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The Middle Ages in Usa Cinema
THE MIDDLE AGES IN USA CINEMA Date of reception: 19"' of Fehruary, 2008 Final date of acceptance: 6'h of May, 2008 The cinema is today one of the world's most widespread means of entertainment and spreading knowledge. Nowadays, over 3,300 million peoplc live in i~rhanareas. Al1 these people are porential consumers of films from an early age. No scientific dis- cipline can ignore the irnportance and significance that the seventh art has acquired as a vehicle for transmitting knowledge and wisdom. The Middle Ages is a historical period that the cinema has recreated since its origins and still does in recent epic films. The aim of this article is to examine the vision of the Middle Ages projected through íilms made in the United States of America. KEYWORDS Cinema, Middle Agcs, United States Ars cinematoyraphica, Medium Aeirum, Foederatae Arnericae Septeiitrionalis Ciuitates. l. Pedagogy of the image and the cinema The use of the image as a historical document, especially in media such as pho- tography and cinema, is one of tlie recent novelties in the field of historiography with different types of documentation being ever more frequenily used. Together with literary texts and oral testimonies, images also have an important role.' At the beginning of the 21" ceeritury, most of the planet's population with access to audiovisual media spends more time watching television or cinema than reading. In America, figures from the early nineties show that audiovisual media were used over fifty times more than books.' In 2008, these proportions must surely have in- creased considerably, as there has been a spectacular rise in the audiovisual media globally over the last fifteen years. -
MOVIES Revised 04/11/2019 12 YEARS a SLAVE: (2013) 134 Minutes
MOVIES Revised 04/11/2019 12 YEARS A SLAVE: (2013) 134 minutes. Chiwetel Ejiofor, Michael Fassbender. Based on the true story of Solomon Northup. In 1841, Northup, an accomplished, free citizen of New York, is kidnapped and sold into slavery. Stripped of his identity and deprived of all dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength within to survive. DVD ABSENCE OF MALICE: (1981) 116 minutes. Paul Newman, Sally Field. A labor leader disappears. The prosecutor leaks false information about a businessman (Newman), whose father was a gangster, to a reporter (Fields) in the hopes of pressuring the businessman into providing information. DVD ABSOLUTE POWER: (1997) 121 minutes. Clint Eastwood, Gene Hackman, Ed Harris. The President believes that everything he does is beyond reproach, including an affair or two. That leads to murder and everyone around him is involved. There is only one witness, a thief named Luther Whitney. They are sure he'll talk, but when? DVD THE ACCUSED: (1988) 106 minutes. Jodie Foster, Kelly McGillis. District Attorney (McGillis) encourages rape victim (Foster) to press charges. The film focuses on the legal system's treatment of the crime and its victim. Jodie Foster won an Oscar for her performance. DVD ADAM'S RIB: (1949) 101 minutes. Spencer Tracy, Katherine Hepburn. Though married, D.A. (Tracy) and defense counsel (Hepburn) square off in a case involving a woman who shot her cheating husband. B & W. DVD ADVISE AND CONSENT: (1962) 142 minutes. Henry Fonda, Charles Laughton, Walter Pidgeon. Charles Laughton's last performance, the film provides a behind-the-scenes view of the Washington political machine, full of shady characters. -
ASQ24-Spring 2008.Doc
Medieval Crime and Community HIST A305, Loyola University New Orleans Spring 2008 Wednesdays 6:20 to 9:00 Bobet 214B Instructor: Dr. Sara M. Butler Office: 422 Bobet Hall Telephone: (504) 304-1069 Email: [email protected] Office Hours: Because I am on maternity leave this semester, I will not have official office hours. You may meet with me after class, or by appointment. Or, please feel free to telephone me if there are any problems at the above number. Course Description This course explores the interaction between the development of criminal law and social change in the late medieval period from a comparative perspective, examining primarily the English common law, but also the continental courts of law. Classes will be organized thematically and will focus on a broad range of subjects, such as: the passing of the trial by ordeal and its replacement by the jury; homicide and self-killing; the relationship between gender and crime; rape and sex crimes; criminal clergymen; domestic violence; sanctuary, abjuration, and exile; and treason. In examining these subjects, emphasis will be placed on the role played by litigants and jurors to use the law courts to their best advantage, highlighting the gap between the theory and practice of the law. Each class will begin with a 50-minute lecture, then followed by a short-break. After the break, classes will be seminar discussions based on the readings for the week. PARTICIPATION IS ESSENTIAL. Please note: this is a Blackboard course. All lecture outlines and discussion questions will be posted on Blackboard. Required Reading • Readings for this class are on BLACKBOARD. -
An Overview of the Film, Television, Video and Dvd Industries In
the STATS an overview of the film, television, video and DVD industries 1990 - 2003 contents THIS PDF IS FULLY NAVIGABLE BY USING THE “BOOKMARKS” FACILITY IN ADOBE ACROBAT READER Introduction by David Sharp . i Introduction to 1st edition (2003) by Ray Templeton . .ii Preface by Philip Wickham . .iii the STATS 1990 . .1 1991 . .14 1992 . 32 1993 . 54 1994 . .74 1995 . .92 1996 . .112 1997 . .136 1998 . .163 1999 . .188 2000 . .220 2001 . .251 2002 . .282 2003 . .310 Cumulative Tables . .341 Country Codes . .351 Bibliography . .352 Research: Erinna Mettler/Philip Wickham Design/Tabulation: Ian O’Sullivan Additional Research: Matt Ker Elena Marcarini Bibliography: Elena Marcarini © 2006 BFI INFORMATION SERVICES BFI NATIONAL LIBRARY 21 Stephen Street London W1T 1LN ISBN: 1-84457-017-7 Phil Wickham is an Information Officer in the Information Services Unit of the BFI National Library. He writes and lectures extensively on British film and television. Erinna Mettler is an Information Officer in the Information Services Unit of the National Library and has contributed to numerous publications. Ian O’Sullivan is also an Information Officer in the Information Services Unit of the BFI National Library and has designed a number of publications for the BFI. Information Services BFI National Library British Film Institute 21 Stephen Street London W1T 1LN Tel: + 44 (0) 20 7255 1444 Fax: + 44 (0) 20 7436 0165 Contact us at www.bfi.org.uk/ask with your film and television enquiries. Alternatively, telephone +44 (0) 20 7255 1444 and ask for Information (Mon-Fri: 10am-1pm & 2-5pm) Try the BFI website for film and television information 24 hours a day, 52 weeks a year… Film & TV Info – www.bfi.org.uk/filmtvinfo - contains a range of information to help find answers to your queries.