Information to Users

Total Page:16

File Type:pdf, Size:1020Kb

Information to Users INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a 17”x 23” black and white photographic print. Most photographs reproduce acceptably on positive microfilm or microfiche but lack the clarity on xerographic copies made from the microfilm. For an additional charge, 35mm slides of 6”x 9” black and white photographic prints are available for any photographs or illustrations that cannot be reproduced satisfactorily by xerography. Order Number 8726630 The writings of Monica Hughes: Implications for the middle school Fondse, Christtine Heather, Ph.D. The Ohio State University, 1987 Copyright ©1987 by Fondse, Christtine Heather. All rights reserved. U MI 300 N. Zceb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. Problems encountered with this document have been identified here with a check mark V . 1. Glossy photographs or pages______ 2. Colored illustrations, paper or print_______ 3. Photographs with dark background _____ 4. Illustrations are poor copy_______ 5. Pages with black marks, not original copy______ 6. Print shows through as there is text on both sides of page_______ 7. Indistinct, broken or small print on several pages / 8. Print exceeds margin requirements ______ 9. Tightly bound copy with print lost in spine________ 10. Computer printout pages with indistinct print_______ 11. P age(s)____________ lacking when material received, and not available from school or author. 12. Page(s) seem to be missing in numbering only as text follows. 13. Two pages numbered . Text follows. 14. Curling and wrinkled pages 15. Dissertation contains pages with print at a slant, filmed as received 16. Other University Microfilms International THE WRITINGS OF MONICA HUGHES: IMPLICATIONS FOR THE MIDDLE SCHOOL DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Christtine Heather Fondse, B.A., M.ED. ***** The Ohio State University 1987 Reading Committee: Approved By: Dr. C harlotte S. Huck Dr. Janet G. Hickman Adviser Dr. Frank J. Zidonis College of Education Copyright by C hristtine Heather Fondse 1987 To those who have made a difference, this page is lovingly dedicated: My mother, Mrs. Heather Fondse, who first awoke in me the desire to explore "the realms of gold", for her b e lie f in me which has remained unshaken. My brother Roy and Evelyn his wife for their encourage­ ment and support. Mrs. Clara Bessie S chiff and the memory of Miss Margaret Moore, two rare teachers who touched the future. ACKNOWLEDGEMENTS My work on this study could not have been accomplished without the guidance and support of my dissertation committee to whom I owe a debt of gratitu d e. To Dr. Charlotte Huck, whose belief in children's literature and its significant role in the lives of children has influenced me, goes my deepest appreciation. I particularly value the freedom she gave me to pursue my own connections. Thanks to Dr. Janet Hickman whose unfailing good humour and advice have sustained me. To Dr. Frank Zidonis go especial thanks for his insightful recognition that a dissertation was embedded in on independent study. Thanks to Elinor Chelsom, Dr. Betty Cleaver, the Staff of the Edgar Dale Media Center, and Dr. Raymond Muessig for their encouragement and support. Finally, grateful thanks to Mrs. Barbara Fincher, treasured friend and superb typist, who helped transform scribbled dreams into reality. In Appreciation of Monica Hughes These words seem singularly appropriate in their expression of the relationship between the author and her audience: Dear reader, I shall begin and see what happens to arise between the two of us. You who hold th is book in your hand, I wonder Do you open it with curiosity? With greed and hunger because you feel emptied of all skill As I sometimes do? To jibe at other's ways of thought? Or because you have been told you must, Or only recommended ju s t to try? Is your in te re st in the book, Or in the name upon the cover, Or in those names you read within? Because my words are lame I ask of you that as you read You will neither judge all nor be!ieve all that you read of me, But rather that you inquire, as a man going into a 1abyri nth, Or toward death, or to a new place, Or when returning to an old familiar one (So that things may come to you as you read) Or you stumble upon them almost by chance when turning round a corner. I ask th is because I would wish my mind and yours to meet here, Not as opponents who might clash or friends who greet each o th er's wisdom, but rather as persons who eye one another from the place we fit; and out of the eyeing, we are surprised into new understanding. Dorothy Heathcote Of These Seeds Becoming: Drama in Education VITA 1974 .................................................................... B.Ed. (Great D istinction), University of Saskatchewan 1975 .................................................................... Post-Graduate Diploma in Education, University of Saskatchewan 1976 .................................................................... M.Ed., University of Saskatchewan 1983 .................................................................... B.A. (Honours), University of Saskatchewan FIELDS OF STUDY Children's Literature Young Adult Literature Language Arts v TABLE OF CONTENTS Page ACKNOWLEDGEMENTS .................................................................................................. ii i VITA ............................................................................................................................... v CHAPTER I. INTRODUCTION ................................................................................... 1 Science Fiction Defined ........................................................ 3 The Growth and Development of a Genre......................... 7 Children's and Young Adult Science Fiction ........... 19 One Author - Monica Hughes.................................................... 32 A Statement of the Problem................................................. 40 Purpose of the Study ................................................................ 42 Review of Author Studies in Children's Literature ............................................................................ 45 Scope of the Study ..................................................................... 48 Organization of the Study .................................................... 50 II. BACKGROUND OF AUTHOR ................................................................ 52 Childhood Reading Influences ............................................ 56 On Becoming a Writer: Other Influences .................. 66 Writing Patterns .......................................................................... 74 Composition of the Story...................................................... 75 a) Germ of Story............................................................. 76 b) Process of Meditation .......................................... 80 c) The F irst Draft ......................................................... 87 d) Revision ......................................................................... 88 Sequels ............................................................................................... 89 Summary ............................................................................................... 91 vi Page III. HISTORICAL AND REALISTIC FICTION WORKS .................... 92 Historical Fiction .................................................................... 92 Realistic Fiction ....................................................................... 110 Summary ...................................................................... 129 IV. SCIENCE FICTION TO 1982 ........................................................ 130 Science Fiction ............................................................................ 130 Summary ............................................................................................... 182 V. SCIENCE FICTION SINCE 1982 AND HUGHES' SHORT STORIES ............................................................................................... 184 Science Fiction Novels Since 1982 ................................ 185 Short Stories................................................................................ 200 New Directions .............................................................................. 210 Summary ............................................................................................... 215 VI. IMPLICATIONS FOR THE CLASSROOM ....................................... 217 A Developmental
Recommended publications
  • Monica Hughes' Keeper of the Isis Light Trilogy
    Monica Hughes’s The Isis Trilogy: Feminist Rite of Passage? Anita Tarr Monica Hughes’s The Isis Trilogy began with the 1980 publication of The Keeper of the Isis Light, continued in 1981 with The Guardian of Isis, and ended in 1982 with The Isis Pedlar. The trilogy chronicles the life story of Olwen Pendennis on the planet Isis, from age sixteen to old age and death. Olwen was orphaned as a baby on the planet when her parents, the first human inhabitants of Isis, were killed by a storm. Since then, Olwen has been raised by Guardian, a human-appearing robot who serves, in Hughes’s own words, as “[h]er protector, her mother and father, her teacher, her close friend” (“Writer’s” 16). Together Guardian and Olwen manage the lighthouse on Isis, which sends out reports of the planet’s conditions to space travelers needing assistance. So far, no ship has stopped at Isis. Olwen has been the only human there, and she is happy in her companionship with Guardian, who provides her with everything she needs. But all this changes, when a spaceship of eighty humans from Earth lands, planning to set up the first colony on Isis. Olwen falls in love with Mark London, a young colonist, but their romance fails when he rejects her; in fact, all the colonists reject her. She and Guardian remove themselves from the human colony. Olwen finally understands the difference between loneliness and being alone—Hughes’s self-confessed theme for the novel. The reason for Mark’s rejection of Olwen is what makes this first novel so meaningful for adolescent readers, as it focuses on what Mary Pipher calls “lookism” and examines the human and especially male preoccupation with physical appearance (98).
    [Show full text]
  • Science Fiction and Fantasy in the Keeper Ofthe Isis Light by Monica Hughes
    Dorota Guttfeld Nicolaus Copernicus University, Torun, Poland Worlds of Our Own: Science Fiction and Fantasy in The Keeper ofthe Isis Light by Monica Hughes Abstract In the realm of speculative fiction, science fiction and fantasy differ not only in their settings, but predominantly in their ideologies. The development of the two genres may be illustrated by examples of classical science fiction, space opera, 'metaphorical fiction' and fantasy, each representing different sets of values resulting front contemporaneous attitudes to the notions of history, technology and nature. The Keeper of the Isis Light by Monica Hughes is a representative of space opera and "metaphorical fiction" movements, combining facade science fiction with the ideological content of fantasy, which makes it a good example of strengths and limitations ofboth genres. Résumé Bien que science fiction et fantasy appartiennent au genre de speculative fiction, il y a entre eux de dijférences importantes, pas seulement en ce qui concerne le décor mais aussi l 'ensemble des idées. Le développement de ces deux genres, on peut 1'illustrer en prenant 1'exemple de science fiction classique, space opera, "ficton métaphorique " et fantasy, dont chacun représente les valeurs différentes, qui sont issues de différents points de vue sur 1'histoire, la technique et la nature. The Keeper of the Isis Light écrit par Monica Hughes représente les deux genres - space opera et fiction métaphorique. II mélange le décor de science fiction et Vidéologie de fantasy, ce qui crée un bon exemple des possibilités et des limites propres á ces deux genres. Among Canadian writers there is a significant group of science fiction and fantasy authors, both immigrant and Canadian-born.
    [Show full text]
  • Monica Hughes: an Overview
    Monica Hughes: An Overview GERALD RUBIO Professionals - librarians, teachers, booksellers - familiar with even a few of Monica Hughes' eight published works recognize her as one of the best Canadian - and perhaps world - authors of juvenile fiction at work today. Teenagers - including those who normally have no interest whatsoever in science fiction - respond as favorably, if with less comprehension of the reason: they anticipate each new title with the enthusiasm of Star Wars fans about to see The Empire Strikes Back. But although Mrs. Hughes' audience is both as devoted and as diverse as George Lucas' and, as will be demonstrated in a later issue of CCL, for many of the same reasons, she has yet to attract the critical recognition and wide Canadian readership her work merits. The present two-part study is designed, on the one hand, to introduce all of her works to those unfamiliar with the entire corpus and, on the other, to demonstrate that the best of her work is as multi-dimensional in theme, scope, narrative content, and literary technique as those works we usually think of as "serious" adult literature. Her work is as superior to what is typical of juvenile fiction as are Who Has Seen the Wind and The Wind in the Willows (both of which it resembles in many ways). It is not simply "science fiction" any more than Nineteen Eighty-Four is: both she and Orwell (and, again, in similar ways) so transcend their nominal common genre that the classification becomes meaningless. Curiously, few are aware of how essentially Canadian a writer Monica Hughes is.
    [Show full text]
  • The Keeper of the Isis Light Free
    FREE THE KEEPER OF THE ISIS LIGHT PDF Monica Hughes | 248 pages | 20 Nov 2008 | SIMON & SCHUSTER | 9781416989639 | English | New York, NY, United States The Keeper of the Isis Light (Isis, #1) by Monica Hughes Monica Hughes OC November 3, — March 7, was an English-Canadian author of books for children and young adults, especially science fiction. She may be known best for the Isis trilogy of young-adult science fiction novels — L Ince. Both her parents worked at the University of Liverpoolwhere her father was a mathematician and her mother a biologist. In her school years, her teachers always encouraged her to write and join essay writing competitions. She married Glen Hughes on April 22,and together they had 4 children. Before becoming a writer, Hughes had many other careers. She was a dress designer in London England, [5] and BulawayoZimbabwe between the years — Having written over 35 books for young people, Monica Hughes is known as one of Canada's best writers for children and young adults. Many of her books are science fiction. When not writing or not in school, Hughes was said to enjoy swimming, walking, gardening and beachcombing. Although she spent a large part of her life writing, she was almost fifty when her first book was published. WorldCat reports that Invitation to the Game Toronto: HarperCollins, is her work most widely held in participating libraries, by a wide margin. Her last book was The Maze It features a female protagonist and two bullies magically placed in a maze, where they all depend on her for rescue.
    [Show full text]
  • Emerging Themes in Dystopian Literature: the Development of an Undergraduate Course
    Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 4-23-2014 Emerging Themes in Dystopian Literature: The Development of an Undergraduate Course Devin Ryan Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the English Language and Literature Commons, and the Secondary Education and Teaching Commons Recommended Citation Ryan, Devin, "Emerging Themes in Dystopian Literature: The Development of an Undergraduate Course" (2014). Honors Theses. 2466. https://scholarworks.wmich.edu/honors_theses/2466 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. D. Ryan 1 Devin Ryan Thesis Committee—Dr. Gwen Tarbox, Dr. Phil Egan, and Dir. Kim Ballard Lee Honors College 23 April 2014 Emerging Themes in Dystopian Literature: The Development of an Undergraduate Course Abstract Young adult (YA) dystopian literature is a trend that is taking the nation by storm. Since September 11, 2001, the genre has gained a strong backing from academics, authors, and YA readers; after Suzanne Collins’s The Hunger Games (2008), however, YA dystopian literature has become the forefront of teen reading, especially with the recently adapted film versions of the widely renowned trilogy. In order to keep up with the times, a proposed course—YA Dystopian Literature: A Survey of Modern Book Series—has been created to be taught at Western Michigan University by Dr.
    [Show full text]
  • An Ecocritical Analysis of Young Adult Dystopian Texts
    The Ecology of Dystopia: An Ecocritical Analysis of Young Adult Dystopian Texts by Stephanie Dror B.A. (Hons), York University, 2010 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Children's Literature) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2014 © Stephanie Dror, 2014 Abstract Using the lens of ecocriticism combined with theories of the utopia and dystopia, this thesis focuses on the literary portrayal of nature and technology in three contemporary young adult dystopian texts: Life as We Knew It by Susan Beth Pfeffer, The Hunger Games by Susanne Collins, and The Knife of Never Letting Go by Patrick Ness. This research takes a cultural studies approach and draws upon sources of environmentalist criticism and literary studies to investigate the ways in which the three primary texts represent the natural world and technology and then endeavours to uncover the relationship between the adolescent, nature and technology. This study is a part of a larger critical discussion about how the literary relationships between nature, technology and youth might influence readers’ attitudes toward the contemporary anxieties surrounding impending climate change. The study interrogates the ways that the young adult protagonist is framed in relation to the non-human world, providing insights into the young adult's indeterminate and ambiguous relationship to both nature and technology and the future of human survival. ii Preface Portions of chapter 5 were presented under the title "Katniss as Environmental Champion: Eco-Media Literacy in The Hunger Games" at the Pacific North American Modern Language Association's 111th annual conference held in San Diego CA from November 1st- 3rd, 2013.
    [Show full text]
  • Voter Packet
    Hugo Award 2014 Voter Packet Best Fanzine ! Dear Hugo Voter, In 2008, we would have laughed if you told us that we would be nominated for a Hugo Award. Yet… here we are. This is real. This is happening. In addition to the surprise and the sense of pride that we feel, we are above of all thankful to those who nominated us for Best Fanzine. For those who haven’t the faintest idea who we are, however, please allow us to introduce ourselves: Like many foolhardy ideas, The Book Smugglers was born of a time of great adversity. Faced with threats from our significant others concerning the overwhelming volume of books purchased on a daily basis, Ana Grilo (UK-based Brazilian) and Thea James (US-based Filipino-American) resorted to "smuggling" books home in huge handbags to avoid scrutiny. In 2008, we founded The Book Smugglers - a review blog dedicated to speculative and genre fiction for all ages, and an outlet for our bottomless obsession with books and assorted SFF popgeekery. For nearly seven years, we’ve published daily posts on The Book Smugglers, from our trademark incisive reviews to author articles and blogger essays. We’ve hosted interviews, giveaways, and round-up articles. We take pride in our consistency and our uncompromising criticism of genre fiction. More importantly, we are passionate about diversity and inclusivity, especially when it comes to speculative fiction fandom. In this packet, you’ll find seven of our regular reviews (both of the solo and joint/conversational variety), and a selection of three guest posts published on The Book Smugglers in the past year.
    [Show full text]
  • Literature for Today's Young Adults
    ch00_FM_4970 3/11/08 1:47 PM Page i Literature for Today’s Young Adults EIGHTH EDITION Alleen Pace Nilsen Arizona State University Kenneth L. Donelson Arizona State University Boston ● New York ● San Francisco Mexico City ● Montreal ● Toronto ● London ● Madrid ● Munich ● Paris Hong Kong ● Singapore ● Tokyo ● Cape Town ● Sydney ch00_FM_4970 3/11/08 1:47 PM Page ii Executive Editor: Aurora Martínez Ramos Series Editorial Assistant: Kara Kikel Executive Marketing Manager: Krista Clark Production Editor: Annette Joseph Editorial Production Service: Publishers’ Design and Production Services, Inc. Composition Buyer: Linda Cox Manufacturing Buyer: Megan Cochran Electronic Composition: Publishers’ Design and Production Services, Inc. Interior Design: Denise Hoffman Cover Administrator: Kristina Mose-Libon For related titles and support materials, visit our online catalog at www.pearsonhighered.com. Copyright © 2009, 2005, 2001 Pearson Education, Inc. All rights reserved. No part of the material protected by this copyright notice may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission from the copyright owner. To obtain permission(s) to use material from this work, please submit a written request to Allyn and Bacon, Permissions Department, 501 Boylston Street, Suite 900, Boston, MA 02116 or fax your request to 617-671-2290. Between the time website information is gathered and then published, it is not unusual for some sites to have closed. Also, the transcription of URLs can result in typographical errors. The publisher would appreciate notification where these errors occur so that they may be corrected in subsequent editions.
    [Show full text]
  • Carole H. Carpenter, "Monica Hughes: Canadian, Eh?"
    Monica Hughes: Canadian, Eh? Carole H. Carpenter Many people responded to the proposed topic for this paper with considerable surprise: “the ‘Canadianness’ of Monica Hughes’s work and its relationship to and influence on Canadian science fiction and fantasy for children?! But Monica Hughes isn’t Canadian, is she?” The answer is a resounding yes, albeit Mrs. Hughes was born in Liverpool, England, in 1925; lived in Egypt from infancy to age six; went to school, then university in Scotland for a time; and worked for two years in Zimbabwe before traveling to Canada in 1952. She was en route to Australia but got waylaid by circumstances, the place, and the people, especially one significant person, her husband, Glen, whom she married in 1957, the year she also became a Canadian citizen. In the context of a discussion of the Canadianness of Mrs. Hughes’s work, it is noteworthy that she committed herself to Canada as soon as the five-year residency requirement was met. She obviously found in the “True North” an amenable home. Now, more than forty years, four children, and almost forty books later, Monica Hughes is the most widely recognized Canadian science fiction writer for children and was the first such writer of international caliber (Saltman 89). In The New Republic of Childhood, the single most comprehensive work on Canadian children’s literature to date, The Keeper of the Isis Light was proclaimed “a shining touchstone for judging children’s science fiction” worldwide, not just in Canada (Egoff and Saltman 283). This is high praise, especially given Sheila Egoff’s declaration in 1969 that “Science fiction for children is not literature” (390) and her opinion the year after Keeper was published that “science fiction for children, unlike that for adults, has no .
    [Show full text]
  • My Search for Somewhere
    My search for Somewhere Monica Hughes Looking back it seems to me that my life began with books. The dreams which they invoked in me led me in one direction and then in another in search of "the Somewhere meant for me" ...that special place which had to exist, where I could feel at home, where my questions would be answered, where the enigmas of the universe would be made clear; above all, a place where I would find ME. Without any doubt, my first favourite book was a picture book, translated from the French, called Ludo, the adventures of a little green duck. Ludo was different and, when he first discovered his spectacular colouring, he considered himself too important for the little pool on the farm in Norman- dy where he was raised. He set out to make his fame and fortune in the great world beyond, as so many adventurers were to do in the books I was to read later. He visited many wonderful places, including the Taj Mahal and the pyramids. I could relate to that, for our apartment in Cairo at that time looked across the desert at the Great Pyramid of Ghiza. But in the end the pleasures of travel faded. Ludo, now famous and richly endowed, became sad and realized at last that his sadness was homesickness for the "Somewhere meant for him", which was the little pond with his duck family in Normandy. He flew home and lived happily ever after. My sister and I used to weep copiously whenever this book was read to us, but we loved it and begged for it over and over again.
    [Show full text]
  • Monica Hughes, Phoenix Award Speech
    Acceptance Speech Monica Hughes I would like to offer my sincere thanks to the committee who chose The Keeper of the Isis Light as the winning book in this most imaginatively named second-chance award. When I looked at the titles of previous books on this list, I was amazed that they had not been originally greeted with fireworks and fanfares; many of the winners and honor books have been among my top favorites for years, and it is an overwhelming honor to be considered among this illustrious company. It is also a great privilege to be the first Canadian to receive the Phoenix Award, and I’m sure I won’t be the last. We are a country not far removed from the struggles of pioneer days, but our literature—particularly children’s literature—is beginning to have an international impact. Finally, I would like to thank the Canada Council for giving me the travel grant that has enabled me to come to Virginia and be with you today, and John Vance Snow of Calgary for cushioning our arrival by meeting us at the airport at 1:00 a.m. and then giving up his room because I’d mixed up our arrival date. The questions most children’s writers are asked, in schools and fan mail, are: Where do your ideas come from? And: How long does it take to write a book—a day? A week? A month? Don’t I wish! My short answers are: Ideas are everywhere, and it takes about six months to write a book, once I know what I’m doing—which, of course, is the catch.
    [Show full text]