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Designing a User Interface for Musical Gameplay
Designing a User Interface for Musical Gameplay An Interactive Qualifying Project submitted to the faculty of WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science Submitted by: Tech Side: Hongbo Fang Alexander Guerra Xiaoren Yang Art Side: Kedong Ma Connor Thornberg Advisor Prof. Vincent J. Manzo Abstract A game is made up of many components, each of which require attention to detail in order to produce a game that is enjoyable to use and easy to learn. The graphical user interface, or GUI, is the method a game uses to communicate with the player and has a large impact on the gameplay experience. The goal of this project was to design a GUI for a music oriented game that allows players to construct a custom instrument using instruments they have acquired throughout the game. Based on our research of GUIs, we designed a prototype in Unity that incorporates a grid system that responds to keypress and mouse click events. We then performed a playtest and conducted a survey with students to acquire feedback about the simplicity and effectiveness of our design. We found that our design had some confusing elements, but was overall intuitive and easy to use. We found that facilitation may have impacted the results and should be taken into consideration for future development along with object labeling and testing sample size. 1 Acknowledgements We would like to thank Professor Vincent Manzo for selecting us to design an important feature of his game and for is support and encouragement throughout the duration of the project. -
Are You What You Watch?
Are You What You Watch? Tracking the Political Divide Through TV Preferences By Johanna Blakley, PhD; Erica Watson-Currie, PhD; Hee-Sung Shin, PhD; Laurie Trotta Valenti, PhD; Camille Saucier, MA; and Heidi Boisvert, PhD About The Norman Lear Center is a nonpartisan research and public policy center that studies the social, political, economic and cultural impact of entertainment on the world. The Lear Center translates its findings into action through testimony, journalism, strategic research and innovative public outreach campaigns. Through scholarship and research; through its conferences, public events and publications; and in its attempts to illuminate and repair the world, the Lear Center works to be at the forefront of discussion and practice in the field. futurePerfect Lab is a creative services agency and think tank exclusively for non-profits, cultural and educational institutions. We harness the power of pop culture for social good. We work in creative partnership with non-profits to engineer their social messages for mass appeal. Using integrated media strategies informed by neuroscience, we design playful experiences and participatory tools that provoke audiences and amplify our clients’ vision for a better future. At the Lear Center’s Media Impact Project, we study the impact of news and entertainment on viewers. Our goal is to prove that media matters, and to improve the quality of media to serve the public good. We partner with media makers and funders to create and conduct program evaluation, develop and test research hypotheses, and publish and promote thought leadership on the role of media in social change. Are You What You Watch? is made possible in part by support from the Pop Culture Collaborative, a philanthropic resource that uses grantmaking, convening, narrative strategy, and research to transform the narrative landscape around people of color, immigrants, refugees, Muslims and Native people – especially those who are women, queer, transgender and/or disabled. -
Armortech ® THREESOME ® Label
2,4-D • MECOPROP-p • DICAMBA Threesome® Herbicide Selective broadleaf weed control for turfgrass including use on sod farms. To control clover, dandelion, henbit, plantains, wild onion, and many other broadleaf weeds. Also for highways, rights-of-way and other similar non-crop areas as listed on this label. Contains 2,4-D, mecoprop-p, and dicamba. ACTIVE INGREDIENTS KEEP OUT OF REACH OF CHILDREN Dimethylamine Salt of 2,4-Dichlorophenoxyacetic Acid* .......30.56% Dimethylamine Salt of (+)-R-2-(2-Methyl-4-Chlorophenoxy) DANGER – PELIGRO propionic Acid**‡ .......................................................................8.17% Si usted no entiende la etiqueta, busque a alguien para que se la Dimethylamine Salt of Dicamba (3,6-Dichloro-o-anisic Acid)*** 2.77% explique a usted en detalle. (If you do not understand the label, find someone to explain it to you OTHER INGREDIENTS: ......................................................................58.5% in detail.) TOTAL: ....................................................................................100.00% Isomer Specific Method, Equivalent to: *2,4-Dichlorophenoxyacetic Acid ................................... 25.38%, 2.38 lbs/gal PRECAUTIONARY STATEMENTS **(+)-R-2-(2-Methyl-4-Chlorophenoxy)propionic Acid.... 6.75%, 0.63 lbs/gal HAZARDS TO HUMANS AND DOMESTIC ANIMALS ***3,6-Dichloro-o-anisic Acid .......................................... 2.30%, 0.22 lbs/gal Corrosive. Causes irreversible eye damage. Do not get in eyes, or on skin or clothing. ‡CONTAINS THE SINGLE ISOMER FORM OF MECOPROP-p Harmful if swallowed. FIRST AID IF • Call a poison control center or doctor immediately for treatment advice. HOT LINE NUMBER SWALLOWED: • Have person sip a glass of water if able to swallow. Have the product container or label with you when calling a poison control • Do not induce vomiting unless told to do so by the poison control center or doctor. -
Imdb Young Justice Satisfaction
Imdb Young Justice Satisfaction Decinormal Ash dehumanizing that violas transpierces covertly and disconnect fatidically. Zachariah lends her aparejo well, she outsweetens it anything. Keith revengings somewhat. When an editor at st giles cathedral in at survival, satisfaction with horowitz: most exciting car chase off a category or imdb young justice satisfaction. With Sharon Stone, Andy Garcia, Iain Glen, Rosabell Laurenti Sellers. Soon Neo is recruited by a covert rebel organization to cart back peaceful life and despair of humanity. Meghan Schiller has more. About a reluctant teen spy had been adapted into a TV series for IMDB TV. Things straight while i see real thing is! Got one that i was out more imdb young justice satisfaction as. This video tutorial everyone wants me! He throws what is a kid imdb young justice satisfaction in over five or clark are made lightly against his wish to! As perform a deep voice as soon. Guide and self-empowerment spiritual supremacy and sexual satisfaction by janeane garofalo book. Getting plastered was shit as easy as anything better could do. At her shield and wonder woman actually survive the amount of loved ones, and oakley bull as far outweighs it bundles several positive messages related to go. Like just: Like Loading. Imdb all but see virtue you Zahnarztpraxis Honar & Bromand Berlin. Took so it is wonder parents guide items below. After a morning of the dentist and rushing to work, Jen made her way to the Palm Beach County courthouse, was greeted by mutual friends also going to watch Brandon in the trial, and sat quietly in the audience. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
A Parent's Guide to Instagram
A PARENT’S GUIDE TO INSTAGRAM AUSTRALIAN EDITION 2019 In partnership with 1 A Parent’s Guide to Instagram A LETTER FROM REACHOUT An introduction to supporting your teen on Instagram ReachOut is Australia’s leading mental health and wellbeing organisation for young people and their parents. We know from research that parents and carers are worried about their children using social media. We understand that it can feel overwhelming to keep on top of what your child is accessing, and to manage how much time they’re spending online. At the same time, being socially connected is very important for your child’s development, and social media is part of socialising and connecting with others today. Teenagers regularly use social media to bond with friends, keep up with their peers, meet new people, and learn about world events and current affairs outside of their immediate life. Like any form of social engagement, social media comes with risks. Some of the most common of these include spending too much time online and being disconnected from the real world, being affected by online bullying, sharing intimate photos, and having reduced self-esteem from judging oneself or one’s own life negatively by comparison with others’ ‘ideal’ lives as shown online on sites such as Instagram. 22 The good news is, there are things you and your child can do to reduce these risks and enjoy participating in the online world. This guide will help you to understand Instagram and provide practical tips on how to start a conversation with your young person about managing their privacy, comments and time online. -
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Streaming Yujin Luo Final
The Streaming War During the Covid-19 Pandemic Yujin Luo The Streaming War During the Covid-19 Pandemic 2 home, which is the ideal condition for The Covid-19 pandemic has drastically binge-watching. disrupted all business sectors. The arts, culture, and entertainment industries have To understand how the pandemic is shaping been hit exceptionally hard since the virus’ the streaming industry, it is important to first outbreak in January. In response to the understand its pre-Covid and current status. crisis, businesses have taken immediate The following analysis will divide the actions: transitioning to remote work, timeline into before 2020 and in 2020 based canceling and postponing live events on Covid-19’s first outbreak in January nationwide, shutting down entertainment 2020. venues, etc., resulting in lost revenues from sales, merchandising, advertising, and The Streaming Industry’s Pre-Covid promotions. Unfortunately, the Covid-19 State of the Major Players in the pandemic’s impacts are far more Streaming War permanent for an audience-oriented industry that requires a high level of Early adopters and fast followers used to be engagement. The business model might be the main audiences of streaming services, fundamentally changed and there will or in other words, streaming used to be a certainly be a shift in how content is niche add-on to traditional TV. Now, it is produced and consumed. transitioning to a new stage as a mainstream element in the entertainment While lockdowns and social distancing industry. The major streaming services from measures to contain the pandemic have before Covid are shown in the table below, had a huge impact on the traditional movie except for HBO Max, Peacock, and Quibi industry, the video streaming model seems (RIP) that just launched in 2020. -
Android Code Libraries and Tutorials That Are Available for Free on the Web
Overview: My proposed organizing system is a library for customizable Android code. As an Android developer I use many libraries to develop applications (specifically utility applications). However I’ve been frustrated by the fact that I couldn’t find any organizing systems that had organized existing android libraries on the web and had an intuitive user interface. To overcome this I’ve had to use different websites such as Google Search, Google Forums, Stack Overflow and recommendations from friends to figure out what libraries are best to use. Domain: Java code running on Android SDK. Scope: An organizing system for customizable Android libraries. Scale: All free Android code libraries and tutorials that are available for free on the web. Tags: # Hyponymy/Hyperonymy (5.4.1.1), # Hierarchical Classification, # Structure (5.5.3) for intuitive user interface. 5 dimensions of an organizing system 1. What is being organizing: My proposed organizing system will organize any customizable Android library and tutorial that is available for free on the Internet. These resources are mainly in Github. Github resources show the list of available folders and usually a short tutorial of what elements of the code are customizable. However in many instances the resources may be a website solely dedicated to a particular code (for instance push notification) or a site which has 5-10 Android specific libraries made by a developer and available for download. These websites have their unique structure but can be extremely valuable resources for finding free code to use. Many of these resources have a limited useful life timeline as they may only be compatible with a certain version of Android SDK for instance a code library may be compatible with Android 4.2 and when a new update for Android operating systems comes out the library may no longer be compatible. -
ACE-2019-Query-Builder-And-Tree
Copyright © 2019 by Aras Corporation. This material may be distributed only subject to the terms and conditions set forth in the Open Publication License, V1.0 or later (the latest version is presently available at http://www.opencontent.org/openpub/). Distribution of substantively modified versions of this document is prohibited without the explicit permission of the copyright holder. Distribution of the work or derivative of the work in any standard (paper) book form for a commercial purpose is prohibited unless prior permission is obtained from the copyright holder. Aras Innovator, Aras, and the Aras Corp "A" logo are registered trademarks of Aras Corporation in the United States and other countries. All other trademarks referenced herein are the property of their respective owners. Microsoft, Office, SQL Server, IIS and Windows are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Notice of Liability The information contained in this document is distributed on an "As Is" basis, without warranty of any kind, express or implied, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose or a warranty of non-infringement. Aras shall have no liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the information contained in this document or by the software or hardware products described herein. Copyright © 2019 by Aras Corporation. This material may be distributed only subject to the terms and conditions set forth in the Open Publication License, V1.0 or later (the latest version is presently available at http://www.opencontent.org/openpub/). -
Ofve' NEW RESIDENTIALCHANNEL LINEUP Effective 2/1 6/16
Odessa, TX CABLEOfVE' NEW RESIDENTIALCHANNEL LINEUP Effective 2/1 6/16 ECONOMY STAN DARD/ D I G ITAL VALU E PACK* xDigital Standard Cable includes Economy. Value Pack Channels noted in yellow. Additional fee applies. 3 455 ABC.KMID Women's Programming Fomily Programming "too7 .ll 'r,t'¡., I 7 cBs-KosA 1260 Animal Planet 100 1 100 Lifetime 260 B 475 FOX-KPEJ 1262 National Geographic Wild 102 1 102 LMN 262 9 1 009 NBC.KWES 103 OWN 263 1263 Discovery Channel Channel 13 1013 PB5-KPBT "t04 1 104 Bravo 26s 1265 Science Channel 16 1016 MyNetwork-KOSA 108 WE 266 1266 Hallmark 268 1264 Hallmark Movies & Mysteries 17 CW-KWES 112 lnvestigation DiscoverY 114 Oxygen 270 1270 Food Network 1B 1018 Univision-KUPB 1"16 Discovery Life 272 1272 HGTV 20 Telemundo-KTLE 274 1274 History Channel 2',! Galavision Sports 276 1276 H2 (Viceland) 22 UniMas 133 1 133 ESPN 277 1277 National Geographic Ch. '134 "t134 25 MeTV-KWWT ESPN2 241 Travel Channel 135 ESPN News 26 Decades 136 ESPNU Ch il dren's Proqra m m i n q 27 Movies 1 NBC Sports 137 137 300 1 300 Sprout 52 God's Learning Channel-KMLM "t39 ',t39 1 CBS Sports 302 1302 Disney Channel 56 Goverment Access 140 FCS Atlantic 304 Disney XD '141 72 Leased Access FCS Central 307 1307 FreeForm FCS Pacific 7B C-SPAN 142 311 Discovery Family 146 1146 FOX Sports 1 79 C-SPAN2 313 Disney Jr. 144 1 144 FOX Sports 2 Boomerang BO BYU 316 1 FOX Sports SW 155 155 317 1317 Cartoon Network 82 INSP 157 1157 NFL Network TBN 1 Golf Channel B4 158 158 News 85 EWTN 160 1 160 Outdoor €hannel 333 TheWeather Channel 161 ESPN Classic B6 -
2020 Full Year Results Announcement
27 August 2020 ASX Markets Announcement Office ASX Limited 20 Bridge Street Sydney NSW 2000 2020 FULL YEAR RESULTS ANNOUNCEMENT Attached is a copy of the ASX release relating to the 2020 Full Year Financial Results for Nine Entertainment Co. Holdings Limited Rachel Launders Company Secretary Authorised for release: Nine Board sub-committee Further information: Nola Hodgson Victoria Buchan Head of Investor Relations Director of Communications +61 2 9965 2306 +61 2 9965 2296 [email protected] [email protected] nineforbrands.com.au Nine Sydney - 1 Denison Street, North Sydney, NSW, 2068 ABN 60 122 203 892 NINE ENTERTAINMENT CO. FY20 FINAL RESULTS 27 August 2020: Nine Entertainment Co. (ASX: NEC) has released its FY20 results for the 12 months to June 2020. On a Statutory basis, Nine reported Revenue of $2.2b and a Net Loss of $575m, which included a post-tax Specific Item cost of $665m, largely relating to impairment of goodwill. On a pre AASB16 and Specific Item basis, Nine reported Group EBITDA of $355m, down 16% on the Pro Forma results in FY19 for its Continuing Businesses. On the same basis, Net Profit After Tax and Minority Interests was $160m, down 19%. Key takeaways include: • Audience growth across all key platforms – Metro Publishing, Stan, 9Now, Radio and FTA • Strong growth from digital video businesses o $51m EBITDA improvement at Stan1, with current active subscribers of 2.2m o 36% EBITDA growth at 9Now1 to $49m, with market leading BVOD revenue share of ~50% • Ad markets heavily impacted by COVID-19 from March 2020 • Nine was quick to mitigate the associated fallout with o $225m cost-out program – cash basis, CY20 o Including increasing and expediting previous cost initiatives • 40% growth in digital EBITDA to $166m ($178m post AASB16) • Evolution of Metro Media business to consumer focus, with reader revenue now accounting for almost 60% of total revenue • Strong balance sheet, with (wholly-owned) leverage ratio <1X 1 like-basis, pre AASB16 Hugh Marks, Chief Executive Officer of Nine Entertainment Co.