Brett Whiteley: Art and Life Free

Total Page:16

File Type:pdf, Size:1020Kb

Brett Whiteley: Art and Life Free FREE BRETT WHITELEY: ART AND LIFE PDF Barry Pearce,Bryan Robertson | 252 pages | 04 Apr 2005 | Thames & Hudson Ltd | 9780500285480 | English | London, United Kingdom Biography - Brett Whiteley - Australian Dictionary of Biography His mother was Beryl Whiteley. Brett Whiteley began painting and doing other forms of art while he was a child, as most children do. Unlike most children, he was especially passionate about his hobby and was determined from a young age to pursue art as a career. As a teenager, Brett Whiteley took art classes. This helped to Brett Whiteley: Art and Life his artwork. Inhe began attending the National Art School. It was while here that Whiteley produced his first professional piece of artwork incalled The Soup Kitchen. He finished his studies in It was during this time that Brett Whiteley lived in London. While here, he made some of his most famous art pieces, like Bathing. It was Brett Whiteley: Art and Life in this decade that Whitely became obsessed with the English serial killer, John Christie. He also made several paintings of Christie, which was also famous. Also around this time, he made several paintings of animals, like Two Indonesian Giraffes. InBrett Whiteley earned the Harkness Fellowship, which was a scholarship which allowed him to live and work in New York. While here, he made friends with other artists, which no doubt influenced his own art. Much of his Brett Whiteley: Art and Life during this time was also inspired by the American Civil Rights movements and the many protests around the country urging the government to stop the Vietnam War. Between andhe also worked on a painting called Alchemy. This would go on to be one of Brett Whiteley: Art and Life most famous works of art. It was even on the cover of the Dire Straits album with the same title. Here, he spent much of his time painting landscapes. Some of his most prestigious awards are listed below. InBrett Whiteley was made an Officer of the Order of Australia for his contribution to the arts. Brett Whiteley married Wendy Julius in This couple had one child together, Arkie. The couple later divorced in Near the end of his life, Brett Whiteley became increasingly dependent on alcohol. It was also in his later life that he became addicted to heroin. Both of these addictions lead to Brett Whiteley: Art and Life steep decline in his health. Brett Whiteley died on June 15, The cause of death was a drug overdose. He was 53 years old when he passed away. After Brett Whiteley died, his artwork became much more valuable. Many of his paintings sold for millions of dollars. Wednesday, 21st October Brett Whiteley Artist April 7 Education Brett Whiteley began painting and doing other forms of art while he was a child, as most children do. Australian Financial Review From a very young age his drawing talent became noticeable and he won his first art prize at the age of seven. He was born into a middle class family and his parents appreciated the arts and encouraged Whiteley to continue his interest in drawing and painting. InWhiteley attended the prestigious Scots Collage boarding school in Bathurst. Whiteley spent a part of his teenage hood at the boarding school but dropped out in to work in advertising. He also attended a night drawing class at the Ashton Art school in Sydney. The immediate effect was a heightening of reality in that everything I looked at took on an intensity. The young Brett Whiteley felt a strong connection to the art world which was of a very serious nature and mature for his age. InWhiteley left advertising to concentrate on painting. Whitely had a deep interest in painting beauty which is expressed in his works. He had the ability to capture the emotions of the life experiences of himself and other people. He was fascinated in painting his perceptions of the world in a very surreal and abstract manner. The influence of drugs and alcohol heavily impacts his life and art making practice. Many of his Brett Whiteley: Art and Life encompass aspects of his addiction that took control of his mind. The combination of a passion for beauty and addiction led to the creation of some of his most famous masterpieces. These works intrigued the public and led Brett Whiteley: Art and Life Whiteley gaining a reputation as one of the most celebrated artists of Australia. Whiteley evidently has a strong use of the elements of design which is expressed through the technical composition of the works. The work is a self-portrait presented in the form of triptych; each panel reveals a different persona Brett Whiteley: Art and Life himself. The panel to the left represents Whiteley as a wolf that seems to be out of control. There are symbols of a cigarette and syringe which alludes to his drug addiction. The size and placement of this panel is representing the importance of painting as the centre of his life. The third panel is a physical self-portrait photograph of Whiteley himself looking quite normal. The work is initially very unbalanced as it is a form of asymmetrical triptych with each panel a different size. However, Whiteley cleverly disguises the balance within the work by rebalancing it through the warm colour palette and image repetition. The colour scheme is repeated with warm colours of an overall light orange with areas of darker tones. Each persona has been painted with similar colours which it represents a wholesome view of himself by binding each persona as one. Whiteley cleverly composed the work so the eyes would draw this image as it is an important idea addressed in the work. There is a use of negative space in the centre panel which plays a part in the directional flow of the work. If that space were to be filled it would seem claustrophobic and would lose the flow. There Brett Whiteley: Art and Life a faint outline of a head in the middle panel that faces this area of the work. There is a second, unnoticed area of negative space which is the Brett Whiteley: Art and Life above the panel of the wild beast. This space if not painted but left blank yet the eyes are still drawn to complete the square shape of the work. There is a section of newspaper in the bottom right of the work which is symbolic of the intrusion and role of the media. Whiteley has used fragmenting in the work which roughly divides the piece into eight outlined rectangles of different sizes that include Brett Whiteley: Art and Life subjects. The fragmenting is caused by the unpredictable vertical and horizontal lines which create barriers between the subjects. This can be seen through many of his works which incorporate the cultural framework. Visual communication through the form of painting was a way that Whiteley told the story of other people such as Christie whom was specific to a certain period of time through history. The displays of nude females draped across the work acts as a symbol of how women can be dominated by people such as Christie. The nude figures allude to the results of sexual desire and rape that was the fate of his victims. The way the women become captured by Christie is displayed through the Brett Whiteley: Art and Life work and fragmentation of the work. Whiteley comments on John Christies actions with negative connotations. Christie was an evil man and Whiteley captures this view as he paints Christie with dark, rough tones with charcoal and sketchy line work. In the bottom squares it seems as though the image fades as it moves to the left, Christie is placed at the bottom of the work, this is symbolic of how he was seen. This is a form of a direct link to the culture of the time as it has been drawn directly from the media. He does this through the portrait Brett Whiteley: Art and Life his wife as she poses for him in nude. Whiteley addresses the image of women by painting the subject, in this case Wendy, with elongated, exaggerated and obvious curves and he approaches the shape and figure of the nude women. Subjective Whiteley focussed on painting the image of beauty and was widely known for capturing the personal intimacies of his private life. This provided insights into his life through the personal experiences which he painted. Relationships between himself and his subjects were revealed to the audience through the way he painted which took viewing his work to a new level. Aspects of his life experiences, news on beauty and a range of feelings are touched upon within his Brett Whiteley: Art and Life and painting style. Whiteley paints an intimate emphasis of her beauty which reflects his emotional; connection with the subject. Whiteley presents a range of uncontrolled emotions of turbulent passion, graceful allure and desire. The work is Brett Whiteley: Art and Life visual expression of the female body. This emphasis shows the audience the love that Whiteley felt for his wife. The artwork is a tool used to draw the audience into his world. The work shows that wendy sat for him whilst he painted her which implies a strong emotional connection between Whiteley and his subject. This expression of feelings Brett Whiteley: Art and Life emotions of passion he had for her allowed that emotional connection between himself and his audience. Whiteley expresses his personal story and the stories of others through his paintings. His personal voice comes through the work as he paints with such passion and emotion that his Brett Whiteley: Art and Life are expressed within each layer of the work.
Recommended publications
  • Key Bus Routes in Central London
    Route 8 Route 9 Key bus routes in central London 24 88 390 43 to Stoke Newington Route 11 to Hampstead Heath to Parliament to to 73 Route 14 Hill Fields Archway Friern Camden Lock 38 Route 15 139 to Golders Green ZSL Market Barnet London Zoo Route 23 23 to Clapton Westbourne Park Abbey Road Camden York Way Caledonian Pond Route 24 ZSL Camden Town Agar Grove Lord’s Cricket London Road Road & Route 25 Ground Zoo Barnsbury Essex Road Route 38 Ladbroke Grove Lisson Grove Albany Street Sainsbury’s for ZSL London Zoo Islington Angel Route 43 Sherlock Mornington London Crescent Route 59 Holmes Regent’s Park Canal to Bow 8 Museum Museum 274 Route 73 Ladbroke Grove Madame Tussauds Route 74 King’s St. John Old Street Street Telecom Euston Cross Sadler’s Wells Route 88 205 Marylebone Tower Theatre Route 139 Charles Dickens Paddington Shoreditch Route 148 Great Warren Street St. Pancras Museum High Street 453 74 Baker Regent’s Portland and 59 International Barbican Route 159 Street Park Centre Liverpool St Street Euston Square (390 only) Route 188 Moorgate Appold Street Edgware Road 11 Route 205 Pollock’s 14 188 Theobald’s Toy Museum Russell Road Route 274 Square British Museum Route 390 Goodge Street of London Museum Liverpool St Route 453 Marble Lancaster Arch Bloomsbury Way Bank Notting Hill 25 Gate Gate Bond Oxford Holborn Chancery 25 to Ilford Queensway Tottenham 8 148 274 Street 159 Circus Court Road/ Lane Holborn St. 205 to Bow 73 Viaduct Paul’s to Shepherd’s Marble Cambridge Hyde Arch for City Bush/ Park Circus Thameslink White City Kensington Regent Street Aldgate (night Park Lane Eros journeys Gardens Covent Garden Market 15 only) Albert Shaftesbury to Blackwall Memorial Avenue Kingsway to Royal Tower Hammersmith Academy Nelson’s Leicester Cannon Hill 9 Royal Column Piccadilly Circus Square Street Monument 23 Albert Hall Knightsbridge London St.
    [Show full text]
  • Discover London
    Discover London Page 1 London Welcome to your free “Discover London” city guide. We have put together a quick and easy guide to some of the best sites in London, a guide to going out and shopping as well as transport information. Don’t miss our local guide to London on page 31. Enjoy your visit to London. Visitor information...........................................................................................................Page 3 Tate Modern....................................................................................................................Page 9 London Eye.....................................................................................................................Page 11 The Houses of Parliament...............................................................................................Page 13 Westminster Abbey........................................................................................................Page 15 The Churchill War Rooms...............................................................................................Page 17 Tower of London............................................................................................................Page 19 Tower Bridge..................................................................................................................Page 21 Trafalgar Square.............................................................................................................Page 23 Buckingham Palace.........................................................................................................Page
    [Show full text]
  • AUIP Itinerary
    Itinerary for PSU SOVA 2021 Social and Cultural Explorations in the Visual Arts: in Sydney, Australia 13 July 2021 - 24 July 2021 Tuesday 13 July Day 1: Sydney 8:50 AM Group flight arrives 9:30 AM Welcome to Sydney Your guide for today’s walking tour will greet you upon arrival at the airport with a sign that reads "PENN STATE UNIVERSITY." Please meet at Exit A at the northern end of the terminal. If you miss your flight and will be arriving late, please contact your faculty leader, Dr. Angela Rothrock (Phone: 011 61 420 675 797 or Email: [email protected]), to let her know when you will be arriving. You will then be responsible for making your own way from the airport to the accommodation. Please notify your family of your safe arrival. 10:15 AM Depart by coach to Travelodge Sydney (travel time approximately 30 minutes) Please store your luggage at Travelodge Sydney. You will be able to check in after 3:30 PM. Please notify hotel staff of any valuables (laptop computers, jewellery, electronics, etc.) and they can lock them in a secure room for you. 11:10 AM Depart by coach to The Rocks historic neighborhood (travel time approximately 20 minutes) 11:30 AM Guided walking tour of The Rocks Your guide will provide you with a detailed history of The Rocks as you visit sites of interest in the area. Topics include Aboriginal history and culture, Australia’s history as a convict penal colony, the start of European migration to Australia and Sydney landmarks.
    [Show full text]
  • Key Bus Routes in Central London
    Route 8 Route 9 Key bus routes in central London 24 88 390 43 to Stoke Newington Route 11 to Hampstead Heath to Parliament to to 73 Route 14 Hill Fields Archway Friern Camden Lock 38 Route 15 139 to Golders Green ZSL Market Barnet London Zoo Route 23 23 to Clapton Westbourne Park Abbey Road Camden York Way Caledonian Pond Route 24 ZSL Camden Town Agar Grove Lord’s Cricket London Road Road & Route 25 Ground Zoo Barnsbury Essex Road Route 38 Ladbroke Grove Lisson Grove Albany Street Sainsbury’s for ZSL London Zoo Islington Angel Route 43 Sherlock Mornington London Crescent Route 59 Holmes Regent’s Park Canal to Bow 8 Museum Museum 274 Route 73 Ladbroke Grove Madame Tussauds Route 74 King’s St. John Old Street Street Telecom Euston Cross Sadler’s Wells Route 88 205 Marylebone Tower Theatre Route 139 Charles Dickens Paddington Shoreditch Route 148 Great Warren Street St. Pancras Museum High Street 453 74 Baker Regent’s Portland and Euston Square 59 International Barbican Route 159 Street Park Centre Liverpool St Street (390 only) Route 188 Moorgate Appold Street Edgware Road 11 Route 205 Pollock’s 14 188 Theobald’s Toy Museum Russell Road Route 274 Square British Museum Route 390 Goodge Street of London 159 Museum Liverpool St Route 453 Marble Lancaster Arch Bloomsbury Way Bank Notting Hill 25 Gate Gate Bond Oxford Holborn Chancery 25 to Ilford Queensway Tottenham 8 148 274 Street Circus Court Road/ Lane Holborn St. 205 to Bow 73 Viaduct Paul’s to Shepherd’s Marble Cambridge Hyde Arch for City Bush/ Park Circus Thameslink White City Kensington Regent Street Aldgate (night Park Lane Eros journeys Gardens Covent Garden Market 15 only) Albert Shaftesbury to Blackwall Memorial Avenue Kingsway to Royal Tower Hammersmith Academy Nelson’s Leicester Cannon Hill 9 Royal Column Piccadilly Circus Square Street Monument 23 Albert Hall Knightsbridge London St.
    [Show full text]
  • ZSL Trustees Report and Financial Statements
    The Zoological Society of London Trustees’ Report and Financial Statements 31 December 2011 Registered Charity No. 208728 1 THE ZOOLOGICAL SOCIETY OF LONDON TRUSTEES’ REPORT & FINANCIAL STATEMENTS Contents Page 1. Trustees’ Report 3 2. Independent Auditors’ Report 22 3. Consolidated Statement of Financial Activities 23 4. Consolidated and Charity Balance Sheets 24 5. Consolidated Cash Flow Statement 25 6. Notes to the Financial Statements 26 2 THE ZOOLOGICAL SOCIETY OF LONDON TRUSTEES’ REPORT & FINANCIAL STATEMENTS 1. Trustees’ Report 31 December 2011 The Trustees are pleased to submit this report and the financial statements for the year to 31 December 2011. Further information about the Society’s activities is given in a separate document, Zoological Society of London Annual Review (‘Annual Review’), which can be obtained from the Finance Director or online from www.zsl.org. Objectives of the Society and Mission Statement The objectives of the Zoological Society of London (ZSL), also referred to in this report as ‘the Society’, ‘the Charity’ and ‘the Zoos’, as set out in its Charter, are: ‘The advancement of zoology by, amongst other things, the conducting of scientific research, the promoting of conservation of biological diversity and the welfare of animals, the care for and breeding of endangered and other species, the fostering of public interest, the improvement and dissemination of zoological knowledge and participation in conservation worldwide.’ In shaping our objectives for the year and planning our activities, the Trustees have considered the Charity Commission’s guidance on public benefit, including guidance on public benefit and fee charging. Initiatives include educational visits at heavily discounted prices, or free under the scheme we run in conjunction with the Greater London Authority (GLA); free visits as part of the Junior Citizen initiative; and Special Children’s Day at discounted prices.
    [Show full text]
  • ZSL200 Strategy 2018
    A world where wildlife thrives CONTENTS Introduction from Director General Dominic Jermey 3 4 Getting set for the next century Our purpose and vision 5 ZSL 200: our strategy – 6 a world where wildlife thrives Wildlife and People 8 10 Wildlife Health Wildlife Back from the Brink 12 16 Implementing our strategy Our Zoos: inspiring visitors through fun and wonder 18 Science for conservation campus: 21 informing future generations of conservation scientists Conservation: empowering communities and influencing policy 22 People, values and culture: 24 fit for the future Engaging and partnering with our conservation family 26 27 How we’ll know we’ve got there? 2 ZSL 200 I came to the Zoological Society of London to make a difference. I joined an extraordinary organisation at a defining moment in its nearly 200 year history. After enabling millions of people to experience wildlife through its Zoos, after multiple scientific discoveries and conservation successes, ZSL is positioned to set out an agenda for positive impact on wildlife throughout the 21st century. This is a period of enormous strain on wildlife. ZSL’s Living Planet Index has charted the devastating decline in biodiversity across many species in the last half century. That is why a bold, ambitious strategy for the Society is right. A strategy which sets out the difference we will make to the world of wildlife over decades to come. A strategy which builds on our people, our expertise and our partnerships, all of which have helped us inspire, inform and empower so many people to stop wild animals going extinct.
    [Show full text]
  • Central London Bus and Walking Map Key Bus Routes in Central London
    General A3 Leaflet v2 23/07/2015 10:49 Page 1 Transport for London Central London bus and walking map Key bus routes in central London Stoke West 139 24 C2 390 43 Hampstead to Hampstead Heath to Parliament to Archway to Newington Ways to pay 23 Hill Fields Friern 73 Westbourne Barnet Newington Kentish Green Dalston Clapton Park Abbey Road Camden Lock Pond Market Town York Way Junction The Zoo Agar Grove Caledonian Buses do not accept cash. Please use Road Mildmay Hackney 38 Camden Park Central your contactless debit or credit card Ladbroke Grove ZSL Camden Town Road SainsburyÕs LordÕs Cricket London Ground Zoo Essex Road or Oyster. Contactless is the same fare Lisson Grove Albany Street for The Zoo Mornington 274 Islington Angel as Oyster. Ladbroke Grove Sherlock London Holmes RegentÕs Park Crescent Canal Museum Museum You can top up your Oyster pay as Westbourne Grove Madame St John KingÕs TussaudÕs Street Bethnal 8 to Bow you go credit or buy Travelcards and Euston Cross SadlerÕs Wells Old Street Church 205 Telecom Theatre Green bus & tram passes at around 4,000 Marylebone Tower 14 Charles Dickens Old Ford Paddington Museum shops across London. For the locations Great Warren Street 10 Barbican Shoreditch 453 74 Baker Street and and Euston Square St Pancras Portland International 59 Centre High Street of these, please visit Gloucester Place Street Edgware Road Moorgate 11 PollockÕs 188 TheobaldÕs 23 tfl.gov.uk/ticketstopfinder Toy Museum 159 Russell Road Marble Museum Goodge Street Square For live travel updates, follow us on Arch British
    [Show full text]
  • Brett Whiteley: on the Water
    Brett Whiteley: On the Water Hazelhurst Regional Gallery & Arts Centre 16th November 2012 – 27th January 2013 Education Kit: Year 7 to 12 Contents: About this Exhibition Brett Whiteley: brief Artist Biography Process Curriculum Connections Art Historical and Critical Study Questions Artmaking Activities Cross-Curricular activities Glossary of Terms References Acknowledgements Images About this Exhibition Brett Whiteley was one of the most celebrated Australian artists of the twentieth century. This major exhibition Brett Whiteley: On the Water features over 60 works including drawings, paintings, prints, photographs and sculptures. A highlight being his last unfinished work, Unfinished Beach Polyptych: six imposing panels leaving the Brett Whiteley Studio for the first time in 17 years. Whiteley was an artist who had a deep fascination with nature. Two subjects were the mainstay of his work – the landscape and the nude – and with stunning virtuosity and outstanding draughtsmanship he rendered them with a sensuousness and unique lyrical quality. Brett Whiteley: On the Water explores this special relationship Whiteley had with these subjects, the deep blue of Sydney Harbour, the glistening beaches, and the pleasurable lifestyle of the bathers languidly basking in the sun. The images tell of sensory pleasures derived from total immersion in the surf, to the meditative mood of simply staring out to sea and gazing at the harbour from his beloved home in Lavender Bay. Brett Whiteley: On the Water is presented by Hazelhurst Regional Gallery in association with the Art Gallery of New South Wales, the Brett Whiteley Studio and works from private and public collections. This exhibition is especially relevant given Hazelhurst Regional Gallery’s location in Sydney’s south, surrounded by beaches, bays and rivers nestled in the Royal National Park.
    [Show full text]
  • Opera Australia 2018 Annual Report
    2018 ANNUAL REPORT Cover image: Simon Lobelson as Gregor in Metamorphosis, which played at the Opera Australia Scenery Workshop in Enriching Australia’s Surry Hills and the Malthouse cultural life with Theatre in Melbourne. exceptional opera. One of Opera Australia’s new Vision productions, it was written by Australian Brian Howard, performed by an all Australian cast To present opera that excites and produced by an all Australian audiences and sustains and creative team. Photo: develops the art form. Prudence Upton Mission TABLE OF CONTENTS At a glance 3 Artistic Sydney Screens on stage 32 Director’s Report 12 Conservatorium Productions: of Music 2018 awards 34 performances and Regional Tour 13 Internships 23 attendances 4 China tour 36 Regional Student Professional and Artists 38 Season star ratings 5 Scholarships 16 Talent Development 24 Orchestra 39 Revenue and expenditure 6 Schools Tour 18 Evita 26 Philanthropy 40 Australia’s biggest Auslan Handa Opera arts employer 7 shadow-interpreting 20 on Sydney Harbour – Opera Australia Community reach 8 Community events 21 La Bohème 28 Capital Fund 43 Chairman’s Report 10 NSW Regional New works Staff 46 Conservatoriums in development 30 Partners 48 Chief Executive Project 22 Officer’s Report 11 opera.org.au 2 At a glance 77% Self-generated revenue $61mBox office 1351 jobs provided 543,500 58,000 attendees student attendees 7 637 productions new to Australia performances opera.org.au 3 Productions Productions Performances Attendance A Night at the Opera, Sydney 1 2,182 Performances and total attendances Aida, Sydney 19 26,266 By the Light of the Moon, Victorian Schools tour 85 17,706 Carmen, Sydney 13 18,536 Die Meistersinger von Nürnberg, Melbourne 4 6,175 Don Quichotte, Melbourne 4 5,269 Don Quichotte, Sydney 6 7,889 Great Opera Hits 2018 27 23,664 La Bohème, Handa Opera on Sydney Harbour 26 48,267 La Bohème, Melbourne 7 11,228 La Bohème, New Year 1 1,458 The chorus of Bizet’s Carmen, directed by John Bell.
    [Show full text]
  • With the London Pass Entry Fee Entry Fee TOP ATTRACTIONS Tower of London + Fast Track Entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00
    London Pass Prices correct at 01.04.15 Attraction Entrance Prices FREE ENTRY to the following attractions Normal Adult Normal Child with the London Pass Entry fee Entry fee TOP ATTRACTIONS Tower of London + Fast track entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00 NEW 1 Day Hop on Hop off Bus tour (From 1st October 2015) £22.00 £10.00 Windsor Castle + Fast track entrance £19.20 £11.30 Kensington Palace and The Orangery + Fast track entrance £15.90 FREE Hampton Court Palace + Fast track entrance £17.50 £8.75 17.10 ZSL London Zoo + Fast track entrance £24.30 Under 3 FREE Shakespeare's Globe Theatre Tour & Exhibition £13.50 £8.00 Churchill War Rooms £16.35 £8.15 London Bridge Experience and London Tombs + Fast track entrance £24.00 £18.00 Thames River Cruise £18.00 £9.00 HISTORIC BUILDINGS Tower Bridge Exhibition £9.00 £3.90 Royal Mews £9.00 £5.40 Royal Albert Hall - guided tour £12.25 £5.25 Royal Observatory £7.70 £3.60 Monument £4.00 £2.00 Banqueting House £6.00 FREE Jewel Tower £4.20 £2.50 Wellington Arch £4.30 £2.60 Apsley House £8.30 £5.00 Benjamin Franklin House £7.00 FREE Eltham Palace £13.00 £7.80 The Wernher Collection at Ranger's house £7.20 £4.30 MUSEUMS Imperial War Museum £5.00 £5.00 The London Transport Museum £16.00 FREE Household Cavalry Museum £7.00 £5.00 Charles Dickens Museum £8.00 £4.00 London Motor Museum £30.00 £20.00 Guards Museum £6.00 FREE Cartoon Museum £7.00 FREE Foundling Museum £7.50 FREE Science Museum - IMAX Theatre £11.00 £9.00 Handel House Museum £6.50 £2.00 London Canal Museum £4.00 £2.00 Royal Air
    [Show full text]
  • 2005 – Building for the Future
    2005 – 2006 2005 – Building for the future Working with communities is an important part of ZSL’s effort to involve local people in the welfare of their wildlife Reading this year’s Living Conservation report I am struck by the sheer breadth and vitality of ZSL’s conservation work around the world. It is also extremely gratifying to observe so many successes, ranging from our international animal conservation and scientific research programmes to our breeding of endangered animals and educational projects. Equally rewarding was our growing Zoology at the University of financial strength during 2005. In a year Cambridge. This successful overshadowed by the terrorist attacks collaboration with our Institute of in the capital, ZSL has been able to Zoology has generated numerous demonstrate solid and sustained programmes of research. We are financial growth, with revenue from our delighted that this partnership will website, retailing, catering and business continue for another five years. development operations all up on last Our research projects continued to year. influence policy in some of the world’s In this year’s report we have tried to leading conservation fields, including give greater insight into some of our the trade in bushmeat, the assessment most exciting conservation programmes of globally threatened species, disease – a difficult task given there are so risks to wildlife, and the ecology and many. Fortunately, you can learn more behaviour of our important native about our work on our award-winning* species. website www.zsl.org (*Best Website – At Regent’s Park we opened another Visit London Awards November 2005). two new-look enclosures.
    [Show full text]
  • Collecting the World
    Large print text Collecting the World Please do not remove from this display Collecting the World Founded in 1753, the British Museum opened its doors to visitors in 1759. The Museum tells the story of human cultural achievement through a collection of collections. This room celebrates some of the collectors who, in different ways, have shaped the Museum over four centuries, along with individuals and organisations who continue to shape its future. The adjoining galleries also explore aspects of collecting. Room 1: Enlightenment tells the story of how, in the early Museum, objects and knowledge were gathered and classified. Room 2a: The Waddesdon Bequest, displays the collection of Renaissance and Baroque masterpieces left to the British Museum by Baron Ferdinand Rothschild MP at his death in 1898. Gallery plan 2 Expanding Horizons Room 1 Enlightenment Bequest Waddesdon The Room 2a 1 3 The Age Changing of Curiosity Continuity 4 Today and Tomorrow Grenville shop 4 Collecting the World page Section 1 6 The Age of Curiosity, 18th century Section 2 2 5 Expanding Horizons, 19th century Section 3 80 Changing Continuity, 20th century Section 4 110 Today and Tomorrow, 21st century Portraits at balcony level 156 5 Section 1 The Age of Curiosity, 18th century Gallery plan 2 Expanding Horizons 1 3 The Age Changing of Curiosity Continuity 4 Today and Tomorrow 6 18th century The Age of Curiosity The Age of Curiosity The British Museum was founded in 1753 as a place of recreation ‘for all studious and curious persons’. Its founding collection belonged to the physician Sir Hans Sloane (1660–1753).
    [Show full text]