply paradoxical art form: Seen at once as socially constitutive and promoting mass conformity, it is also criticized as denaturalizing, decentering, etiolating, queering, feminizing.
    [Show full text]
  • Fleetnotes Via Fmlegacy ! Sept
    1982 Fleetnotes via FMLegacy ! Sept. 4, 1982 – Orlando, FL Loverboy, John Cougar (no Mellencamp yet) and John Waite (playing his big hit ‘Change’) opened for The Mac. A fan recalls John Cougar riding on Kenny Aranoff’s shoulders during ‘Hurts So Good’. During the Loverboy set, it was so hot that security had to spray the crowd with firehoses. When the Mac played Gypsy virtually the enKre crowd lit their cigareLe lighters. Stevie didn’t finish the !song because she was too emoKonal that night. Sept. 5, 1982 – San Bernardino, CA The band closed the third and final day of the US FesKval by playing their Mirage set. The order of arKsts on the bill was as follows: Grateful Dead, Jerry Jeff Walker, Jimmy Buffet, Jackson Browne, and then Fleetwood Mac. This was also the last Kme that Mick Fleetwood saw Stevie’s friend Robin Anderson, who later passed away from leukaemia. She was very ill at the show and had to be !helicoptered out of the venue. Bootleg is circulaKng. Second Hand News The Chain Don’t Stop Dreams Oh Well Rhiannon Brown Eyes Eyes of the World Gypsy You Make Loving Fun I’m So Afraid Go Your Own Way Blue LeLer Sisters of the Moon !Songbird Sept. 10, 1982 – Norfolk, VA !Men at Work opened for The Mac. Bootleg is circulaKng. Second Hand News The Chain Don’t Stop Dreams Oh Well Rhiannon Brown Eyes Eyes of the World Gypsy Love In Store Not That Funny Never Going Back Again Landslide Tusk Sara Hold Me You Make Loving Fun I’m So Afraid Go Your Own Way Blue LeLer Sisters of the Moon !Songbird Sept.
    [Show full text]
  • What the Fleetwood Mac Case Can Tell You About Pa. Partnerships | the Legal Intellige
    What the Fleetwood Mac Case Can Tell You About Pa. Partnerships | The Legal Intellige... Page 1 of 6 (/thelegalintelligencer/) Menu My Acco POWERED BY LAW.COM (/) Search (HTTPS://STORE.LAW.COM/REGISTRA (/thelegalintelligencer/search/) SOURCE=HTTPS%3A%2F% 2FTHELEGALINTELLIGENCER% 2FWHAT-THE-FLEETWOOD-MAC ABOUT-PA- Publications (/publications/) Law Topics (/topics/) Surveys & Rankings (/rankings/) Cases & Verdicts People & Community ROOMS FROM $34 BOOK NOW Commentary (/thelegalintelligencer/commentary/) What the Fleetwood Mac Case Can Tell You About Pa. Partnerships It’s official. The remaining major members of the renowned rock and roll band Fleetwood Mac, Mick Fleetwood, Stev Nicks, Christine McVie and John McVie, have gone their own way from bandmate Lindsey Buckingham. By Andrew J. DeFalco | November 20, 2018 at 04:02 PM Trending Stories +èÓ9Ô (http://www.almreprints.com) It’s official. The remaining major members of the 1 Meet the In-House National renowned rock and roll band Fleetwood Mac, Mick Women in Law Honorees Fleetwood, Stevie Nicks, Christine McVie and John (https://www.law.com/corpco the-in-house-national-women McVie, have gone their own way from bandmate in-law-honorees/) Lindsey Buckingham. According to Buckingham, after CORPORATE COUNSEL planning a world tour for 2018 and 2019, he was (/CORPCOUNSEL/) unceremoniously kicked out of the band, which will 2 Law Prof Who Exposed Big prevent him from earning an anticipated $12 million Law's Mandatory Arbitration Focus of Misconduct Probe cut of the proceeds from the tour. (https://www.law.com/2018/ prof-who-exposed-big-laws- Not surprisingly, Buckingham was peeved and saw mandatory-arbitration-is- focus-of-misconduct-probe/) Andrew J.
    [Show full text]
  • 2013 06 26.Pdf
    14th NILA 195 26 June 2013 NORFOLK ISLAND LEGISLATIVE ASSEMBLY 14TH NILA HANSARD – 26 JUNE 2013 PRAYER Almighty God we humbly beseech Thee to vouchsafe Thy blessing upon this House, direct and prosper our deliberations to the advancement of Thy glory and the true welfare of the people of Norfolk Island, Amen LEAVE OF ABSENCE FOR MR DAVID PORTER MLA MR EVANS Thank you Mr Speaker, I seek leave of the House for Mr David Raymond Porter SPEAKER: Thank you Mr Evans. Honourable Members, is leave granted? Thank you. Leave is granted? CONDOLENCES Honourable Members I call on condolences, are there any condolences this morning? MR EVANS Mr Speaker it is with regret that this House records the passing of Britney Quintal Christian who sadly passed away on the 8th June. Britney was born in October 1993 the daughter of April and Darren. Britney was the most loyal sister to Dylan and Carissa and was so proud to become an Aunt to Taj and later Zya. She will be remembered by her friends as a powerful and influential young girl. Brit was a straight shooter and knew what she wanted in life. “She was orn a mission”. At three years old Brit was already on her motor bike. A girl of action, dedication, determination, little stubborn and always in momentum. Brit did nothing by halves. Brit grew up on Norfolk with the freedom of youth offered to all at Carscade Heights, surrounded by carefully constructed shortcuts of holes through and under hedges between the houses of her extended family and friends.
    [Show full text]
  • Becoming Christian: Personhood and Moral Cosmology in Acholi South
    Becoming Christian: Personhood and Moral Cosmology in Acholi South Sudan Ryan Joseph O’Byrne Thesis submitted for the degree of Doctor of Philosophy (PhD), Department of Anthropology, University College London (UCL) September, 2016 1 DECLARATION I, Ryan Joseph O’Byrne, confirm that the work presented in this thesis is my own. Where material has been derived from other sources I confirm that this has been indicated in the thesis. Ryan Joseph O’Byrne, 21 September 2016 2 ABSTRACT This thesis examines contemporary entanglements between two cosmo-ontological systems within one African community. The first system is the indigenous cosmology of the Acholi community of Pajok, South Sudan; the other is the world religion of evangelical Protestantism. Christianity has been in the region around 100 years, and although the current religious field represents a significant shift from earlier compositions, the continuing effects of colonial and early missionary encounters have had significant impact. This thesis seeks to understand the cosmological transformations involved in all these encounters. This thesis provides the first in-depth account of South Sudanese Acholi – a group almost entirely absent from the ethnographic record. However, its largest contributions come through wider theoretical and ethnographic insights gained in attending to local Acholi cosmological, ontological, and experiential orientations. These contributions are: firstly, the connection of Melanesian ideas of agency and personhood to Africa, demonstrating not only the relational nature of Acholi personhood but an understanding of agency acknowledging nonhuman actors; secondly, a demonstration of the primarily relational nature of local personhood whereby Acholi and evangelical persons and relations are similarly structured; and thirdly, an argument that, in South Sudan, both systems are ultimately about how people organise the moral fabric of their society.
    [Show full text]
  • Hht Kicks Off Season Three with Tribute to Madonna
    PRESS RELEASE – August 5, 2019 Susan Carrier (951) 551-5363 [email protected] STEVIE NICKS TRIBUTE HITS THE STAGE AT HHT On Saturday August 17th, the Historic Hemet Theatre will host a tribute to the iconic Stevie Nicks and the British-American rock band, Fleetwood Mac. During the 1970's, Fleetwood Mac became a music sensation, topping the record chart and winning awards around the world. Their 1978 album, Rumours, became the eighth-highest-selling album in history. As a member of Fleetwood Mac and as a solo artist, Stevie Nicks has produced over 40 top hits and sold more than 140 million records. This year, she became the first woman ever to be inducted into the Rock and Roll Hall of Fame twice (in 1998 with Fleetwood Mac and in 2019 as a solo artist). She has also been named one of the 100 Greatest Songwriters of All Time. Top hits by Fleetwood Mac and Stevie Nicks include, "Stop Dragging My Heart Around," "Leather and Lace," "Silver Springs," "Gold Dust Woman," "Talk to Me" and "Seventeen. The L.A. based band, GYPSY, performs a Tribute to Stevie Nicks and Fleetwood Mac that is a dynamic rock concert experience. The show includes elaborate costumes and captivating storytelling as well as world-class musicians fronted by the amazing vocals of Lisa McCormick. Even Stevie Nicks has remarked on the similarities between Lisa and herself. This concert replaces the Tribute to Tom Petty that was canceled due to a scheduling conflict. Patrons holding tickets to the Petty concert need to exchange their tickets as soon as possible to ensure availability for this show.
    [Show full text]
  • MTO 21.1: Hough, Elements of Style in Stevie Nicks
    Volume 21, Number 1, March 2015 Copyright © 2015 Society for Music Theory Elements of Style in Three Demo Recordings by Stevie Nicks Matthew T. Hough NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.15.21.1/mto.15.21.1.hough.php KEYWORDS: rock, pop, harmony, composition, Stevie Nicks, Fleetwood Mac ABSTRACT: This article examines demo recordings of three songs by Stevie Nicks in terms of compositional style and in relation to conventions of rock harmony. Sections from two of Nicks’ unreleased solo demo recordings are compared to publicly released versions of the same songs, revealing distinctive stylistic elements and their subsequent normalization. Compositional applications for rock music based on structural and contrapuntal techniques found in these demo recordings are also presented. Received January 2015 Introduction [1.1] Stephanie “Stevie” Nicks (b. 1948 in Phoenix, Arizona) is one of rock’s best known female performers of the last fifty years. Despite her many decades of fame, investigation into Nicks’ work as a composer remains scarce. This is perhaps not due to a lack of interest; her close association with numerous collaborators—most notably, guitarist Lindsey Buckingham and other members of the band Fleetwood Mac—often makes pinpointing Nicks’ individual compositional traits difficult. As released to the public, Nicks’ songs invariably contain significant contributions from these collaborators in the form of instrumental or vocal arrangements and production. Recently, examples of Nicks’ unreleased demo recordings have begun to appear on YouTube and various file-sharing sites. In many of these recordings, Nicks is heard singing and playing a keyboard instrument without additional accompaniment.
    [Show full text]
  • 7/25: Theatrical Activism at Its Finest 3 2 6 10
    NEW LONDON, CONNECTICUT TUESDAY, OCTOBER 27, 2020 VOLUME XLIX • ISSUE 4 THE COLLEGE VOICE CONNECTICUT COLLEGE’S STUDENT NEWSPAPER, SINCE 1977 Did You Fall Asleep in Mod. 1 Classes? 7/25: Theatrical Activism at its Finest any of Conn’s academic departments have faced AMANDA SANDERS lasses look a little different this se- BROOKE SPONZO mester. Instead of the typical class challenges this semester, whether that entails desert- MANAGING EDITOR STAFF WRITER M Cduration ranging from twice a week ing in-person lectures, getting creative in the transition to for seventy-five minutes over fifteen remote labs, or battling internet connectivity during class discussions. But for theater majors, the pandemic has been particularly dire: for how do weeks that we are used to, Conn is experimenting with a modular you stage a play in the age of the coronavirus? class format. Professors had the option to teach a fifteen-week class “With lots of hand sanitizer,” jokes Erin Flannagan ‘24, a member of the early October or to compress 15 weeks into 7. The decision made to either com- production of 7/25, a show written by Conn alum Ana Daniela Reyes-Rosado ‘20 that dives press or keep their class has a trickle down effect and decides how deep into issues of police brutality, censorship, and colonialism. often and for how long they will hold class, which have lead classes The show tells the real-life tale of two young Puerto-Rican activists who were murdered by to meet either four times a week or twice a week for three hours.
    [Show full text]
  • Fall Cooking Program 2016
    FALL COOKING PROGRAM 2016 auroragov.org/cooking 1891 2016 AURORA, YEARS Welcome Dear Aurora Cooks Community! Hope you are enjoying this fall harvest time of year. We are gearing up for cooler weather and shorter days as we wind down our growing season. Check out all our garden-to-table classes and new series this session! We have The Preserved Pantry, the Frugal Chef and Scratch Baking Basics, as well as many family, kids and teen classes highlighting food from every corner of the world. If you are looking for something to do on a chilly evening, come to a cooking class date night! You can even come with a friend, or as a single. We have some exciting new couples cooking classes, including the Fleetwood Mac Tribute Dinner, complete with music during the class! Come jam out to some tunes and cook with us. See you soon in the kitchen! Katrina and the Aurora Cooks Team TABLE OF CONTENTS Parent/Tot Cooking 2 Parent/Family Cooking 4 Kids Cooking 6 Meadowood Cooking Classes 7 Preteen Cooking 8 Teen Cooking 9 Adult Cooking 15 and Older 11 Adult Cooking 21 and Older 17 Wine Tasting 19 Recipe of the Season 20 All classes will be held at Expo Recreation Center 10955 E. Exposition Ave. unless noted Meadowood Recreation Center • 3045 S. Laredo 1 parent/tot cooking Ages 3-6 with parent. Apple Fest Tiny Italian Pumpkin Treats $38 ($29 Resident) $38 ($29 Resident) $38 ($29 Resident) Celebrate the harvest season with your Create delicious meatballs & veggies your Learn to use pumpkin in lots of different tot! Menu: Apple Zucchini Muffin tot will feel proud they prepared themselves.
    [Show full text]
  • Rhiannon Soulsby Song List
    Rhiannon Soulsby Song List Played on Guitar A Team - Ed Sheeran Against all odds - Phil Collins All Of Me - John Legend Ave Maria - Beyonce Back to Black - Amy Winehouse Beautiful - Christina Aguilera Cecila - Simon and Garfunkel Don't Wanna Miss a thing - Aerosmith Flashlight - Jessie J Hallelujah - Alexandra Burke Hey Jude - The Beatles Hit me baby one more time - Britney Spears I can't help falling in love with you - Elvis Presley Jolene - Dolly Parton Killing me softly - The Fugees Kiss Me - Ed Sheeran Lego House - Ed Sheeran Little Things - One Direction Love Yourself - Justin Bieber Make you feel my love - Adele Me and My broken heart - Rixton Mr Brightside - The Killers Nina - Ed Sheeran/Nina Simone Mashup No - Meghan Trainor Over the rainbow - Eva Cassidy Please, Please, Please let me get what I want - The Smiths Price Tag/We Can't Stop - Miley Cyrus/ Jessie J mashup Rhiannon - Fleetwood Mac Riptide - Vance Joy She Moves in her own way - The Kooks Skinny Love - Bon Iver Skyfall - Adele Stay with me - Sam Smith The Chain - Ingrid Michaelson The Only Exception - Paramore There's a light that never goes out - The Smiths Thinking out loud - Ed Sheeran Thinking out loud - Ed Sheeran Wonderwall - Oasis Yesterday Today and Probably tomorrow - Courteeners Zombie - The Cranberries Performed with Backing Track At Last - Etta James I Know Where I've Been - Hairspray (Queen Latifah) Make you feel my love - Adele Read all about it - Emeli Sande Skyfall - Adele Titanium - Sia Valerie - Amy Winehouse and Mike Ronson .
    [Show full text]
  • A Band Together. but Who Knew We'd Find As Durable an Application Of
    o R M D EVERY MUSICIAN KNOWS IT’s THE RHYTHM SECTION THAT HOLDS a band together. But who knew we’d find as durable an application of that maxim as the one exemplified by the history of Fleetwood Mac? & Over the last thirty years, Fleetwood Mac has comprised fifteen musicians shuffled through six major lineups, resulting in endless tin- kerings with tone and genre. Yet the two members to survive it all rarely write tunes and never front the recordings. They’re the beat- keepers - drummer Mick Fleetwood and bassist John Me Vie. The fact that a rhythm section could sustain a band through thirty years seems all the more amazing considering the traumatic histories of the band’s shifting array o f stage-front stars. Together, their personal lives have given rock one of its most elaborate and juicy plotlines. (L Religious conversions, spells o f madness, “incestuous” liaisons within the band, drug freak-outs, alleged brainwashings, imperson- Mick ^ stevie ations, everything short of murder have spun Nicks, John McVie, Christine McVie, Lindsey Fleetwood Mac’s legacy into a story worthy of Buckingham (from left) Scheherazade. & Musically the band has endured just as many twists, moving from blues to rockabilly to laid-back California folk rock - finally to bloom into purveyors of some of the most popular and endur- ing music of the Seventies. (L It all began humbly enough. In 1967, the B Y J I M FÄRBER The band in '69: Peter original foursome convened as arch Fame entrant, Santana). If that wasn’t enough, Rose also saw the Green, Fleetwood, Jeremy devotees of the blues, arriving in the band adding nineteen-year-old Danny Kirwan (who’d played in Spencer, Danny Kirwan, second wave of U.K.
    [Show full text]
  • Lindsey Buckingham Insists He Isn’T a Virtuoso
    Guitar BY RUSSELL HALL TOO LS O Lindsey F T HE T RAD E n G U Buckingham I TAR n LIN DS E Y B U CKIN G H AM When it comes to playing guitar, Lindsey Buckingham insists he isn’t a virtuoso. Many would disagree with that assess- alone in his bedroom fguring out how ment, but in Buckingham’s view, to duplicate the sounds made by guitarist LINDSEY BUCKINGHAM Gift of Screws virtuosity isn’t necessarily a good thing. Scotty Moore. [ Reprise ] “Tere are times when cleverness or “It wasn’t about facility,” Buckingham technical profciency can overwhelm the says. “It was more about being so interested Great Day Time Precious Time simplicity or the openness of what needs in music and wanting to learn to play those Did You Miss Me to be there,” he explains. “It can be hard, songs. When you’re 7 or 8, your learning Wait for You Love Runs Deeper sometimes, to not do too much. Knowing curve is way quicker. I was so taken with Bel Air Rain where to play and where to be silent are this form of music, I had to be a part of it.” The Right Place to Fade important.” Fast-forward 50 years, and the rich- Gift of Screws Underground Buckingham has been putting that philoso- ness of Buckingham’s contributions to Treason phy into practice for more than fve decades. contemporary music is beyond dispute. Beginning at age 6, when his parents gave Afer making a superb folk-pop album him a Mickey Mouse ukulele, the future with childhood friend Stevie Nicks, the Fleetwood Mac member set about perfect- northern California native was invited by ing a fnger-picking technique that’s as Mick Fleetwood to join Fleetwood Mac.
    [Show full text]