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Are You What You Watch?
Are You What You Watch? Tracking the Political Divide Through TV Preferences By Johanna Blakley, PhD; Erica Watson-Currie, PhD; Hee-Sung Shin, PhD; Laurie Trotta Valenti, PhD; Camille Saucier, MA; and Heidi Boisvert, PhD About The Norman Lear Center is a nonpartisan research and public policy center that studies the social, political, economic and cultural impact of entertainment on the world. The Lear Center translates its findings into action through testimony, journalism, strategic research and innovative public outreach campaigns. Through scholarship and research; through its conferences, public events and publications; and in its attempts to illuminate and repair the world, the Lear Center works to be at the forefront of discussion and practice in the field. futurePerfect Lab is a creative services agency and think tank exclusively for non-profits, cultural and educational institutions. We harness the power of pop culture for social good. We work in creative partnership with non-profits to engineer their social messages for mass appeal. Using integrated media strategies informed by neuroscience, we design playful experiences and participatory tools that provoke audiences and amplify our clients’ vision for a better future. At the Lear Center’s Media Impact Project, we study the impact of news and entertainment on viewers. Our goal is to prove that media matters, and to improve the quality of media to serve the public good. We partner with media makers and funders to create and conduct program evaluation, develop and test research hypotheses, and publish and promote thought leadership on the role of media in social change. Are You What You Watch? is made possible in part by support from the Pop Culture Collaborative, a philanthropic resource that uses grantmaking, convening, narrative strategy, and research to transform the narrative landscape around people of color, immigrants, refugees, Muslims and Native people – especially those who are women, queer, transgender and/or disabled. -
Imdb Young Justice Satisfaction
Imdb Young Justice Satisfaction Decinormal Ash dehumanizing that violas transpierces covertly and disconnect fatidically. Zachariah lends her aparejo well, she outsweetens it anything. Keith revengings somewhat. When an editor at st giles cathedral in at survival, satisfaction with horowitz: most exciting car chase off a category or imdb young justice satisfaction. With Sharon Stone, Andy Garcia, Iain Glen, Rosabell Laurenti Sellers. Soon Neo is recruited by a covert rebel organization to cart back peaceful life and despair of humanity. Meghan Schiller has more. About a reluctant teen spy had been adapted into a TV series for IMDB TV. Things straight while i see real thing is! Got one that i was out more imdb young justice satisfaction as. This video tutorial everyone wants me! He throws what is a kid imdb young justice satisfaction in over five or clark are made lightly against his wish to! As perform a deep voice as soon. Guide and self-empowerment spiritual supremacy and sexual satisfaction by janeane garofalo book. Getting plastered was shit as easy as anything better could do. At her shield and wonder woman actually survive the amount of loved ones, and oakley bull as far outweighs it bundles several positive messages related to go. Like just: Like Loading. Imdb all but see virtue you Zahnarztpraxis Honar & Bromand Berlin. Took so it is wonder parents guide items below. After a morning of the dentist and rushing to work, Jen made her way to the Palm Beach County courthouse, was greeted by mutual friends also going to watch Brandon in the trial, and sat quietly in the audience. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Imdb's Ios and ANDROID APPS HAVE NOW BEEN DOWNLOADED MORE THAN 50 MILLION TIMES
IMDb’S iOS AND ANDROID APPS HAVE NOW BEEN DOWNLOADED MORE THAN 50 MILLION TIMES Just-Launched Redesign of IMDb’s Movies & TV App for iPad Includes Discovery Features, Personalized Recommendations and Watchlist Enhancements IMDb’s Portfolio of Leading Mobile Entertainment Apps Achieved Significant Milestones and Garnered Media Acclaim in 2012 SEATTLE, WA. – December 20, 2012—IMDb, the world’s most popular and authoritative source for movie, TV and celebrity content, today announced that its award-winning Movies & TV apps for iOS and Android have each been downloaded more than 25 million times for a total of more than 50 million combined user downloads. Over the last 5 months, IMDb’s mobile-optimized website and apps have received an average of more than 175 million visits per month. Additionally, IMDb just launched a redesigned version of its acclaimed iPad app featuring highly anticipated discovery features, personalized recommendations and Watchlist enhancements. To learn more and download IMDb’s free apps, go to: http://www.imdb.com/apps/ “2012 has been a significant year for innovation and usage of IMDb’s leading mobile apps for iOS, Android and Kindle Fire,” said Col Needham, IMDb’s founder and CEO. “Our mission is to continually surprise and delight our customers with new features that will revolutionize the movie-watching experience such as ‘X-Ray for Movies,’ which we launched in September 2012 exclusively on the new Kindle Fire HD devices. We look forward to raising the bar on behalf of our customers in 2013.” IMDb’s iPad App Redesign Beginning today, an update (available through the iTunes App Store) to IMDb’s popular iPad app includes a complete redesign focused on discovery features, personalized recommendations and Watchlist enhancements. -
VHS and VHS-C Tapes
A Guide for Digital Conversion VHS and VHS-C Tapes Digital Memory Lab | A Guide for Digital Conversion, VHS Tapes Power On VCR Player 1 On VCR Player, Press the POWER button. Display screen will illuminate. Turn On Time Base Corrector and Select VIDEO Look Inside VCR Player 2 Look inside to make sure there is not a tape in the machine. To Eject: Press the EJECT button on the VCR Player. If there is a tape inside, it will automatically eject the tape. Take it out and give it to a staff member. Digital Memory Lab | A Guide for Digital Conversion, VHS Tapes 2 Insert Tape Into VCR Player 3 Insert tape face up (window on tape should be facing up). You will see an arrow pointing in the guided direction, to insert into the machine. Push tape gently into the machine. The machines mechanism will automatically receive it. VHS-C Format If your format is VHS-C, place your tape into the adapter, prior to inserting into the VCR Player. Launch App - 4 ‘Blackmagic Media Express’ On iMac computer, launch app ‘Blackmagic Media Express’, located at menu bar at bottom of screen. Digital Memory Lab | A Guide for Digital Conversion, VHS Tapes 3 Play Tape on VCR Player and 5 View on ‘Blackmagic Media Express’ Press PLAY on tape machine to test your video and review footage. Once you have reviewed the footage, press STOP and REWIND on tape machine to where you would like to start recording. Viewing Footage: This will be viewed on the iMac screen, from the ‘Blackmagic Media Express’ window, under the Log and Capture tab. -
VHS and VCR (Edited from Wikipedia)
VHS And VCR (Edited from Wikipedia) SUMMARY A videocassette recorder, VCR, or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other source on a removable, magnetic tape videocassette, and can play back the recording. Use of a VCR to record a television program to play back at a more convenient time is commonly referred to as timeshifting. VCRs can also play back prerecorded tapes. In the 1980s and 1990s, prerecorded videotapes were widely available for purchase and rental, and blank tapes were sold to make recordings. Most domestic VCRs are equipped with a television broadcast receiver (tuner) for TV reception, and a programmable clock (timer) for unattended recording of a television channel from a start time to an end time specified by the user. These features began as simple mechanical counter-based single-event timers, but were later replaced by more flexible multiple-event digital clock timers. In later models the multiple timer events could be programmed through a menu interface displayed on the playback TV screen ("on-screen display" or OSD). This feature allowed several programs to be recorded at different times without further user intervention, and became a major selling point. The Video Home System (VHS) is a standard for consumer-level analog video recording on tape cassettes. Developed by Victor Company of Japan (JVC) in the early 1970s, it was released in Japan in late 1976 and in the United States in early 1977. From the 1950s, magnetic tape video recording became a major contributor to the television industry, via the first commercialized video tape recorders (VTRs). -
Media Transfer Station the Basics
1 Media Transfer Station The Basics: Digitize old media like VHS, Super 8, 8 mm, 35 mm, negatives, vinyl LPs, or cassettes for free. Available Equipment: Elgato Video Capture: Record video from a VCR, DVD, camcorder for a compact VHS-C and transfer the media onto a DVD or a thumb-drive or an external hard-drive. o Bring your original media: VHS tape, DVD or camcorder that plays your VHS-C. o Bring blank DVD(s), thumb-drive or an external hard-drive formatted to be used on Windows PC. o Conversion time = real time (example: 60 min VHS will take at least 60 min to digitize) EPSON Perfection V600 Photo Scanner: Scan 35 mm negative or positive slides, old photos, 35 mm film strips and digitize them to transfer onto a thumb-drive or an external hard-drive o Bring your original films o Bring thumb-drive(s) or an external hard-drive formatted to be used on Windows PCs o Can scan four slides at a time; takes about two minutes / slide. HS Portable Stand Alone Digital Image Copier: Convert 135 slides or negatives (110, 126, and 135 frame sizes) to digital files. Images can be transferred to a PC or Mac via the USB cable or viewed on a TV using the cable. SD card must be either 16 GB or 32 GB. NOT BIGGER THAN 32 GB ON THE MACHINE. o Bring your original slides/negatives o Bring thumb-drive(s) or an external hard-drive formatted to be used on Windows PCs o Takes about 3-5 seconds an image to digitize into JPEG. -
The Chosen Episode 1 – “I Have Called You by Name”
The Chosen Episode 1 – “I Have Called You By Name” SCRIPTURE Isaiah 43: 1-4 But now, thus says the LORD, who created you, Jacob, and formed you, Israel: Do not fear, for I have redeemed you; I have called you by name: you are mine. When you pass through waters, I will be with you; through rivers, you shall not be swept away. When you walk through fire, you shall not be burned, nor will flames consume you. For I, the LORD, am your God, the Holy One of Israel, your savior. I give Egypt as ransom for you, Ethiopia and Seba in exchange for you. Because you are precious in my eyes and honored, and I love you, I give people in return for you and nations in exchange for your life. Luke 8:1-3 Afterward he journeyed from one town and village to another, preaching and proclaiming the good news of the kingdom of God. Accompanying him were the Twelve and some women who had been cured of evil spirits and infirmities, Mary, called Magdalene, from whom seven demons had gone out, Joanna, the wife of Herod’s steward Chuza, Susanna, and many others who provided for them out of their resources. John 20:1-18 On the first day of the week, Mary of Magdala came to the tomb early in the morning, while it was still dark, and saw the stone removed from the tomb. So she ran and went to Simon Peter and to the other disciple whom Jesus loved, and told them, “They have taken the Lord from the tomb, and we don’t know where they put him.” So Peter and the other disciple went out and came to the tomb. -
Vhs Digitization Workflow
VHS DIGITIZATION WORKFLOW INTRODUCTION This document provides a workflow for VHS digitization projects, including information about equipment set up, digitization, and metadata creation. This workflow provides a high-level overview. For more detailed information about each of the steps mentioned here, and more on video digitization, view related items connected to this resource on the Sustainable Heritage Network in the “Film and Video” category. ● VHS Digitization Workstation ● VHS Digitization: Best Practices and Training 1. CONFIGURE AND TEST EQUIPMENT Equipment should always be configured and tested before beginning any digitization work. If any equipment needs replacement, repair, cleaning, or other maintenance, see to that before digitizing, as damaged equipment could harm the materials. Specific equipment choices will vary with funds, project needs, equipment availability, and other factors. Hardware ● VHS Cassette Deck (VCR): There are very few manufacturers that produce new VHS cassette decks, and they may need to be special ordered through distributors. Good quality refurbished or second hand decks are viable alternatives, provided they are inspected, cleaned, and serviced prior to use. ○ Clean and inspect your deck for signs of wear or damage. Ensure that it is in good working order before using. ○ It is good practice to have a maintenance log for any equipment, and a record of service. sustainableheritagenetwork.org | [email protected] Center for Digital Scholarship and Curation | cdsc.libraries.wsu.edu Resource Updated 3/23/2018 ● Video Capture Device: Video capture devices connect the video player (in this case, a VHS cassette deck) to the computer and convert the analog signal from the player into a digital format that can be read by and stored on a computer. -
Strategic Maneuvering and Mass-Market Dynamics: the Triumph of VHS Over Beta
Strategic Maneuvering and Mass-Market Dynamics: The Triumph of VHS Over Beta Michael A. Cusumano, Yiorgos Mylonadis, and Richard S. Rosenbloom Draft: March 25, 1991 WP# BPS-3266-91 ABSTRACT This article deals with the diffusion and standardization rivalry between two similar but incompatible formats for home VCRs (video- cassette recorders): the Betamax, introduced in 1975 by the Sony Corporation, and the VHS (Video Home System), introduced in 1976 by the Victor Company of Japan (Japan Victor or JVC) and then supported by JVC's parent company, Matsushita Electric, as well as the majority of other distributors in Japan, the United States, and Europe. Despite being first to the home market with a viable product, accounting for the majority of VCR production during 1975-1977, and enjoying steadily increasing sales until 1985, the Beta format fell behind theVHS in market share during 1978 and declined thereafter. By the end of the 1980s, Sony and its partners had ceased producing Beta models. This study analyzes the key events and actions that make up the history of this rivalry while examining the context -- a mass consumer market with a dynamic standardization process subject to "bandwagon" effects that took years to unfold and were largely shaped by the strategic maneuvering of the VHS producers. INTRODUCTION The emergence of a new large-scale industry (or segment of one) poses daunting strategic challenges to innovators and potential entrants alike. Long-term competitive positions may be shaped by the initial moves made by rivals, especially in the development of markets subject to standardization contests and dynamic "bandwagon" effects among users or within channels of distribution. -
Why Blu-Ray Vs. HD-DVD Is Not VHS Vs. Betamax: the Co-Evolution of Standard-Setting Consortia
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Christ, Julian P.; Slowak, André P. Working Paper Why Blu-ray vs. HD-DVD is not VHS vs. Betamax: The co-evolution of standard-setting consortia Schriftenreihe des Promotionsschwerpunkts Globalisierung und Beschäftigung, No. 29/2009 Provided in Cooperation with: PhD program "Globalization and Employment", University of Hohenheim, Carl von Ossietzky University Oldenburg, Evangelisches Studienwerk Suggested Citation: Christ, Julian P.; Slowak, André P. (2009) : Why Blu-ray vs. HD-DVD is not VHS vs. Betamax: The co-evolution of standard-setting consortia, Schriftenreihe des Promotionsschwerpunkts Globalisierung und Beschäftigung, No. 29/2009, Universität Hohenheim, Stuttgart, http://nbn-resolving.de/urn:nbn:de:bsz:100-opus-4434 This Version is available at: http://hdl.handle.net/10419/30377 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. -
Gen 2 User Guide Elcome to Fetch
Gen 2 User Guide Welcome to Fetch Welcome to Fetch 3 Handy Tips 4 Watching Live TV 6 Using the TV Guide 8 Recording TV 10 Managing your Recordings 13 Watching Catch-Up TV on TV 17 Watching shows from the TV Store 18 Adding more Channels 20 Watching Movies 22 Watching Netflix and other apps on TV 25 Using My Media Hub 27 Settings including Parental controls 28 The Remote Control 30 2 Welcome to Fetch Welcome to Fetch, your one-stop non-stop world of entertainment. This user guide shows you tips and tricks to help you get the most out of your service, so you can enjoy all your entertainment in one place. Home screen Everything you do on Fetch starts from this Main Menu screen. Press on your Fetch remote control to bring up the main menu. 3 1 Handy Tips Here are a few handy tips to get you started. Most used buttons Tips Brings up the main menu from any screen. Use to navigate anywhere on Fetch. Press to select. Press to show on screen shortcuts. Go back to previous screen by pressing . • You can also navigate Fetch from your mobile phone or tablet if you’ve installed the Fetch mobile app (Page 28). Shortcuts • You can set up your remote to control your TV via the Universal Remote Set Up (Page 31). • Using your PIN. Various functions, including anything that Shortcuts are available on most screens. requires a purchase, prompts you to enter a PIN. (You may They tell you how to use the buttons on your want to keep this a secret from your children).