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Shoes Approved by World Athletics - As at 01 October 2021
Shoes Approved by World Athletics - as at 01 October 2021 1. This list is primarily a list concerns shoes that which have been assessed by World Athletics to date. 2. The assessment and whether a shoe is approved or not is determined by several different factors as set out in Technical Rule 5. 3. The list is not a complete list of every shoe that has ever been worn by an athlete. If a shoe is not on the list, it can be because a manufacturer has failed to submit the shoe, it has not been approved or is an old model / shoe. Any shoe from before 1 January 2016 is deemed to meet the technical requirements of Technical Rule 5 and does not need to be approved unless requested This deemed approval does not prejudice the rights of World Athletics or Referees set out in the Rules and Regulations. 4. Any shoe in the list highlighted in blue is a development shoe to be worn only by specific athletes at specific competitions within the period stated. NON-SPIKE SHOES Shoe Company Model Track up to 800m* Track from 800m HJ, PV, LJ, SP, DT, HT, JT TJ Road* Cross-C Development Shoe *not including 800m *incl. track RW start date end date ≤ 20mm ≤ 25mm ≤ 20mm ≤ 25mm ≤ 40mm ≤ 25mm 361 Degrees Flame NO NO NO NOYES NO Adidas Adizero Adios 3 NO YES NO YES YES YES Adidas Adizero Adios 4 NO YES NO YES YES YES Adidas Adizero Adios 5 NO YES NO YES YES YES Adidas Adizero Adios 6 NO YES NO YES YES YES Adidas Adizero Adios Pro NO NO NO NOYES NO Adidas Adizero Adios Pro 2 NO NO NO NOYES NO Adidas Adizero Boston 8 NO NO NO NOYES NO Adidas Adizero Boston 9 NO NO NO -
Students Shuffle, Swing and Sway at Dance Concert
Illinois Wesleyan University Magazine, 2002-2017 Volume 18 Issue 1 Spring 2009 Article 8 Spring 2009 Students shuffle, swing and sway at dance concert Amelia Benner Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/iwumag Recommended Citation Benner, Amelia (2009) "Students shuffle, swing and sway at dance concert," Illinois Wesleyan University Magazine, 2002-2017: Vol. 18 : Iss. 1 , Article 8. Available at: https://digitalcommons.iwu.edu/iwumag/vol18/iss1/8 This is a PDF version of an article that originally appeared in the printed Illinois Wesleyan University Magazine, a quarterly periodical published by Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the University and/or the author of this document. Students shuffle, swing and sway at dance concert By Amelia Benner Student choreographer Evan Kasprzak began his dance piece, “Truffle Shuffle,” by walking on his hands toward the hushed audience. As hip-hop music blasted from the sound system, nine other dancers, dressed in red and blue sweatshirts, appeared and began to enact a stylized “battle.” It was the junior music-theatre major’s third year taking part in the Student Choreographed Student Amy Bannon (in orange) choreographed the West Dance Concert (SCDC), which is Coast swing piece “Move your Body.” From right to left are Tom Duncan, Caitlin Borek, Bannon, Seth Reid and Abby one of the biggest performance Root. (Photo by Marc Featherly) events of the year at Illinois Wesleyan. “I knew I wanted to do a hip-hop piece, and I knew I wanted it to be a battle of some sort,” Kasprzak says of “Truffle Shuffle,” which drew enthusiastic applause at its premiere. -
Influence of Environmental Factors on Shot Put and Hammer Throw Range
Journal of Biomechanics 35 (2002) 785–796 Influence of environmental factors on shot put and hammer throw range Ferenc Mizera, Gabor! Horvath*! Department of Biological Physics, Eotv. os. University, Pazm! any! set! any! 1, H-1117 Budapest, Hungary Accepted5 February 2002 Abstract On the rotating Earth, in addition to the Newtonian gravitational force, two additional relevant inertial forces are induced, the centrifugal andCoriolis forces. Using computer modellingfor typical release heights andoptimal release angles, we compare the influence of Earth rotation on the range of the male hammer throw andshot put with that of air resistance, wind,air pressure and temperature, altitude and ground obliquity. Practical correction maps are presented, by which the ranges achieved at different latitudes and/or with different release directions can be corrected by a term involving the effect of Earth rotation. Our main conclusion andsuggestion is that the normal variations of certain environmental factors can be substantially larger than the smallest increases in the world records as acknowledged by the International Amateur Athletic Federation and, therefore, perhaps these should be accounted for in a normalization and adjustment of the world records to some reference conditions. Although this suggestion has certainly been made before, the comprehensiveness of our study makes it even more compelling. Our numerical calculations contribute to the comprehensive understanding and tabulation of these effects, which is largely lacking today. r 2002 Elsevier -
Bera Ballroom Dance Club Library
BERA BALLROOM DANCE CLUB LIBRARY Video Instruction DANCE TITLE ARTIST Style LEVEL 1 American Style Exhibition Choreography Cha Cha Powers & Gorchakova VHS Cha Cha 2 American Style Beginning Rumba & Cha Cha Montez VHS Rumba & Cha Beg 3 American Style Intermediate Cha Cha Montez VHS Cha Cha Int 4 American Style Advanced I Cha Cha Montez VHS Cha Cha Adv 5 American Style Advanced II Cha Cha Montez VHS Cha Cha Adv 6 International Style Cha Cha Ballas VHS Cha Cha 10 American Style Beginning Tango Maranto VHS Tango Beg 11 American Style Intermediate Tango Maranto VHS Tango Int 12 American Style Advanced I Tango Ballas VHS Tango Adv 13 American Style Advanced II Tango Maranto VHS American Tango Adv 14 Advanced Tango American Style Techniques & Principles Kloss VHS American Tango Adv 21 Waltz Vol I International Style Technique & Principles Puttock VHS Int Waltz 22 Waltz International Style Standard Technique Veyrasset &Smith VHS Int Waltz 23 American Style Beginning Waltz Maranto VHS Waltz Beg 24 American Style Intermediate Waltz Maranto VHS Waltz Int 25 American Style Advanced I Waltz Maranto VHS Waltz Adv 26 American Style Advanced II Waltz Maranto VHS Waltz Adv 27 Waltz Vol 1 – Beginner Austin VHS Waltz Beg 30 American Style Beginners Viennese Waltz Maranto VHS Viennese Waltz Beg 31 American Style Intermediate Viennese Waltz Maranto VHS Viennese Waltz Int 32 International Style Advanced I Viennese Waltz Veyrasset &Smith VHS Viennese Waltz Adv 33 Viennese Waltz International Style Standard Technique Veyrasset &Smith VHS Int Viennese 40 International -
Amateur Mul Dance & Scholarship Entry Form
Form Leader: Age: DOB: mm/dd/yy: NDCA#: Studio: F Follower: Age: Teacher: Amateur Mul� Dance & Scholarship Entry Form DOB: mm/dd/yy: NDCA#: Phone: Adult contact name: Email: Amateur Rhythm Amateur Int'l Ballroom $ Per Category Dances Couple Category Dances $ Per Couple Sun Day - Session 10 Sun Day - Session 10 40 Amateur Under 21 - American Rhythm Cha Cha, Rumba, Swing, Bolero Amateur Under 21 - Int'l Ballroom Waltz, Tango, V. Waltz, Foxtrot, Quickstep 40 Wed Eve - Session 3 Fri Day - Session 6 Pre-Novice - American Rhythm Cha Cha, Rumba 40 Pre-Novice - Int'l Ballroom Waltz, Tango 40 Novice - American Rhythm Cha Cha, Rumba, Swing 40 Pre-Novice - Int'l Ballroom Foxtrot, Quickstep 40 Pre-Championship - American Rhythm Cha Cha, Rumba, Swing, Bolero 50 Novice - Int'l Ballroom Waltz, Foxtrot, Quickstep 40 Senior Open - American Rhythm (35+) Cha Cha, Rumba, Swing, Bolero 50 Pre-Championship - Int'l Ballroom Waltz, Tango, Foxtrot, Quickstep 40 Open Am - Am Rhythm Scholarship Cha Cha, Rumba, Swing, Bolero, Mambo 55 Senior Open - Int'l Ballroom (35+) Waltz, Tango, V. Waltz, Foxtrot, Quickstep 50 $ Total Amateur Rhythm Dance Entries: Masters Open - Int'l Ballroom (51+) Waltz, Tango, V. Waltz, Foxtrot, Quickstep 50 Fri Eve - Session 7 55 Open Am - Int'l Ballroom Scholarship Waltz, Tango, V. Waltz, Foxtrot, Quickstep Amateur Smooth $ $ Per Total Amateur Int'l Ballroom Dance Entries: Category Dances Couple Sun Day - Session 10 Amateur Under 21 - American Smooth Waltz, Tango, Foxtrot, V. Waltz 40 Amateur Int'l La�n Thu Eve - Session 5 Category Dances $ Per Pre-Novice - American Smooth Waltz, Tango 40 Couple Sun Day - Session 10 Novice - American Smooth Waltz, Tango, Foxtrot 40 Amateur Under 21 - Int'l La�n Cha Cha, Samba, Rumba, Paso Doble, Jive 40 Pre-Championship - American Smooth Waltz, Tango, Foxtrot, V. -
Test Booklet Subject: READ, Grade: 09 1.10 9Th Grade English Midterm– Reading Skills a - BH Block: 101BHUE1A
Test Booklet Subject: READ, Grade: 09 1.10 9th Grade English Midterm– Reading Skills A - BH Block: 101BHUE1A Student name: Author: Deborah Stern School: Freire Charter School Administer Date: Wednesday January 13, 2010 Test Booklet for READ:09, 1.10 9th Grade English Midterm– Reading Skills A - BH Instructions for Test Administrator Page i ADMIN INSTRUCTIONS, DO NOT COPY Test Booklet for READ:09, 1.10 9th Grade English Midterm– Reading Skills A - BH Read the passage, “The Fosbury Flop," and answer the following question(s). The Fosbury Flop Rich Wallace Dick Fosbury raced across the infield, planted his foot, and Coach Wagner joked later. leaped into the air, straining with every muscle to propel himself over the high-jump bar. But as he soared into the Within a year, Fosbury’s unique style of jumping had been air, his knee hit the bar, and it fell to the ground with a dubbed “The Fosbury Flop," and his string of successes clang. brought great excitement to the sport of track and field. He cleared 7 feet for the first time early in the 1968 season, The tall, lean high-school kid from Medford, Oregon, sat then won the league championship and the National up in the pit and looked at the bar in frustration. There had Collegiate Athletic Association title. That summer he to be a better way to do this. competed in the trials to select the United States team for the Summer Olympic Games. He soared over the bar at 7 Fosbury had been trying to succeed with the feet, 3 inches to qualify for the team. -
Willie Davenport Clinic
Willie Davenport Olympian Track and Field Clinic February 8, 2014 James Logan High School 8:00 a.m. — 5:00 p.m. Cost: $20 per person/ $350 per Team 2014 Clinic Dedicated to Coach Berny Wagner Berny Wagner with Dick Fosbury 2014 Clinic Speakers John Carlos Kenny Harrison Mac Wilkins Michael Powell Karin Smith Eddie Hart technology Andre Phillips Crazy George and many more! For more information please call Coach Lee Webb at 510-304-7172 or email at [email protected] Website: http://logantrackandfield.com/ Willie Davenport Olympian Track and Field Clinic James Logan High School Contact Lee Webb-510-304-7172 February 8, 2014 8:00-9:00 Registration 9:00-4:00 Events website:logantrackandfield.com Individuals $20.00 Youth $10.00-8th grade and under Team $350.00 Team of 50+ $500.00 Learn-by doing clinic for all ages Special Guests and Clincians Kenny Harrison-American Record Holder and Olympic Champion Triple Jump Stephanie Brown-Trafton-2008 Olympic Champion Discus Reynaldo Brown-2 TimeOlympian High Jump Mike Powell-World Record Holder Long Jump Mac Wilkins-Former World Record Holder Discus 7 Time World Record Holder Eddie Hart-World Fastest Human 1972 Dick Fosbury-High Jump Olympic Champion Karin Smith-5 Time Olympian in the Javelin Marcel Hetu-Olympic Coach Michael Ripley-LSU Trainer Olympic Trainer Dave Schrock-Olympic Coach Crazy George-World Greatest Cheerleader Mike Lousiana-Discus NCCA Champ Andre Phillips-Gold Medalist 400 Hurdles Ken Grace-Olympic Coach John Carlos-1968 Olympian 200 Meters Tyrus Jefferson-27ʼ2 Long Jumper More Clinicians: -
Biological Determinants of Track and Field Throwing Performance
Journal of Functional Morphology and Kinesiology Review Biological Determinants of Track and Field Throwing Performance Nikolaos Zaras 1,*, Angeliki-Nikoletta Stasinaki 2 and Gerasimos Terzis 2 1 Human Performance Laboratory, Department of Life and Health Sciences, University of Nicosia, Nicosia 1700, Cyprus 2 Sports Performance Laboratory, School of Physical Education and Sport Science, University of Athens, 17237 Athens, Greece; [email protected] (A.-N.S.); [email protected] (G.T.) * Correspondence: [email protected]; Tel.: +357-22842318; Fax: +357-22842399 Abstract: Track and field throwing performance is determined by a number of biomechanical and biological factors which are affected by long-term training. Although much of the research has focused on the role of biomechanical factors on track and field throwing performance, only a small body of scientific literature has focused on the connection of biological factors with competitive track and field throwing performance. The aim of this review was to accumulate and present the current literature connecting the performance in track and field throwing events with specific biological factors, including the anthropometric characteristics, the body composition, the neural activation, the fiber type composition and the muscle architecture characteristics. While there is little published information to develop statistical results, the results from the current review suggest that major biological determinants of track and field throwing performance are the size of lean body mass, the neural activation of the protagonist muscles during the throw and the percentage of type II muscle fiber cross-sectional area. Long-term training may enhance these biological factors and possibly Citation: Zaras, N.; Stasinaki, A.-N.; lead to a higher track and field throwing performance. -
Cross‐Cultural Perspectives on the Creation of American Dance 1619 – 1950
Moore 1 Cross‐Cultural Perspectives on the Creation of American Dance 1619 – 1950 By Alex Moore Project Advisor: Dyane Harvey Senior Global Studies Thesis with Honors Distinction December 2010 [We] need to understand that African slaves, through largely self‐generative activity, molded their new environment at least as much as they were molded by it. …African Americans are descendants of a people who were second to none in laying the foundations of the economic and cultural life of the nation. …Therefore, …honest American history is inextricably tied to African American history, and…neither can be complete without a full consideration of the other. ‐‐Sterling Stuckey Moore 2 Index 1) Finding the Familiar and Expressions of Resistance in Plantation Dances ‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 6 a) The Ring Shout b) The Cake Walk 2) Experimentation and Responding to Hostility in Early Partner Dances ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 14 a) Hugging Dances b) Slave Balls and Race Improvement c) The Blues and the Role of the Jook 3) Crossing the Racial Divide to Find Uniquely American Forms in Swing Dances ‐‐‐‐‐‐ 22 a) The Charleston b) The Lindy Hop Topics for Further Study ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 30 Acknowledgements ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 31 Works Cited ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ 32 Appendix A Appendix B Appendix C Appendix D Moore 3 Cross‐Cultural Perspectives on the Creation of American Dance When people leave the society into which they were born (whether by choice or by force), they bring as much of their culture as they are able with them. Culture serves as an extension of identity. Dance is one of the cultural elements easiest to bring along; it is one of the most mobile elements of culture, tucked away in the muscle memory of our bodies. -
Adidas Olympic Games Heritage
adidas Olympic Games Heritage 1920 Herzogenaurach Adi Dassler Adi Dassler made his first ‘handmade’ training shoe in his parents’ 20-square metre washroom. 1928 Amsterdam Lina Radke Eight years on and adi's shoes made their debut at the Amsterdam Olympic Games with immediate success as Karoline Radke-Batschauer “Lina Radke” won Gold in the first ever Women’s 800m competition in World Record time. 1932 Los Angeles Arthur Jonath As the Great Depression gripped the world, Hollywood welcomed the Olympic Games and Adi Dassler crafted a new track spike, featuring stitched “stripes” and reinforced eye-stays. Two athletes won medals in Adi’s shoes: Germany’s Arthur Jonath and American Wilhelmina von Bremen both clinched gold in their respective 100m finals. 1936 Berlin Jesse Owens As politics and sport collided in Berlin, Adi Dassler remained focused on making the best footwear products for athletes including James Cleveland “Jesse” Owens. The young American was the most successful athlete in Berlin, winning four gold medals in front of Adolf Hitler in shoes that boasted specially positioned spikes and low-cut upper. 1948 London Emil Zátopek Post World War II the Olympic Games were seen as a way of reuniting the world through athletic competition and the spirit of true sportsmanship. In a glimpse of things to come, Emil Zátopek, the young “Czech Locomotive”, ran to Gold in the 10,000m and Silver in the 5,000m wearing Dassler’s lightweight shoes. In the same year, “adidas” was registered as the brand with the three stripes. 1952 Helsinki Bob Mathias In one of the greatest performances of all time, Emil Zátopek pulled off an incredible triple at the Helsinki Olympic Games winning Gold in the 5,000m, 10,000m, and the marathon over the course of seven days. -
Javelin Throw Tutorial
Javelin Throw About the Tutorial Distance, speed, and angle of projection are some of the basic key terms that can define the game of Javelin Throw. It is one of the most ancient sports of the mankind that is widely popular all over the globe. In this game, the athlete needs to throw a spear like structure into the air to make it land within a specific boundary target. This article will help you grasping the essential basic knowledge about the javelin throw. Though the “How to play” section is not very comprehensive, yet it is sufficient enough to supplement a beginner with necessary playing techniques. Audience This tutorial is aimed at giving an overall knowledge on how to throw a javelin successfully. It provides step-by-step illustrations and guidance to help beginners gain all the relevant information about this game. Prerequisites All that you need to have is a passion and eagerness to learn the game of Javelin Throw. It assumes no prior knowledge of the game. Copyright & Disclaimer Copyright 2016 by Tutorials Point (I) Pvt. Ltd. All the content and graphics published in this e-book are the property of Tutorials Point (I) Pvt. Ltd. The user of this e-book is prohibited to reuse, retain, copy, distribute, or republish any contents or a part of contents of this e-book in any manner without written consent of the publisher. We strive to update the contents of our website and tutorials as timely and as precisely as possible, however, the contents may contain inaccuracies or errors. Tutorials Point (I) Pvt. -
JSP Vol 08 No 03-04 1969Dec
• •/ A ot if** M Number 3 & 4 December 1969 Volume 8 DUPLICATING WITHOUT MAKING CARBON COPIES - Hal Wasserman - One of the fascinating features about stamp collecting is that a collector may collect whatever interests him. No matter what the catalogue may include or not in clude there is no law that says what the collector must have in his album. It is his own possession to build and expand as he chooses. It is only when the collector wishes to exhibit for competition that certain maxims come into play; then the collector loses some of the freedom he had before. Yet exhibiting need not enjoin a collector from remaining individualistic in his approach, nor does his collection have to be a carbon copy of other similar exhibita This is especially noticeable when viewing exhibits of Olympic Games stamps. Excluding the early Greek Olympic stamps, a collector would not find it too difficult or too expensive to put together a 'complete* collection of the basic stamps. How, then, can an enthusiast put his individual touch on his own exhibit except through a different type of mounting? In my opinion, there are enough unusual items on the philatelic marketplace that a collector could add for nearly every Olympiad, some expensive but many rather nominal in price, that would add sparkle to an exhibit. All of the items mentioned below are listed in various books and guides, in cluding Ira Seeoacher's Handbook of Sports Stamps. However, I would like to point out some of these that seem to be overlooked in many of the exhibits.