M. Leon Canick, Rutgers College Class of 1942
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Ralph Albert Blakelock: the Great Mad Genius Returns
Ralph Albert Blakelock The Great Mad Genius Returns November 11 – December 10, 2016 An Exhibition and Sale Ralph Albert Blakelock The Great Mad Genius Returns Louis M. Salerno, Owner Brent L. Salerno, Co-Owner Chloe Heins, Director Nina Sangimino, Senior Researcher Ally Chapel, Administrator Jenny Lyubomudrova, Research Associate Kelly Reilly, Coordinator Eli Sterngass, Administrative Assistant Rita J. Walker, Controller Alison Kowalski, Researcher Q UESTROYAL F INE A RT, LLC 903 Park Avenue (at 79th Street), Third Floor, New York, NY 10075 :(212) 744-3586 :(212) 585-3828 : Monday–Friday 10–6, Saturday 10–5 and by appointment : gallery@questroyalfineart.com www.questroyalfineart.com A Special Request Dear Collector, Contents We have never charged for any of the many catalogues we have distributed over the last two decades. Blakelock Rising . If you enjoy them, please consider making a contribution to CaringKind, formerly known as the Alzheimer’s Association, Blakelock in the Eyes of Artists . NYC Chapter. This exceptional charity has been the heart Start with What You See of Alzheimer’s and dementia caregiving for over thirty years. CaringKind provides programs and services supporting the Ralph Albert Blakelock (1847–1919), The Life of the Artist practical needs of individuals and families affected by a dementia diagnosis. These include access to a twenty-four-hour Plates helpline, individual and family counseling sessions with licensed social workers, a vast network of support groups, Works in the Catalogue education seminars and training programs, and a bracelet identification program for those who wander. To learn more about CaringKind’s important work and to make a donation visit www.caringkindnyc.org/questroyal/donate, DESIGN : Malcolm Grear Designers or send a check payable to “CaringKind” to Questroyal Fine Art, PRINTING : Meridian Printing PHOTOGRAPHY : Timothy Pyle, Light Blue Studio 903 Park Avenue, Third Floor, New York, NY, 10075. -
Billboard, January 23, 1904
CIRCUS Price, 10 Cents. Volume XVI. No. 4. CINCINNATI, JANUARY 23,1904. Per Year. $4.00 J. ALBERT YOUNG, Manager Chase's Theatre* Baltimore Md. TH£ BILLBOARD George C. Olancy, manager of the Bben Hold- ley. Th« will leavM to Mm Je*el« T. 8yk«i en Company, and Mrs. Isabelle Walker, a mem- three-fourths of the estate, and the remaining ber of the same company, were married re- fourth to his brother, Albert Sykes, of St. cently at Louisville, Ky., and spent their honey- James, L. I. moon at St Louis. Mr. W. B. Patton will next season :be. seen aa Mabel Tallaferro, who has long been known John Hale in his own peculiar play, The Last as one of the best child actresses on the stage, Rose of Summer. He is also author of The and who recently acted her first "grown-up" Minister's Son, The Little Homestead, A Sly part, may be a star. If she Is, Clyde Fitch Old Fox, Royal Rags and a number of Eastern will write a play for her. successes. The tour will be under the personal was previously a vaudeville house. The theatre The cast of When Louis XI. was King reads: management of J. M. Stout, who has been asso- WEBER <H FIELDS' PA1T1 CONCERT. was burned in the early part of October, and Frederick Harrington, George C. Denton, Wil- ciated with Mr. Patton for the past four sea- after It was rebuilt Mr. Fawcett assumed the lard Reizman, Jeanne Lewis, Jeannette Lou- sons. Libel Suit Filed by Robert Grau Co. -
The Early Tramp Comic on the Variety Stage
44 Michelle Granshaw University of Pittsburgh, USA Inventing the Tramp: The Early Tramp Comic on the Variety Stage This article examines the ‘tramp’ on the variety stage at the moment of its cultural invention. Immediately after the Panic of 1873, variety actors performed the comic tramp in both blackface and whiteface. However, as the decade continued, the comic tramp in variety transformed into primarily a whiteface, typically Irish-American, figure. Considering the comic tramp as one enduring “dramaturgy of mobility,” the author suggests that this transformation was less a whitening of the comic tramp and more an erasure of black mobility. The Irish-American tramp may have reflected many of the negative characteristics of the tramp, including his wandering nature, his unemployment, and his drinking, but he also showed that the Irish-American comic tramp, unlike the earlier black counterpart, could be part of a community and in some instances, even a hero. Michelle Granshaw is an Assistant Professor of Theatre Arts at the University of Pittsburgh. Her research interests include American and Irish theatre and popular entertainment, diaspora and global performance histories, performance and the working class, and historiography. Her articles have appeared in Theatre Survey, Nineteenth Century Theatre and Film, Journal of American Drama and Theatre, Theatre Topics, and the New England Theatre Journal. Keywords: comic tramp, mobility, racial and ethnic comedy, stage Irish, blackface, variety theatre riggered by the Panic of 1873, the economic depression of the 1870s T instigated the movement of millions of unemployed workers on a previously unseen scale in the United States.1 Until the 1870s, “tramp” existed primarily as a verb in the American lexicon and referred to a long walk or march. -
Catalogue-14-Online.Pdf
brian cassidy bookseller catalogue fourteen archives photographs albums manuscripts scrapbooks collections ephemera and other primary materials [terms]: Unless otherwise noted, items are original (meaning not facsimiles or re- productions) first editions (i.e. first printings, as applicable) and are guaranteed as described. Measurements are height x width in inches. Pric- es are in US dollars. All material subject to prior sale. Returnable for any reason with notification and prompt shipment within 30 days. Payment by check, money order (made out to Brian Cassidy), or wire; Visa, AmEx, MasterCard, Discover, and Paypal also accepted. Institutions may be ac- commodated according to their needs. Reciprocal courtesies to the trade. Shipping will be billed. MD sales tax added to appropriate purchases. [about]: Offers of books for sale or consignment are actively solicited, from single titles to entire collections. Specialties include art and artists’ book; popular culture; photography; esoterica; modern literature; poet- ry; music; the avant-garde; little magazines and small press; the Mimeo Revolution; The Beats; the New York School; manuscripts and archives; as well as vernacular, folk, and outsider books of all kinds. Search and want services available, as well as collection development and appraisals. We maintain offices in downtown Silver Spring, MD and welcome visitors by appointment. Newsletters and catalogues, both print and electronic, is- sued regularly. Please email to be added to our mailing list. [offered by]: brian cassidy, bookseller 8115 fenton st. suite 207 silver spring md 20910 www.briancassidy.net [email protected] (301) 589-0789 (office) (301) 244-8868 (mobile/sms) copyright © 2018 Brian Cassidy (covers item #3 outer, #48 inner front, #49 inner rear) CREDITS: cataloguing: Zoe Selengut, Jack Patterson, Martin Hartzold, Brian Cassi- dy / photography: Zoe Selengut, Martin Hartzold, Brian Cassidy / design: B[rian] Cass[idy] / printing: Covington Group (item #10) featured items VI MATTINGLY, George (Editor, Publisher) 1. -
Programmes 178K Fairs-Modern 178K1
Programmes 178K 178K1-Fairs (modern) 178K2-Fairs (older) 178K3-George Dawson Collection 178K4-Turner Family Collection 178K5-John Gale Collection 178K6-Billy Bellhouse Collection 178K7-Steam Fairs 178K8-David Fitzroy Collection 178K9-Marshall and Scott Collection 178K10-Hal Fisher Collection 178K11-Tommy Green Collection 178K12-Circus 178K13-Circus (Modern) 178K14-Variety & Music Hall 178K15-Pleasure Gardens 178K16-Waxworks 178K17-Early Film and cinema 178K18-Travelling entertainments (eg Wall of Death, flea circus, Magic) 178K19-Optical shows 178K20-Panoramas 178K21-Menageries/performing animals 178K22-Oddities and Curios 178K23-Fixed entertainment venues (eg Aquarium and Royal Agricultural Hall) and Cyril Critchlow collection fixed entertainment venues 178K24-Wild West 178K25-Boxing 178K26-New Variety and Theatre 178K27-Cyril Critchlow Collection and 178K23 for fixed entertainment venues 178K28-Hamilton Kaye Collection 178K29-Marisa Carnesky Collection 178K30-Other 178K31 – Harry Lee Collection 178K32 – David Braithwaite Collection 178K33 – Testo Family Collection 178K34 – Lulu Adams Collection 178K35 – Magic 178K36 – Hal Denver Collection 178K37 – Ohmy Collection 178K38-Fred Holmes Collection 178K39-Gerry Cottle Collection 178K40-Ben Jackson Collection 178K41-Christopher Palmer Collection 178K42 – The Decar and Tomato Collection Fairs-Modern 178K1 1 178K1.1 Carnforth Carnival Saturday July 1st, 1967 36pp illus. 130mm x 205mm NFA Collection 178K1.2 Anthony Harris & Family present Pat Collins Wonderland Funfairs Programme advertising the fair c2000 3 fold. Colour illus. 100mm x 210mm NFA Collection 178K1.3 Showmen’s International Football Lesser Hampden Park, Glasgow, 2005 Scotland v England Programme with history of Showmen’s match. 32pp. colour with photographs. 147mm x 210mm NFA Collection 178K1.4 Bradford Festival C1993 Printed: W.E.