Giuseppe Verdi Requiem Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Giuseppe Verdi Requiem Mp3, Flac, Wma Giuseppe Verdi Requiem mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical / Stage & Screen Album: Requiem Country: US Released: 1969 Style: Romantic, Opera MP3 version RAR size: 1179 mb FLAC version RAR size: 1266 mb WMA version RAR size: 1445 mb Rating: 4.8 Votes: 836 Other Formats: TTA ASF APE MP3 AAC AUD MOD Tracklist Requiem A1 Requiem (Introitus) - Kyrie A2 Dies Irae A3 Tuba Mirum A4 Liber Scriptus A5 Quid Sum Miser A6 Rex Tremendae B1 Recordare B2 Igemisco B3 Confutatis B4 Lacrymosa C1 Domine Jeus Sanctus (Offertorium): D1 Lux Aeterna (Communio) D2 Libera Me (Absolutio) Credits Bass Vocals – Iwan Petrow* Chorus – Russian State Academy Choir* Composed By – Giuseppe Verdi Conductor – Igor Markevitch Cover [Sculpture] – Ilka List Liner Notes – Herbert Glass Mezzo-soprano Vocals – Nina Issakova* Orchestra – State Symphony Orchestra Of Moscow* Soprano Vocals – Galina Vishniovskaya* Tenor Vocals – Vladimir Ivanovsky* Notes Gatefold cover A Mezhkniga/Ramco production Barcode and Other Identifiers Matrix / Runout (Side A [Lable]): PLP-154-2A Matrix / Runout (Side B [Label]): PLP-154-2C Matrix / Runout (Side C [Label]): PLP-154-2D Matrix / Runout (Side D [Label]): PLP-154-2B Matrix / Runout (Side A [Etched]): PLP-154-2A-1 114 Ʃr oss-102461 Side 1 Matrix / Runout (Side B [Etched]): PLP-154-2C-2 Ʃr oss-110161 114 Matrix / Runout (Side C [Etched]): PLP-154-2D-1 Ʃr oss-102561 114 Side 3 Matrix / Runout (Side D [Etched]): PLP-154-2B-1 Ʃr oss-102521 Side 4 114 Other versions Category Artist Title (Format) Label Category Country Year Дж. Верди* — Дж. Верди* — Государственный Государственный Академический Академический Русский Хор Русский Хор СССР*, А. СССР*, А. Свешников*, Свешников*, Симфонический Апрелевский Д 07645-07648 Д 07645-07648 USSR 1961 Симфонический Оркестр Завод Оркестр Московской Московской Государственной Государственной Филармонии* - Филармонии* - И. Маркевич* - И. Маркевич* Реквием (2xLP, Mono) Дж. Верди* — Дж. Верди* — Государственный Государственный Академический Академический Русский Хор Русский Хор СССР*, А. СССР*, А. Свешников*, Свешников*, Симфонический 33Д—07645-48 Мелодия 33Д—07645-48 USSR 1968 Симфонический Оркестр Оркестр Московской Московской Государственной Государственной Филармонии* - Филармонии* - И. Маркевич* - И. Маркевич* Реквием (2xLP, Mono) Pеквием = Д Mezhdunarodnaya Д Д. Верди* Requiem (2xLP, USSR Unknown 07645-07648(a) Kniga 07645-07648(a) Mono + Box) Verdi* — Orchestre Symphonique De Verdi* — La Philharmonie Orchestre D'Etat De Symphonique De Moscou* - Igor La Philharmonie Markevitch - D'Etat De Galina Moscou* - Igor Vichnievskala*, Markevitch - Nina Issakova, Galina Vladimir Vichnievskala*, Ivanovski, Ivan 6701 016 Nina Issakova, Philips 6701 016 France Unknown Petrov* - Chœur Vladimir Académique Ivanovski, Ivan Russe De Petrov* - Chœur L'U.R.S.S.* - Académique Direction Russe De artistique A. L'U.R.S.S.* - Sveshnikov* - Direction Messe De artistique A. Requiem Sveshnikov* (Intégrale En Deux Disques) (2xLP, RE) Pеквием (2xLP, Джузеппе Mezhdunarodnaya 33Д 07645-8 Album, Mono, 33Д 07645-8 USSR 1963 Верди* Kniga Gat) Related Music albums to Requiem by Giuseppe Verdi Mozart - Helen Donath • Heather Harper • Yvonne Minton • Ryland Davies • Stafford Dean • Gerd Nienstedt • London Symphony Orchestra And Chorus • Colin Davis - Requiem • Grosse Messe Giuseppe Verdi / Herbert Von Karajan / Berliner Philharmoniker / Mirella Freni / Christa Ludwig / Wiener Singverein / Nicolai Ghiaurov / Carlo Cossutta - Messa Da Requiem Berlioz - London Symphony Orchestra & Chorus, Colin Davis - Requiem, Op.5 Berlioz - The Chorus And Orchestra Of The Rochester Oratorio Society, Theodore Hollenbach, Ray De Voll - Requiem, Op. 5 Giuseppe Verdi - Messa Da Requiem Verdi, Boston Symphony Orchestra, Leinsdorf - Requiem Giuseppe Verdi, Igor Markevitch, Moscow Philharmonic Orchestra, Государственный Академический Русский Хор Им. А. В. Свешникова - Requiem Part 1 Verdi, Claudio Abbado, Katia Ricciarelli, Shirley Verrett, Placido Domingo, Nicolai Ghiaurov, Coro E Orchestra Del Teatro Alla Scala, Romano Gandolfi - Requiem Schnittke - Igor Khudolei, Russian State Symphonic Cappella, Russian State Symphony Orchestra, Valeri Polyansky - Requiem / Piano Concerto Gabriel Fauré / Antonín Dvořák - Les Chefs-d'œuvre De La Musique Sacrée : Requiem.
Recommended publications
  • 1 CRONOLOGÍA LICEÍSTA Se Incluye Un Listado Con Las
    CRONOLOGÍA LICEÍSTA Se incluye un listado con las representaciones de Aida, de Giuseppe Verdi, en la historia del Gran Teatre del Liceu. Estreno absoluto: Ópera del Cairo, 24 de diciembre de 1871. Estreno en Barcelona: Teatro Principal, 16 abril 1876. Estreno en el Gran Teatre del Liceu: 25 febrero 1877 Última representación en el Gran Teatre del Liceu: 30 julio 2012 Número total de representaciones: 454 TEMPORADA 1876-1877 Número de representaciones: 21 Número histórico: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21. Fechas: 25 febrero / 3, 4, 7, 10, 15, 18, 19, 22, 25 marzo / 1, 2, 5, 10, 13, 18, 22, 27 abril / 2, 10, 15 mayo 1877. Il re: Pietro Milesi Amneris: Rosa Vercolini-Tay Aida: Carolina de Cepeda (febrero, marzo) Teresina Singer (abril, mayo) Radamès: Francesco Tamagno Ramfis: Francesc Uetam (febrero y 3, 4, 7, 10, 15 marzo) Agustí Rodas (a partir del 18 de marzo) Amonasro: Jules Roudil Un messaggiero: Argimiro Bertocchi Director: Eusebi Dalmau TEMPORADA 1877-1878 Número de representaciones: 15 Número histórico: 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36. Fechas: 29 diciembre 1877 / 1, 3, 6, 10, 13, 23, 25, 27, 31 enero / 2, 20, 24 febrero / 6, 25 marzo 1878. Il re: Raffaele D’Ottavi Amneris: Rosa Vercolini-Tay Aida: Adele Bianchi-Montaldo Radamès: Carlo Bulterini Ramfis: Antoine Vidal Amonasro: Jules Roudil Un messaggiero: Antoni Majjà Director: Eusebi Dalmau 1 7-IV-1878 Cancelación de ”Aida” por indisposición de Carlo Bulterini.
    [Show full text]
  • Central Opera Service Bulletin
    CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee.
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • Carlo Cossutta - Tenor 1932-2000
    Carlo Cossutta - tenor 1932-2000 Fuentes: Valenti Ferro, Enzo. Las voces, Teatro Colón 1908-1982. Buenos Aires, Gaglianone, 1983, p 328, y de JH Anthonisen (https://groups.google.com/forum/#!topic/rec.mus ic.opera/aUn6y49d100 (ver Little Jimmy Olsen – mayo 2014) El Tenor italiano Carlo Cossutta nació el 8 de mayo de 1932 en Santa Croce del Carso , en Trieste, en el norte de Italia, pero emigró a Argentina, donde trabajó inicialmente como carpintero. Después de descubrir sus dotes vocales estudió en Buenos Aires con Manfredo Miselli , Mario Melani y Arturo Wolken. Es considerado argentino (si no de nacimiento, sí por residencia y formación). Sus sobresalientes cualidades le permitieron afirmarse en la escena lírica mundial entre los cantantes más cotizados de su cuerda. Su bella y noble voz lírica de los comienzos fue oscureciéndose gradualmente con una tonalidad algo mate y evolucionando hacia el “spinto”, apoyándose en un buen caudal uy en un natural vigo expresivo. También su emisión fue haciéndose más franca y segura, conservando cierta in comodidad en las notas extremas del registro agudo. Pero el hecho de que Cossutta no sea definitivamente un tenor agudo no puede ser sobreestimado en quien tiene tantas otras cualidades que ofrecer. Cossutta debutó en el Teatro Colón 1958 como Cassio en una de las funciones de Otello de Ramon Vinay, sin embargo ya había cantado en 1956 el rol de Alfredo en La Traviata en un pequeño teatro argentino.. En el Teatro Colón su primer rol de importancia fue el de Edgardo en Lucia di Lammermoor (1959); el segundo en 1962, Mario, de Tosca, y en 1963 cantó su primera Bohème.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]
  • WGLT Program Guide, April-June, 1979
    Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Spring 4-1-1979 WGLT Program Guide, April-June, 1979 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, April-June, 1979" (1979). WGLT Program Guides. 281. https://ir.library.illinoisstate.edu/wgltpg/281 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. The Professional Staff .. G. Ben Paxton, Jr . .. .. ....... General Manager Bob Nicklas . ... .. ... .. ... Publ ic Affairs Director and Production Supervisor Nancy DiSanto . ........... Assistant, Public Affairs Producer/ Announcer Peter Dominowski .. .... .. .. ... Music Director and Chief Announcer Dave Mulcahey .. .... ... .. .. ... Chief Engineer Don White . .. ........ .. .... Broadcast Engineer and Announcer Charles Bronson ..... ..... .. Operations Director Helen Holzer . ......... ... Secretary/ Receptionist Underwriters A special thanks to the underwriters who are with us again this quarter: U)n1a1unoa JEWELRY for St. LOUIS SYMPHONY Standard Oil Company of Indiana with CHICAGO• SYMPHONY The "Inn" Place for JAZZ ALIVE Allstate CHICAGO'S LYRIC OPERA If yo u enjoy these programs, give the local merchants a cal l or express your appreciation the next time you do bu siness with them. SATURDAY. 7 P.M. BALTIMORE A member of Public Radio in Mid-America Spring Program Schedule MAY 19. 1979 SYMPHONY \\Gll'ffilfin and Illinois Broadcasters Association April, May, June, 1979 Britten: Variations and Fugue on a Theme by ORCHESTRA SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Purcell R.
    [Show full text]
  • Otello Del 14 Novembre 2009
    Otello del 14 Novembre 2009 Giuseppe VERDI OTELLO •Otello CARLO COSSUTTA •Desdemona DAME MARGARET PRICE •Jago GABRIEL BACQUIER •Cassio PETR DVORSKY •Roderigo KURT EQUILUZ •Lodovico KURT MOLL •Montano STAFFORD DEAN •Un araldo HANS HELM •Emilia JANE BERBIÉ Wiener Sangerknaben Wiener Staatsopernchor Chorus Master: Norbert Balatsch Wiener Philharmoniker Sir GEORG SOLTI Luogo e data di registrazione: Sofiensaal, Wien, Settembre 1977 Ed. discografica: Decca Note tecniche sulla registrazione: secondo standard Decca Pregi: interessante testimonianza dell’arte di un bravo tenore italiano; eccellente Desdemona della Price Difetti: un prodotto gradevole, orecchiabile ma probabilmente inutile Valutazione finale: DISC/BUON Chi fu Carlo Cossutta? Fu un bravo cantante italiano nato a Santa Croce, sul Carso triestino, l’8 maggio 1932 e morto nel gennaio 2000; debuttò nel 1956 e già nel 1958 riportò il primo travolgente successo come Otello al Colòn di Buenos Aires (lo stesso teatro ove aveva debuttato proprio Otello anche Mario Del Monaco 8 anni prima), il personaggio con cui maggiormente si identificò. Ebbe successo quale Moro di Venezia anche a Londra nel 1974 e a Milano, nel 1976, quando si alternò al debuttante Domingo occupando le recite della ripresa di Gennaio 1977. Ed è proprio necessariamente il confronto con gli altri cantanti a sorgere spontaneo ascoltando questi dischi che peraltro – va detto – rendono ampiamente giustizia al bravo tenore triestino. “La voce c’è”, come si dice solitamente di un bravo cantante, ammesso che piaccia il genere iperdrammatico cui fece riferimento anche lui sulla scia proprio di quel Del Monaco che l’aveva preceduto di soli otto anni ma che aveva monopolizzato il ruolo al punto di farne un personalissimo paradigma.
    [Show full text]
  • Rogelio Marín: «Tutti Insieme
    ENTREVISTA Rogelio Marín: “Tutti insieme” por José Noé Mercado ste cantante es otra muestra, joven, ascendente, del talento Y tú, Rogelio, ¿cómo descubres tu voz y que te gusta que nace en nuestro país en la tesitura de tenor. Su carrera cantar? Einternacional inició en Alemania con el papel de Tamino en Desde niño sabía que era entonado. Cualquier pretexto era bueno Die Zauberflöte de Mozart. Y desde ese entonces se ha presentado para cantar la música folclórica, los sones y los huapangos, en Munich, Milán, Venecia, Palermo, Verona, Madrid, Málaga, géneros que llevo metidos muy adentro y forman parte de mi vida Montpellier, Nantes y, desde luego, México. cotidiana. Rogelio Marín Escutia radica actualmente en Italia, donde ha El estudio del canto lo descubrí accidentalmente. Estudiando formado ya una familia, pero en una de sus constantes visitas a inglés en la Zona Rosa, encontré a dos personas que serían nuestro país para cumplir compromisos profesionales dialogó en posteriormente guías muy importantes en mis inicios musicales: exclusiva para los lectores de Pro Ópera y nos permite así conocer Margarita Botello y Francisco Grijalva. Francisco fue mi primer más detalles sobre su trayectoria lírica. maestro, no sólo de canto, sino de solfeo y piano. A él debo mi amor por la música, que me enseñó con paciencia, contagiándome “Mis primeros encuentros con la música vienen de la infancia”, su pasión. Margarita fue no sólo mi comienza a platicar el tenor, que ha compañera (del coro de Francisco); es mi trabajado ya con importantes directores “Yo he cantado roles amiga y una gran inspiración para mi estudio, musicales y de escena como Marcello al que me dediqué con mucha entrega y amor Viotti, Alberto Fassini, Giancarlo del de ópera con éxito, desde el principio.
    [Show full text]
  • GIUSEPPE VERDI (1813-1901): Nabucco (1842)
    HANS-URS WILI 1 Januar 2019: GIUSEPPE VERDI: Nabucco 08.10.2017_def /huw (VerdiNabucco7.docx) Zu den konzertanten Aufführungen des Singkreises Wohlen vom a. 10.-13. Januar 2019 Novara (Italien) b. 18. Januar 2019 Zofingen (Stadtkirche) c. 19. Januar 2019 Bern (Französische Kirche) d. 20. Januar 2018 Aarau (Stadtkirche) mit der Kantorei der Stadtkirche Arau und dem Projektchor SMW. Begleitung: Orchestra Sinfonica Carlo Coccia di Novara GIUSEPPE VERDI (1813-1901): Nabucco (1842) Inhaltsübersicht Bst. Inhalt Rz. S. A Einleitung: VERDIS Nabucco in der Kirche?!? 1-3 2 B Oper einerseits und Oratorium in katholischer und evangelischen 4-9 2-4 Ausprägungen anderseits C Weltliche Oratorien 10-13 4-6 D Biblische Opern 14-23 6-13 E GIUSEPPE VERDI (1813-1901): Leben und Werk, Charakter und 24-28 13-15 Engagements F VERDIS Nabucco: Der Stoff 29 15-19 G VERDIS Nabucco: Biblische und ausserbiblische Grundlagen des 30-34 19-21 Opernlibrettos H VERDIS Nabucco: Historische Wurzeln des Stoffs in Literatur und 35-37 22 Musik I VERDIS Nabucco: Entstehungsgeschichte 38-42 23-25 J VERDIS Nabucco: Vorbilder 43-48 25-26 K VERDIS Nabucco: Neuerungen und Schlüsselstellung 49-69 26-34 L VERDIS Nabucco: Wirkungsgeschichte 70-75 34-36 M Durchschlagender Erfolg von VERDIS Nabucco bis heute – 76-79 36-37 weshalb? N Literatur - 38-49 Anhang - 50-59 Übersicht über die Tabellen Nr. Inhalt Rz. 1 Verteilung biblischer Opernstoffe auf das Erste und das Zweite Testament 15 2 Fundstellen biblischer Opernstoffe 19 3 VERDIS sechs Opern für Bühnen ausserhalb Italiens 26 4 Die Handlung des Nabucco deutsch und italienisch 29 5 Jeremia-Zitate in der Originalpartitur über den einzelnen Teilen des Nabucco 32 6 Die 25 meistgespielten Opern 2015-2016 78 7 Biblische Opernstoffe.
    [Show full text]
  • The Verdi Requiem - a Partial Survey of the Discography by Ralph Moore
    The Verdi Requiem - A Partial Survey of the Discography by Ralph Moore The circumspect title of my survey arises from the fact that although over eighty recordings are listed in the Wikipedia discography (see also MWI Masterwork Index) it is not complete and there are probably many more circulating in the form of private recordings on what used to be called “pirate” labels. For instance, in my own comparatively modest collection of thirty-five recordings are a live Karajan performance from 1970 on the “Gala” label, the Naxos release conducted by Morandi and the LSO Live recording conducted by Colin Davis, none of which is included in that Wiki list. The Karajan recording is superb but, unfortunately, in muddy mono sound and while the Naxos double CD makes a good super-bargain “starter suggestion”, it is not as good as many of the recordings discussed below. Furthermore, I have discarded some dozen or so which I came to regard as “shelf-cloggers”, insofar as I had no desire to play them again, so I am able to venture an opinion and express some preferences but am by no means in any position to make definitive statements about “best” recordings, even if I desired to do so. Besides, individual taste in performers and personal convictions regarding how this work should be approached and sound will govern others’ choices; all I propose to do is provide some assessment of those recordings with which I am familiar. I have often encountered fellow music-lovers who have no taste for Verdi’s operas but still enjoy the Requiem, which is amusing as the work surely merits what some construe as the derogatory label of “Verdi’s greatest opera”.
    [Show full text]
  • Otello Otello Amb El Suport De: Otello - Giuseppe Verdi
    Otello GIUSEPPE VERDI Temporada 2020-2021 Temporada Amb el suport de: Otello - Giuseppe Verdi Tornar a l'índex Patronat de la Fundació del Gran Teatre del Liceu Comissió Executiva de la Fundació del Gran Teatre del Liceu President d'honor President President de la Generalitat de Catalunya Salvador Alemany Mas President del patronat Vocals representants de la Generalitat de Catalunya Salvador Alemany Mas Àngels Ponsa Roca, Lluís Baulenas Cases Vicepresidenta primera Vocals representants del Ministerio de Cultura y Deporte Àngels Ponsa Roca Amaya de Miguel Toral, Antonio Garde Herce Vicepresidenta segona Vocals representants de l'Ajuntament de Barcelona Andrea Gavela Llopis Joan Subirats Humet, Marta Clarí Padrós Vicepresident tercer Vocal representant de la Diputació de Barcelona Joan Subirats Humet Joan Carles Garcia Cañizares Vicepresidenta quarta Vocals representants de la Societat del Gran Teatre del Núria Marín Martínez Liceu Vocals representants de la Generalitat de Catalunya Javier Coll Olalla, Manuel Busquet Arrufat Lluís Baulenas Cases, Irene Rigau Oliver, Rosa Tubau LLorià, Vocals representants del Consell de Mecenatge Àngels Barbarà Fondevila Luis Herrero Borque, Elisa Durán Montolío Vocals representants del Ministerio de Cultura y Deporte Secretari Javier García Fernández, Amaya de Miguel Toral, Joan Francesc Joaquim Badia Armengol Marco Conchillo, Santiago de Torres Sanahuja Director general Vocals representants de l'Ajuntament de Barcelona Valentí Oviedo Cornejo Marta Clari Padrós, Josep Maria Vallès Casadevall Vocal representant
    [Show full text]
  • Giuseppe Verdi Requiem Mp3, Flac, Wma
    Giuseppe Verdi Requiem mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Requiem Country: USSR Released: 1985 Style: Romantic MP3 version RAR size: 1334 mb FLAC version RAR size: 1778 mb WMA version RAR size: 1803 mb Rating: 4.8 Votes: 252 Other Formats: MPC XM MOD FLAC AU AHX AAC Tracklist Requiem A1.a Requiem A1.b Kyrie Dies Irae A2.a Dies Irae A2.b Tuba Mirum A2.c Liber Scriptus B1.a Quid Sum Miser B1.b Rex Tremendae B1.c Recordare B1.d Ingemisco B1.e Confutatis B1.f Lacrymosa - C1 Offertorium. Domine Jesu C2 Sanctus. Benedictus C3 Agnus Dei D1 Lux Aeterna D2 Libera Me Companies, etc. Pressed By – Ленинградский Завод Грампластинок Credits Bass Vocals – Nicolai Ghiaurov Choir – La Scala Chorus* Chorus Master – Roberto Benaglio Composed By – Giuseppe Verdi Conductor, Supervised By [Artistic Supervision] – Herbert Von Karajan Mezzo-soprano Vocals – Fiorenza Cossotto Orchestra – La Scala Orchestra* Soprano Vocals – Leontyne Price Tenor Vocals – Carlo Bergonzi Notes Recorded at USSR Bolshoi Theatre on 25 September 1964; white label Other versions Category Artist Title (Format) Label Category Country Year Giuseppe Verdi - Giuseppe Verdi - Leontyne Price, Leontyne Price, Fiorenza Fiorenza Cossotto, Cossotto, Carlo Bergonzi, M10 45785 Carlo Bergonzi, Nicolai Nicolai Ghiaurov, La M10 45785 Мелодия USSR 1984 005 Ghiaurov, La Scala Scala Chorus* And 005 Chorus* And Orchestra*, Herbert Von Orchestra*, Herbert Karajan - Requiem (2xLP, Von Karajan Mono) G. Verdi* - Leontyne G. Verdi* - Leontyne Price, Fiorenza Price, Fiorenza Cossotto, Cossotto, Carlo Carlo Bergonzi, Nicolai M10 45785 Bergonzi, Nicolai Ghiaurov, La Scala M10 45785 Мелодия USSR 1988 005 Ghiaurov, La Scala Chorus* And Orchestra*, 005 Chorus* And Herbert Von Karajan - Orchestra*, Herbert Requiem (2xLP, Mono, Von Karajan RP, Whi) Related Music albums to Requiem by Giuseppe Verdi Giuseppe Verdi, Wiener Philharmoniker, Herbert von Karajan - Messa Da Requiem Verdi - Messa Da Requiem Giuseppe Verdi - E.
    [Show full text]