Intersections Spring 2012
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Program the Haiti Illumination Project
YARI YARI NTOASO CONTINUING THE DIALOGUE INTERNATIONAL CONFERENCE ON LITERATURE BY WOMEN OF AFRICAN ANCESTRY ● ACCRA, GHANA ● 2013 ● ORGANIZATION OF WOMEN WRITERS OF AFRICA ● NEW YORK UNIVERSITY MBAASEM FOUNDATION THE WOMEN FOR AFRICA FOUNDATION 2 YARI YARI NTOASO CONTINUING THE DIALOGUE Thursday, 16 May through Sunday, 19 May 2013 Sponsored by The Organization of Women Writers of Africa, Inc. New York University Institute of African American Affairs Hosted by Mbaasem Foundation Lead Partner Fundación Mujeres por África/The Women for Africa Foundation Supported by New York University Africa House New York University Accra New York University Africana Studies Program The Haiti Illumination Project Planning support provided by: The New York Council for the Humanities a state affiliate of the National Endowment for the Humanities Any views, findings, conclusions, or recommendations expressed in this program do not necessarily represent those of the National Endowment for the Humanities 3 CONFERENCE ORGANIZERS The Organization of Women Writers of Africa (OWWA) Founded in 1991 by African-American poet, performing artist, and activist Jayne Cortez and Ghanaian playwright and scholar Ama Ata Aidoo, the Organization of Women Writers of Africa, Inc. (OWWA) establishes connections between professional African women writers around the world. OWWA is a 501(c)(3) nonprofit literary organization concerned with the development and advancement of the literature of women writers from Africa and its Diaspora. OWWA is also a non-governmental organization associated with the United Nations Department of Public Information (UNDPI). www.owwainc.org and www.indiegogo.com/owwa - also on Facebook and Twitter #YariYari OWWA Co-Founders: Ama Ata Aidoo & Jayne Cortez Executive Board: J.e. -
Amy K. Hamlin Associate Professor of Art History St
Amy K. Hamlin Associate Professor of Art History St. Catherine University, Department of Art & Art History 2004 Randolph Avenue • St. Paul, MN 55105 1.347.406.3243 • [email protected] UNIVERSITY EXPERIENCE 2008-present St. Catherine University (SCU), Dept. of Art & Art History, St. Paul, MN Associate Professor of Art History 2016-2019 St. Catherine University (SCU), Center for Mission, St. Paul, MN Alberta Huber, CSJ, Endowed Chair for Mission in the Liberal Arts, and Director of the Evaleen Neufeld Initiative in the Liberal Arts (3-year term) 2008 (spring) Binghamton University, Department of Art History, Binghamton, NY Visiting Assistant Professor 2006-2007 Parsons the New School for Design, Art & Design Studies, New York, NY Adjunct Instructor 2007 Stern College for Women, Art History Department, New York, NY Adjunct Instructor 2006 Pace University Department of Fine Arts, New York, NY Adjunct Instructor 2006/2005/2003 New York University Department of Fine Arts, New York, NY Adjunct Instructor and Preceptor RELATED PROFESSIONAL EXPERIENCE 1998-2000 Williams College Museum of Art, Williamstown, MA Graduate Intern to the Director 1999 (summer) artnet.com, New York, New York Research Intern 1996-1998 Museum of Modern Art, New York, NY Administrative Assistant, Department of Painting & Sculpture 1994-1995 Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY Undergraduate Intern to the Director EDUCATION PhD Institute of Fine Arts (IFA), New York University (NYU), New York, NY 2007 Dissertation: “Between Form and Subject: -
Nou Mache Ansanm (We Walk Together): Queer Haitian Performance and Affiliation
Women & Performance: a journal of feminist theory ISSN: 0740-770X (Print) 1748-5819 (Online) Journal homepage: http://www.tandfonline.com/loi/rwap20 Nou Mache Ansanm (We Walk Together): Queer Haitian Performance and Affiliation Dasha A. Chapman, Erin L. Durban-Albrecht & Mario LaMothe To cite this article: Dasha A. Chapman, Erin L. Durban-Albrecht & Mario LaMothe (2017) Nou MacheAnsanm (We Walk Together): Queer Haitian Performance and Affiliation, Women & Performance: a journal of feminist theory, 27:2, 143-159, DOI: 10.1080/0740770X.2017.1315227 To link to this article: https://doi.org/10.1080/0740770X.2017.1315227 Published online: 17 May 2017. Submit your article to this journal Article views: 173 View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rwap20 Women & Performance: a journal of feminist theory, 2017 Vol. 27, No. 2, 143–159, https://doi.org/10.1080/0740770X.2017.1315227 Introduction Nou Mache Ansanm (We Walk Together): Queer Haitian Performance and Affiliation Dasha A. Chapmana*, Erin L. Durban-Albrechtb and Mario LaMothec aDepartment of African and African American Studies, Duke University, Durham, N.C., USA; bIllinois State University, Bloomington, IL, USA; c African-American Cultural Center, University of Illinois-Chicago, Chicago, IL, USA I. Nou Mache Ansanm This special issue emerges from a symposium at Duke University in fall 2015, “Nou Mache Ansanm (We Walk Together): Performance, Gender, and Sexuality in Haiti,” which brought scholars, artists, and activists together to generate a dialogue around performance in relationship to Haitian genders, sexualities, and queer lifeworlds. We convened at Duke in the days leading up to Fet Gede, Haiti’s days that honor the dead. -
CHLOË BASS Artist & Public Practitioner BIO EDUCATION SOLO EXHIBITIONS + PROJECTS
CHLOË BASS Artist & Public Practitioner [email protected] / +1 917.664.3739 Website: chloebass.com BIO Chloë Bass is a multiform conceptual artist working in performance, situation, conversation, publication, and installation. Her work uses daily life as a site of deep research to address scales of intimacy: where patterns hold and break as group sizes expand. She began her work with a focus on the individual (The Bureau of Self- Recognition, 2011 – 2013), has recently concluded a study of pairs (The Book of Everyday Instruction, 2015 – 2017), and will continue to scale up gradually until she’s working at the scale of the metropolis. She is currently working on Obligation To Others Holds Me in My Place, an investigation of intimacy at the scale of immediate families. Chloë has held numerous fellowships and residencies; 2018’s include a residency at Denniston Hill, the Recess Analog Artist-in-Residence, and a BRIC Media Arts Fellowship. She is a 2019 Art Matters Grantee. Her projects have appeared nationally and internationally, including recent exhibits at the Knockdown Center, the Kitchen, the Brooklyn Museum, CUE Art Foundation, Elizabeth Foundation for the Arts Project Space, The Southeastern Center for Contemporary Art, the James Gallery, and elsewhere. Reviews, mentions of, and interviews about her work have appeared in Artforum, The New York Times, Hyperallergic, The Brooklyn Rail, BOMB, Temporary Art Review, and Artnews among others. Her monograph, The Book of Everydyay Instruction, was published by the Operating System in December 2018; she also has a chapbook, #sky #nofilter, forthcoming from DoubleCross Press. Her short-form writing has been published on Hyperallergic, Arts.Black, and the Walker Reader. -
Intersections Department of Comparative Literature Spring 2010
New York University Intersections Department of Comparative Literature Spring 2010 Our China and Japan Connection by Xudong Zhang In May of 2009, a delega- UTCP, the East China Nor- tion of Comparative Litera- mal University (Shanghai), ture faculty and graduate and Peking University students (Sage Anderson, (Beijing). NYU Professors Beata Potocki, Pu Wang, Uli Baer, Thomas Looser, Uli Baer, and Xudong and Xudong Zhang pre- Zhang), along with col- sented papers along with leagues from other NYU scholars from Tokyo, departments (East Asian Shanghai, and Beijing. Studies and History), trav- Amidst conference pro- elled to Tokyo to attend an grams, there were meals, international graduate stu- drinks, receptions, campus dent conference on “The tours, trips to Tokyo and Plural Present of Historical neighboring areas organized Life,” hosted by the Inter- by the local host and par- national Center for Philoso- ticipating institutions. A phy at University of Tokyo final reception dinner Sage Anderson, Beata Potocki, Xudong Zhang, and Pu Wang (UTCP). Our NYU stu- hosted by the NYU delega- These summer 2009 events of 2005. That summer, a dents and faculty had the tion was held at the terrace were the continuation of Comp Lit faculty and stu- privilege of sharing the fo- garden of the University of the ongoing development dent delegation (including rum of intellectual exchange Tokyo-Komaba Faculty of international exchange (China/Japan, Continued on with representatives of the Club. that began in the summer Page 4) Speaking of Arachnids... …our chair Jacques Lezra and Mediterranean Studies; how we act, and how we Inside this Issue has a theory. -
Small Beauty Book Club After Jia Qing Wilson-Yang
small beauty book club after jia qing wilson-yang convened/compiled by gabrielle civil Jan 27, 2018 impressions, questions and interpretations . Dear Lovelies, C R E A T I N G I am writing to invite you to be a part Inspired by the text and our of a new art project, the “small beauty conversation, each person will create book club” where people will read a a small beauty: a letter, poem, story, book, discuss it with others in an on-line drawing, question, diagram, map, group conversation, and then create photo, sculpture, dance, film, translation, something inspired by the text. conversation, whatever you'd like . R E A D I N G Over the 5-8 weeks after the book club-- The first book is Small Beauty by between April 7-April 28--we'll start jia qing wilson-yang. (176 pages) uploading/ sharing our small beauty (Winner of the 2017 Lambda Literary responses. Submissions can stay Award for Transgender Fiction.) private; or, on-line journal Full Stop has already expressed interest in featuring This novel, published by Canadian indie some of these in an on-line folio. But no press Metonymy, tells the story of Mei. need to put the cart before the horse. "Coping with the death of her cousin, Let's read the book and see what she abandons her life in the city to live happens! in his now empty house in a small town. There she connects with his history If you're interested, please reply to this as well as her own, learns about her e-mail and let me know. -
Unpleasant Truths / Comfortable Lies
UNPLEASANT TRUTHS / COMFORTABLE LIES UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT TRUTHS / COMFORTABLE LIES / UNPLEASANT -
Haiti in a Globalized Frame Program
Haiti in a Globalized Frame International Conference February 14-16, 2013 Winthrop-King Institute for Contemporary French and Francophone Studies Florida State University, Tallahassee Conference Directors: Martin Munro and Charles Forsdick Administrative Coordinator: Racha Sattati Program All sessions take place in the Center for Global and Multicultural Engagement (The Globe) on the FSU campus. Details are subject to change. THURSDAY, FEBRUARY 14 11:00AM– Complimentary Bus from Hotel Duval (pick-up at North Monroe entrance) to FSU Campus 11:30AM – Complimentary Bus from Hotel Duval (pick-up at North Monroe entrance) to FSU Campus 11:00 am- 12:00 pm – Refreshments 12:00 pm-6:00 pm – Registration, 1ST Floor, The Globe 12:30 pm-1:00 pm – Welcome by organizers; introduction to art project by Édouard Duval Carrié, Auditorium 1:00 pm-2.30 pm – Panels 1A, 1B, 1C Panel 1A, The Ripple Effects of Saint-Domingue Slavery and Emancipation in the Modern World Chair: Aletha Stahl (Earlham College) • Aletha Stahl (Earlham College): “Haiti, Benin, and the Empty Frame of a Shared Past” • Elizabeth Colwill (University of Hawai'i, Manoa): “PERFORMING FREEDOM: Ritual Reverberations of Slave Emancipation in Saint Domingue” • Maria Julia De Vinatea (Université de la Sorbonne, Centre Roland Mousnier- CNRS): “La circulation des idées abolitionnistes haïtiennes en Amérique Latine” Panel 1B, Influences cubaines chez quatre romanciers haïtiens Chair: Chadia Chambers-Samadi (Augustana College) • Steve Puig (St. John’s University): “‘D'île en île’: la présence de -
SFD+I Events Program
EVENTS PROGRAM WILL RAWLS: EVERLASTING STRANGER SAT JUL 17 - AUG 15 + SUN JUL 18 | 12 - 3 PM HENRY ART GALLERY In Everlasting Stranger, New York-based choreographer and writer Will Rawls (b. 1978, Boston, MA) activates relationships between language, dance, and image through the fragmentary medium of stop-motion animation. In his installation, time and movement slow as a live, automated camera photographs the frame-by-frame actions of four dancers. While the performers occupy the labor of becoming images, visual capture is staged as an obsessive process that is constant yet compromised by the movement it aims to fix. Here, as in previous works, Rawls develops strategies of evasion and engagement within systems that mediate, distort, and abstract the body. Rawls’s exhibition takes inspiration from the work of Guyanese writer Wilson Harris and his surrealist novel The Infinite Rehearsal (1987). In the book, the constrictive projections of the colonial gaze manifest as a child’s fever dream where ghosts reinterpret time, genealogy, and identity as unstable matter. Harris’s novel serves as a conduit through which Rawls addresses the misrepresentation that haunts all forms of capture, including photography and choreography. Within the temporal delirium that marks existence in quarantine, Rawls animates the life that appears between frames. FREE ADMISSION A DISTANCED DANCE PARTY FOR WHEN TOMORROW COMES AGAIN JUL 18 | 8 - 10 PM VOLUNTEER PARK I wanna dance (in the park at a distance) with somebody! will you join?! You’re invited to a socially distanced dance party facilitated by SFD+I faculty artists Alyza DelPan-Monley and Alice Gosti. -
Download This Free
LABOR POETIC LABOR! 2: INTO THE ARCHIVE CURATED BY JILL MAGI ESSAY PRESS LISTENING TOUR #26 ESSAY PRESS LISTENING TOUR CONTENTS As the Essay Press website re-launches, we have commissioned some of our favorite conveners of public discussions to curate conversation-based chapbooks. Overhearing such dialogues among Labor Poetic Labor! 2: Into the Archive poets, prose writers, critics and artists, we hope by Jill Magi 1 to re-envision how Essay can emulate and expand upon recent developments in trans-disciplinary A Test of Labor (Work-in-Progress) by Eléna Rivera 4 small-press cultures. Labor Library and Dave by Rob Fitterman 35 Series Editors: Maria Anderson Andy Fitch Notes for the Smallest Link Ellen Fogelman by Maryam Parhizkar 44 Aimee Harrison Courtney Mandryk Wealth Begins with Human Need: Machines Can’t Victoria A. Sanz “Read,” or Remediating Marx’s Capital, Volume 1 Ryan Spooner by Johannah Rodgers 53 Randall Tyrone In the Matter of Arbitration Series Assistants: Cristiana Baik by Paolo Javier 61 Ryan Ikeda Afterword Christopher Liek by Stephen Motika 75 Cover design: Courtney Mandryk Author Bios 78 ii iii “The word, like the plow, the chisel, the needle, the spindle, is a Labor Poetic Labor! 2: Into the Archive tool. Of all the materials man works with the tool word is perhaps the most social. It is through the word that you speak to others, —Jill Magi influence others, tell other what has happened to you. “Everyone must make this tool his or her own. You must his project begins with a mistake. Page 28 of my book LABOR not be afraid of this tool simply because you have not had a Treads: formal training in its use. -
President's Annual Message
PRESIDENT’S ANNUAL MESSAGE Welcome to the twenty-fourth annual conference of the Haitian Studies Association. On behalf of the Board of Directors, I wish to extend our appreciation to all of you who are attending our conference. We are pleased and honored to be hosted by York College, CUNY. Very special thanks to the conference planning committee and the on-site committee for their diligent work toward a successful conference. It is fitting that we convene in New York as we engage the theme, Haiti Beyond Borders: Challenges and Progress Across the Diaspora. Here, many stories of Haitian migration, transition, and success began. The conference planners have prepared an excellent program with plenaries and presentations which challenge what we know of scholarship on Haiti and propel us towards new possibilities for Haitian Studies. Throughout the conference, we invite you to reflect on the challenges faced by Haiti and its diaspora, but more importantly, to also examine the progress that has been made. Over the past twenty-four years, the Haitian Studies Association has been at the forefront of Haitian scholarship. This has not been an easy task but a necessary one, particularly as we now find ourselves in a time when Haiti has become of global interest. It is imperative that Haitian epistemology continues to be visible and accessible to scholars, students, and community leaders. HSA provides a rigorous space to investigate all things Haitian to allow us to better understand the country and its people’s place in the world. The Haitian Studies Association has thrived because of the confidence and direction of committed Board members, the executive director, the H.S.A. -
CHLOË BASS Artist & Public Practitioner BIO EDUCATION SOLO
CHLOË BASS Artist & Public Practitioner [email protected] / +1 917.664.3739 Website: chloebass.com BIO Chloë Bass is a multiform conceptual artist working in performance, situation, conversation, publication, and installation. Her work uses daily life as a site of deep research to address scales of intimacy: where patterns hold and break as group sizes expand. She began her work with a focus on the individual (The Bureau of Self- Recognition, 2011 – 2013), has recently concluded a study of pairs (The Book of Everyday Instruction, 2015 – 2017), and will continue to scale up gradually until she’s working at the scale of the metropolis. Chloë has held numerous fellowships and residencies; 2018’s include a residency at Denniston Hill, the Recess Analog Artist-in- Residence, and a BRIC Media Arts Fellowship. Her projects have appeared nationally and internationally, including recent exhibits at the Knockdown Center, the Kitchen, the Brooklyn Museum, CUE Art Foundation, Elizabeth Foundation for the Arts Project Space, The Southeastern Center for Contemporary Art, the James Gallery, and elsewhere. Reviews, mentions of, and interviews about her work have appeared in Artforum, The New York Times, Hyperallergic, The Brooklyn Rail, BOMB, Temporary Art Review, and Artnews among others. Her forthcoming monograph will be published by the Operating System in Fall 2018; she also has a chapbook, #sky #nofilter, forthcoming from DoubleCross Press. Her short-form writing has been published on Hyperallergic, Arts.Black, and the Walker Reader. She is an Assistant Professor of Art at Queens College, CUNY, where she co-runs Social Practice Queens with Gregory Sholette. EDUCATION 2011 Brooklyn College CUNY, Department of Interdisciplinary Studies, MFA in Performance & Interactive Media.