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Sursock Museum Program September – November 2016

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Sursock Museum Program September – November 2016 SURSOCK MUSEUM PROGRAM SEPTEMBER – NOVEMBER 2016 October marks one year since the Sursock Museum’s reopening during which we welcomed 67,000 visitors, hosted 70 talks, 24 workshops, and nine exhibitions with local and interna- tional artists. Our program continues to grow and diversify, always with the aim to support local art produc- tion, to provide a platform for encounter with art and ideas, and to inform and challenge our audiences in new and unexpected ways. We want to hear from you. Please share your experiences of the Sursock Museum by writing or drawing on the back of this page. You can detach it and leave it at the reception. www.sursock.museum 1 The Nicolas Ibrahim Sursock Museum is a modern and contemporary art museum in the center of Beirut first opened in 1961, with a mission to collect, preserve, and exhibit local and international art. Through our collection, archives, exhibitions, and public programs, we aim to produce knowledge on art practices in the region and explore work that reflects on our contemporary moment. Our goal is to support local art production, to provide a platform for encounter and experimentation with art and ideas, and to inform and challenge different audiences in new and unexpected ways. EXHIBITIONS AND DISPLAYS 2 PUbliC PROGRAM TOURS 8 CONFERENCE 10 TALKS 11 WorkSHOPS 14 FILM PROGRAM 16 FAMILY PROGRAM 17 CALENDAR 19 Detail of Joana Hadjithomas and Khalil Joreige Unconformities, 2016 M Photographic prints, drawings, texts ind the gap Coproduced by the Sharjah Art Foundation and the Sursock Museum 3 32nd Salon d’Automne Exhibitions and displays 17 November 2016 – 13 February 2017 Let’s Talk About the Weather: Art and Ecology in a Time of Crisis Special Exhibitions Hall, Level -2 Curated by Nataša Petrešin-Bachelez and Nora Razian The Sursock Museum is pleased to relaunch exhibition by an external jury, composed of high the Salon d’Automne, an open call visual art profile figures in the arts and cultural sphere. 14 July – 24 October 2016 Artists are Marwa Arsanios in collaboration exhibition showcasing recent work produced The full list of participating artists will be an- Special Exhibitions Hall, Level -2 with Samer Frangie, Sammy Baloji, Ursula in Lebanon. nounced in October 2016. Biemann and Paulo Tavares, Design Earth, Over the last one hundred years, humans have A regular fixture of the Sursock Museum since Three prizes will be awarded to the most out- Joana Hadjithomas and Khalil Joreige, Emre its opening in 1961, the Salon d’Automne has standing works. The Sursock Museum will award drastically altered the natural environment Hüner, Jessika Khazrik or The Society of False through industrialization, intensive farming, supported young artists for the past fifty years, two of these: the Sursock Museum Prize and Witnesses, Adrian Lahoud, Emeric Lhuisset, providing them with a platform to showcase the Emerging Artist Prize, generously gifted by rapid urbanization, and the development of Nicholas Mangan, Sophia Al Maria, Pedro fossil fuels. their work – sometimes for the very first time – Mrs. Hind Sinno. Museum visitors will also have Neves Marques, Marko Peljhan, Claire Pentecost, and giving exposure to more established ones the chance to vote for their favorite artwork In an era of planetary climate change, how Monira Al Qadiri, Marwan Rechmaoui, and who would go on to become prominent figures in the exhibition, which will be awarded the will these transformations alter the way we Natascha Sadr Haghighian. in the arts today. Audience Prize. live our lives? How can we understand climate A special series of publications, edited by change from a historical and cultural perspec- Presenting a cross-section of the most recent The Salon d’Automne takes place every two Ashkan Sepahvand in collaboration with work being produced by both emerging and more years. Now in its 32nd edition, this is the first tive? How can we imagine an alternative, more the exhibition curators, will be produced equitable future? established artists in Lebanon, this edition of the Salon since the Museum’s reopening in October in conjunction with this exhibition, with Salon d’Automne will feature painting, photog- 2015. The next edition will be in 2018. Let’s Talk About the Weather: Art and Ecology in contributions from Angela Anderson, Marwa raphy, moving image, and installation, among #32salondautomne #sursockmuseum a Time of Crisis brings together over 17 local and Arsanios, Omar Berrada and Sarah Riggs, Ursula other media. The works have been selected for international artists showcasing new works deal- Biemann and Paulo Tavares, Ewen Chardronnet, ing with climate change and ecological disaster. Adib Dada, Forensic Architecture, Rania Ghosn (Design Earth), Hamza Hamouchene, Razmig Keucheyan, Lara Khaldi, Jessika Khazrik, Kapwani Kiwanga, Adrian Lahoud, Bronwyn Lay, Erica Lee and Zoe Todd, Namik Macˇkicˇ, Fadi Mansour, Sophia Al Maria, Achille Mbembe, Angela Melitopoulos, Pedro Neves-Marques, Marwan Rechmaoui Elizabeth Povinelli, Pelin Tan, Françoise Vergès, Waste, 2016 and Elisabeth von Samsonow. Sculptural installation of 4 cubes made from recast plastic bottles and caps, aluminum cans, rubber tires, #LTAW #artandecology #sursockmuseum and corrugated cardboard; stainless steel plinth Courtesy of the artist and Sfeir-Semler Gallery (Beirut and Hamburg). Produced by the Sursock Museum. © Nabû Productions 32nd Salon d’Automne ﻣﻌﺮض اﻟﺨﺮﻳﻒ اﻟـ٣٢ AN OPEN CALL EXHIBITION ﻣﻌﺮض ﻣﻔﺘﻮح 17 November 2016 - 13 February 2017 ١٧ ﺗﺸﺮﻳﻦ اﻟﺜﺎﻧﻲ ٢٠١٦ − ١٣ ﺷﺒﺎط ٢٠١٧ 4 5 Adelita Husni-Bey The Human Scale A Wave in the Well Archeological Photographs from The Fouad Debbas Collection 20 October 2016 – 30 January 2017 20 October 2016 – 30 January 2017 Twin Galleries, GF The Fouad Debbas Collection Gallery, Level 1 Stemming from research and in-depth inter- Adelita Husni-Bey is an educator and art- What the eye sees, photography attempts to Often, the monumental quality of a site can only actions with people, Adelita Husni-Bey’s pro- ist based in New York. Her practice involves reproduce. It responds to our common desire be grasped through the inclusion of a human cess-based work questions and makes visible the workshops and filmmaking on and around ur- to tour the world “from the comfort of one’s figure. Man is there only to indicate scale, but legislative, pedagogical, and economic structures ban spaces and the complexities of collectiv- armchair.” In the second half of the 19th century, he inhabits these images, which otherwise would that frame daily life. ity. She participated in Undiscovered Worlds, photographic expeditions to Egypt multiplied, be lifeless and frozen in an ancient time, like A Wave in the Well presents existing work as the New York High Line, 2015; Really Useful with a view to making an inventory of the Orient. the ruins we see. well as new work produced in collaboration Knowledge, Reina Sofia Museum, 2014; Utopia If sketches made in situ previously sufficed, Photographers frequently turn to the same as- with the youth-led organization NAHNOO and for Sale?, MAXXI Museum, 2014; and Playing photography came to be appreciated for its sistants or travel companions to “populate” their members of the public. Truant, Gasworks, 2012, among other group ex- capacities to document, illustrate, and depict expertly-composed stagings. The positioning of hibitions. She recently produced a film with a monuments and their decors with great precision. the human figures is rarely left to chance; they Produced during a year-long residency in San group of young athletes at the Kadist Foundation Fransisco, the video After the Finish Line ex- Photography thus became a precious tool for are either clearly visible, standing with their in San Francisco as part of the solo exhibition archeologists and scientists. backs against columns, seated with their head plores the psychological and physical aspects Movement Break, and is currently developing a of competitive culture. in their hands, or nearly hidden, squatting next Visible Prize nominated project, the “Convention to a rock, or springing out from the shadows. The video installation Ard looks at the often on the Use of Space,” a publicly drafted legal Sometimes, the photographer is himself the tense and uneven encounter between redevel- document on the commons and the allocation figure. Would you be able to recognize him? opment plans and local residents, in this case, in of space in cities. She is a 2016 recipient of the Bonfils Studio the informal neighborhoods of Gezirat al-Qur- Graham Foundation grant and a 2012 Whitney The Sphinx of Giza, Egypt, Circa 1880-95 #archeologicalsites #tfdc #sursockmuseum Independent Study Program fellow. Albumen print from Mansell album, 24 × 30 cm saya and Ramlet Boulaq in Cairo. The Fouad Debbas Collection / Sursock Museum #adelitahusnibey #awaveinthewell #sursockmuseum Adelita Husni-Bey After the Finish Line (film still), 2015 4K video, Color, Sound, 12:39 minutes, English Courtesy of the artist and Laveronica arte contemporanea 6 7 Ali Cherri Collection Display A Taxonomy of Fallacies: The Life of Dead Objects A Selection of Works from the Sursock Museum Collection 13 May – 16 September 2016 Using material gathered from archaeological digs, Collection Galleries, Levels 1 and 2 Twin Galleries, GF wildlife parks, and auction houses around the world, this new body of work by Ali Cherri raises Distributed along the Museum’s upper two From Daoud Corm’s painted portraits to Saloua What stories do objects tell? How do ancient important and timely questions
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