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The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
1950S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA -
What We've Made of Louis Prima John J
Marquette University e-Publications@Marquette College of Communication Faculty Research and Communication, College of Publications 1-1-2005 Taming the Wildest: What We've Made of Louis Prima John J. Pauly Marquette University, [email protected] Published version. "Taming the Wildest: What We've Made of Louis Prima," in Afterlife as Afterimage: Understanding Posthumous Fame. Eds. Steve Jones and Joli Jensen. New York: Peter Lang International Academic Publishers, 2005: 191-208. Publisher Link. © 2005 Peter Lang International Academic Publishers. Used with permission. chapter 1 O Taming the Wildest What We've Made of Louis Prima jOHN j. PAULY For over forty years, Louis Prima had survived one change after another in the pop~ ular music business. He was, in succession, a trumpet section player in his home~ town ofNew Orleans, the front man for a popular New York City jazz quintet, and the leader of a touring big band. In the 1950s, with his career flagging, he reinvent~ ed himself as a spectacular Las Vegas lounge act, then nudged his career through the 1960s with help from his old friend, Walt Disney. He explored many forms of popular music along the way, but aspired only, in his own words, to "play pretty for the people." The same man who wrote the jazz classic "Sing, Sing, Sing," would also record easy listening instrumental music, Disney movie soundtracks, and ltalian~American novelty songs. In all these reincamations, he performed with an exuberance that inspired his Vegas nickname, "the wildest." Prima's career would end in deafening silence, however. He spent the last thirty~five months of his life in a coma, following a 197 5 operation in which doctors partially removed a benign tumor from his brain stem. -
General Meeting 2018
GENERAL MEETING 2018 January 2018: TONY HORTON – THE REAL GLENN MILLER STORY Once again we enjoyed a session with Tony, this time on a perennial favourite, the Big Band leader, Glenn Miller. Tony dispelled some of the myths about Glenn that were put into the 1954 hit film “The Glenn Miller Story”, starring James Stewart and June Allyson. The film was principally about the courtship and marriage of Glenn and Helen Miller. The facts we heard were that Miller was born in Iowa in 1904, the son of a railway worker father and farmer mother. He earned pocket money from milking cows and firstly spent some on a mandolin, before giving it up for a trombone. He formed a small band from class mates and at university ended up going on gigs, rather than attending to his studies and exams. Whilst a very good trombone player, he was not outstanding, but his forte was making musical arrangements and was in demand for this particular skill. Joining Ben Pollacks Band, which included other musicians who went on to make their mark in the music industry, Miller eventually moved to New York, where, driven by his wife Helen, he formed a jazz band, without any success. Miller played as a jobbing trombonist for several bands before teaming up with the British Dance Band leader, Ray Noble. Because of the Union restrictions on entertainers in America and Britain, Noble was not permitted to take his own musicians, so engaged Miller to recruit musicians for him. However, there was a big difference between the two men as Miller preferred jazz music and his arrangements were in that genre, whereas Noble was a ballad man, so this difference led to a parting of the ways. -
Die 1950Er 321 Titel, 12,9 Std., 1,15 GB
Seite 1 von 13 -Die 1950er 321 Titel, 12,9 Std., 1,15 GB Name Dauer Album Künstler 1 Sing baby sing (ft Valente Caterina) 2:58 Alexander Peter 2 It's simply grand 2:00 Rockin' Rollin' High School Vol.4 - Sampler - 1983 (LP) Allen Milton 3 Youthful lover 2:20 Rockin' Rollin' High School Vol.6 - Sampler - 1983 (LP) Allen Milton 4 In the mood 2:49 Andrew Sisters The Andrew Sisters 5 Rum and Coca Cola 3:08 Oldies The Andrew Sisters 6 Boogie woogie bugle boy 2:44 Songs Of World War 2 The Andrew Sisters 7 Three little fishies (itty bitty pool) 2:37 The Andrew Sisters 8 Lonely boy 2:32 Jukebox RTL - Comp JJJJ (CD1-VBR) Anka Paul 9 Diana 2:18 Jukebox RTL - Comp JJJJ (CD1-VBR) Anka Paul 10 Put your head on my shoulder 2:39 Million Sellers (The Fifties) Vol.03 - Comp 1992 (CD-VBR) Anka Paul 11 High society calypso 2:12 As Time Goes By - Disc 2 Armstrong Louis 12 Hello Dolly 2:26 Wonderful World Of Musical - Comp 1999 (CD2-VBR) Armstrong Louis 13 Onkel Satchmo's lullaby 2:26 Das waren Schlager 59/60 - Comp (LP) Armstrong Louis & die kleine Gabriele 14 Just ask your heart 2:28 Billboard Top 100 - 1959 Avalon Frankie 15 Jim Dandy 2:12 Baker LaVern 16 Ice cream 3:27 Oldies But Goldies (LP OrangeGrün 1980) Barber Chris 17 Petite fleur 2:43 40 Hits From The 50s & 60s - Sampler (LP2) Barber Chris 18 Kiss me honey honey kiss me 2:23 Beyond the sea Bassey Shirley 19 Banana boat song 3:03 Rock Party Volume 3 - Comp JJJJ (CD-VBR) Belafonte Harry 20 Rainy night in Georgia 3:50 Best Of Soul Classics - Comp 2005 (CD3-VBR) Benton Brook 21 Rock and roll music 2:31 The Great Twenty-Eight Berry Chuck 22 Sweet little sixteen 3:01 The Rolling Stone Magazines 500 Greatest Songs Of All Time Berry Chuck 23 Brown eyed handsome man 2:16 The Rolling Stone Magazines 500 Greatest Songs Of All Time Berry Chuck -Die 1950er Seite 2 von 13 Name Dauer Album Künstler 24 Johnny B. -
© 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare -
Great Escape Vol. 5
THE GREAT ESCAPE!* ♪ *“Anything that is good jazz is a great escape. When you’re involved in playing or listening to great jazz, no one can get to you.” -Woody Herman Vol. 1 No. 5 November/December 2007 Presented by: www.dixieswing.com Buddy Hughes: One Night on the Stand with Thornhill By Bob Knack While rummaging through my record room recently, I the most exciting band ever.” In the review, DB magazine came across a dusty cardboard box containing a morsel of real reported that Vannerson had recently left the band leaving treasure. It was an October 21, 1946 copy of Downbeat Thornhill without a personal manager or press agent making it Magazine, with the headline, “Claude Thornhill, Band of the difficult for the band to compete for bookings. Year”. The article highly praised the Thornhill band reviewed “After playing some smaller eastern ballrooms and “live” at the Hotel Pennsylvania in New York City. theatres,” Buddy continues, “the appearance at the It saved the highest accolades for the guy singer, Pennsylvania was a big event for the band, and had the Buddy Hughes, saying he had “the freshest, best voice to be attention of show business and band personalities who packed heard with a band”. I asked my friend and Glen Ellyn, Illinois the place for the big night”. “I was introduced by my manager resident, Buddy to reminisce about this night and his time with to Mildred Bailey, Paula Kelly and the Modernaires, Les Brown the CT band, and, as always, he brought the era back to mind (with his arranging pad in hand), singer Buddy Clark and many with his stories as if it were yesterday. -
Sun Valley Serenade Orchestra Wives
Sun Valley Serenade Orchestra Wives t’s funny how music can define an entire come one of Miller’s biggest hits, “Chattanooga We also get some wonderful Harry Warren and era, and Glenn Miller’s unique sound did Choo Choo,” which, in the film, is a spectacu- Mack Gordon songs, including “At Last” (the Ijust that. It is not possible to think of World lar production number with Dandridge and The castoff from Sun Valley Serenade), “Serenade War II without thinking of the Miller sound. It Nicholas Brothers. Another great new song, “At in Blue,” “People Like You and Me,” and the was everywhere – pouring out of jukeboxes, Last,” was also recorded for the film, but wasn’t instant classic, “I’ve Got a Gal in Kalamazoo.” radios, record players. Miller had been strug- used, except as background music for several The latter was, like “Chattanooga Choo Choo,” gling in the mid-1930s and was dejected, but scenes. The song itself would end up in the nominated for an Oscar for Best Song. It knew he had to come up with a unique sound next Miller film. lost to a little Irving Berlin song called “White to separate him from all the others – and, of Christmas.” course, the sound he came up with was spec- “Chattanooga Choo Choo” hit number one on tacular and the people ate it up. His song the Billboard chart in December of 1941 and George Montgomery’s trumpet playing was “Tuxedo Junction” sold 115,000 copies in one stayed there for nine weeks. The song was dubbed by Miller band member, Johnny Best week when it was released. -
Title Composer Lyricist Arranger Cover Artist Publisher Date Notes
Title Composer Lyricist Arranger Cover artist Publisher Date Notes Each Day I Dream Carel Albright Carel Albright Grimes Music Publishers 1949 Easter Parade Irving Berlin Irving Berlin Irving Berlin Music Corporation 1933 Easy Melody (A Dancing Song) Larry Conley Larry Conley Rosebud Leo Feist Inc. 1923 Easy to Love Cole Porter Cole Porter Chappell & Co., Inc. 1936 Ebb Tide Leo Robin Leo Robin Popular Melodies Inc. 1937 Ebb Tide Robert Maxwell Carl Sigman Robbins Music Corporation 1953 Ebony and Ivory [Paul] McCartney [Paul] McCartney MPL Communications, Inc. 1982 Echo Said "No", The Art Kassel Art Kassel Mick Lombardo Music Inc. 1947 Echoes from Ireland (Medley of Irish Airs) George Rosey G.M. Rosenburg 1907 Echoes of My Rocky Mountain Home, The Edward Gabriel Janet Gordon McKinley Music Co. 1904 Echoes of the Ball (Loin du Bal) Ernest Gillet Art Publication Society 1930 Echoes of the Lake (L'Echo du Lac) Nocturne J. Leybach Century Music Publishing Company n.d. Eckland's Minor Jig Frank Eckland John Wild Thompson & Odell 1887 Banjo Ecstasi (Ecstacy) Tango Argentine Leon Obrero Rosebud Leo Feist, Inc. 1913 Cover in Spanish Ecstasy Walter Morse Rummel Duncan C. Scott G. Schirmer, Inc. 1907 Eddie, My Love Aaron Collins Aaron Collins Modern Music Pub. Co. 1956 Edelweiss Glide (Waltz) F.E. Vanderbeck Century Music Publishing Co. 1908 Revised and fingered by Rudolf Edelweiss Glide Waltz F.E. Vanderbeck The Eclipse Pub. Co. 1908 Thaler Edelweiss Glide (Waltz) F.E. Vanderbeck Century Music Publishing Co. 1908 Fingered by M. Greenwald Egyptian Moonlight (An Oriental Love Song) A. Fred Phillips Jack Caddigan WM Fisher Ted Garton Music Co. -
Doris & Me the Doris Day Songbook
3000 Miles Off-Broadway Musicals presents Doris & Me The Doris Day Songbook Starring Scott Dreier July 24 to August 3, 2014 Celebrating Doris Day’s 90th Birthday FOR IMMEDIATE RELEASE: 3000 Miles Off-Broadway Musicals (a division of Rock N Roll Inc.) proudly presents, DORIS AND ME: The Doris Day Songbook starring SCOTT DREIER at El Portal’s Monroe Forum Theatre, in the NOHO Arts District, North Hollywood, CA. This special engagement will be presented July 24 through August 3, 2014, with a Special Gala Opening July 23 to benefit the Doris Day Animal Foundation. Written and conceived by Scott Dreier along with Kurtis Simmons, DORIS AND ME is directed by Richard Israel, with musical direction by Bob Remstein. DORIS AND ME is one man's quirky, lovable obsession with music and movie icon, Doris Day. As the ultimate, obsessed fan, Scott Dreier makes this more than your typical tribute show to a timeless artist, taking the audience with him on a sentimental journey to nostalgic times gone by. As he lovingly shares, through classic treasured songs, personal anecdotes, humor, heart, and many Doris Day stories and history, Scott Dreier never lets us forget how much he loves her and why he has become Doris Day's biggest fan. Having grown up in a family where music, TV, and films were strictly monitored, Scott was somehow allowed to watch the Saturday Afternoon Film Festival hosted by Tom Hatten. This is where he first discovered Doris Day. She became his escape, always making the bad days brighter and happier with her artistry and joyous spirit. -
Lyrics for February 2018 Daily Sparkle CD Songs Track 1 Stupid Cupid By
Lyrics for February 2018 Daily Sparkle CD Songs Track 1 Stupid Cupid by Neil Sedaka My fine feathered friend with your cute little pranks I would like to express my thanks I trusted you implicitly But what a double crosser you turned out to be Stupid Cupid you're a real mean guy I'd like to clip your wings so you can't fly I'm in love and it's a crying shame And I know that you're the one to blame Hey hey, set me free Stupid Cupid stop picking on me I can't do my homework and I can't think straight I meet her every morning 'bout half past eight Well I'm acting like a lovesick fool You've even got me carrying your books to school Hey hey, set me free Stupid Cupid stop picking on me Cont… Cont…. You messed me up for good right from the very start Hey now, go play Robin Hood with somebody else's heart You got me jumping like a crazy clown And I don't feature what you're putting down Well since I kissed her loving lips of wine The thing that bothers me is that I like it fine Hey hey, set me free Stupid Cupid stop picking on me Track 2 Everybody Loves A Lover by Doris Day Everybody loves a lover I'm a lover, everybody loves me Anyhow, that's how I feel Wow, I feel just like a Pollyanna I should worry, not for nothin' Everybody loves me, yes they do And I love everybody Since I fell in love with you Who's the most popular personality? I can't help thinkin' it's no-one else but me Gee, I feel just about ten feet tall, havin' a ball Guess ya might call me a Pollyanna Everybody loves a lover Who's the most popular personality? I can't help thinkin' -
Adéla Jonášová
Wikipedista:Alfi51 Žiji v Českém Těšíně. Aleš Havlíček Jsem důchodce a rád si hraji s počítačem. Články mnou založené Alannah Currie Aldeburgh Angie Dickinson Alexandre Francois Debain Alex Sadkin Andělín Grobelný Adéla Jonášová Anita Carter Axel Stordahl The Beatmen Beatles For Sale Bedřich Havlíček Berthold Bartosch Biela voda (přítok Teplice) Billy Vera Bob Chester Bobbi Kristina Brown Bobby Vee Bobby Vinton Carlene Carter Carl Perkins Chuck Jackson Dana Vrchovská Eydie Gormé Emil Vašek Festival Kino na hranici Flora Murrayová Frankie Avalon Frank P. Banta French press Aleš v roce 2008 George Dunning George Botsford Gene Greene Hal Základní informace David Hans Mrogala Harmonium Harry James Helen Carter Help! (album) Howard Deutch Ida Münzbergová Narození 21. dubna 1951 Ina Ray Hutton Ipeľská pahorkatina Ivana Ostrava, Česko Wojtylová Izabela Trojanowska Jakub Mátl James Scott Žánry pop, blues (hudebník) Jan Hasník Javorianska hornatina Jerzy Povolání hudební skladatel, počítačový Kronhold Jimmy Durante John Keeble José Feliciano Joseph Lamb Judy Clay June Hutton Jungle fanatik a wikipedista Funk Kateřina Kornová Koruna (hudba) Kunešovská Nástroje kytara hornatina Ladislav Báča Largo (Florida) LaVerne Sophia Aktivní roky dosud Andrews Les Brown (hudebník) Let It Be (album) Louis Manžel(ka) Dagmar Krzyžánková Prima Louisa Garrett Andersonová Madelyn Deutch Maggi Hambling Martha a Tena Maxene Angelyn Andrews Děti Aleš, Martin Mezinárodní divadelní festival Na hranici Millicent Garrett Rodiče Bedřich Havlíček, Fawcett Mira Kubasińska Mud