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The Company the Greenwich Theatre Production 2010
The Company The Greenwich Theatre Production 2010 by John Webster by John Webster In order of appearance Delio Peter Bankolé Antonio Edmund Kingsley Bosola Tim Treloar Cardinal Mark Hadfield Ferdinand Tim Steed Castruccio / Malateste Richard Bremmer Silvio / Officer / Julia's Servant Conrad Westmaas Grisolan / Doctor / Pilgrim / Antonio's Servant James Wallace Duchess Aislin McGuckin Cariola Harvey Virdi Julia / Midwife / Pilgrim Brigid Zengeni Pescara / Second Officer Maxwell Hutcheon All other parts played by members of the company Director Elizabeth Freestone Set and Costume Designer Neil Irish Lighting Designer Wayne Dowdeswell Sound Designer / Composer Adrienne Quartly Associate Director / Movement Stuart Angell Casting Director Ginny Schiller Fight Director Terry King Vocal Coach Cathy Weate Text Consultant Richard Twyman Wardrobe Supervisor Sades Robinson Costume Assistant Kat Cruickshank Dressers Pippa Mawbey, Kat Cruickshank Hair and Make Up Designer Caroline Silk Production Manager Peter Williams Company Stage Manager Jon Swain Deputy Stage Manager Ben Brayshaw Assistant Stage Manager Eleanor Bailey Design Assistant Ross Edwards Props Buyer Susy Payne Technical Assistant Daniel Leman Production Carpenter Rae George Production Intern Sennita Greene Producers James Haddrell / Tim Sawers THE CAST Peter Bankolé Twelfth Night , Without Walls, Drop the Theatre credits include The Dead Donkey , Made in Britain , Peak Caucasian Chalk Circle Practice, (all for Carlton), Sharpes, Doctors (Shared Experience), (BBC) , Dunkirk , Coronation -
The Company the Greenwich Theatre Production 2009
The Company The Greenwich Theatre production 2009 BY CHRISTOPHER MARLOWE BY CHRISTOPHER MARLOWE Evil Angel/Helen of Troy Joanna Christie Chorus/Wrath Beatrice Curnew Devil/Pride/Duchess of Vanholt Amy Rockson Vintner/Envy/Paramour Harvey Virdi Good Angel/Old Man Jonathan Battersby Wagner/Lucifer/Beelzebub Guy Burgess Valdes/Rafe/Devil/Covetousness Samuel Collings Lawman/Gluttony/Cardinal/Emperor Mark Extance Faustus Gareth Kennerley Cornelius/Robin/Lechery Adam Redmore Mephistopheles Tim Treloar Priest/Devil/Sloth/Pope/Alexander/Duke of Vanholt Conrad Westmaas All other parts played by members of the company Director Elizabeth Freestone Set and Costume Designer Neil Irish Lighting Designer Wayne Dowdeswell Sound Designer/Composer Adrienne Quartly Associate Director/Movement Stuart Angell Producers James Haddrell and Tim Sawers Wardrobe Supervisor Sades Robinson Costume Assistants Hadar Vandar and Keeley Scothern Dresser Pippa Mawbey Wig Stylist Rebecca Jenkins Production Manager Peter Williams Company Stage Manager Penny Foxley Deputy Stage Manager Craig Almond Assistant Stage Manager Ben Brayshaw Production Electrician Oliver Kipling Technical Assistant Daniel Leman Sound Production Marc Cohen Production Carpenter Rae George The Company Jonathan Battersby (Riverside Studios), Poison (Tricycle Theatre), Jonathan trained at RADA where he A Fool And His Money (Nottingham Playhouse), won the Emile Littler Award for Best Ariadne Auf Naxos (Festival Theatre Edinburgh), Comedy Performance. Antony And Cleopatra, Othello (Bridewell Theatre), -
The Company the Greenwich Theatre Production 2009
The Company The Greenwich Theatre production 2009 BY RICHARD BRINSLEY SHERIDAN BY RICHARD BRINSLEY SHERIDAN Maria Joanna Christie Lady Teazle Beatrice Curnew Lady Sneerwell Amy Rockson Mrs Candour/Trip Harvey Virdi Sir Peter Teazle Jonathan Battersby Snake/Moses Guy Burgess Joseph Surface Samuel Collings Sir Oliver Surface Mark Extance Sir Benjamin Backbite/Careless Gareth Kennerley Charles Surface Adam Redmore Crabtree/Sir Toby Tim Treloar Rowley Conrad Westmaas All other parts played by members of the company Director Elizabeth Freestone Set and Costume Designer Neil Irish Lighting Designer Wayne Dowdeswell Sound Designer/Composer Adrienne Quartly Associate Director/Movement Stuart Angell Producers James Haddrell and Tim Sawers Wardrobe Supervisor Sades Robinson Costume Assistants Hadar Vandar and Keeley Scothern Dresser Pippa Mawbey Wig Stylist Rebecca Jenkins Production Manager Peter Williams Company Stage Manager Penny Foxley Deputy Stage Manager Craig Almond Assistant Stage Manager Ben Brayshaw Production Electrician Oliver Kipling Technical Assistant Daniel Leman Sound Production Marc Cohen Production Carpenter Rae George The Company Jonathan Battersby (Riverside Studios), Poison (Tricycle Theatre), Jonathan trained at RADA where he A Fool And His Money (Nottingham Playhouse), won the Emile Littler Award for Best Ariadne Auf Naxos (Festival Theatre Edinburgh), Comedy Performance. Antony And Cleopatra, Othello (Bridewell Theatre), Henry V (Orange Tree Theatre), Hamlet, Recent work includes Gavrila in the Donmar Romeo And Juliet, The Taming Of The Shrew West End (Wyndhams) production of Ivanov (Regent’s Park Open Air Theatre), Josephine directed by Michael Grandage, Smithson/ (Battersea Arts Centre), Hiawatha (Crucible, Millburn at the National Theatre in Never So Sheffield),The Merchant Of Venice, Volpone Good directed by Howard Davies, and the (English Shakespeare Company), A Midsummer Harwood double bill Taking Sides/Collaboration Night’s Dream (Derby Playhouse), The at the Duchess Theatre directed by Philip Franks. -
Talkback Festival 2012 03 B S Y
Talkback Fes T i va l celebraTing 21 years 3 -22 December 2012 i am passionate about theatre and am driven by the need to present diverse stories to audiences that reflect the world we live in. Kali is unique in its commitment to encouraging and developing new plays by South Asian women writers, providing a safe environment where they can take risks and explore subjects and characters that move and excite them. The majority of the work we produce is written by new writers who have come through Kali’s unique Writer Development Programme. We do not commission ideas or commission writers to write our ideas. We produce and direct well-crafted plays that encompass a wide range of stories and characters, each informed by the unique perspective of the writer and her desire to tell that particular story. In my eleven years as Artistic Director the number of scripts submitted each year has steadily increased, as has the number of actors wanting to work with us. But in the same period I have not witnessed a similar increase in the number Talkback 2012 FesTival of plays written by South Asian women being produced by the larger companies and venues around the country. This confirms to me the need for the vital work Celebrating 21 years that Kali does and the expertise it offers. The same challenges exist today for South Asian women playwrights as they did 21 years ago; Some subjects are still Kali encourages, develops and presents new theatre considered taboo and the work does not receive the recognition it should from the writing by women with a south asian bacKground.