DOCSLIB.ORG

Archaeological Dialogues

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Archaeological Dialogues 13802038_18-1.qxd:ARD 3/10/11 10:58 AM Page 1 1380-2038 June 2011 | Vol. 18 | No. 1 Archaeological Archaeological dialogues Archaeological dialogues editorial 1 The role of the archaeological excavation in the 21st century dialogues discussion article 5 We still have to excavate – but not at any price Jean-Paul Demoule 10 Still not digging, much John F. Cherry 18 Reflections on the archaeology of archaeological excavation Geoff Carver 26 Archaeology and the unstoppable excavation machine. June 2011 A Swedish point of view Björn Nilsson 30 A new empiricism. Excavating at the start of the 21st century Jan Kolen 41 Why excavate? A South African perspective Ndukuyakhe Ndlovu | Vol. 18 44 Excavation as a ground of archaeological knowledge Matt Edgeworth 46 Why excavate? Triaging the excavation of archaeological sites Ezra B.W. Zubrow | No. 1 48 ‘Haven’t we dug enough now?’ Excavation in the light of intergenerational equity Rick Bonnie notes 59 Processual archaeology and gender politics. The loss of innocence Rachel Pope 87 Rethinking numismatics. The archaeology of coins Fleur Kemmers and Nanouschka Myrberg review article 109 Landscape for a good feminist. An archaeological review Silvia Tomášková 137 List of contributors Cambridge Journals Online For further information about this journal please go to the journal website at: journals.cambridge.org/ard Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.8, on 25 Sep 2021 at 11:26:21, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1380203811000018 13802038_18-1.qxd:ARD 3/10/11 10:58 AM Page 2 Editors Archaeological dialogues is a refereed journal aiming at the Guidelines for contributors promotion of theoretically oriented approaches which go Ton Derks (VU University, Amsterdam, beyond traditional archaeological perspectives and consider a The Netherlands) Archaeological dialogues is a broad, peer-reviewed journal for debating archaeology. wide range of historical, social and philosophical issues. It Articles should be accessible to an audience which may be unfamiliar with the specific Michael Dietler (University of Chicago, USA) shuns narrow chronological and regional limits and emphasises period and region discussed. Transparent writing is encouraged above abstruse reason- Fokke Gerritsen (Netherlands Institute in Turkey, the importance of theoretical engagement and methodological ing. Jargon should be avoided and succinct writing is appreciated. We value good illus- Istanbul, Turkey) debate. Archaeological Dialogues includes discussion articles, trations. These can include photographs, line-drawings and maps. email [email protected] review essays and in-depth interviews, which encourage debate and critical analysis. Procedure Associate Editors The Archaeological dialogues publishing process includes the following steps: submission, Subscriptions Alexander Gramsch (Museum Herxheim, evaluation, decision (acceptance, modification or rejection), copy-editing, proof-read- ing, publication, and distribution. In order to guarantee efficient and quality publication Germany) Archaeological dialogues (ISSN 1380-2038) is published twice a year in June and December. Two parts form a volume. The sub- contributors are requested to adhere closely to the following guidelines: Jeremia Pelgrom (VU University, Amsterdam, scription price which includes delivery by air where appropriate The Netherlands) All manuscripts should be written in English. Manuscripts that seriously fail to (but excluding VAT) of volume 18 is £91 (US $163 in USA, conform to the guidelines will be returned to authors for revision before they will be Liv Nilsson Stutz (Lund University, Sweden) Canada and Mexico) for institutions (print and electronic); £82 considered. Ian Straughn (Brown University, USA) (US $145) for institutions (electronic only); £36 (US $62) for individuals (print only); £25 (US $44) for students (print only). When submitting a contribution to Archaeological dialogues, it will be acknowl- Sarah Tarlow (University of Leicester, UK) EU subscribers (outside the UK) who are not registered for VAT edged on receipt. One of the editors will be the contact person for a paper through- should add VAT at their country’s rate. VAT registered members out the entire process. If scope, quality and language are appropriate it will be sent to two anonymous referees for expert opinion. Usually within two or three months, the Advisory Board should provide their VAT registration number. Japanese prices editors will inform you of their final decision. In the case of rejection, an editorial for institutions (including ASP delivery) are available from Anders Andrén (Stockholm University, Sweden) justification will be provided, including the original referees’ reports. In the case of Kinokuniya Company Ltd, P.O. Box 55, Chitose, Tokyo 156, Peter Biehl (Cambridge University, UK/University acceptance – which may be conditional on revisions – one of the editors will guide Japan. of Buffalo, USA) you through the rest of the publishing process. Before an article goes into print, Richard Bradley (University of Reading, UK) Orders, which must be accompanied by payment, may be sent to authors will receive a copy of the proofs to check. The entire procedure between sub- mission and appearance should take less than a year. Joanna Brück (University of Dublin, Ireland) a bookseller, subscription agent or direct to the publisher: Cambridge University Press, The Edinburgh Building, Professor Philippe Della Casa (Universität Zürich, Types of contributions Switzerland) Shaftesbury Road, Cambridge CB2 8RU; or in the USA, Canada and Mexico: Cambridge University Press, Journals Fulfillment Peter van Dommelen (University of Glasgow, UK) Archaeological dialogues essentially publishes two types of papers, namely ‘discussion Department, 100 Brook Hill Drive, West Nyack, New York articles’ and ‘notes’. The former are accompanied by published comments and a reply. Lin Foxhall (University of Leicester, UK) 10994–2133. Periodicals postage paid at New York, NY and at Discussion articles are usually longer, they can be up to 8–9000 words whereas notes Barbara Helwing (German Archaeological Institute) additional mailing offices. typically are around 4–5000 words. Discussion articles usually take longer to appear in Kristian Kristiansen (University of Gothenburg, print because of the time required for comments and reply. Review essays and interviews Sweden) Copying are usually solicited by the editorial board, but scholars with suggestions in this direction Gavin Lucas (Institute of Archaeology, Reykjavík, are encouraged to contact us. Iceland) This journal is registered with the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, USA. Organizations Arek Marciniak (Adam Mickiewicz University, in the USA who are also registered with the C.C.C. may, there- Submission of contributions Poland) fore copy material (beyond the limits permitted by, sections 107 Manuscripts are preferably received by email ([email protected]). Alternatively, a CD Thomas Meier (University of Heidelberg) and 108 of U.S. Copyright law) subject to payment to the C.C.C and hardcopy may be sent to: Archaeological Dialogues, VU University, Faculty of Arts, Björn Nilsson (Södertörns University, Sweden) of the per copy fee of $12. This consent does not extend to De Boelelaan 1105, 1081 HV Amsterdam, The Netherlands. Predrag Novakovic (University of Ljubljana, multiple copying for promotional or commercial purposes. Slovenia) Code 1380-2038/2011 $12. ISI Tear Sheet Service, 3501 Market Authors are solely responsible not only for the contents of their manuscripts, but also for Nathan Schlanger (AREA – Archives of European Street, Philadelphia, PA 19104, USA, is authorized to supply securing any legal rights or permissions to publish submitted material, including copy- right-protected materials. The appropriate acknowledgements should be given in Archaeology) single copies of separate articles for private use only. Organizations authorized by the Copyright Licensing Agency captions, endnotes, or elsewhere. Manuscripts should not be submitted to (nor should Silvia Tomásˇková (University of North Carolina, they have been published in) any other journal or publication. USA) may also copy, material subject to the usual conditions. For all other use, permission should be sought from Cambridge or Ruth Tringham (University of California, Berkeley) See http://uk.cambridge.org/journals/ard for an extended version of the guidelines for from the American Branch of Cambridge University Press. Helle Vandkilde (Aarhus University, Denmark) contributors. Sofia Voutsaki (Groningen Institute of Internet Access Archaeology, The Netherlands) This journal issue has been printed on FSC-certified paper and cover board. FSC is an independent, non-governmental, not-for-profit organization established to promote the Howard Williams (University of Chester, UK) Archaeological dialogues is included in the Cambridge Journals Online service which can be found at http://journals.cambridge.org. responsible management of the world’s forests. Please see www.fsc.org for information. Further information on Archaeological dialogues can be found Archaeological Dialogues is indexed in the Thomson Reuters Arts and Humanities at http://www.archaeologicaldialogues.com. For information on Citation Index. other Cambridge titles access http://www.cambridge.org © Cambridge University Press 2011 Downloaded from https://www.cambridge.org/core.
Load more

Recommended publications
  • The House of Oduduwa: an Archaeological Study of Economy and Kingship in the Savè Hills of West Africa
    The House of Oduduwa: An Archaeological Study of Economy and Kingship in the Savè Hills of West Africa by Andrew W. Gurstelle A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2015 Doctoral Committee: Professor Carla M. Sinopoli, Chair Professor Joyce Marcus Professor Raymond A. Silverman Professor Henry T. Wright © Andrew W. Gurstelle 2015 ACKNOWLEDGMENTS I must first and foremost acknowledge the people of the Savè hills that contributed their time, knowledge, and energies. Completing this dissertation would not have been possible without their support. In particular, I wish to thank Ọba Adétùtú Onishabe, Oyedekpo II Ọla- Amùṣù, and the many balè,̣ balé, and balọdè ̣that welcomed us to their communities and facilitated our research. I also thank the many land owners that allowed us access to archaeological sites, and the farmers, herders, hunters, fishers, traders, and historians that spoke with us and answered our questions about the Savè hills landscape and the past. This dissertion was truly an effort of the entire community. It is difficult to express the depth of my gratitude for my Béninese collaborators. Simon Agani was with me every step of the way. His passion for Shabe history inspired me, and I am happy to have provided the research support for him to finish his research. Nestor Labiyi provided support during crucial periods of excavation. As with Simon, I am very happy that our research interests complemented and reinforced one another’s. Working with Travis Williams provided a fresh perspective on field methods and strategies when it was needed most.
    [Show full text]
  • Petreşti Culture
    LUCIAN BLAGA UNIVERSITY from SIBIU HYSTORY AND PATRIMONY FACULTY ANCIENT AND MEDIEVAL HISTORY DEPARTMENT PETREŞTI CULTURE Phd Thesis Abstract SCIENTIFIC COORDINATOR PhD STUDENT PROF. UNIV DR. SORIN TINCU GHEORGHE LAZAROVICI SIBIU 2011 SUMMARY Introduction 4-6 I. Work method. Data bases and information, catalogues and dictionaries. I.1 Work method. General presentation 7-6 I.2 Dictionaries of the Petreşti culture pottery 7-39 II.3 Catalogues of the Petreşti culture pottery 39-71 II. Copper and gold metallurgy within the Carpathian-Danube region II.1 The Carpathian-Danube region – Definition 72 II.2 Terminology problems: Eneolithic, Chalcolithic, Copper Age 72-76 II.3 Periodization of the Copper Age in Romania 76-81 II.4 Copper metallurgy 81-88 II.5 Copper processing 88-93 II.6 Copper resources in the Carpathian-Danube area 93-101 II.7 Gold processing 102-107 III. The Petreşti culture. General concepts III.1 The name of the culture 108-109 III.2 The origin of the culture 109-119 III.3 The evolution of the culture 120-123 III.4 Spread of the Petreşti culture 123-173 III.5 Stratigraphy 173-181 III.6 Elements of relative and absolute chronology 182-188 IV. The material culture IV.1 Settlements 189-191 IV.2 Fortifications 192-195 2 IV.3 Cave dwelling 195-196 IV.4 Houses 196-199 IV.5 Housing interior 199-206 IV.6 Sizes 206-207 IV.7 Other types of dwellings 208-209 IV.8 Pantry. Annexes 209-210 IV.9 Decorative elements 211-212 IV.10 Pits 212-214 IV.11 Artifacts.
    [Show full text]
  • 9564.Ch01.Pdf
    one · Gender and the Problem of Prehistory IMAGINING PREHISTORY To examine the contested issue of gender in ancient Near Eastern prehistory, I be- gin with a definition of the period. Prehistory is the time before the invention of writing (which took place around 3500 bce in the ancient Near East). This period is divided into several major eras of human development in eastern Europe and the ancient Near East: late Paleolithic (c. 30,000–9000 bce), proto-Neolithic and Neo- lithic (c. 9000–5600 bce), and Calcolithic (5600–3500 bce). In the European late Paleolithic, we begin to have some evidence of human creative consciousness in the form of cave paintings, figurines, and tools decorated with designs or with figures of animals or humans. The Neolithic is divided from the Paleolithic by the move- ment from food gathering (hunting and collecting fruits, nuts, and plants) to food growing and domestication of animals. The Calcolithic describes a time of more developed agriculture (including the use of the plow and irrigation) as well as trade and early urbanization. The Neolithic revolution took place gradually in the ancient Near East between 9000 and 7000 bce. At first, herds of wild animals or areas of wild grains were cor- doned oª and controlled by more settled human groups; later, with full domestica- tion, animals were bred for food, milk, or skins, and seeds were conserved for plant- ing grains. These innovations developed along parallel lines in several places in the ancient Near East and spread to other nearby areas. There was not a uniform, straightforward pattern of development.
    [Show full text]
  • ANTH7013: Anthropology of Architecture: Victor Buchli | University College London
    09/30/21 ANTH7013: Anthropology of Architecture: Victor Buchli | University College London ANTH7013: Anthropology of Architecture: View Online Victor Buchli Abadia, O. M. 2006. ‘Art, Crafts and Paleolithic Art.’ Journal of Social Archaeology 6(1):119–41. doi: 10.1177/1469605306060571. Agamben, Giorgio. 1998. Homo Sacer: Sovereign Power and Bare Life. Vol. Meridian. Stanford, Calif: Stanford University Press. Alder, Ken. 1998. ‘Making Things the Same: Representation, Tolerance and the End of the Ancien Regime in France.’ Social Studies of Science 28(4):499–545 . Alexander, Christopher, Ishikawa, Sara, and Silverstein, Murray. 1977. A Pattern Language: Towns, Buildings, Construction. New York: Oxford University Press. Allon, Fiona. 2015. ‘Everyday Leverage, or Leveraging the Everyday.’ Cultural Studies 29(5-6):687–706. doi: 10.1080/09502386.2015.1017140. Alpers, Svetlana. 1983. The Art of Describing: Dutch Art in the Seventeenth Century. Chicago: University of Chicago Press. Augé, Marc, and Howe, John. 1995. Non-Places: Introduction to an Anthropology of Supermodernity. London: Verso. Bachelard, Gaston. 1994. The Poetics of Space. Boston: Beacon Press. Banks, Marcus, and Morphy, Howard. 1997. ‘“Introduction”.’ Pp. 1–35 in Rethinking visual anthropology. London: Yale University Press. Barkan, Elazar, and Bush, Ronald. 1995. ‘Steiner, C., “Travel Engravings and the Construction of the Primitive”.’ in Prehistories of the future: the primitivist project and the culture of modernism. Vol. Cultural sitings. Stanford, Calif: Stanford University Press. Baudrillard , Jean. 1996. ‘Structures of Interior Design.’ Pp. 15–29 in The system of objects. London: Verso. Baudrillard, Jean. 2002. ‘Requiem for the Twin Towers.’ Pp. 41–52 in The spirit of terrorism: and, Requiem for the twin towers.
    [Show full text]
  • TRINGHAM, Ruth Elizabeth
    TRINGHAM, Ruth Elizabeth ___________________________________________________________________________________ ADDRESS: Department of Anthropology , University of California, Kroeber 232, Berkeley, Ca.94720 tel.: (415) 310-5091 email: tringham@ berkeley.edu homepage: https://www.ruthtringham.com/ CITIZENSHIP: U.S. Citizen EDUCATION: Ph.D. Archaeology, University of Edinburgh, UK, 1966 Dissertation title: "The Earliest Neolithic in Central Europe and its relationship to Southeast Europe". POSITIONS HELD: 2011-present President and Creative Director, Center for Digital Archaeology (http://www.codifi.org/) 2011-present Professor of the Graduate School (Anthropology), Professor Emerita, UC Berkeley 1988-2011 Professor of Anthropology, University of California, Berkeley 1998-2011 Co-Director, Multimedia Authoring Center for Teaching in Anthropology 1978-1988 Associate Professor of Anthropology, University of California, Berkeley 1976-1978 Associate Professor of Anthropology, Harvard University RESEARCH FELLOWSHIPS, GRANTS AND AWARDS : 2021 Royal Anthropological Institute, UK: President’s Lifetime Achievement Award 2008-2011 Alice S. Davis Endowed Chair in Anthropology, UC Berkeley 2008 NMC (New Media Consortium) Virtual Learning Prize (VLP) for Okapi Island 2008 Chancellor’s Award for Public Service 2007-2008 in the Service Learning Leadership category 2007 Ist prize ASOR Open Archaeology Competition for “Remixing Çatalhöyük” 2001 UC Berkeley Educational Initiatives Award 1998-2001UC Berkeley Presidential Chair of Undergraduate Education RESEARCH
    [Show full text]
  • 1 Abbreviated Curriculum Vitae Rosemary A. Joyce Education
    Abbreviated curriculum vitae Rosemary A. Joyce Education: AB May 1978 Cornell University, Ithaca, New York Honors paper: Fejervary-Meyer 1: Dimensions of Time and Space. PhD May 1985 University of Illinois at Urbana-Champaign Dissertation: Cerro Palenque, Valle del Ulua, Honduras: Terminal Classic Interaction on the Southern Mesoamerican Periphery. Employment history: University of California, Berkeley: Professor, Anthropology (July 2001-present); Associate Professor (July 1994- June 2001) Interim Dean of the Graduate Division (July 2014-December 2014); Associate Dean of the Graduate Division (July, 2011-June 2014, January-June 2015) Chair, Department of Anthropology (January 2006- December 2009) Director, Phoebe Hearst Museum of Anthropology (July 1994-June 1999) Harvard University: Associate Professor (June 1991-June 1994), Assistant Professor (July 1989-June 1991), Lecturer (July 1986-July 1989), Department of Anthropology Assistant Curator of Precolumbian Archaeology, Peabody Museum (September 1985-June 1994) Assistant Director, Peabody Museum (July 1986-July 1989) University of Illinois, Urbana-Champaign: Lecturer in Anthropology (August 1984-May 1985) Jackson (Michigan) Community College: Instructor, Social Sciences department (August 1983-January 1984) Fellowships, honors and awards: University of Colorado, Boulder Distinguished Archaeology Lecturer, February 2016 Smithsonian Fellow, National Museum of Natural History, Smithsonian Institution, Washington, DC, August-December 2015. John Simon Guggenheim Memorial Foundation Fellowship, 2010-2011. Astor Visiting Lecturership, Pitt-Rivers Museum, Oxford University, Fall 2010. Fulbright Senior Scholar, Universidad de Costa Rica, June 2007 Leon Henkin Citation for Distinguished Service, Committee on Student Diversity and Academic Development, Berkeley Division of the Academic Senate of the University of California (with Margaret W. Conkey, Kent Lightfoot, and Laurie Wilkie), 2007.
    [Show full text]
  • DW Bailey Department of Anthropology
    DW Bailey Department of Anthropology San Francisco State University 1600 Holloway Avenue San Francisco, California 94132 Email: [email protected] Web: http://anthropology.sfsu.edu/people/faculty/douglass-bailey Academia (dot edu): https://sfsu.academia.edu/DougBailey Phone: +1 (415) 338 1427 Present position: Full Professor of Visual Archaeology Major awards: Adrian Radulescu Prize from the Romanian Ministry of Culture for ‘outstanding contribution to Romanian prehistoric archaeology’ (2002) on behalf of the Southern Romania Archaeological Project. Education 1986-1991 Ph.D. Cambridge University (Archaeology) 1985-1986 M.Phil. Cambridge University (Archaeology) 1981-1985 A.B. Dartmouth College (Classical Archaeology) Employment / Administrative Positions 2013-present Graduate Coordinator (Anthropology, SFSU) 2008-present Full Professor (Anthropology, SFSU) 2008-2011 Department Chair (Anthropology, SFSU) 2004-2008 Head of Archaeology (School of History and Archaeology, Cardiff) 2006-2008 Personal Chair (School of History and Archaeology, Cardiff) 2002-2006 Senior Lecturer (School of History and Archaeology, Cardiff) 1998-2001 Lecturer (B) (School of History and Archaeology, Cardiff) 1993-1998 Lecturer (A) (School of History and Archaeology, Cardiff) Visiting Appointments / Fellowships 2017 (Jan-Jun) Research Fellow, Center for Advanced Studies, Norwegian Academy of Sciences (Olso) 2008-2010 Honorary Research Fellow, Sainsbury Centre for Visual Arts (UK) 2007-present Fellow, Society of Antiquaries of London 2007-2008 Visiting Professor, Stanford
    [Show full text]
  • Dido and the Basket: Fragments Towards a Non-Linear History Ruth Tringham Department of Anthropology, University of California
    Dido and the Basket: fragments towards a non-linear history Ruth Tringham Department of Anthropology, University of California, Berkeley, Center for Digital Archaeology (CoDA) Preprint copy of the manuscript submitted for inclusion in “Object Stories: artifacts and archaeologists”, edited by Steve Brown, Ursula Frederick and Annie Clarke, published by Left Coast Press, California, USA in 2014. If you find any errors that need modification please contact the author at [email protected]. Meanwhile this pdf is distributed to interested readers under a Creative Commons 3.0 license. Tringham in Brown et al.(2014) 161 Dido and the Basket: fragments towards a non-linear history1 Ruth Tringham Figure 1: The phytolith shadow of the basket associated with the mature female buried beneath the north- central platform of Building 3 at Çatalhöyük (Image credit: Ruth Tringham and Çatalhöyük Research Project, August 2, 2000) (1) The object I have chosen for this exercise expresses the challenges that can be faced in creating the biographies of objects. It is prehistoric with no association with any known person from written records; it is more than fragmentary, being a ghost of its former self, and is, moreover, not aesthetically pleasing; its biography is ambiguous and its story can only be told with a large dose of creative imagination. I have used it as the starting point for a network of fragmentary stories and biographies called Dead Women do Tell Tales.2(Tringham forthcoming). I have been interested in biographies of objects – first with the concept of use-life (Tringham 1978) and then incorporating the more humanistic life-history concept (Tringham 1994) – most of my professional life.
    [Show full text]
  • In Çatalhöyük Volume 5: Changing Materialities at Çatal
    PART 4 CHANGING MATERIALITIES IN THE BACH AREA n Çatalhöyük Volume 5: Changing Materialities at Çatal- are discussed in this section of Last House on the Hill. In höyük: Reports from the 1995–99 Seasons, the focus one previous project (Selevac), this aspect of materiality I was on the relationship of Çatalhöyük residents to the was related to the intensification of production; in another material world, involving especially the analysis and inter- (Opovo), it was related to social inequality among house- pretation of movable artifacts. We have mirrored the CRP holds. In the BACH project, these questions are in the back- discussion of changing materialities in Part 4 of Last House ground of the investigation of Neolithic households in on the Hill. Anatolia, but the details of life in the neighborhoods and In his introduction to Çatalhöyük Volume 5, Ian Hodder the villages as a web of microhistories are also driving our remarks that with the increasing settling down in longer- project. established settlements that make a permanent mark on Many of the authors of chapters in Çatalhöyük Volume the landscape, “Humans get increasingly caught up in so- 5 also authored the specialist reports on movable artifacts ciety through their involvement with objects”(Hodder from the BACH excavation. Nerissa Russell, for example, 2005a:10). In other words, they become entangled in every- wrote the worked bone reports for both volumes (Chapter day acts of planning and carrying out tasks that involve 15, this volume), in addition to being the lead author on people and materials which themselves are tangled in a the faunal analyses.
    [Show full text]
  • (Re)Building C¸Atalho¨Yu¨K: Changing Virtual Reality in Archaeology
    Archaeologies: Journal of the World Archaeological Congress (Ó 2009) DOI 10.1007/s11759-009-9113-0 (Re)Building C¸ atalho¨yu¨k: Changing Virtual Reality in Archaeology Colleen L. Morgan, University of California, Berkeley, RESEARCH Berkeley, CA, USA E-mail: [email protected] ABSTRACT ________________________________________________________________ Building virtual models of archaeological sites has been seen as a legitimate mode of representing the past, yet these models are too often the end product of a process in which archaeologists have relatively limited engagement. Instead of building static, isolated, uncanny, and authorless reconstructions, I argue for a more active role for archaeologists in virtual reconstruction and address issues of representational accuracy, personal expression in avatars and peopling the virtual past. Interactive virtual worlds such as Second Life provide tools and an environment that archaeologists can use to challenge static modes of representation and increases access to non-expert participants and audiences. The virtual model of C¸ atalho¨yu¨kin Second Life is discussed as an ongoing, multivocal experiment in building, re- building, and representing the past and present realities of the physical site. ________________________________________________________________ Re´sume´: Le fait de construire des mode`les de sites arche´ologiques a e´te´ perc¸u comme un mode le´gitime de repre´sentation du passe´, cependant ces mode`les sont trop souvent le produit final d’un processus dans lequel les December 2009 arche´ologues ont un engagement limite´. Au lieu de construire des reconstitutions statiques, isole´es, e´tranges et anonymes, je soutien un roˆle plus actif de reconstitution virtuelle pour les arche´ologues et pose les proble`mes de l’exactitude figurative, l’expression personnelle dans les avatars et vulgarisant le passe´ virtuel.
    [Show full text]
  • Last House on the Hill: Digitally Remediating Data and Media for Preservation and Access
    Last House on the Hill: Digitally Remediating Data and Media for Preservation and Access MICHAEL ASHLEY University of California, Berkeley, United States Cultural Heritage Imaging, San Francisco, United States AND RUTH TRINGHAM University of California, Berkeley, United States AND CINZIA PERLINGIERI University of California, Berkeley, United States ________________________________________________________________________ The aim of our project, Last House on the Hill (LHotH), is to holistically reconstitute the rich multimedia and primary research data with the impressive texts of the monograph, the printed final report of the Berkeley Archaeologists at Çatalhöyük (BACH) project, in which a team from UC Berkeley excavated a group of Neolithic 9000-year old buildings at this famous cultural heritage location in Central Anatolia, Turkey. The Last House on the Hill brings together the published text, complete project database (including all media formats such as photographs, videos, maps, line drawings), related websites, data and media outside the direct domain of the BACH project, and recontextualised presentations of the data as remixes, movies, and other interpretive works by BACH team members and many others. We are achieving this through an event-centered, CIDOC- CRM compatible implementation ontology, expressed through an open source web-publishing platform, providing open access, transparency and open-endedness to what is normally the closed and final process of monograph publication. The idea of embedding, interweaving, entangling and otherwise linking the data and media from archaeological excavations with their interpretation and meaningful presentation in an open access sharable platform has long been an ambition of those of us working in the digital documentation of archaeological research and the public presentation of cultural heritage.
    [Show full text]
  • Remediations from Text to Digital Performance Ruth Tringham Michael Ashley Steve Mills
    1 Senses of Places: Remediations from text to digital performance Ruth Tringham Michael Ashley Steve Mills The text and images in this document are licensed under a Creative Commons Attribution – NonCommercial – ShareAlike 3.0 License (http://creativecommons.org/licenses/by-nc-sa/3.0/ ) Introduction The idea of the remediation of archaeological and heritage places was inspired by the book Remediation by Jay Bolter and Richard Grusin (Bolter and Grusin 1999,168). Remediated Places has nothing to do with the traditional root for the word (remediare – to heal) but is created from “mediate”, with “re” expressing the idea of mediating what has already been mediated by media. It is based in the aesthetic of hypermediacy -the semi-transparency of looking at reality through a window or mirror as seen most recently in the WWW interface style, Mac (and later Windows) interface, and computer games. Hypermediacy has much in common with hyper-reality, discussed by Baudrillard (Baudrillard 1983), not surprisingly since the latter (see below) also appeals to our visual senses. In their book, however, Bolter and Grusin point to some of the social and sensorial causes of the attraction of hypermediated products. Hypermediacy provides an increase in: • speed/immediacy of delivery (immediate satisfaction of desire) • interactivity (point and click navigation and exploration, travelling through the network) • potential transparency vis-à-vis source • control of sensual (sight and sound) experience; touch is also involved • ability to experience multiple sights and sounds simultaneously • ability to multi-task Thus the aesthetic of hypermediacy seems to have great appeal to voyeurism, emotions, passions (maybe because many senses are involved); a fascination leading to addiction.
    [Show full text]