Copper in Architecture
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Strips and Panels Roofing and Architecture 2 OUR ASPIRATION Durable, Sustainable, Beautiful – It Goes Without Saying
Strips and panels Roofing and architecture 2 OUR ASPIRATION Durable, sustainable, beautiful – it goes without saying. opper is an adaptable material with a long his- colours go so well with other natural substances such C tory. Its characteristic finish makes the material as wood and stone. Copper is conventionally used for a vibrant, distinctive design tool for architects and roof drainage and roofing on historical and contempo- builders which harmonises perfectly with other natural rary religious and prestigious buildings, but it has also building materials. Its familiar oxidised layer which entered into fields of scientific application. Its proven makes it resistant to weather and other harmful factors antimicrobial qualities have led to its use in hospitals, is what makes it last so extraordinarily long. It remains health spas and sanitary facilities. Copper offers much corrosion-resistant not just for years but for centuries more than just stylish design. It is entirely recyclable, – even in sea air. That is what makes roofs, facads, gut- and its durability makes it a symbol of sustainable ters and downpipes made of copper such a sustainable architecture. option. MKM, a long-established company based in Germa- Copper has been popular since time immemorial be- ny, has been a partner to builders worldwide for over cause of its excellent processing properties. Nowadays a century. Tradesmen and architects across the world it cuts a distinctive image in numerous architectural value our products. Today we manufacture strips and projects, in the public and private sectors. Spectacular panels for building on one of the world’s most advance cladding is used for visual orientation within urban and casting and processing plants, the Conti-M®, which we rural landscapes. -
How to Apply Statuary and Patina Finishes
Working With Copper Soldering / Welding / Brazing How to Apply Statuary and Patina Finishes Copper and copper alloys are widely used in architectural applications to take ad- vantage of their inherent range of colors. While these metals may be used in their natural color, as fabricated, it is sometimes desirable to chemically color pure copper (C11000*), commercial bronze (C22000), architectural bronze (C38500) or other alloys referred to as “bronze” in architectural parlance. The most common colors to be produced are referred to as brown or statu- ary fi nishes for bronze and green or patina fi nishes for copper. This data sheet outlines procedures and formulations for producing both. While the chemical solu- tions described are those generally accepted in the metal fi nishing trade, many variations exist. The wide range of colors and shades which may be achieved are largely a matter of craftsmanship and experience. Chemical coloring techniques depend upon time, temperature, surface, preparation, mineral content of the water, humidity and other variables which infl uence the ultimate result. This data sheet presents the technology which underlies the craftsmanship and art involved in producing these colored fi nishes. Brown Statuary Finishes Statuary fi nishes are conversion coatings. In conversion coatings, the metal surface is either converted into a protective fi lm, usually an oxide or sulfi de of the metal involved, or a compound is precipitated which forms a surface fi lm. The use of chemical solutions is generally termed “oxidizing,” although the oldest method and the one which produces the widest range of brown to black stages on copper alloys actually produces not an oxide but a metal sulfi de fi nish by the use of alkaline sulfi de solutions. -
Roofing and Flashing-New.Qxp
07610/COO BuyLine 6225 Copper in Architecture Roofing and Flashing Applications Copper in Architecture Weathering of Copper Benefits of Copper in Architecture This weathering cycle represents a copper panel at a 45° angle with Life Cycle Costs a southern exposure in a typical Copper’s ease of installation, along with its well-known long life northeastern industrial city. and freedom from maintenance, have made it the material of choice for centuries. Recyclable, Sustainable Unexposed 4 Years Copper was first used by humans more than 10,000 years ago. It has an infinite recyclable life– nearly all the copper ever mined is still in circulation. Today, some 75%– 80% of all copper production comes from recycled copper scrap. For architectural metal, there is no more sustainable resource. 4 Months 5 Years Corrosion Resistant Copper withstands the hardest conditions, from coastal areas to heavy industrial environments. In fact, weathering helps form the pleasing, blue-green copper sulfate film (patina) that inhibits corrosion. 8 Months 7 Years Strong, Durable, Fire-Resistant Sheet copper panels will last the life of a building with little or no main- tenance, and they are fire-resistant. 1 Year 10 Years Easy to Work and Join For new or retrofit construction, copper is the easiest metal to install with either manual or power tools. Available in a wide range of gauges, copper is easily cut, formed and joined, mechanically or with solder. 2 Years 15 Years Warm, Beautiful Color The warmth and beauty of copper’s living patina in addition to the variety of available finishes and textures, enhance and complement any design concept and building style. -
Material Pipa
Skip to search Skip to primary navigation menu Skip to secondary navigation menu Skip to main body of content Skip to footer Back to top Home Contact Us Press Room Questions? enter keyw ord Applications o Architecture . Design Handbook . Copper in Architecture Awards . Featured Projects . DIY: Do It Proper With Copper Video Series . FAQs . Finishes . Education . Manufacturers & Distributors . Contractors . Questions? Contact Us o Automotive . Electric Vehicles . Copper-Nickel Brake Tube . Radiators and Heat Exchangers o Electrical . Building Wire . Energy Efficiency . Power Quality . Busbar . Copper Motor Rotor . Industry Links . CDA Building Wire Task Group o Tube, Pipe & Fittings . Overview . Key Copper Benefits . TechCorner . Project Managers . DIY: Do It Proper With Copper Video Series . Applications . Resources & Tools . Installing Copper Piping Systems . Technical References . HVAC/R . Copper DX Geothermal Heat Pumps o Fuel Gas . Introduction . Copper Fuel Gas News . Specifying Copper Tube . System Choice . System Design . Installation . Publications . Copper Advantages . Training & Meetings . System Sizing . Design Figures . Natural Gas Tables . LP Gas Tables . Inspection & Testing . Contact Project Managers o Industrial . Copper Motor Rotor . Casting Alloys . Copper Alloy Molds . Bronze Sleeve Bearings . Selecting Bronze Bearing Materials . Electronic Connector Design Guide . Mold Design Guidelines o Seawater . Copper Nickel o Machined Products . Free-Cutting Brass . Copper and Brass Forgings . Bronze Sleeve Bearings . Advisory Notice o Telecommunications . Infrastructure Wiring for Homes . Structured Wiring - CDROM's . Communications Wiring for Today's Homes . The Evolution of Telephone Cable . Is Your Home Wired for the 21st Century? o Antimicrobial . Video, Audio and Podcasts Resources o Find Suppliers of Copper . Architectural Installation Contractors Database . Copper & Copper Alloy Fabricator Database . Building Products Database . -
Patination with Non-Toxic Solutions
Area Research Paper PATINATION WITH NON-TOXIC SOLUTIONS Submitted by: Julie Jerman-Melka Department of Visual Art Colorado State University Fort Collins, Colorado Fall 1996 Presented to: Professor Nilda Getty In partial fulfillment of the requirements for the degree of Master of Fine Arts. PATINATION WITH NON-TOXIC SOLUTIONS A Patina is a thin layer of corrosion, usually brown or green, that appears on copper or copper alloys as a result of natural or artificial oxidation. The purpose of coloring metal is to produce a change in its appearance in a short time. This could take place naturally but would take much longer and would require controlled conditions. The natural discoloration of metal surfaces after exposure to air, moisture, and gases is actually a combination of corrosion and oxidation which alters the composition of the metal's surface. Coloring is the final process, after all soldering and polishing have been completed. Coloring will not conceal any surface defects. In some cases, the defects will actually be more exposed. Good ventilation is important for any chemical coloring process. The coloring should be done near an exhaust fan, or even outside. Many of the solutions and chemicals used for patinas are extremely toxic and corrosive and are difficult to dispose of after they are used. Some of the chemicals are difficult to find and the solutions have complicated procedures. In this paper I researched simple, fairly non-toxic solutions for use on copper, brass, and sterling silver. Each piece of metal has been slightly formed with a hammered texture, a high polish, and sandblasted finish to show the different effects that a patina can have on various surfaces. -
Care of Outdoor Bronze Sculptures
CARE OF OUTDOOR BRONZE SCULPTURES Bronze sculpture is meant to be used and enjoyed in the outdoor environment and can maintain the original appearance as long as it is periodically cared for. The maintenance of bronze is easy and basic. This set of care instructions is meant to make the owner of fine bronze more knowledgeable and thus better able to enjoy their bronze to their full satisfaction. A brief introduction on the nature of patinas will start our discussion on the care of fine outdoor bronze. Nature of Patina Patination is the name for the process of coloring metals. These colors arise from chemical interaction between elements in the metals and various chemicals. A patina on bronze is the equivalent to rust on iron, only bronze is much more interesting than iron because the copper in the bronze reacts with different colors. The important thing to note is that the patina is not a paint but a very thin conversion coat on the surface of the bronze. Accordingly, as different chemicals are brought into contact with the surface of the metal, the color is liable to change. When leaving the foundry, the sculptures have a coating of paste wax. This paste wax helps prevent oxygen from getting to the bronze and oxidizing the surface. Over time, this barrier is worn off and water and oxygen work together to oxidize the surface, aging the patina. The best method for caring for patinas always includes regular cleaning and waxing, which is important to both the appearance and longevity of the bronze. -
Electrochemical Evaluation of the Patina of the Weathering Steel Sculpture Once Módulo
Ge-conservación Conservação | Conservation Electrochemical evaluation of the patina of the weathering steel sculpture Once Módulo A. Crespo, B. Ramírez-Barat, I. Díaz, E. Cano Abstract: Weathering steels (WS) have been widely used due to the protective rust formed on the surface of the bare metal exposed to the atmosphere. They have been studied attending to specifications and characteristics in engineering, but in cultural heritage the use of this material does not follow the same criteria and has different needs which must be addressed. Among them, the design and the location of the sculpture may have an impact on the rust formed and may not be as protective as it was supposed to be. This work presents the study of the weathering steel sculpture Once Módulo which shows areas with different exposure to rainwater and different surface heterogeneities. The results obtained by Electrochemical Impedance Spectroscopy (EIS) have shown that the protective ability of the rust depends on the previous differences and that design and location of the artwork play an important role for its conservation. Keywords: weathering Steel, sculpture, electrochemical impedance spectroscopy, atmospheric corrosion, conservation, contemporary art. Evaluación electroquímica de la pátina de la escultura en acero patinable Once Módulo Resumen: Los aceros patinables han sido ampliamente utilizados debido a la habilidad protectora de la herrumbre que se forma en la superficie del metal al exponerlo a la atmosfera. Su estudio se ha enfocado en las especificaciones y características desde un punto de vista ingenieril, sin embargo, en patrimonio cultural el uso de este material no sigue los mismos criterios y tiene distintas necesidades que han de atenderse. -
Deep Textured Architectural Metals Custom Fabricated Products Contents
Deep Textured Architectural Metals Custom Fabricated Products contents 4 interior panels 6 exterior panels 8 patterns 10 panel systems 14 fabrication 15 color and tile finishes 16 finishes 18 Trim-Tex™ 19 Rigi-Grip™ 20 partitions 21 elevators 22 Rigi-Bump™ 24 sustainability 26 textured perforations 27 technical data 2 metal made better who we are As the originator and world leader of deep textured metals, Rigidized® Metals manufactures lasting impressions. We continue to explore the world of textures, finishes, forms and shapes to enhance the performance of all metals. For over seventy years our journey has allowed us to develop a one-of- a-kind expertise in how metals can be improved. Many discoveries have created imaginative products and some surprising applications. We strive to use less & give you more. A proud American manufacturer of metal products since 1940. metal made better 3 interiors Nordstrom Cafe 1HM Pattern in Copper Coastline Design Metal Made Better We make metals for interior surfaces richer with textures that reflect the glow of light. These patterned metals offer significantly more durable, longer lasting 1NA Pattern in Stainless Steel surfaces. 4 metal made better interiors Grand Junction Readiness Center Courtesy of CooverClark Architects 1NA 304 Stainless Steel Powder Coated “Brass Transparent” 6WL Column Covers metal made better 5 exteriors 6WL Pattern ZGF Architects-Twelve West, Portland, OR ZGF Architects-Twelve West, Portland, OR 6 metal made better exteriors 1UN Pattern Sherbourne Common Park, Toronto, Ontario Javits Convention Center, FXFOWLE Architects Metal Made Better Our Rigidized® Metals for exterior applications are uniquely durable, long lasting, luminescent, and visu- ally appealing. -
Architectural Metals: Cast Iron, Steel, Pressed Tin, Copper, Aluminum and Zinc
CITY OF GRANBURY Historic Preservation DESIGN GUIDELINES 10. ARCHITECTURAL METALS: CAST IRON, STEEL, PRESSED TIN, COPPER, ALUMINUM AND ZINC Evaluate the overall condition of architectural metals to determine whether more protection and maintenance may be required and if repairs are warranted. Most architectural features on Granbury's historic buildings were made of pressed tin. Most hardware on Granbury's historic buildings (before 1930) were made of brass, bronze and/or copper. Identify and Retain architectural metal features, such as columns, pilasters, soffits, cornices, capitals, window frames, awnings or stairways that are important to defining the historic character of a building, its finishes and colors. Protect and Maintain architectural metals from corrosion by providing proper drainage, preventing water from standing on horizontal surfaces or accumulating in curved, decorative features. Clean architectural metals, when necessary, to remove corrosion prior to repainting or applying other appropriate protective coatings. Do not remove historic patinas found on some metals such as copper or bronze. This will diminish the metal's historic character and may damage it. Prohibited: ¦ Removing or radically changing architectural metal features, so that, as a result, their character is diminished. ¦ Removing a major portion of the historic architectural metal from a facade instead of repairing or replacing only the portion(s) of deteriorated metal. ¦ Radically changing a metal’s type of finish, patina, historic color or accent theme. ¦ Failing to identify, evaluate and treat the causes of corrosion, like moisture from leaking roofs or flashing. ¦ Placing incompatible metals together without first providing a reliable separation material, thus causing a galvanic or corrosive reaction, and damaging the adjacent metals. -
Reflections in Copper Select 2014 Awardees: Inspirations and Details Restoration
Reflections in Copper Select 2014 Awardees: Inspirations and Details Restoration Kansas Statehouse Copper Dome & Roof Replacement Key Partners Architect Topeka, Kansas Treanor Architects, P.A. Topeka, Kansas A recipient of a 2014 North American Copper in Architecture Award, the Kansas Statehouse’s patented copper dome, contrasted by the building’s limestone Owner structure, has captured the attention of citizens and visitors alike for more State of Kansas than 100 years. Built in three distinct phases over a 37-year period, the Kansas Topeka, Kansas Statehouse reflects changes in construction between the 1860s and the turn of the 20th century. The extensive copper roof and dome replacement, completed in late Sheet Metal Contractor Baker Roofing Company December of 2013, occurred over previously restored, occupied spaces and utilized Raleigh, North Carolina approximately 127,000 pounds of copper. East and west wing roofs are covered with 24,700 square feet of 20-ounce copper batten seam roofing. Central, north Sheet Metal Contractor - Roof and south wing roofs are finished with a hybrid horizontal and standing seam roof MG McGrath, Inc. constructed of 20-ounce copper to replicate the historic roof. Maplewood, Minnesota General Contractor J.E. Dunn Construction Company Topeka, Kansas Specialty Fabrication - Dome Ornamentals, LLC Cullman, Alabama 02 03 The copper dome on the Kansas Statehouse showcases successful methods for combining different copper systems to cover a monumental and complicated shape. Dome panels are simple adaptations of basic Horizontal Seam Roofing, as presented in theCopper in Architecture Handbook. Each row of curved horizontal seam panels has a different radius to accommodate the dome shape. -
Copper Reactivity: Patination
CHEMISTRY Copper Reactivity: 16 - 18 YEARS Patination Reactivity Metals can be listed according to their reactivity. Some, like sodium, are so reactive that they explode on contact with water. Some, like gold, are so unreactive that they appear to be unchanged after being buried for thousands of years. Copper is low on this scale. It will react, but slowly. This low reactivity, combined with its malleability makes it ideal for use in architecture. It can be cut and hammered into ornate shapes The restored domes show new copper that and it will protect itself with a pale green coating of copper salts will take many decades to develop the called a patina. Note this is not to be confused with verdigris, patina of the original copper. the name given to the green finish obtained by treatment with (Courtesy of Royal Observatory acetic acid to form copper acetate. Verdigris is soluble and not Edinburgh.) as durable as natural patinas. This view inside the dome shows how thin These are the two telescope domes of the Royal Observatory the structure is. (Courtesy of Eric Begbie.) Edinburgh. The picture was taken before the restoration in 2010. The copper cladding has a layer of green “patina”, that has built up since the domes were built in 1894. The patina is 1 a combination of copper salts that are unreactive and protect the copper from further corrosion. The domes are quite lightweight structures that rotate on a circular rail to allow the telescopes to point in any direction through a panel that slides open. They are also exposed to high winds. -
SPECIFYING STOCK COMPONENTS for ARCHITECTURAL METAL WORK
• About the Instructor • About the Sponsor • Ask an Expert SPECIFYING STOCK COMPONENTS for ARCHITECTURAL METAL WORK Architectural Metals, Railing Systems, and Engineering Information This Online Learning Seminar is available through a professional courtesy provided by: Julius Blum & Co., Inc. P.O. Box 816 Carlstadt, NJ 07072 Toll‐Free: 800‐526‐6293 Tel: 201‐438‐4600 (local NJ) Fax: 201‐438‐6003 Email: [email protected] Web: www.juliusblum.com START ©2013 Julius Blum & Co., Inc. The material contained in this course was researched, assembled, and produced by powered by Julius Blum & Co., Inc. and remains its property. Questions or concerns about the content of this course should be directed to the program instructor. This multimedia product is the copyright of AEC Daily. ©2013 ∙ Table of Contents Slide 1of 70 • About the Instructor • About the Sponsor • Ask an Expert SPECIFYING STOCK COMPONENTS for ARCHITECTURAL METAL WORK Presented by: Julius Blum & Co., Inc. P.O. Box 816. Carlstadt, NJ 07072. Description: The course includes a discussion on: how to choose the best material for your job; available systems and their components; engineering data and the formulas to provide safe installations. To ensure the accuracy of this program material, this course is valid only when listed on AEC Daily’s Online Learning Center. Please click here to verify the status of this course. If the course is not displayed on the above page, it is no longer offered. The American Institute of Architects ∙ Course No. AEC659 ∙ This program qualifies for 1.0 LU/HSW Hour. AEC Daily Corporation is a Registered Provider with The American Institute of Architects Continuing Education Systems (AIA/CES).