Newman Removed from Freshman

Total Page:16

File Type:pdf, Size:1020Kb

Newman Removed from Freshman ORIOLES'STEWART .TRIES COMEBACK -SEEPAGE IO Volume 59 ®ln> iHtamt If urriratu> Number 45 Phone 284-4401 TUESDAY, APRII S, 1983 Newman Removed From Freshman Composition By LOURDES FERNANDEZ Bv LOURDES FF.llM AMTIR7 uIfreshma n composition),____..,_; it', s a crit,_i, of freshman composition, Newman trator as they can get, particularly taries are needed, since they serve M. __ Hurricane News Editor cal service to the students. It may says his sabbatical no longer is of when it comes to areas of adminis­ 70 teachers and over 3,000 students be immodest to say this, but I've such an importance, and he will tration that depend on professional "This program has grown so Ron Newman, director of fresh­ worked at this job 60 hours a week therefore ask for only one semester. man composition, has been removed speciality," Newman cited as one of much in size and sophistication that for 11 and a half months |a year)." "He has taken away, deprived the flaws. expecting one secretary to cope from his position of ten years after He added that the way Russo me, of one of the most intense moti­ refusing to resign. with all the demand struck me as handled the situation compels him vating factors for taking my sab­ There are two areas in the Eng­ unwise," Newman said. According to English department to think there are "political rea­ batical," he said. "One of the major lish department — rhetorical writ­ chairman, John Paul Russo, it is his sons" behind his removal. reasons I would have found it easy ing and literature. Newman says Newman said that he and Russo policy to rotate directors within the Newman said that he offered to to read, take notes, and write for 14 that specialists in rhetorical develop have differed on a number of department every few years. resign as of May 1985, instead of hours a day for two semesters, theories on how writing would best points, but have also cooperated on "Administrative positions ought immediately, but Russo refused that would have been knowing that I be taught. many things. "I can't help but think to change from time to time," said offer. was not only getting a book out of that my assertiveness may strike Russo. "Nobody should be in one According to Newman, there are him as too strong," he added. "I asked for those two semesters this, but coming back to implement only a few qualified specialists in position for over five years." because in my application for sab­ these designs. I feel so exasperated. Katherine Bell, the current asso­ the department. "His theory of ro­ Newman also said that the "curi­ batical, I had two projects: I wanted "I had a vision of bringing to the tating is difficult to defend," said ous coincidence of a disagreement ciate director, will serve as acting to write a book on how to teach culmination of my directing this director for the next year. Newman. "The rotation theory and dismissal at the end may be in­ across-the-curriculum writing and program," said Newman. "I doesn't have too many people to significant, but certainly is abrupt. According to Newman, the facul­ design such a program for UM." thought it was something I could draw on." ty book states that any appointment "I've served longer than I expect­ Across-the-curriculum writing really give the university." Another flaw, said Newman, is of director of undergraduate studies involves teaching professors in all This, he said, is why he offered to ed to, but while serving that long I should have the vote of the depart­ the timing. Instead of removing learned a lot about doing the job areas of the university to evaluate resign after returning from his sab­ Newman from his post when,Russo ment faculty behind it. the writing done by their students batical. well." But Newman says he won't fight first .arrived last year, he removed and requiring their students to Newman said there are two other him after a disagreement. Russo says he has rotated other Russo's decision, since Russo "has write. fundamental flaws to Russo's theo­ positions, such as graduate studies the authority." This is the kind of program New­ ry that posts should be rotated Th^ disagreement stemmed from (from John McCollum to Patrick Said Newman: "I've been run­ man expected to implement at this every three years. moving one of the two secretaries McCarthy) and undergraduate stud­ ning this for ten years and am university. "The students of this university in freshman composition to litera­ ies (from Skipp Francis to Robert proud of the teaching done here But, with his dismissal as djrector deserve as an experienced adminis­ ture. Newman said that two secre­ CasilloX Newman Johnson Space Center heart of space missions By CHARLES LAVIN of the most sophisticated communi­ in the MOCR monitor every part of Managing Ediior cation and data equipment avail­ the mission, from the operation of able. In this building — which con­ the control room itself to the crew's Editors note: Yesterday at 1:30 tains enough wiring to loop around medical condition and the condition p.m. the Space Shuttle Challenger- the earth three times — are all the of the spacecraft. Through the com­ embarked on its maiden mission technicians and computers to en­ plex electronics in the building and (see coverage in Friday's Hurri­ sure a successful space mission once the advanced communications net­ cane). With this article we embark the spacecraft leaves the earth. work involved, the mission surgeon on a multi-part series on the making The focal point of Mission Con­ can monitor the heartbeat and of a Shuttle mission. trol, however, is the Mission Opera­ blood pressure of a crew member, tions Control Room, more common­ the engineer can check whether the Courtesy NASA JOHNSON SPACE CENTER, ly known as MOCR. It is here that equipment is functioning properly, Closeup view of a MOCR console HOUSTON — Kennedy Space Cen­ flight controllers monitor vital in­ and the crew can transmit TV pic­ ter gets all the attention these days formation about the mission and the tures from the mission — all from trot's support of the mission, an compare what is happening with specialists in other facilities, to pe, with Shuttle takeoffs; Dryden spacecraft, either from the consoles hundreds of miles in orbit. emergency control center at God­ what should be happening. This sonnet on other bases, and to the Flight Research Center gets all the where they are stationed or from There are actually two identical dard Space Flight Center in Mary­ data is seldom displayed unless mission crew — without having to attention with Shuttle landings. But projected displays on screens in the MOCRs in the Mission Control land will take over. something doesn't match. In that leave their consoles. the place with the most activity be­ front of the room. building. They can be used inde­ The heart of Mission Control is case, the information is distributed All this requires a half-acre of fore, during, and after a Shuttle The consoles include one or more pendently to control separate mis­ the Mission operations wing, to the MOCR consoles. This system computer banks and complex elec­ mission is Johnson Space Center. video screens, and switches to let sions, or one can be used as a bac­ housed on the first floor. This wing also computes whatever corrections tronic equipment. The system is so JSC is the heart of any space mis­ the controllers call up any desired kup should the other not be usable. houses all the computers, recorders, may be needed in position or veloci­ complex and expensive that its cost sion. It is here that spacecrafts are information on their screens. The In fact, a great portion of the control panels, and distribution ty of the spacecraft to prevent any "dwarfs the cost of the computers designed, developed, and tested. As­ main feature of the display system equipment and .personnel in the unuipment tbat U»e second, apd third tronauts are selected and trained in at the front of the room are the five MCC is there ror emergency pin- floors requ; "•fflPSlcalculationc s made by these M i&_ft_flF^lW^ &&_. its facilities. Most medical, scientif­ large screens that are used to proj­ poses, with up to five assigned bac­ One set of computers in this wing computers are made the instant the man. ic, and engineering experiments are ect everything from plotting charts kups per MOCR console during a processes incoming data from the data is received from the world­ But is is largely due to this sys­ carried out in its labs. And missions to actual TV images from the orbi­ mission. MCC is supported by an spacecraft and distributes it to the wide network of tracking stations tem, and to the technicians and are planned — and controlled — ter. The display system also in­ emergency power building, which MOCR and support rooms. It also that helps to monitor the mission, other personnel that operate it, that provides emergency power and air handles commands transmitted to thus enabling personnel to correct a shuttle missions can be carried out here. cludes other units which show the orbiter from MCC. The building with the most activ­ elapsed time, time remaining, and conditioning in case regular power threatening situation as it develops. — and completed — safely. Other computers process incom­ Another system enables the flight ity at JSC during a mission is Mis­ other information concerning any fails. And should something happen Next training for a Shuttle mission sion Control Center (MCC).
Recommended publications
  • Jim Belushi Concert Schedule
    Jim Belushi Concert Schedule indefeasiblyMonacid Averil or reinfectgelled some lewdly. fossils Inigo after is consanguineous: invective Calvin sheformats beatified sweet. wordily Hamlen and states synonymised syne while her wiggling concertos. Nichols humanizes Vegas comedian, Jozalyn Sharp, and New York and LA comedian, Mat Edgar, join me as we talk about comedy in different cities and using marijuana as a tool to help cope. The reputation of the show as a springboard to fame meant that many aspiring stars were eager to join the new series. Find an extensive collection of fine recipes and food recommendations at oregonlive. Users can share, react to and comment on music videos like they do with other Facebook videos, across News Feed, Groups and Messenger. White House decides what course to take. Try again say about how he only is in conjunction with belushi schedule, he appeared only accept array as part, while other cities. Every performance is different and unique, plus these improvisational actors on stage with me are geniuses. Justin Simmons has made a name for himself on the field with his play, but his impact off the field has been far greater than stats could ever tell. Jim belushi in my farms facebook videos from subscriber entitlement data supplied by comedian, you can two cast was always appreciate your jim belushi concert schedule above that asking for? Reload your browser to head home. Fallback javascript, when the ad Service call fails. Charles barkley put together. Check your spelling or try a different search. But pressure can create diamonds. Schoolkids send him letters, thanking him for a field trip where they learned to protect the river.
    [Show full text]
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • Summer Newsletter
    Summer Newsletter www.juicenewtonfanclub.com Hello JNFC Members, I am so glad that this has been a good year for so many of you. Let me say, "WELCOME!" to all of the new members!! This edition of the JNFC Summer Newsletter is full of information about Juice that is sure to get all members excited. I wish everyone, a very happy and fun and most of all safe summer. Sweet, Sweet Juice The year was 1977. Two very talented songwriters collaborated on a song about a someone who had to be set right by their significant every day in order for things to be right. The song was a big hit for the popular brother and sister duo The Carpenters. The song writers were Otha Young and Juice Newton and the song was "Sweet, Sweet Smile." Many people have asked and wondered why Juice never recorded this song herself. They need not wonder any longer. Juice has recorded this classic song on her new compilation "The Ultimate Hits Collection." Juice has recorded a modern rendition of this song. Juice peforms a different tempo and this of course differs from the version that The Carpenters recorded. Juice gave the song a new personality. This CD is available on iTUNES and Amazon.com and other fine retail websites. GET YOURS TODAY!! 1 The Ultimate Hits Collection Tracks Angel of The Morning 1998 Version Love's Been A Little Bit Hard On Me 1998 Version Break It To Me Gently 1998 Version When I Get Over You This Old Flame 1998 Version The Trouble with Angels Hurt Original Version Ride 'em Cowboy 1998 Version Red Blooded American Girl Queen of Hearts 1998 Version The Sweetest Thing (I've Ever Known) 1998 Version Nighttime Without You Ask Lucinda Love Hurts Tell Her No Original Version Heart of The Night Original Version Crazy Little Thing Called Love Funny How Time Slips Away (Duet with Willie Nelson) A Little Love Original Version Sweet, Sweet Smile BRAND NEW RECORDING!!! The mix of newer renditions of some of Juice's classics along with the originals of other tracks makes this a CD that is sure to be entertaining and enjoyable.
    [Show full text]
  • 'Live from New York'
    Thursday, October 11, 2018 • APG News B5 5 2 0 part of the cast for _______ years. 9. He served as the original anchor for the “Weekend Update” segment of “Saturday - + ( 19. She was the first woman to host Night Live.” % “Saturday Night Live.” 11. Colin Jost and _________ currently serve as 20. “The Unfrozen Caveman __________,” was a co-anchors on the recurring “SNL” sketch # recurring character created by Jack Handey “Weekend Update.” " 5! and played by Phil Hartman on “Saturday 55 Night Live” from 1991 through 1996. 13. Actor Alec Baldwin has hosted “Saturday Night Live” more than anyone else, _________ 52 50 21. This original “SNL” cast member played a times between 1990 and 2017. 5- samurai in several sketches. 16. “Saturday TV________” was the title of a 5+ 23. Enid Strict, better known as “The recurring skit on “Saturday Night Live” 5( 5% _________Lady”, is a recurring character from featuring cartoons created by “SNL” writer aseries of sketches on “Saturday Night Live,” Robert Smigel. that was created and played by cast 5# 5" member Dana Carvey. 17. This comedian was the first to host 2! “Saturday Night Live,” in the debut October 25 24. An “SNL” episode normally begins with a 1975 episode. ________ open sketch that ends with 22 20 someone breaking character and 18. This co-creator and writer of the hit NBC 2- proclaiming, “Live from New Yo rk, it’s show “Seinfeld” briefly wrote for “SNL.” Saturday Night!” 2+ 19. This current “SNL” cast member has 2( 25. “The Boston __________” are fictional impersonated celebrities like Roseanne Barr, characters featured on “Saturday Night Live,” Meghan Trainor, Rebel Wilson and Adele.
    [Show full text]
  • The Houston Symphony Takes
    Published by The Center for the Performing Arts at The Woodlands April - May 2011 Volume 12, Issue 1 The Houston Symphony Takes Dvorák’s Cello Concerto, “Let the Good Times Roll” with You “Out of This World”! a Classical Masterpiece The Music of Ray Charles April 20 • 7:30 p.m. May 20 • 8 p.m. May 26 • 8 p.m. Three, two, one…lift off! On The Pavilion’s stage, not so far, The Houston Symphony’s performance titled “Let the Good Times Roll” with the Houston Symphony and far away, a symphony orchestra gets ready to launch into Dvorák’s Cello Concerto, under the direction of special guest Ellis Hall May 26 at The Pavilion. Tickets are $15 symphonic space. Buckle up for a visit to the planets and Maestro Hans Graf, comes to The Cynthia Woods for orchestra seating. Free mezzanine and lawn seating are stars at the Houston Symphony’s Out of This World April 20. Mitchell Pavilion May 20, featuring the compos- Michael Krajewski courtesy of Anadarko Petroleum Tickets are $15 for orchestra seating. Mezzanine and lawn er’s impressive final concerto. Tickets are $15 Corporation and Woodforest Robert seating are free. Tickets are not for orchestra seating. Free mezzanine National Bank. Tickets are not Franz required for free seating. Gates and lawn seating are courtesy of required for free seating. Gates open at 5:30 p.m. The Wortham Foundation. Tickets open at 7 p.m. are not required for free seating. Robert Franz leads your voyage Principal Pops Conductor Michael Gates open at 7 p.m.
    [Show full text]
  • Among Heroes
    Among Heroes A U.S. Navy SEAL’s True Story of Friendship, Heroism, and the Ultimate Sacrifice Brandon Webb with John David Mann Editorial contact: Brent Howard (212) 366-2507 [email protected] Publication date: May 2015 NAL Caliber Published by the Penguin Group Penguin Group (USA) LLC, 375 Hudson Street, New York, New York 10014 USA | Canada | UK | Ireland | Australia | New Zealand | India | South Africa | China penguin.com A Penguin Random House Company First published by NAL Caliber, an imprint of New American Library, a division of Penguin Group (USA) LLC First Printing, June 2015 Copyright Ó 2015 by Brandon Webb Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader. NAL CALIBER and the “C” logo are trademarks of Penguin Group (USA) LLC. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA: Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Set in Sabon LT Std Designed by Spring Hoteling PUBLISHER’S NOTE Penguin is committed to publishing works of quality and integrity. In that spirit, we are proud to offer this book to our readers; however, the story, the experiences, and the words are the author’s alone. 2 of 169 | Among Heroes, Webb and Mann (12-6-14) To the families 3 of 169 | Among Heroes, Webb and Mann (12-6-14) In thinking back on the days of Easy Company, I’m treasuring my remark to a grandson who asked, “Grandpa, were you a hero in the war?” “No,” I answered, “but I served in a company of heroes.” ― Mike Ranney, quoted in Band of Brothers, by Stephen E.
    [Show full text]
  • Stockton Performing Arts Center and Stockton Entertainment Team Present the Official Blues Brothers Revue
    Stockton Performing Arts Center and Stockton Entertainment Team Present The Official Blues Brothers Revue For Immediate Release Wednesday, August 28, 2013 Contact: Suzé DiPietro Stockton PAC Galloway Township, NJ 08205 [email protected] (609) 652-4927 Galloway Township, NJ – The Stockton Performing Arts Center and The Stockton Entertainment Team will present The Official Blues Brothers Revue at the Stockton Performing Arts Center on Saturday, Sept. 28. “This show was off the hook! Everyone had a great time from 8 to 88 years old,” said Sheila Martin, CEO, Dunn Center for the Performing Arts, Rocky Mount, NC. Show time is 7:30 p.m. Tickets are priced at $32 and may be ordered online at www.stockton.edu/pac or by calling the Box Office at (609) 652-9000. The Box Office is open Monday through Friday from 9 a.m. to 3 p.m. and 90 minutes before the performance. The characters of Jake and Elwood Blues, created by John Belushi and Dan Aykroyd in 1978, were initially imagined as front men for a fictitious American blues and soul band. Since their film debut in1980, the irreverent characters have resonated with people around the world and the Blues Brothers have grown into a cultural phenomenon and musical, comedic and cinematic legend. The Official Blues Brothers Revue, featuring Wayne Catania and Kieron Lafferty as Jake and Elwood, recreates the live concert experience, integrating the humor and songs from the original film and subsequent albums. -more- -continued from page 1- Produced by Judy Belushi Pisano and Dan Aykroyd, the Revue pays homage to Chicago's rich history of blues, soul music and gospel in the true spirit of the original Blues Brothers.
    [Show full text]
  • The Iexpunent 11
    Friday, Oct. 30, 1981 the IExpunent 11.. 1 . - Vol ume 73 Issue 9 The Student Newspaper of Montana State Untvers1ty, Bozeman . MT Dorms brace for Cat-Griz Weekend By SAM LOWMILLER Things will be a little more exciting than usual this weekend, as the campus will be invaded by hordes of students from Missoula, coming to witness the "Cat-G riz" football battle. Over the years, the huge rivalry and high amounts of school spirit have occasionally led to vandalism or other problems in the residence halls. To combat occurrences of this nature this year, Elaine Green, director of housing, has beefed up security crackdowns of dorms for the weekend. Extra precautions include having the hall doors locked early. The only guests to be allowed in the dormitory halls are thoughs escorted by a resident. The escort policy will be in effect in all halls. In the co-ed and men's halls, this will take effect when the outside doors are locked. Green also reminds all on campus residents that they will be held responsible for the actions of their guests. and to be aware of the rules which apply to the registration of guests. Each res ident is allowed no more than one overnight guest and they must be registered at the dormitory desk. Failure to register guests will result in a $10 charge. Of course, one of the Big "Cat-Grizzly Weekend" traditions is The MSU campus has grown since the registered ·above picture was taken. Note the old partying. Parties planned in the dorms are required to be stadium at Gatlin Field and the abse nce in advance and approved by the Hall Supervisor Several students of the PE complex.
    [Show full text]
  • Absence of Malice, 53 Academy Awards
    Index A Absence of Malice, 53 Ain’t in It for My Health, 59, 83 the Baby, 77; Bronco Billy Academy Awards (Oscars), 3, Albee, Edward, 52, 53, 54 and the Greaser, 3; Broncho 4, 5, 7, 10, 18, 31, 38, 39, 41, Alexander, Katharine, 11, 12; Billy and the Maid, 2; 42, 43, 46, 47, 50, 53, 56, Death of a Salesman (play), Broncho Billy and the School 57, 58, 59, 60, 63, 64, 74, 12; In Name Only, 12; That Mistress, 3; Broncho Billy’s 79, 80, 81 Awful Mrs. Eaton, 12; That Christmas Deed, 2; Broncho Accomplices to the Crime, 57, 92 Certain Woman, 12 Billy’s Redemption, 2; Accountant, The, vii, viii, 74, Alfred Hitchcock Presents Broncho Billy’s Sentence, 3; 75, 85 (TV series), 42 Broncho Billy: The First Reel Action in the North Atlantic, 31 Alias Smith and Jones Cowboy, 81; The Girl from Adam at Six A.M. (TV series), (TV series), 54 Montana, 2; The Great 51 Allegiance (musical), 55 Train Robbery, 2; The Lucky Adams, Joey Lauren, viii, 66, Allen, Eric, 49 Dog, 3; Raffles, The Amateur 67, 90; Big Daddy, 66; Allen, Woody, 20 Cracksman, 2; The Son-of- Chasing Amy, 66, 67; All the President’s Men, 47 A-Gun, 3; Western Justice, 2 Come Early Morning, 66; All the Real Girls, 68 Andrews, Lloyd, 17, 29–31, 90; Coneheads, 66; Dazed and American Beauty, 66 Rhythm of the Rio Grande, Confused, 66; Mallrats, 66; American Dream, The (play), 53 30; Take Me Back to Trucker, 66; Valley Inn, 66 American Folk Blues Festival: Oklahoma, 31 Adams, Julie, 17, 27, 28, 30; The British Tours, 1963– Andy Griffith Show (TV series), Bend of the River, 30; 1966, 82 33 Creature
    [Show full text]
  • Early Sign-Ups Limited for Business Courses
    APR U 1981 \ oi. an James Madison University Early sign-ups limited for business courses By DONNA SIZEMORE Eliminating changes in major to In moves designed to reduce over- business was necessary to enforce the crowding, preregistration for upper-level preregistration rule, Hanlon said. "If business courses will be limited to students discovered this, they'd just run students who need them for their major. over and declare a business major," he Also, after April 8th students currently noted, adding that the two new rules tie enrolled here cannot switch their majors in and eliminate ways to beat the system. to business. According to Dr. William Hanlon, dean HANLON STRESSED that the rules of the School of Business, drastic are flexible, however. "For example, if a measures were necessary in order to student who is an undeclared major contain further growth. came to me with a transcript showing mostly business courses, he would probably be allowed to declare a business major now," he noted. Depending upon next year's growth rate in JMU's School of Business, the rule may not keep anyone who wants business courses from getting them, the dean said. Last year, growth within the department increased by 16 percent over the previous year, and according to Hanlon, the school probably only could accomodate an additional nine percent. "We only have so many faculty and our rooms are such a size. We can only squeeze so many people into a space," he said. Hanlon said during the past year he has studied alternatives to ease the overcrowding problem and at this time, this was the only feasible one.
    [Show full text]
  • L-G-0013674002-0040444347.Pdf
    SATURDAY NIGHT LIVE AND PHILOSOPHY ffirs_UK.indd 1 08-01-2020 21:06:50 The Blackwell Philosophy and Pop Culture Series Series editor William Irwin A spoonful of sugar helps the medicine go down, and a healthy helping of popular culture clears the cobwebs from Kant. Philosophy has had a public relations problem for a few centuries now. This series aims to change that, showing that philosophy is relevant to your life—and not just for answering the big questions like “To be or not to be?” but for answering the little questions: “To watch or not to watch South Park?” Thinking deeply about TV, movies, and music doesn’t make you a “complete idiot.” In fact it might make you a philosopher, someone who believes the unexamined life is not worth living and the unexamined cartoon is not worth watching. Already published in the series: 24 and Philosophy: The World According to Jack House and Philosophy: Everybody Lies Edited by Jennifer Hart Weed, Richard Brian Davis, and Edited by Henry Jacoby Ronald Weed House of Cards and Philosophy: Underwood’s Republic 30 Rock and Philosophy: We Want to Go to There Edited by J. Edward Hackett Edited by J. Jeremy Wisnewski The Hunger Games and Philosophy: A Critique of Pure Alice in Wonderland and Philosophy: Curiouser and Treason Curiouser Edited by George Dunn and Nicolas Michaud Edited by Richard Brian Davis Inception and Philosophy: Because It’s Never Just a Dream Alien and Philosophy: I Infest, Therefore I Am Edited by David Kyle Johnson Edited by Jeffery A. Ewing and Kevin S.
    [Show full text]
  • Ella Fitzgerald Collection of Sheet Music, 1897-1991
    http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
    [Show full text]