Revista Brasileira De Estudos Clássicos
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Helen Epigrammatopoios
Helen Epigrammatopoios The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Elmer, David F. 2005. Helen Epigrammatopoios. Classical Antiquity 24(1): 1–39. Published Version http://dx.doi.org/10.1525/ca.2005.24.1.1 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:3415493 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA DAVID F. ELMER Helen Epigrammatopoios Ancient commentators identify several passages in the Iliad as “epigrams.” This paper explores the consequences of taking the scholia literally and understanding these passages in terms of inscription. Two tristichs spoken by Helen in the teikhoskopia are singled out for special attention. These lines can be construed not only as epigrams in the general sense, but more speciWcally as captions appended to an image of the Achaeans encamped on the plain of Troy. Since Helen’s lines to a certain extent correspond to the function and style of catalogic poetry, reading them speciWcally as captions leads to a more nuanced understanding of both Homeric poetry and Homeric self-reference. By contrasting Helen’s “epigrams” with those of Hektor, one can also discern a gender-based diVerentiation of poetic functions. No Greek literary genre is more inextricably linked to the technology of writ- ingthantheepigram, whichderivesitsdeWning characteristics from the exigencies of inscription. It may therefore seem somewhat incongruent to Wnd discernible gestures toward this most scriptural genre in the most thoroughly “oral” texts that survive from antiquity, the Homeric Iliad and Odyssey. -
Magical Practice in the Latin West Religions in the Graeco-Roman World
Magical Practice in the Latin West Religions in the Graeco-Roman World Editors H.S. Versnel D. Frankfurter J. Hahn VOLUME 168 Magical Practice in the Latin West Papers from the International Conference held at the University of Zaragoza 30 Sept.–1 Oct. 2005 Edited by Richard L. Gordon and Francisco Marco Simón LEIDEN • BOSTON 2010 Th is book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Magical practice in the Latin West : papers from the international conference held at the University of Zaragoza, 30 Sept.–1 Oct. 2005 / edited by Richard L. Gordon and Francisco Marco Simon. p. cm. — (Religions in the Graeco-Roman world, ISSN 0927-7633 ; v. 168) Includes indexes. ISBN 978-90-04-17904-2 (hardback : alk. paper) 1. Magic—Europe—History— Congresses. I. Gordon, R. L. (Richard Lindsay) II. Marco Simón, Francisco. III. Title. IV. Series. BF1591.M3444 2010 133.4’3094—dc22 2009041611 ISSN 0927-7633 ISBN 978 90 04 17904 2 Copyright 2010 by Koninklijke Brill NV, Leiden, Th e Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to Th e Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
University of Groningen the Sacrifice of Pregnant Animals Bremmer, Jan N
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Groningen University of Groningen The Sacrifice of Pregnant Animals Bremmer, Jan N. Published in: Greek Sacrificial Ritual: Olympian and Chthonian IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2005 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bremmer, J. N. (2005). The Sacrifice of Pregnant Animals. In B. Alroth, & R. Hägg (Eds.), Greek Sacrificial Ritual: Olympian and Chthonian (pp. 155-165). Gothenburg: Paul Astroms Forlag. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 12-11-2019 THE SACRIFICE OF PREGNANT ANIMALS by JAN N. BREMMER There has recently been renewed interest in Olympian sacrifice and its chthonian counterparts, 1 but much less attention has been paid to its more unusual variants. -
Ana Maria Lóio Martial Reworks the Hellenistic Tradition of Writing Epigrams on Poets, in Its Several Types,1 Celebrating Himse
19. INHERITING SPEECH. TALKING BOOKS COME TO FLAVIAN ROME* Ana Maria Lóio Martial reworks the Hellenistic tradition of writing epigrams on poets, in its several types,1 celebrating himself as well as others. Indeed the epigrammatist produces his own epitaph, which is to be inscribed on his own statue in Avitus’ library (9 praef. 5–9); 1.1 is a self- homage, which some have thought destined to accompany his portrait; a distich on Virgil, one in a series of “tags” for books (14.183–96), would seem to fulfill the same function (14.186); Silius and Lucan are also among those commended (7.63, 11.48; 7.21–23).2 Further, Martial experimented with the rare type of epigrams spoken by a book:3 for instance, the Greek Batrachomachia4 has something to say about itself—in Latin!— * I am most grateful to Paolo Fedeli, Joy Littlewood, Cristina Pimentel, Stefano Grazzini, David Paniagua, Darcy Krasne, Fotini Hadjittofi, and Barry Taylor for their kind reading and suggestions. 1 On the Greek tradition of writing epigrams on poets, see Gabathuler (1937); Bing (1988a) 29–53, 58–64, (1988b), and (1993); Rossi (2001) 81–106. A typology is proposed by Gabathuler (1937) 107–11 and discussed by Rossi (2001) 85-86. 2 See Citroni (1975) 14–15 and Henriksén (2012) 2, 9–10 on Martial’s epigrams on himself; on the portrait tradition, see Lausberg (1982) 562 n. 7; for the other epigrams, see the commentary and bibliography in Leary (1996) 251; Galán Vioque (2002) 168–79, 364–371; Kay (1985) 173–175. -
Fowler FBA, RL (2016). Ἐκθορεῖν and the Derveni Papyrus. Zeitschrift Für Papyrologie Und Epigraphik, 197(11)
Fowler FBA, R. L. (2016). ἐκθορεῖν and the Derveni Papyrus. Zeitschrift für Papyrologie und Epigraphik, 197(11), 17-27. https://www.jstor.org/stable/43909970 Peer reviewed version Link to publication record in Explore Bristol Research PDF-document This is the accepted author manuscript (AAM). The final published version (version of record) is available online via Dr. Rudolf Hablet GmbH at http://www.habelt.de/index.php?id=27&tx_shpsystem_pi1[journal]=ZPE&tx_shpsystem_pi1[mode]=1&tx_shpsyst em_pi1[autor]=Fowler,%20R.%20L. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ ἐκθορεῖν and the Derveni Papyrus In memoriam M.L. West The purpose of this article is, first, to point out additional evidence for the meaning of the verb ἐκθορεῖν in two passages of the Derveni papyrus (xiii 4 and xiv 1), and, secondly, to advance a novel hypothesis for the interpretation of columns xiii–xv, centering on the role of Kronos. 1. ἐκθορεῖν At column xiii line 4 = OF 8 Bernabé the papyrus presents the text: αἰδοῖον κατέπινεν, ὃς αἰθέρα ἔχθορε πρῶτος1 Walter Burkert first suggested the translation ‘ejaculated’ for ἔχθορε, with αἰθέρα its object.2 In support he cited Aischylos fr. 15 Radt, from Hesychios θ814 Latte: θρώσκων κνώδαλα· ἐκθορίζων καὶ σπερματίζων, γεννῶν. Αἰσχύλος Ἀμυμώνῃ. The fragment has most recently been discussed by M.A. -
Reading the Authorial Strategies in the Derveni Papyrus
Reading the Authorial Strategies in the Derveni Papyrus Evina Sistakou If the commentary included in the Derveni papyrus were a literary text, it would be legitimate to read it from a formalistic viewpoint. As this is not the case, scholars have justly focused upon the religious-initiatory and the exegetical-allegorical aspects of this peculiar commentary on the Orphic theogony. On the basis of the distinction between literary and non- literary, the form and content of the Derveni papyrus have been interpreted within a ritual and/or philosophical context — some occasional remarks or even deliberate attempts to theorize about it being the exception that proves the rule.1 Whichever the generic identity of the Derveni document, it appears to be a far cry from the concept of literariness: it can no more be regarded as ‘literature’ than the Homeric scholia or Aristotle’s treatises, at least in the narrow sense of the word. Yet, as the voice resonating throughout the commentary strikes us with its exceptional clarity and vigor, the fact that the profile of the Derveni author has attracted considerable attention by each and every scholar studying the papyrus should not come as a surprise. In my view, all readings of the author’s voice in the Derveni papyrus entail, albeit implicitly, the acknowledgement that what we have here is far more than a set of religious / philosophical technicalities on how to understand the Orphic theogony. Design and intention, arrangement and style point toward a conscious, imaginative speaker (or writer), who is well aware of his ability to manipulate his audience by methodically creating his own authorial persona. -
Lucillius' Boxer Epigrams
Lucillius’ Boxer Epigrams The extant works of the epigrammatist Lucillius comprise approximately 140 poems in the Palatine Anthology. Almost all these poems were preserved among the satirical epigrams in Book 11. Little information about Lucillius survives, although a few epigrams refer to the emperor Nero, providing a likely floruit. My concern in this paper is a set of six poems that mock boxers, AP 11.75-81. Although Lucillius portrays the boxers as contemptible losers, his recurring theme is that they would have suffered equally even if they were better boxers. Throughout these poems, Lucillius repeatedly blurs the distinction between defeat and victory. While Nisbet interprets this gesture as merely a serio-comic combination of humor and advice (2003, 73-74), I argue that the boxer series indicates Lucillius’ deep suspicion about the value of competition and his mistrust of glory obtained in athletic contests. All six poems mock boxers by showing the futility of their sport: the faces of both winners and losers are inevitably mutilated. While many details of their injuries resemble those in real inscriptions set up as unironic monuments to athletic victories (Robert 1967, 196-8), Lucillius emphasizes the losses the boxers experience even in victory. For example, the boxer in poem 11.75 literally loses his identity to boxing, because he has received so many facial injuries that nobody can recognize him. He is consequently prosecuted by his brother and deprived of his inheritance. On the other hand, several of Lucillius’ boxers receive the honors of victors despite being defeated: Apollophanes is assured that after being thoroughly mutilated in previous contests he may now fight “fearlessly” because he has nothing left to lose (11.78.5-6). -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
Defining Orphism: the Beliefs, the Teletae and the Writings
Defining Orphism: the Beliefs, the teletae and the Writings Anthi Chrysanthou Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Department of Classics May 2017 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. I This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2017 The University of Leeds and Anthi Chrysanthou. The right of Anthi Chrysanthou to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. II Acknowledgements This research would not have been possible without the help and support of my supervisors, family and friends. Firstly, I would like to express my sincere gratitude to my supervisors Prof. Malcolm Heath and Dr. Emma Stafford for their constant support during my research, for motivating me and for their patience in reading my drafts numerous times. It is due to their insightful comments and constructive feedback that I have managed to evolve as a researcher and a person. Our meetings were always delightful and thought provoking. I could not have imagined having better mentors for my Ph.D studies. Special thanks goes to Prof. Malcolm Heath for his help and advice on the reconstruction of the Orphic Rhapsodies. I would also like to thank the University of Leeds for giving me the opportunity to undertake this research and all the departmental and library staff for their support and guidance. -
History of the Warfare of Science with Theology in Christendom
History of the Warfare of Science with Theology in Christendom Andrew Dickson White History of the Warfare of Science with Theology in Christendom Table of Contents History of the Warfare of Science with Theology in Christendom......................................................................1 Andrew Dickson White..................................................................................................................................1 INTRODUCTION.........................................................................................................................................2 CHAPTER I...................................................................................................................................................6 CHAPTER II. GEOGRAPHY.....................................................................................................................51 CHAPTER III. ASTRONOMY...................................................................................................................64 CHAPTER IV. FROM "SIGNS AND WONDERS" TO LAW IN THE HEAVENS.................................94 CHAPTER V. FROM GENESIS TO GEOLOGY....................................................................................113 CHAPTER VI. THE ANTIQUITY OF MAN EGYPTOLOGY, AND ASSYRIOLOGY.......................134 CHAPTER VII. THE ANTIQUITY OF MAN AND PREHISTORIC ARCHAEOLOGY......................142 CHAPTER VIII. THE "FALL OF MAN" AND ANTHROPOLOGY......................................................151 CHAPTER IX. THE "FALL OF -
Collection of Hesiod Homer and Homerica
COLLECTION OF HESIOD HOMER AND HOMERICA Hesiod, The Homeric Hymns, and Homerica This file contains translations of the following works: Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod. Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer). Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod". This file contains only that portion of the book in English; Greek texts are excluded. Where Greek characters appear in the original English text, transcription in CAPITALS is substituted. PREPARER'S NOTE: In order to make this file more accessable to the average computer user, the preparer has found it necessary to re-arrange some of the material. The preparer takes full responsibility for his choice of arrangement. A few endnotes have been added by the preparer, and some additions have been supplied to the original endnotes of Mr. Evelyn-White's. Where this occurs I have noted the addition with my initials "DBK". Some endnotes, particularly those concerning textual variations in the ancient Greek text, are here ommitted. PREFACE This volume contains practically all that remains of the post- Homeric and pre-academic epic poetry. I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. -
Deviant Origins: Hesiodic Theogony and the Orphica Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2018 Deviant Origins: Hesiodic Theogony and the Orphica Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .G 2018. "Deviant Origins: Hesiodic Theogony and the Orphica." In In Oxford Handbook of Hesiod, edited by A. Loney & S. Scully, 225-242. New York/Oxford: Oxford University Press. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/classics_pubs/125 For more information, please contact [email protected]. Deviant Origins: Hesiod’s Theogony and the Orphica Oxford Handbooks Online Deviant Origins: Hesiod’s Theogony and the Orphica Radcliffe G. Edmonds III The Oxford Handbook of Hesiod Edited by Alexander C. Loney and Stephen Scully Print Publication Date: Sep 2018 Subject: Classical Studies, Classical Poetry, Classical Religions and Mythologies Online Publication Date: Aug 2018 DOI: 10.1093/oxfordhb/9780190209032.013.43 Abstract and Keywords Hesiod’s Theogony provides one of the most widely authoritative accounts of the origin of the cosmos, but his account has always been challenged by rivals claiming to be older, wiser, and better, and the name of Orpheus has always been privileged in the evidence for ancient rivals to Hesiod. The Orphic accounts play their variations on the Hesiodic themes, riffing in different ways on the idea of the ultimate origin of the cosmos; the processes of reproduction by which subsequent entities were generated; the conflicts between these divinities that created the changes from the original state to the current one; the way in which humans entered the story; and the final resolution of the conflicts and changes that created the current, normal order of Zeus.