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Fractured Fairy Tales for All Ages
Cleburne Public Library JAN 2017 The Whistler John Grisham We expect our judges to be honest and wise. Their integrity and im- partiality are the bedrock of the entire judicial system. We trust them to ensure fair trials, to protect the rights of all litigants, to punish those who do wrong, and to oversee the orderly and efficient flow of justice. But what happens when a judge bends the law or takes a bribe? It’s rare, but it happens. Hours Lacy Stoltz is an investigator for the Florida Board on Judicial Con- Mon 10a-8:30p duct. She is a lawyer, not a cop, and it is her job to respond to com- Tues 10a-6:00p plaints dealing with judicial misconduct. After nine years with the Board, she knows that most problems are caused by incompetence, not corruption. Wed 10a-6:00p But a corruption case eventually crosses her desk. A previously disbarred lawyer is Thur 10a-8:30p back in business with a new identity. He now goes by the name Greg Myers, and he Fri 10a-5:00p claims to know of a Florida judge who has stolen more money than all other crooked judges combined. And not just crooked judges in Florida. All judges, from all states, and Sat 10a-2:00p throughout U.S. history. Cross the Line Below the Belt James Patterson Stuart Woods Star Wars Island of Glass Catalyst Nora Roberts James Luceno The Mistress The Mothers Danielle Steel Brit Bennett Fractured Fairy Tales for All Ages “Fractured fairy tales are traditional fairy tales, Traditional fairy tales while seem- rearranged to create new plots with fundamentally ingly old-fashioned are actually vital to different meanings or messages.” the life of today’s children and even older (Christine Provencher, https://prezi.com/syje7bgr8-5z/fractured-fairy-tales/) readers. -
Identity Theory and the Lunar Chronicles: Expanding the Study Of
IDENTITY THEORY AND THE LUNAR CHRONICLES: EXPANDING THE STUDY OF IDENTITY IN YOUNG ADULT LITERATURE A Thesis Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Sarah Rose Silvernail In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Major Department: English April 2017 Fargo, North Dakota North Dakota State University Graduate School Title IDENTITY THEORY AND THE LUNAR CHRONICLES: EXPANDING THE STUDY OF IDENTITY IN YOUNG ADULT LITERATURE By Sarah Rose Silvernail The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of MASTER OF ARTS SUPERVISORY COMMITTEE: Dr. Kelly Sassi Chair Dr. Alison Graham-Bertolini Dr. Pamela Emanuelson Approved: April 7, 2017 Dr. Elizabeth Birmingham Date Department Chair ABSTRACT This Master’s Thesis applies Identity Theory from Social Psychology to The Lunar Chronicles, a young adult novel series by Marissa Meyer. In this thesis, I explain the theory in detail, apply it to the text, and discuss what can be gained by applying such a theory to young adult literature. Young adult literature (YAL) works with the concept of identity, and applying a Social Psychological theory of identity to YAL can provide a new vantage point from which to examine the concept of identity as portrayed in YAL. Through my application of Identity Theory to the texts, I demonstrate how we can apply this theory to young adult novels, focusing on three specific identities of the main character, Cinder. Following this analysis, I discuss potential pedagogical implications of this type of textual analysis in addition to implications for the field of YAL itself. -
The Liberation of the Heroine in Red Riding Hood : a Study on Feminist and Postfeminist Discourses
Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of English 2-11-2015 The liberation of the heroine in Red Riding Hood : a study on feminist and postfeminist discourses Hiu Yan CHENG Follow this and additional works at: https://commons.ln.edu.hk/eng_etd Part of the English Language and Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Cheng, H. Y. (2015). The liberation of the heroine in Red Riding Hood: A study on feminist and postfeminist discourses (Master's thesis, Lingnan University, Hong Kong). Retrieved from http://commons.ln.edu.hk/eng_etd/10 This Thesis is brought to you for free and open access by the Department of English at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. THE LIBERATION OF THE HEROINE IN RED RIDING HOOD: A STUDY ON FEMINIST AND POSTFEMINIST DISCOURSES CHENG Hiu Yan MPHIL Lingnan University 2015 THE LIBERATION OF THE HEROINE IN RED RIDING HOOD: A STUDY ON FEMINIST AND POSTFEMINIST DISCOURSES by CHENG Hiu Yan A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in English Lingnan University 2015 ABSTRACT The Liberation of the Heroine in Red Riding Hood: a Study on Feminist and Postfeminist Discourses by CHENG Hiu Yan Master of Philosophy Fairy tales’ magic is powerful because it has the potential to enter different cultures at different times. -
Wolf Season a Novel by Helen Benedict
BELLEVUE LITERARY PRESS Reading Group Guide Wolf Season A novel by Helen Benedict $16.99 | 320 pgs Trade Paperback Original ISBN: 978-1-942658-30-6 eBook ISBN: 978-1-942658-31-3 “No one writes with more authority or cool-eyed compassion about the experience of women in war both on and off the battlefield than Helen Benedict. Wolf Season is more than a novel for our times; it should be required reading.” —Elissa Schappell, author of Use Me and Blueprints for Building Better Girls “Fierce and vivid and full of hope. This is not a novel that allows you to walk away unchanged.” —Cara Hoffman, author of Be Safe I Love You and Running INTRODUCTION After a hurricane devastates a small town in upstate New York, the lives of three women and their young children are irrevocably changed. Rin, an Iraq War veteran, tries to protect her blind daughter and the three wolves under her care. Naema, a widowed doctor who fled Iraq with her wounded son, faces life-threatening injuries and confusion about her feelings for Louis, a veteran and widower harboring his own secrets and guilt. Beth, who is raising a troubled son, waits out her marine husband’s deployment in Afghanistan, equally afraid of him coming home and of him never returning at all. As they struggle to maintain their humanity and find hope, their war-torn lives collide in a way that will affect their entire community. A NOTE FROM THE AUTHOR When the United States invaded Iraq in 2003, I became determined to explore the effects of war on the human heart. -
Red Riding Hood • South Coast Repertory •1 Welcome to the (DIGITAL) Theatre
STUDY GUIDE Prepared by Associate Artistic Director John Glore and Educational Programs Associate Nick Slimmer by Allison Gregory directed by Shannon Flynn Red Riding Hood • SOUTH COAST REPERTORY •1 Welcome to the (DIGITAL) Theatre heatre is an art form that depends on both the artists and the audience. A performance is influenced by an audience, just as an audience is influenced by a performance. Unfortunately, the COVID-19 pandemic prevents us from gathering in large groups for the time being—and therefore, we’re not able to assemble as a live audience at the performance of a play. TBut, it hasn’t stopped the creation of theatre. In this unprecedented time, we’re pleased to continue engaging with audiences digitally—like with this filmed production ofRed Riding Hood by Allison Gregory! What you’re going to see is a fully staged production (the same as all of our Theatre for Young Audiences Family Series productions) that’s brought to life with sets, lights, costumes, sound and a cast of actors. The only difference is that we’ve made a film recording of the performance in advance and are sharing it with audiences as a way to keep everyone safe. We hope you enjoy, and we can’t wait to welcome you back to South Coast Repertory soon! THEATRE VOCABULARY • Backstage The space behind the acting area, unseen by the audience. • Blocking The movement onstage designed by the director and performed by the actors. • Box Office A windowed space at the front of the theatre building where tickets are sold. • Choreography The art of creating and arranging dances onstage. -
Creating Little Red Riding Hood : Morality, Sexuality, and The
Creating Little Red Riding Hood : Morality, Sexuality, and the Evolution of a Classic Tale Julia Gralczyk HON 395 Spring Quarter 2017 Thesis submitted in completion of Honors Senior Capstone requirements for the DePaul University Honors Program Thesis Director James Choi, Digital Cinema Faculty Reader Nancy Grossman, Honors 1 THESIS ABSTRACT Little Red Riding Hood is a classic tale commonly known about a young girl in a red cape and a big, bad wolf. The story’s simple plot however, has given it way to considerable changes and adaptations depending on cultural beliefs, regional dialects, and personal interpretations. For my final Honors Program assignment, I would like to create a creative thesis in the form of a short film that incorporates my personal interpretations surrounding the tale. I will be researching themes and motifs that explore Little Red as an older character struggling with the thresholds of innocence and womanhood, lust and seduction, and the relationship between the sexes. 2 TABLE OF CONTENTS 1. INTRODUCTION………………………………………………………………….3 2. PERRAULT & THE GRIMM BROTHERS……………………………………..4 3. FREEWAY & RED RIDING HOOD (2011)...........................................................5 4. MEANINGS AND SYMBOLS ……………………………………………………7 5. PERSONAL INTERPRETATIONS & CREATING MY STORY……………....8 6. CONCLUSION ……………………………………………………………………..9 7. REFERENCES……………………………………………………………………..11 3 1. Introduction In 1697 French writer, Charles Perrault, published the earliest known printed version of Red Riding Hood. The invention of the tale cannot be credited to Perrault however, for many scholars have insisted Little Red Riding Hood has ancient origins as a spoken folklore shared by local peasants in Europe as early as the 10th century. Nonetheless, Perrault set the president for a story that will later be told, retold, and remade for centuries to come, with her perennial popularity accredited to her ability to adapt to the times. -
Female Empowerment in Little Red Riding Hood
TRACING DESIRE: FEMALE EMPOWERMENT IN LITTLE RED RIDING HOOD MICHAELA WEGMAN I identified with Little Red . I admitted to myself that I have felt hunted just like Little Red was by the wolf. —Laura Evans, “Little Red Riding Hood Bites Back” When we think of Little Red Riding Hood, we think of an innocent little girl skipping through the forest as she gathers flowers on her way to grandmother’s house. She is always followed by the Big Bad Wolf as he desires to make her his next meal. We tend to consider this a cautionary tale for children; few of us would examine it for sexual overtones, let alone think about Little Red Riding Hood as a temptress with sexual desires. But in many versions of this tale, Little Red is a feminine, empowered, and heroic character. Our precious Little Red Riding Hood has had a long journey through folklore and literature. She begins in oral traditions not with an iconic red riding hood, but as a plainly clothed little girl ready to take on the dangers of the forest. In all versions, regardless of her attire, Little Red sets out from her home and encounters the wolf. This encounter leads her to a rite of passage, a transformation from an innocent little girl to a woman. The tale warns young girls of the danger that lies out in the world, represented as the wolf. The wolf becomes a symbol of the lust of men and the danger he presents to young women. He threatens their virginity by tempting women to embrace their sexual desires. -
Jenweirmathesis1.Pdf
Copyright By Jennifer Leann Weir 2020 Abstract This thesis reviews four young adult/new adult retellings to understand how these novels shape understanding of and empathy for real world social issues. The first chapter explores the novel Girls Made of Snow and Glass and how the reshaping of the “Snow White” narrative, within the text, undermines the patriarchal narrative that pits woman against woman and, instead, tells a story of female solidarity. Chapter two considers A Court of Thornes and Roses and A Court of Mist and Fury and how the fallout of “The Beauty and the Beast” narrative in book one carries into book two as a means to build empathy and understanding for those suffering with mental health issues, including those suffering with PTSD. Finally, Chapter three reviews The Lunar Chronicles and how the pandemic within these science fiction retellings foster discussion around medical injustices and the dehumanization that allows such injustice to occur. A Spoon Full of Sugar: Exploring Real World Social Issues in YA/NA Retellings By Jennifer Leann Weir, B.A. A Thesis Submitted to the Department of English California State University, Bakersfield In Partial Fulfillment for the Degree of Masters of English Spring 2020 ProQuest Number:27833383 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 27833383 Published by ProQuest LLC (2020). -
If You Like Fairy Tales the Last Unicorn by Peter S. Beagle (Original) the Amaranth Enchantment by Julie Berry (Original) Serend
If You Like Fairy Tales The Last Unicorn by Peter S. Beagle (original) The Amaranth Enchantment by Julie Berry (original) Serendipity Market by Penny Blubaugh (mix of several fairy tales) Sisters Grimm series by Michael Buckley (mix of several fairy tales) A Curse Dark as Gold by Elizabeth C. Bunce (Rumplestiltskin) Further Tales series by P.W. Catanese (several fairy tales) Runaway Princess and Runaway Dragon by Kate Coombs (original) Entwined by Heather Dixon (Twelve Dancing Princesses) Into the Wild and Out of the Wild by Sarah Beth Durst (mix of several fairy tales) Fortune’s Folly by Deva Fagan (mix of several fairy tales) Once Upon a Marigold and Twice Upon a Marigold by Jean Ferris (original) Shadow Spinner by Susan Fletcher (Arabian Nights) Reckless by Cornelia Funke (mix of several Grimm fairy tales) Stardust by Neil Gaiman (original) Into the Woods and Out of the Woods by Lyn Gardner (mix of several fairy tales) Princess of the Midnight Ball and Princess of Glass by Jessica Day George (Twelve Dancing Princesses and Cinderella) Sun and Moon, Ice and Snow by Jessica Day George (East of the Sun, West of the Moon) Book of a Thousand Days by Shannon Hale (Maid Maleen) Rapunzel’s Revenge and Calamity Jack by Shannon and Dean Hale (Rapunzel and Jack and the Beanstalk) – graphic novel Goose Girl by Shannon Hale (Goose Girl) Princess Curse by Merrie Haskell (Twelve Dancing Princesses/Beauty and the Beast) Goose Chase by Patrice Kindl (Goose Girl) Keturah and Lord Death by Martine Leavitt Cinder and Ella by Melissa Lemon (Cinderella) -
Perrault's LITTLE RED RIDING HOOD
Perrault’s LITTLE RED RIDING HOOD “Little Red Riding Hood” began as an oral folk tale and continued to be told to children for centuries before being published in a French version by Charles Perrault in 1697, and then in 1812 in the German version by Jacob and Wilhelm Grimm. Over the years, scholars have piled an entire cosmos of meanings on this small girl’s shoulders. Some call her tale a seasonal myth, an allegory of the sun swallowed by night, or the personification of Good triumphing over Evil. Her basket of wine and cakes, it’s said, represents Christian Commu- nion; her red cape stands for menstrual blood. Some see the tale in Freudi- an terms as the Ego overcome by the Id; others see it as symbolic of the relationship between Man and Woman. And inevitably the tale has been a vehicle for imparting sexual ethics in keeping with the social fabric of the times. Tellers have consciously and subconsciously manipulated the plot to portray a seduction by a temptress, the rape of a virgin or the passage of a young girl into womanhood.1 It is hard to believe that the anonymous creator of the tale would have had the slightest notion of what Freudians, Jungians, anthropologists, deconstruc- tionists, and others have read into it. The story is worth examining because it reveals the genius of the original storyteller. It is noteworthy that Catherine Orenstein assumes that Perrault’s version “must be a truncated, fragmentary version of the original oral tale.”2 The same applies to the version by the brothers Grimm because it was derived from Perrault.3 Much has been made of the fact that the little girl wears a red riding hood. -
Stars Above: a Lunar Chronicles Collection (The Lunar Chronicles) by Marissa Meyer
Stars Above: A Lunar Chronicles Collection (The Lunar Chronicles) by Marissa Meyer Download Stars Above: A Lunar Chronicles Collection (The Lunar Chronicles) ebook for free, filesize: 4787 kb, currently available for review only here Description: How did the brooding soldier Wolf transform from young man to killer? ―The Seattle TimesEpic awesome. ―NPRJust when the insanely popular Lunar Chronicles looked finished, this piecemeal, but still quite weighty, book will pull readers right back in.―Booklist on Stars AboveWith the monarchy abolished on Luna and peace between Luna and Earth on its way, this collection ends with a happily ever after for everyone.―School Library Journal on Stars Above ―Entertainment Weekly on the Lunar ChroniclesPrince Charming among the cyborgs. .The universe of the Lunar Chronicles holds stories―and secrets―that are wondrous, vicious, and romantic. How did Cinder first arrive in New Beijing? When did Princess Winter and the palace guard Jacin realize their destinies?With nine stories―five of which have never before been published―and an exclusive never-before-seen excerpt from Marissa Meyers novel, Heartless, about the Queen of Hearts from Alice in Wonderland, Stars Above is essential for fans of the bestselling and beloved Lunar Chronicles.Dont miss these other books from #1 New York Times-and USA Today-Bestselling author Marissa Meyer:The Lunar Chronicles:CinderScarletCressWinterStars AboveFairestThe Lunar Chronicles Coloring BookWires and Nerve: Vol.1Wires and Nerve: Vol.2Renegades:Renegades: Book OneHeartlessPraise for the Lunar Chronicles:#1 New York Times-Bestselling SeriesUSA Today BestsellerPublishers Weekly BestsellerTerrific. ―The Wall Street Journal on the Lunar ChroniclesThe enchantment continues . a cross between Cinderella, Terminator, and Star Wars. -
Genreübergreifende Phantastische Jugendliteratur Am Beispiel Der Luna-Chroniken Von Marissa Meyer
Fakultät I - Philosophische Fakultät der Universität Siegen Masterarbeit zur Erlangung des akademischen Grades „Master of Arts (M.A.)“ an der Philosophischen Fakultät der Universität Siegen im Studiengang „Literaturwissenschaft: Literatur, Kultur, Medien“ Thema: Genreübergreifende phantastische Jugendliteratur am Beispiel der Luna-Chroniken von Marissa Meyer Vorgelegt von: Name: Marie Nadine Höchst Erstgutachter: Prof. Dr. Andreas Käuser Zweitgutachterin: Dr. Jana Mikota Abgabetermin: 17. Oktober 2016 Inhaltsverzeichnis 1. Einleitung...........................................................................................................................4 2. Zur Theorie des Phantastischen in der Literatur................................................................5 2.1 Maximalistische Genredefinition – Louis Vax und Roger Caillois............................6 2.2 Minimalistische Genredefinition – Tzvetan Todorov..................................................8 2.3 Phantastische Kinder- und Jugendliteratur................................................................10 3. Science-Fiction .............................................................................................................14 3.1 Definition und Einordnung des Genres.....................................................................14 3.2 Themen und Motive der Science-Fiction..................................................................20 4. Das europäische Volksmärchen.......................................................................................22