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COMMUNICATIONS AUTHORITY ANNUAL REPORT 2015/16 14 Investment in Broadcasting Industry Included Acquisition of Premium Programming and Content Production
Vision Our vision is that Hong Kong has the world-class communications services to meet the challenges of the information age. MISSION • fostering an environment that supports a vibrant communications sector to enhance Hong Kong’s position as a communications hub in the region; • encouraging innovation and investment in the communications market; • promoting competition and adoption of best practices in the communications market for the benefit of the industry and consumers; and • acting in a manner consistent with the provisions of the Hong Kong Bill of Rights Ordinance (Cap. 383). Contents 1 Chapter 1: Our Vision and Mission 3 Chapter 2: Chairman’s Message 6 Chapter 3: Members of the Communications Authority 7 Chapter 4: Role and Functions of the Communications Authority 10 Chapter 5: Overview of Major Developments in the Communications Market 30 Chapter 6: Review of Communications Authority’s Major Tasks 46 Chapter 7: Acknowledgement 48 Annex 1: Summary of Non-domestic Television Programme Services 50 Annex 2: Breakdown of Types and Numbers of Telecommunications Licences THE COMMUNICATIONS AUTHORITY The Communications Authority serves the people of Hong Kong in its capacity as an independent regulator of broadcasting and telecommunications services. Chapter 2: Chairman’s Message Chapter 2: CHAIRMAN’S MESSAGE It is a pleasure for me to present the fourth annual licence to HK Television Entertainment Company report of the Communications Authority (the Limited (HKTVE). The Authority approved in January Authority) covering the period from April 2015 to 2016 HKTVE’s application to use spectrum, on top March 2016. The year under review was an eventful of a fixed network, as an additional transmission year for the Authority, with new developments means to deliver its free TV service. -
Asia Policy Weekly
ASIA POLICY WEEKLY The Expert’s Resource APW News & Views May 4-10, 2003 1. JIAP NEWS ISSN 1543-1185 Vol. 7, No. 19 REPORT FROM TOKYO: WILL JAPAN’S ECONOMY IMPLODE? 14 Pages Wednesday, May 21, 2003 1) JIAP NEWS Donald Westmore (Executive Director, ACCJ) and Abby Pratt (External Affairs Manager, ACCJ) 2) MEMBER NEWS Time: 4:45 – 6:00 PM A discussion on the state of Japan’s economy and investment climate 3) CRITICAL REPORTS Location: The Law firm of Sidley Austin Brown & Wood LLP, th 4) OPINION, REPORTS & 1501 K Street, NW, 6 Floor, Washington, DC. (736-8000) STATEMENTS Registration: reservations necessary, 202-822-6040, [email protected] Fee: $10 for JIAP members, $20 Non-members 5) WEBSITE OF THE WEEK Contents: COVER STORIES, JAPAN: Japan Banking, Japan Business, Japan- Economy, Japan-Foreign Policy, Japan-Iraq, Japan-Politics, Japan-Security, Japan-Trade JAPAN 6) KEY & QUICK NEWS RELEVANT: China-Economy, China-Foreign Policy, China-Politics, China-SARS, Energy, LINKS Espionage Foreign Policy, Global Economy, Intellectual Property, Iran, Iraq Issues, Leadership, North Korea, Obituary, Piracy, South Korea, Science & Technology, Southeast Asia, Standards, Steel, Taiwan, Trade, US Economy. Contact If you have any comments/suggestions please contact Japan Information Access Project (JIAP) Asia Policy Calendar & Weekly Editors Ms. Mindy L. Kotler and Mr. Seth D. Drewry at (202) 822-6040, or [email protected] http://www.jiaponline.org About JIAP JIAP is a Washington-based nonprofit, membership research center studying Japanese and Northeast Asian science, technology, security and public policy. Established in 1991, the JIAP is a trusted member of the U.S. -
Ofcom Annual Report and Accounts 2020-21
The Office of Communications Annual Report and Accounts For the period 1 April 2020 to 31 March 2021 HC 459 The Office of Communications Annual Report and Accounts For the period 1 April 2020 to 31 March 2021 Presented to Parliament pursuant to Paragraphs 11 and 12 of Schedule 1 of the Office of Communications Act 2002 Ordered by the House of Commons to be printed on 8 July 2021. Laid before the Scottish Parliament by the Scottish Ministers Laid before the Welsh Parliament by the Rt Hon Mark Drakeford MS, the First Minister of Wales HC 459 © Ofcom Copyright 2021 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-government- licence/version/3. Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/official-documents. Any enquiries related to this publication should be sent to us at [email protected]. ISBN 978-1-5286-2705-4 CCS0521569280 07/21 SG/2021/123 Printed on paper containing 75% recycled fibre content minimum Printed in the UK by Hobbs the Printers on behalf of the Controller of Her Majesty’s Stationery Office. Contents Chair’s Message 4 Chief Executive’s Report 6 Section A: Performance Report 8 Overview 9 Performance Review 11 Principal Risks and Uncertainties 43 Stakeholder Engagement 47 Financial Review 55 Corporate Responsibility 61 Sustainability Report 64 Section B: Accountability Report 66 Governance 67 Our Employees 92 Remuneration Report 96 The Certificate and Report of the Comptroller 103 and Auditor General to the Houses of Parliament Section C: Financial Statements 106 Statement of Income and Expenditure 107 Statement of Comprehensive Net Expenditure 107 Statement of Financial Position 108 Statement of Changes in Equity 109 Statement of Cash Flows 110 Notes to the Accounts 111 Section D: Annexes 148 A1. -
11/27/2017 Your Muscular System | Discovery Kids
11/27/2017 Your Muscular System | Discovery Kids So what do muscles do? Muscles move cows, snakes, worms and humans. Muscles move you! Without muscles you couldn’t open your mouth, speak, shake hands, walk, talk, or move your food through your digestive system. There would be no smiling, blinking, breathing. You couldn’t move anything inside or outside you. The fact is, without muscles, you wouldn’t be alive for very long! Do I have lots of muscles? Indeed. On average, probably 40% of your body weight is in muscles. You have over 630 muscles that move you. Muscles can’t push. They pull. You may ask yourself, if muscles can’t push how can you wiggle your fingers in both directions, back and forth, back and forth? The answer? Muscles often work in pairs so that they can pull in different or opposite directions. How do muscles move? The cells that make up muscles contract and then relax back to original size. Tiny microscopic fibers in these cells compress by sliding in past each other like a sliding glass door being opened and then shut again. The cells of your muscles use chemical energy from the food you eat to do this. Without food, and particular kinds of nutrients, your muscles wouldn’t be able to make the energy to contract! Some muscles are known as “voluntary” — that is, they only work when you specifically tell them to. Do you want to say something? Or swing a bat? Or clap your hands? These are voluntary movements. Others, like the muscular contracting of your heart, the movement of your diaphragm so that you can breathe, or blinking your eyes are automatic. -
'!Flewiwjk HAR 1 4 Lofl in the Matter of ) Comcast Cable Communications, LLC, ) on Behalf of Its Subsidiaries and Affiliates ) ) Csrno
STAMP & RETURN Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 '!FleWIWJK HAR 1 4 lOfl In the Matter of ) Comcast Cable Communications, LLC, ) on behalf of its subsidiaries and affiliates ) ) CSRNo. ____ For Determination of Effective Competition in: ) 15 Pennsylvania-Area Franchise Areas ) To: Chief, Media Bureau PETITION FOR SPECIAL RELIEF Comcast Cable Communications, LLC, on behalf of its subsidiaries and affiliates ("Comcast"), pursuant to Sections 76.7 and 76.907 of the Commission's ~Ies/ requests that the Commission find that it faces "effective competition" in 15 Pennsylvania franchise areas (the "Franchise Areas")? The Communications Act of 1934, as amended (the "Act"), and the Commission's rules provide that cable television rates may be regulated only in the absence of effective competition.3 Cable operators are entitled to demonstrate that effective competition exists on a franchise-by- franchise basis.4 When a cable operator demonstrates that effective competition exists within a franchise area, cable rates in the affected area are no longer subject to regulation.s 147 C.F.R. §§ 76.7 and 76.907. 2 See Exhibit 1. 347 U.S.C. § 543(a)(2); 47 C.F.R. § 76.905(a). 447 C.F.R. § 76.907. S See Implementation ofSections (Jf the Cable Television Consumer Protection and Competition Act of 1992, Rate Regulation, 8 FCC Red. 5631, 5664-5665 (1993) ("Rate Order"). DWT 19129514vl 0107080-000008 Under the "competing provider" test set forth in Section 623(1)(1)(B) of the Act and Section 76.905(b)(2) ofthe Commission's rules (the "Competing Provider Test"), a cable system will be deemed subject to effective competition if: (i) the franchise area is served by at least two unaffiliated multichannel video programming distributors ("MVPDs"), each of which offers comparable programming to at least 50 percent of the households in the franchise area; and (ii) the number of households subscribing to multichannel video programming other than the largest MVPD exceeds 15 percent of the households in the franchise area. -
Channel Lineups
Channel Lineups *SD only channel / †Available in select markets -Channels/tier placements subject to change SELECT PRIME PRIME+ A&E Hallmark Channel ACC Network American Heroes C-SPAN AMC HGTV C-SPAN2 History Channel BBC America Animal Planet C-SPAN3 AWE Headline News CNBC World Daystar Bally Sports Regionals IFC Cooking Channel EWTN BBC World News Investigation Discovery Crime & Investigation* HSN – Home Shopping Network Bloomberg ION Television† Destination America Inspiration Network* Boomerang* Justice Central Discovery Family Jewelry TV Bounce Laff Discovery Life QVC Lifetime DIY Bravo SonLife Lifetime Movie Network Duck TV BTN – Big Ten Network TBN CARS.TV Longhorn Network† Fight Network The Weather Channel Cartoon Network Marquee Sports Network† FITE The Word Network* CBS Sports Network MotorTrend HD FYI CLEO TV MSNBC GAC-Great American Country CNBC MYDESTINATION.TV Game+ CNN National Geographic Hallmark Drama CNN International* Nat Geo Wild Hallmark Movies & Mysteries NBC Sports Network Lifetime Real Women* COMEDY.TV Newsmax Military History Channel* Court TV Court TV Mystery NewsNation NBC Universo NFL Network Outside TV Also includes local over-the-air channels Cowboy Channel Discovery Channel OAN – One America News Pursuit Disney Channel Olympic Channel Reelz Disney Junior Outdoor Channel Stadium College Sports* Disney XD OWN Stingray Music (50 Channels) PREMIUM E! Entertainment Oxygen Sundance ES.TV PETS.TV UP* ESPN* RECIPE.TV Vice TV ADD-ON PACKAGES ESPN2 RFD TV ESPN 3 (via WatchTVEverywhere) Science Includes all channels -
Press Release
Press Release Astellas Partners with Discovery Communications for its Global Branding Campaign Tokyo, February 14, 2018 - Astellas Pharma Inc. (President and CEO: Yoshihiko Hatanaka, “Astellas”) today announced the launch of a new global branding campaign centred on the company’s commitment to corporate social responsbility and to the transplant community. The program features its involvement in the World Transplant Games 2017 which were held in Malaga, Spain. In collaboration with Discovery Communications, the integrated campaign will run on Eurosport’s and Discovery’s platforms across Europe, Asia including Japan, and the United States. A five-minute program – Director’s Box – will be televised on Eurosport, featuring interviews with athletes, officials from the World Transplant Games Federation and Astellas’ president and CEO, Yoshihiko Hatanaka, who said “Astellas expanded its collaboration with the World Transplant Games Federation through this programme to help people in its physical activity-focused programming to include providing transplant and organ donation communities with resources, research and advice regarding nutrition and physical activity post-transplant”. The program will highlight Astellas’ collaboration with the World Transplant Games Federation and the Fit for Life! program, and how this initiative positively impacts the lives of transplant recipients. Launched last year, the Fit for Life! is a global program to help transplant recipients live full and active lives through ongoing physical activity and participation in organized sports. The campaign will also enable Astellas to share its vision of turning innovative science into value for patients.on Eurosport and Discovery Channels globally in a one-minute television advertisement. The advert features Astellas’ president and CEO and gives a unique glance into Astellas’ laboratories including an interview with a company researcher. -
Discovery Strikes Deal with Channel 4'S Walter Presents to Launch Premium Drama Service in Italy
Discovery strikes deal with Channel 4’s Walter Presents to launch premium drama service in Italy. World’s best foreign language dramas available On Discovery Italia from September 2018 Embargoed Wednesday 2nd May - London, 11.30 am / Milan, 12.30 pm Acclaimed streaming video on demand service Walter Presents, which has won plaudits and a loyal following for delivering the world’s best foreign-language dramas to UK, US and Australian audiences, will be teaming up with Discovery Italia, in the next stage of a planned global roll out, to bring its award-winning dramas to Italian audiences from September 2018. Discovery Italia which has built an exceptional reputation with its slate of top rating factual channels to become one of the most successful linear players in Italy, will now also deliver exclusive, award winning and original first run drama series with subtitles, to a wide Italian audience, by exploiting its fast growing digital Dplay service, where customers with an appetite for top quality drama can watch series on demand. Dedicated slots for Walter Presents titles will be aired also on its prestigious Nove and Giallo channels. Capitalising on the growing demand for world drama, Discovery Italia aims to host over 500 hours of premium foreign language drama across two years and will include a diverse range of series which have been blockbuster hits in their native countries. From Nordic thrillers to South American chillers, every series will feature bespoke high-quality customized sub-titling. Walter Presents launched in the UK on Channel 4’s on-demand service All 4 in January 2016. -
Discovery Kids Preschool Parent Handbook & Registration Form
Discovery Kids Preschool Parent Handbook & Registration Form 2020-2021 School Year 1 Dear Families, For generations, the YMCA has been known for its commitment to family life. YMCA programs and services have grown and adapted to the changing needs of families; today, more and more families are looking for quality child care that they can depend on. This handbook gives information about our licensed program. Discovery Kids Preschool We understand that today’s working families need help in managing the demands of working and raising a family. Nothing can be more important than children’s services you feel good about. The Discovery Kids Preschool program at the YMCA is committed to providing the best. A comprehensive children’s program based on the fundamental factors of child development in physical, social and emotional, cognitive and language growth is provided. We continually serve as an advocate for each child’s rights to a healthy and happy childhood. Please read this parent handbook carefully. The information contained in this handbook will hopefully, answer many of your questions; if you have any additional questions, please call or come by to see us. Sincerely, Jannie Cuevas Early Childhood Director Discovery Kids Preschool (843) 522-9622 ext. 234 [email protected] 2 WELCOME TO THE WARDLE FAMILY YMCA EVERY CHILD DESERVES: A SAFE PLACE TO GO…… SOMEONE WHO CARES……… SOMETHING TO ENJOY……. The Wardle Family Y recognizes the need for quality and accessible child care services for families. With this in mind, Discovery Kids Preschool enables families of children 3- 4-years old to place children in an environment where they can participate in a variety of physical, cultural, intellectual and social activities. -
Investor Information 2016(4.7MB)
INVESTOR INFORMATION 2016 Connecting to the future Tokyo Broadcasting System Holdings, Inc. Consolidated Financial Highlights Net Sales Operating Income (Millions of Yen) (Millions of Yen) 354,338 346,538 352,351 347,817 348,539 17,179 16,188 15,696 15,728 12,162 12/3 13/3 14/3 15/3 16/3 12/3 13/3 14/3 15/3 16/3 Ordinary Income Prot Attributable to Owners of Parent (Millions of Yen) 22,678 (Millions of Yen) 18,915 14,497 18,096 17,671 12,811 11,671 14,313 9,173 9,644 12/3 13/3 14/3 15/3 16/3 12/3 13/3 14/3 15/3 16/3 Total Assets Total Net Assets (Millions of Yen) (Millions of Yen) 653,732 649,970 456,118 458,208 555,159 559,626 579,039 385,971 344,473 322,597 12/3 13/3 14/3 15/3 16/3 12/3 13/3 14/3 15/3 16/3 Contents 2 To Our Stakeholders 13 Major Indices 3 At a Glance 15 Segment Information 4 Organization 17 TBS Television 5 Corporate Data 20 Financial Data of Major Group Companies 6 Business Report 22 TBS Networks 9 Consolidated Financial Statements Financial Figures The nancial gures used in this report are those used in the Japanese ”Tanshin,” which has been created in accordance with the provisions set forth in the Japanese Financial Instruments and Exchange Act. Thus, all gures have been rounded down to the nearest million yen. Forward-Looking Statements This report contains forward-looking statements based on management’s assumptions and beliefs in light of the information currently available. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Limitations on Copyright Protection for Format Ideas in Reality Television Programming
For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING By Kent R. Raygor and Edwin Komen* * Kent R. Raygor and Edwin Komen are partners in the Entertainment, Media, and Technology Group in the Century City, California and Washington, D.C. offices, respectively, of Sheppard Mullin Richter & Hampton LLP. The authors thank Ben Aigboboh, an associate in the Century City office, for his assistance with this article. 97 For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING I. INTRODUCTION Television networks constantly compete to find and produce the next big hit. The shifting economic landscape forged by increasing competition between and among ever-proliferating media platforms, however, places extreme pressure on network profit margins. Fully scripted hour-long dramas and half-hour comedies have become increasingly costly, while delivering diminishing ratings in the key demographics most valued by advertisers. It therefore is not surprising that the reality television genre has become a staple of network schedules. New reality shows are churned out each season.1 The main appeal, of course, is that they are cheap to make and addictive to watch. Networks are able to take ordinary people and create a show without having to pay “A-list” actor salaries and hire teams of writers.2 Many of the most popular programs are unscripted, meaning lower cost for higher ratings. Even where the ratings are flat, such shows are capable of generating higher profit margins through advertising directed to large groups of more readily targeted viewers.