Treatment of Stream of Consciousness Technique in Happy Valley by Patrick White
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Stream of Consciousness: a Study of Selected Novels by James Joyce and Virginia Woolf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Italian translations of English stream of consciousness: a study of selected novels by James Joyce and Virginia Woolf Giulia Totò PhD The University of Edinburgh 2014 Declaration I hereby declare that this thesis was composed by myself, that the work contained herein is my own except where explicitly stated otherwise in the text, and that this work has not been submitted for any other degree or professional qualification except as specified. Giulia Totò iii To little Emma and Lucio, for the immense joy they spread and the love they allow me to return. iv Acknowledgments I am pleased to take this opportunity to thank my supervisors Federica G. Pedriali and Yves Gambier for their guidance and, most of all, for their support and patience during these years. -
Glossary of Literary Terms
Glossary of Critical Terms for Prose Adapted from “LitWeb,” The Norton Introduction to Literature Study Space http://www.wwnorton.com/college/english/litweb10/glossary/C.aspx Action Any event or series of events depicted in a literary work; an event may be verbal as well as physical, so that speaking or telling a story within the story may be an event. Allusion A brief, often implicit and indirect reference within a literary text to something outside the text, whether another text (e.g. the Bible, a myth, another literary work, a painting, or a piece of music) or any imaginary or historical person, place, or thing. Ambiguity When we are involved in interpretation—figuring out what different elements in a story “mean”—we are responding to a work’s ambiguity. This means that the work is open to several simultaneous interpretations. Language, especially when manipulated artistically, can communicate more than one meaning, encouraging our interpretations. Antagonist A character or a nonhuman force that opposes, or is in conflict with, the protagonist. Anticlimax An event or series of events usually at the end of a narrative that contrast with the tension building up before. Antihero A protagonist who is in one way or another the very opposite of a traditional hero. Instead of being courageous and determined, for instance, an antihero might be timid, hypersensitive, and indecisive to the point of paralysis. Antiheroes are especially common in modern literary works. Archetype A character, ritual, symbol, or plot pattern that recurs in the myth and literature of many cultures; examples include the scapegoat or trickster (character type), the rite of passage (ritual), and the quest or descent into the underworld (plot pattern). -
THE TRENDS of STREAM of CONSCIOUSNESS TECHNIQUE in WILLIAM FAULKNER S NOVEL the SOUND and the FURY'' Chitra Yashwant Ga
AMIERJ Volume–VII, Issues– VII ISSN–2278-5655 Oct - Nov 2018 THE TRENDS OF STREAM OF CONSCIOUSNESS TECHNIQUE IN WILLIAM FAULKNER S NOVEL THE SOUND AND THE FURY’’ Chitra Yashwant Gaidhani Assistant Professor in English, G. E. Society RNC Arts, JDB Commerce and NSC Science College, Nashik Road, Tal. & Dist. Nashik, Maharashtra, India. Abstract: The term "Stream-of-Consciousness" signifies to a technique of narration. Prior to the twentieth century. In this technique an author would simply tell the reader what one of the characters was thinking? Stream-of-consciousness is a technique whereby the author writes as though inside the minds of the characters. Since the ordinary person's mind jumps from one event to another, stream-of- consciousness tries to capture this phenomenon in William Faulkner’s novel The Sound and Fury. This style of narration is also associate with the Modern novelist and story writers of the 20th century. The Sound and the Fury is a broadly significant work of literature. William Faulkner use of this technique Sound and Fury is probably the most successful and outstanding use that we have had. Faulkner has been admired for his ability to recreate the thought process of the human mind. In addition, it is viewed as crucial development in the stream-of-consciousness literary technique. According encyclopedia, in 1998, the Modern Library ranked The Sound and the Fury sixth on its list of the 100 best English-language novels of the 20th century. The present research focuses on stream of consciousness technique used by William Faulkner’s novel “The Sound and Fury”. -
Use of Theses
THESES SIS/LIBRARY TELEPHONE: +61 2 6125 4631 R.G. MENZIES LIBRARY BUILDING NO:2 FACSIMILE: +61 2 6125 4063 THE AUSTRALIAN NATIONAL UNIVERSITY EMAIL: [email protected] CANBERRA ACT 0200 AUSTRALIA USE OF THESES This copy is supplied for purposes of private study and research only. Passages from the thesis may not be copied or closely paraphrased without the written consent of the author. FINDING A PLACE: LANDSCAPE AND THE SEARCH FOR IDENTITY IN THE EARLY NOVELS OF PATRICK WHITE Y asue Arimitsu A thesis submitted for the degree of MASTER OF ARTS at the Australian National University December 1985 11 Except where acknowledgement is made, this thesis is my own work. Yasue Arimitsu Ill ACKNOWLEDGEMENTS Acknowledgements are due to many people, without whose assistance this work would have proved more difficult. These include Dr Livio Dobrez and Dr Susan McKer nan, whose patience was unfailing; Dr Bob Brissenden, who provided initial encourage ment; Mr Graham Cullum, for advice and assistance; Professor Ian Donaldson, for his valuable comments; and Jean Marshall, for her kind and practical support. Special thanks must be given to the typist, Norma Chin, who has worked hard and efficiently, despite many pressures. My gratitude is also extended to my many fellow post-graduates, who over the years have sustained, helped and inspired me. These in clude especially Loretta Ravera Chion, Anne Hopkins, David Jans, Andrew Kulerncka, Ann McCulloch, Robert Merchant, Julia Robinson, Leonie Rutherford and Terry Wat- son. Lastly I would like to thank the Australia-Japan Foundation, whose generous financial support made this work possible and whose unending concern and warmth proved most encouraging indeed. -
Jane Austen's Powers of Consciousness Diane M
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 1-1-2003 Jane Austen's Powers of Consciousness Diane M. Counts Follow this and additional works at: http://mds.marshall.edu/etd Part of the Classics Commons, Literature in English, Anglophone outside British Isles and North America Commons, and the Women's Studies Commons Recommended Citation Counts, Diane M., "Jane Austen's Powers of Consciousness" (2003). Theses, Dissertations and Capstones. Paper 550. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. Jane Austen’s Powers of Consciousness Thesis Submitted to The Graduate College of Marshall University In Partial Fulfillment of the Requirements for the Degree of Master of Arts Humanities by Diane M. Counts Dr. Joyce E. East, Committee Chairperson Dr. Arline R. Thorn Dr. Reidun Ovrebo Dr. Barbara E. Ladner Marshall University April 2003 Abstract “Jane Austen’s Powers of Consciousness” By: Diane M. Counts This thesis incorporates information from recent biographies, feminist studies, and scholarly interpretations focusing on Jane Austen’s narrative strategies. Such incorporation of material provides a context for understanding the significance of Austen’s contributions to the novel form and illuminating the development of the female narrative voice. It focuses on Emma, Austen’s last novel published during her lifetime, as an exemplification of Austen’s enunciation of a feminine perspective of life and vocalization of a growing female self-awareness—her powers of consciousness—through Emma. -
Patrick White
Bibliothèque Nobel 1973 Bernhard Zweifel Patrick White Year of Birth 1912 Year of Death 1990 Language Englisch Award for an epic and psychological narrative art Justification: which has introduced a new continent into literature Supplemental Information Secondary Literature • I. Björksten, Partick White: A General Introduction (1976) • Carolyn Jane Bliss, Patrick White's Fiction (1986) • David J. Tacey, Patrick White: Fiction and the Unconscious (1988) • Laurence Steven, Dissociation and Wholeness in Patrick White's Fiction (1989) • Rodney S tenning Edgecombe, Vision and Style in Patrick White (1989) • Peter Wolfe (ed.), Critical Essays on Patrick White (1990) • David Marr , Patrick White: A Life (1992) • Michael Giffin, Patrick White and the Religious Imagination (1999) • John Colmer, Patrick White (1984) • John C olmer, Patrick White's Riders in the Chariot (1978) • Simon During, Patrick White (1996) • Karin Hansson, The Warped Universe: A Study of Im agery and Structure in Seven Novels by Patrick White (1984) • Brian Kiernan, Patrick White (1980) • Patricia A.Morley, The Mystery of U nity: Theme and technique in the novels of Patrick White (1972) Works Catalogue Drama 1950 - 1959 The Tree of Man [1955] 173.1550 1930 - 1939 Voss [1957] 173.1570 The School for Friends [1935] Bread and Butter Women [1935] 1960 - 1969 Riders in the Chariot [1961] 173.1610 1940 - 1949 Being Kind to Titina [1962] 173.1640 After Alep [1945] Willy-Wagtails by Moonlight [1962] 173.1640 Return to Abyssinia [1947] The Letters [1964] 173.1640 The Ham Funeral [1947] -
ELEMENTS of FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms That Indentify Components of Narratives “Fiction
Dr. Hallett ELEMENTS OF FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms that Indentify Components of Narratives “Fiction” is defined as any imaginative re-creation of life in prose narrative form. All fiction is a falsehood of sorts because it relates events that never actually happened to people (characters) who never existed, at least not in the manner portrayed in the stories. However, fiction writers aim at creating “legitimate untruths,” since they seek to demonstrate meaningful insights into the human condition. Therefore, fiction is “untrue” in the absolute sense, but true in the universal sense. Critical Thinking – analysis of any work of literature – requires a thorough investigation of the “who, where, when, what, why, etc.” of the work. Narrator / Narrative Voice Guiding Question: Who is telling the story? …What is the … Narrative Point of View is the perspective from which the events in the story are observed and recounted. To determine the point of view, identify who is telling the story, that is, the viewer through whose eyes the readers see the action (the narrator). Consider these aspects: A. Pronoun p-o-v: First (I, We)/Second (You)/Third Person narrator (He, She, It, They] B. Narrator’s degree of Omniscience [Full, Limited, Partial, None]* C. Narrator’s degree of Objectivity [Complete, None, Some (Editorial?), Ironic]* D. Narrator’s “Un/Reliability” * The Third Person (therefore, apparently Objective) Totally Omniscient (fly-on-the-wall) Narrator is the classic narrative point of view through which a disembodied narrative voice (not that of a participant in the events) knows everything (omniscient) recounts the events, introduces the characters, reports dialogue and thoughts, and all details. -
Stream of Consciousness Technique: Psychological Perspectives and Use in Modern Novel المنظور النفسي واستخدا
Stream of Consciousness Technique: Psychological Perspectives and Use in Modern Novel Weam Majeed Alkhafaji Sajedeh Asna'ashari University of Kufa, College of Education Candle & Fog Publishing Company Email: [email protected] Email: [email protected] Abstract Stream of Consciousness technique has a great impact on writing literary texts in the modern age. This technique was broadly used in the late of nineteen century as a result of thedecay of plot, especially in novel writing. Novelists began to use stream of consciousness technique as a new phenomenon, because it goes deeper into the human mind and soul through involving it in writing. Modern novel has changed after Victorian age from the traditional novel that considers themes of religion, culture, social matters, etc. to be a group of irregular events and thoughts interrogate or reveal the inner feeling of readers. This study simplifies stream of consciousness technique through clarifying the three levels of conscious (Consciousness, Precociousness and Unconsciousness)as well as the subconsciousness, based on Sigmund Freud theory. It also sheds a light on the relationship between stream of consciousness, interior monologue, soliloquy and collective unconscious. Finally, This paper explains the beneficial aspects of the stream of consciousness technique in our daily life. It shows how this technique can releaseour feelings and emotions, as well as free our mind from the pressure of thoughts that are upsetting our mind . Key words: Stream of Consciousness, Modern novel, Consciousness, Precociousness and Unconsciousness and subconsciousness. تقنية انسياب اﻻفكار : المنظور النفسي واستخدامه في الرواية الحديثة وئام مجيد الخفاجي ساجدة اثنى عشري جامعة الكوفة – كلية التربية – قسم اللغة اﻻنكليزية دار نشر كاندل وفوك الخﻻصة ان لتقنية انسياب اﻻفكار تأثير كبير على كتابة النصوص اﻻدبية في العصر الحديث. -
THE VISION of ALIENATION an Analytical Approach to the Works of Patrick White Through the First Four Novels by WILLIAM GERALD SC
THE VISION OF ALIENATION An analytical approach to the works of Patrick White through the first four novels by WILLIAM GERALD SCHERMBRUCKER B.A., University of Cape Town, 1957 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA May, 1966 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall, make it freely available for reference and -. study, I further agree that permission., for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives'. It is understood that copying of - publication of this thesis for. financial gain shall not be allowed without my written permission', . Department of..^^ The University of British Columbia Vancouver 8, Canada 17th August, 1966. Date ii ABSTRACT This study of Patrick White's work is chiefly concerned with the first four novels, but refers also to some poetry, the short stories, the plays and the three later novels. It traces the development of themes and techniques in these four novels in terms of artistic vision and the rendering of that vision. The early, experimental works, up to The Living and the Dead are treated at considerable length, chiefly to show how the later developments are basically improve• ments and variations on the themes and techniques which have already been used. A second reason for the length of this part of the treatment is that, in the existing criticism of White, these early works are almost entirely ignored. -
International Researcher Volume No.2 Issue No4. December 2013 INTERNATIONALINTERNATIONAL RESEARCHERSRESEARCHERS
International Researcher Volume No.2 Issue No4. December 2013 INTERNATIONALINTERNATIONAL RESEARCHERS RESEARCHERS Narratology of Symbolism Based On Stream Of Consciousness in V.Woolf's To the Lighthouse and Maroufy's Symphony of Dead Kiyan Pishkar and Nooshin Nasery Volume No.2 Issue No.4 December 2013 WWW.IRESEARCHER.ORGwww.iresearcher.org ISSN 227-7471 127 Page = www.iresearcher.org International Researcher Volume No.2 Issue No4. December 2013 THE INTERNATIONAL RESEARCH JOURNAL ―INTERNATIONAL RESEACHERS‖ www.iresearcher.org © 2013 (individual papers), the author(s) © 2013 (selection and editorial matter) This publication is subject to that author (s ) is (are) responsible for Plagiarism, the accuracy of citations, quotations, diagrams, tables and maps. All rights reserved. Apart from fair dealing for the purposes of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please contact [email protected] INTERNATIONAL RESEARCHERS is peer-reviewed, supported by rigorous processes of criterion-referenced article ranking and qualitative commentary, ensuring that only intellectual work of the greatest substance and highest significance is published. INTERNATIONAL RESEARCHERS is indexed in wellknown indexing diectories with ICV value 5.90 and moniter by 128 Page www.iresearcher.org International Researcher Volume No.2 Issue No4. December 2013 Narratology of Symbolism Based On Stream Of Consciousness in V.Woolf's To the Lighthouse and Maroufy's Symphony of Dead Kiyan Pishkar1, Nooshin Nasery2 1PhD candidate of ELT and lecturer of Islamic Azad University, Jieroft Branch, I.R. -
Patrick White
Bibliothèque Nobel 1973 Bernhard Zweifel Patrick White Geburtsjahr 1912 Todesjahr 1990 Sprache englisch Begründung: for an epic and psychological narrative art which has introduced a new continent into literature Zusatzinformationen Sekundärliteratur • I. Björksten, Partick White: A General Introduction (1976) • Carolyn Jane Bliss, Patrick White's Fiction (1986) • David J. Tacey, Patrick White: Fiction and the Unconscious (1988) • Laurence Steven, Dissociation and Wholeness in Patrick White's Fiction (1989) • Rodney S tenning Edgecombe, Vision and Style in Patrick White (1989) • Peter Wolfe (ed.), Critical Essays on Patrick White (1990) • David Marr , Patrick White: A Life (1992) • Michael Giffin, Patrick White and the Religious Imagination (1999) • John Colmer, Patrick White (1984) • John C olmer, Patrick White's Riders in the Chariot (1978) • Simon During, Patrick White (1996) • Karin Hansson, The Warped Universe: A Study of Im agery and Structure in Seven Novels by Patrick White (1984) • Brian Kiernan, Patrick White (1980) • Patricia A.Morley, The Mystery of U nity: Theme and technique in the novels of Patrick White (1972) Werkverzeichnis Belletristik 1970 - 1979 The Vivisector [1970] 1930 - 1939 The Eye of the Storm [1973] The Twitching Colonel [1937] The Night the Prowler [1974] 173.1662 Happy Valley [1939] Sicilian Vespers [1974] 173.1662 The Coctatoos [1974] 1940 - 1949 A Fringe of Leaves [1976] Cocotte [1940] Stations [1978] The Living and the Dead [1941] 173.1410 The God in the Rafters [1978] The Aunt's Story [1948] 173.1480 The -
A New Australian Play Based on a Short Story by Patrick White
Brink Productions in association with Adelaide Festival Centre presents A new Australian play 10–24 October, based on a short story Space Theatre by Patrick White brinkproductions.com Featuring Zephyr Quartet Director Chris Drummond Designer Michael Hankin Lighting Designer Nigel Levings Musical Director Hilary Kleinig Composers Belinda Gehlert, Emily Tulloch, Jason Thomas, Hilary Kleinig Cast Paul Blackwell, Lucy Lehmann, Kris McQuade, James Smith and Zephyr Quartet Creative Team Creatives and Production Creatives and Production Director Scenic Artist Chris Drummond Michelle Delaney Designer Scenic Artist Michael Hankin Wendy Todd Lighting Designer Carpenter Nigel Levings Tom Sutton Musical Director Hilary Kleinig Cast and Characters Composers Older Man Belinda Gehlert, Hilary Kleinig, Paul Blackwell Jason Thomas, Emily Tulloch Younger Woman Production Manager Lucy Lehman Françoise Piron Older Woman Stage Manager Kris McQuade Stephanie Fisher Younger Man Assistant Stage Manager James Smith Danielle Mullins and Wardrobe/Costumes Zephyr Quartet Emma Brockliss 10-24 October 2015 Space Theatre Adelaide Festival Centre Director’s Notes Chris Drummond The first and perhaps most important act of massive cultural and political change. This adaptation in undertaking this production historical and social perspective has a ‘mirror’ was changing the title of Patrick White’s short in so many narrative details throughout story from Down at the Dump to The Aspirations the story: from Ossie living on the cusp of of Daise Morrow. This new title, taken