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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Anal Cunt • Deceased • Executioner Fistula • Panzerbastard • Psycho Rampant Decay/Kruds • Rawhide Revilers • Slimy Cunt & the Fistfucks Strong Intention
PRESENTS RELEASES FROM: ANAL CUNT • DECEASED • EXECUTIONER FISTULA • PANZERBASTARD • PSYCHO RAMPANT DECAY/KRUDS • RAWHIDE REVILERS • SLIMY CUNT & THE FISTFUCKS STRONG INTENTION Now Exclusively Distributed by ANAL CUNT Street Date: Fuckin’ A, CD AVAILABLE NOW! INFORMATION: Artist Hometown: Boston, MA Key Markets: Boston, New York, Los Angeles, Portland OR For Fans of: GG ALLIN, NAPALM DEATH, VENOM, AGORAPHOBIC NOSEBLEED Fans of strippers, hard drugs, punk rock production and cock rock douchebaggery, rejoice: The one and only ANAL CUNT have returned with a new album, and this time around, they’re shooting to thrill –instead of just horrifically maim. They’re here to f*** your girlfriend, steal your drugs, piss in your whiskey, and above all, ROCK! (The late) Seth Putnam channels Sunset Strip scumbags like MOTLEY ARTIST: ANAL CUNT CRUE and TWISTED SISTER to bring you a rock’n’roll nightmare fueled TITLE: Fuckin’ A by their preferred cocktail of sex, violence, and unbridled disgust. From LABEL: PATAC ripping off theCRUE’s cover art to the massive hard rock riffs of “Hot Girls CAT#: PATAC-011 on the Road,” “Crankin’ My Band’s Demo on a Box at the Beach,” and “F*** FORMAT: CD YEAH!” and tender ballad “I Wish My Dealer Was Open,” Fuckin’ A is an GENRE: Metal instant scuzz rock classic. BOX LOT: 30 SRLP: $10.98 UPC: 628586220218 EXPORT: NO SALES TO THE UK Marketing Points: • 1ST PRESS LIMITED TO 1000 COPIES. Currently on its third pressing! • Final album before the passing of ANAL CUNT frontman Seth Putnam Tracklist: • Print ads in Maximumrocknroll, Decibel, Short Fast & Loud and Chips & Beer 1. -
TRUTH CORRODED BIOGRAPHY 2018 Drums: Jake Sproule, Vocals: Jason North, Guitar
TRUTH CORRODED BIOGRAPHY 2018 Drums: Jake Sproule, Vocals: Jason North, Guitar: Trent Simpson, Bass: Greg Shaw, Lead Guitar: Chris Walden TRUTH CORRODED are an Australian band with a sound that captures elements of late 80's/early 90's inspired thrash and death metal, shaped by the likes of bands such as SLAYER, OBITUARY, SEPULTURA, KREATOR and EXHORDER, and then later influenced by acts such as MISERY INDEX, BEHEMOTH, NEUROSIS, DECAPITATED and REVOCATION. Taken together the influences have shaped a sound that is as confronting as the subject matter of the bands lyrics and pays homage to the go for the throat savagery of the bands roots. TRUTH CORRODED signed with leading US extreme metal label UNIQUE LEADER RECORDS which led to the release of the album titled 'Bloodlands' which was released in March 2019. Based on themes surrounding war and displacement, the album depicts the state of our times and the social and political impact that is having both in the bands home country Australia and abroad. The title refers to the growth of new conflict from conflicts past, with the suffering it creates spreading its roots. The album was recorded with session drummer Kevin Talley (SUFFOCATION, DYING FETUS, CHIMAIRA) – his third album with the band – and was mixed and mastered by renowned heavy music producer Chris 'ZEUSS' Harris (HATEBREED, SOULFLY, REVOCATION). The album also features guest appearances by Stephen Carpenter of DEFTONES, Terrance Hobbs of SUFFOCATION, Mark Kloeppel of MISERY INDEX and Ryan Knight, ex-THE BLACK DAHLIA MURDER/ARSIS. Artwork for the album is designed by Gary Ronaldson at Bite Radius Designs (MISERY INDEX, BENIGHTED, PIG DESTROYER, THY ART IS MURDER) Commenting on the industry involved, vocalist Jason North offers "When we first set out to write the album we could not have imagined that we would work with the artists that have become involved. -
'Music and Remembrance: Britain and the First World War'
City Research Online City, University of London Institutional Repository Citation: Grant, P. and Hanna, E. (2014). Music and Remembrance. In: Lowe, D. and Joel, T. (Eds.), Remembering the First World War. (pp. 110-126). Routledge/Taylor and Francis. ISBN 9780415856287 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16364/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Music and Remembrance: Britain and the First World War’ Dr Peter Grant (City University, UK) & Dr Emma Hanna (U. of Greenwich, UK) Introduction In his research using a Mass Observation study, John Sloboda found that the most valued outcome people place on listening to music is the remembrance of past events.1 While music has been a relatively neglected area in our understanding of the cultural history and legacy of 1914-18, a number of historians are now examining the significance of the music produced both during and after the war.2 This chapter analyses the scope and variety of musical responses to the war, from the time of the war itself to the present, with reference to both ‘high’ and ‘popular’ music in Britain’s remembrance of the Great War. -
MICHIGAN MONTHLY ______December, 2017 Diane Klakulak, Editor & Publisher ______
MICHIGAN MONTHLY ________________________________________________________________________________________________________________ December, 2017 Diane Klakulak, Editor & Publisher __________________________________________________________________________________________________________________ DETROIT LIONS – on Fox unless otherwise noted DETROIT RED WINGS – LITTLE CAESAR’S ARENA – on FSD unless otherwise stated Dec. 3 at Baltimore Ravens; 1 pm Dec. 10 at Tampa Bay Buccaneers; 1 pm Dec. 2 at Montreal Canadiens; 7 pm; FSD, CBC Dec. 16 vs. Chicago Bears; 4:30 pm; NFL Dec. 5 vs. Winnipeg Jets; 7:30 pm Dec. 24 at Cincinnati Bengals; 1 pm Dec. 9 vs. St. Louis Blues; 3 pm Dec. 31 vs. Green Bay Packers; 1 pm Dec. 11 vs. Florida Panthers; 7:30 pm Dec. 13 vs. Boston Bruins; 8 pm; NBCSN LITTLE CAESARS ARENA – 313presents.com Dec. 15 vs. Toronto Maple Leafs; 7:30 pm Dec. 19 at N.Y. Islanders; 7 pm Dec. 2 UFC 218 Dec. 20 at Philadelphia Flyers; 8 pm; NBCSN Dec. 3 Andrea Bocelli Dec. 23 at Boston Bruins; 1 pm Dec. 16 The District Detroit College Basketball Dec. 27 at New Jersey Devils; 7 pm Showcase: University of Michigan, Michigan Dec. 29 vs. N.Y. Rangers; 7:30 pm State University, Oakland & Detroit Mercy Dec. 31 vs. Pittsburgh Penguins; 7 pm Dec. 21 Xscape with Monica & Tamar Braxton Jan. 3 vs. Ottawa Senators; 7:30 pm; FSD+ Dec. 23 Trans-Siberian Orchestra Jan. 5 vs. Florida Panthers; 7:30 pm Dec. 27 WWE Live Holiday Tour Jan. 7 vs. Tampa Bay Lightning; 7 pm Dec. 28 Big Show: Chris Brown, Tee Grizzly, more Jan. 13 at Pittsburgh Penguins; 1 pm Jan. 1-2 College Hockey: Great Lakes Invitational Jan. -
Bolt Thrower War Master Mp3, Flac, Wma
Bolt Thrower War Master mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: War Master Country: Ukraine Released: 2003 Style: Death Metal MP3 version RAR size: 1568 mb FLAC version RAR size: 1666 mb WMA version RAR size: 1442 mb Rating: 4.8 Votes: 183 Other Formats: AU MOD AA AIFF MP4 WAV DTS Tracklist A1 Intro ... Unleashed (Upon Mankind) A2 What Dwells Within A3 The Shreds Of Sanity A4 Profane Creation A5 Destructive Infinity B6 Final Revelation B7 Cenotaph B8 War Master B9 Rebirth Of Humanity B10 Afterlife Companies, etc. Record Company – Moon Records Phonographic Copyright (p) – Earache Copyright (c) – Earache Copyright (c) – Одиссей Notes Ⓒ & Ⓟ 1991 Earache Records Для продажи на территории Украины. For the sales in the territory of Ukraine only. The tracks are consecutively numbered. Barcode and Other Identifiers Barcode (Text): 4 601250 317861 Barcode (String): 4601250317861 Other versions Category Artist Title (Format) Label Category Country Year Bolt War Master (LP, MOSH 29 Earache MOSH 29 UK 1991 Thrower Album) Bolt War Master (LP, MOSH 29 Earache MOSH 29 UK 1991 Thrower Album, Gat) Bolt War Master (CD, MOSH 29CD Earache MOSH 29CD Europe 1991 Thrower Album, Ora) War Master (LP, Bolt Painkiller PKR - 079 Album, Ltd, Pic, PKR - 079 Belgium 2009 Thrower Records RE) Unsilent URCD019, Bolt War Master (CD, Records, URCD019, Brazil 2009 PLCD53243 Thrower Album, RE) Heavy Metal PLCD53243 Rock Related Music albums to War Master by Bolt Thrower Bolt Thrower - Live At Bradford - Queen's Hall 12.1.91 Adrenalin Junkies - Outcry Entombed - Crawl Pitch Shifter - [The Remix War] Napalm Death - Greed Killing Bolt Thrower - The Peel Sessions 1988-90 Bolt Thrower - Concession Of Pain Bolt Thrower - The IVth Crusade Terrorizer - World Downfall Bolt Thrower - ...For Victory Bolt Thrower - The Peel Sessions Bolt Thrower - Realm Of Chaos. -
Interview Mit FLESHCRAWL
Interview mit FLESHCRAWL -März 04-- Gitarrist Mike Hanus über das bombenstarken Albums “Made Of Flesh”, die Pläne 2004, schwedische Gesandtschaften und warum man manchmal lieber den Vorkasper spielt… Markus: Erst mal (nochmal) Glückwunsch zur neuen Scheibe! Haben die Schweden schon eine Gesandtschaft geschickt, um Euch endlich einzubürgern? Mike: Ha ha ha... nein, soweit ist es noch nicht gekommen ! Markus: Zumindest den Kritiken nach zu schließen müsstet Ihr doch jetzt endlich mal die verdiente Aufmerksamkeit bekommen? Mike: Soweit ich die Reviews der internationalen Presse bisher zu "Made Of Flesh" lesen konnte, kann ich mich bisher nicht beschweren. Alle sind soweit begeistert und sehr zufrieden mit dem aktuellen Fleshcrawl Output. Sie schreiben von dem bisher bestproduzierten und im allgemeinen abwechslungsreichsten FLESHCRAWL Album so far - und da muß ich ihnen auch absolut recht geben. Ich bin speziell vom Gitarrensound von "Made Of Flesh" begeistert. Er hat sehr viel Distortion, klingt aber dennoch megafett & transparent. Dafür haben wir im Studio auch einige Stunden daran gearbeitet, aber die harte Arbeit hat sich wirklich gelohnt. Markus: Irgendwie wart Ihr immer da, aber so richtig auch wieder nicht. Eure Homepage ist momentan weitgehend down - könntest Du uns nochmal einen kleinen Überblick über die Bandhistorie geben? Mike: Uhh, Fleshcrawl gibt`s ja schon einige Jahre... ja, ääähhmm: bereits 7 Alben veröffentlicht, seit mehreren Jahren bei Metal Blade Records unter Vertrag, mehrere Europa-Tourneen absolviert, auch schon in Japan getourt, mega Festival-Auftrifft auf W.O.A. 2002 - die Fans drehten komplett durch ... es war geil !!! Ja, da könnt ich noch 1000 verschiedene Sachen aufzählen... Es wird Zeit, daß die Homepage (www.fleshcrawl.de) aktualisiert wird und dann kann sich auch jeder die komplette FLESHCRAWL Biographie in aller Ruhe mal durchlesen. -
Slayer Haunting the Chapel
Slayer haunting the chapel Continue Much better sound - not being fabulous either, that is the instrumental quality that caused us, all of us, shape to enjoy at the bottom! - that previous founding album is a myth, this E.P. four track will consolidate the legend already in motion after just this famous first stone in the purring building in the sweet title Show Without Mercy, released a year earlier ... which we can call a historical album, by the way! For most fans of us, know that a re-release dating back to 2004 (and still in effect today) will allow you to accumulate on the same album the mythical Live Undead and Ghosts of the Chapel mentioned in this column. In the same vein as the Show is not mercy for the first two titles and a significant evolution for the following that discover, relative I agree, slower and at the same time more worked or complex, while continuing his dark dark studies. Ghosts Chapel tends to be more resolute in the mad rush of sound and quality aggression in order to establish undeniable fame in the genre. Indeed, every SLAYER enthusiast should know how we feel listening to the damningly excellent cult song that is Chimicale - which is becoming now, the emblem of the slayerian paw without any references to different bands. SLAYER has just found its personal niche always copied and never matched today! What is then his brother's blood that is the impetuous Sin Thief, if not the fascinating melodic line that sends us valdinguer to the wall if we don't care about him so much his effectiveness is enormous. -
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Hi James I Am Glad You Found Time to Give an Interview for Kvlt. I Expect You Are Getting Ready for Metal Alliance Tour
Hi James I am glad you found time to give an interview for Kvlt. I expect you are getting ready for Metal Alliance Tour. It already is brutal when I think of the leader of the tour, Dying Fetus. Is the tour promoting Order Shall Prevail your first activity, after a series of festival concerts? Will you organize you own tour or join one as headliner? We are excited to get out there with our friends in Dying Fetus and have a great tour. The first tour promoting Order Shall Prevail was last years Rockstar Enegry Drink Mayhem Festival tour with Slayer and King Diamond. That went very well for us. We had a European tour in the works for the fall of last year but that fell through and we didnt make it. We did some touring in Mexico in the fall. Usually we do not tour in the winter, so now that spring is here it’s time to get out there and tear it up! We’ve got some cool shit lined up for this year though, heading to Puerto Rico in July and then Central and South American tours in August! I must admit your last record is a “solid piece”. It’s been a while since I last listened to old school death meal which captures a great American mood and is so fresh and relaxed. You prefer not to experiment too much and just focus on your own, well- developed style, don’t you? We just try and write what we like, we stick with the Jungle Rot formula, but every album has slight influential changes and such. -
Blue Light. No Heat. a Glacial Wall of Denser-Than-Dense Sound. Dallas
Blue light. No heat. A glacial wall of denser-than-dense sound. Dallas Texas’ Frozen Soul lives up to their name as the sound of death metal at its most cold and classic. Riff after slow, grinding riff, there’s no mistaking the themes of isolation and suffering that permeate the quintet’s massive sonic missives. From the first note of the Century Media debut, Crypt of Ice, it's like the march of Game of Thrones’ Night King put to sound: nothing subtle about it at all. “The feeling I’m getting from playing in Frozen Soul is powerful in a way I wasn’t getting from other bands I’ve played in before,” says frontman Chad Green. “The sound. The lyrics. Even the logo itself has a harshness to it that just feels powerful and cold. Add to that the depression of dealing with real life and the venomous people that can inhabit it and the vibe of the band just makes sense.” Frozen Soul’s brand of straightforward, in-your-face death metal is a gasp of fresh air in a genre that’s stretched the very limits of technicality. Fully formed in 2018, the quintet has rapidly made a name for itself and churned the underground with a sound that evokes the old school sound of bands like Obituary, Mortician and Bolt Thrower. That reverence for death metal’s roots was apparent from Frozen Soul’s initial four-song Encased In Ice demo (which includes a cover of Mortician’s “Witch’s Coven”) that was released in early 2019 on California's cave dwelling, knuckle dragging, Maggot Stomp Records.