Davies Symphony Hall Classical Series 2015–16 Season-At-A-Glance
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Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
October 2015
October 2015 Bertrand Chamayou INSIDE: Ian Bostridge | Sarah Connolly Ehnes Quartet | Thomas Hampson Alina Ibragimova & Cédric Tiberghien Magdalena Kozˇená & Mitsuko Uchida Steven Isserlis | Robert Levin Sandrine Piau | Christoph Prégardien Stile Antico | Vox Luminis And many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. Please note that the Box Office with be closed for bookings in person from Monday 27 July to Friday 4 September. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–Y Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – Y AAAA AAAA Lowest price This brochure is available in alternative formats. -
Saison 2021 /22 Saison 2021 /22 Herzlich Willkommen! Alte Oper Frankfurt Inhaltsverzeichnis
SAISON 2021 /22 SAISON 2021 /22 HERZLICH WILLKOMMEN! ALTE OPER FRANKFURT INHALTSVERZEICHNIS Einmal mit den Flügeln INHALT schlagen und abheben bitte. Starten Sie mit uns einen Flug über die Alte Oper, mitten ins IM ÜBERBLICK ABONNEMENTS 19 Herz der Stadt! FESTIVALS UND SCHWERPUNKTE 33 KONGRESSE UND EVENTS 51 DAS OFFENE HAUS 55 DANK 73 DIE KONZERTSAISON 2021/22 DIE KONZERTE DER ALTEN OPER TAG FÜR TAG 81 ANGEBOTE DER PARTNER 161 SERVICE 177 NEUE PERSPEKTIVEN So haben Sie das Konzerthaus noch nie gesehen. Halten Sie einfach die Kamera Ihres Smartphones auf den abgebildeten Code, um die Alte Oper aus ungewohnter Perspektive zu entdecken. Oder gehen Sie auf www.alteoper.de/rundflug 2 3 GELEITWORT ZUM PROGRAMM GELEITWORT ZUM PROGRAMM PETER FELDMANN DR. MARKUS FEIN Oberbürgermeister der Stadt Frankfurt am Main Intendant und Geschäftsführer der Alten Oper Frankfurt Vorsitzender des Aufsichtsrats der Alten Oper Frankfurt Es ist gut, Perspektiven zu haben – nicht nur in Krisenzeiten. Sehr geehrte Damen und Herren, Wenn ich das Programm der Alten Oper betrachte, entdecke ich liebe Besucher*innen der Alten Oper, neue Perspektiven in mehrfacher Hinsicht: Es sind einerseits Aus- sichten auf die Rückkehr zur Normalität im Kulturbetrieb. Aber Die Alte Oper ohne Publikum? Das war für uns unvorstellbar, und zugleich zeigen sich andere Blickwinkel. Mich freut, wie sich auch nach Monaten des Lockdowns können und wollen wir uns zahlreiche Projekte auf Frankfurt selbst konzentrieren und in die nicht daran gewöhnen. Zu wichtig ist uns der Dialog mit Ihnen, Stadt hineinwirken. Derzeit sind mehr denn je Zusammenhalt unserem Publikum. Die Alte Oper ist ein Haus, das sich vielfältig und gegenseitiges Verständnis gefordert. -
Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett: -
San Francisco Symphony MICHAEL TILSON THOMAS MUSIC DIRECTOR
Audio And Video from the San Francisco Symphony MICHAEL TILSON THOMAS MUSIC DIRECTOR the San francisco Symphony is the first uS orchestra with its own in-house label, SfS media™, offering a distinctive series of recordings and dVds. under the leadership of music director michael tilson thomas, the orchestra has recorded a GrAMMY®-winning, critically acclaimed cycle of the symphonies of Gustav mahler. our groundbreaking Keeping Score series, available on dVd and Blu-ray, features MTT and the orchestra exploring great works and the people behind them, and is designed to make classical music accessible to those of all ages and musical backgrounds. Also on dVd is A Celebration of Leonard Bernstein: Carnegie Hall Opening Night 2008, the San francisco Symphony’s gala Bernstein concert, broadcast originally on PBS’s Great Performances. MAHLER SYMPHONY NO. 1 “it’s not unheard of for this orchestra and conductor to sound so good together; anyone who’s been going to davies Symphony hall with any frequency in recent years has heard comparable performances. But to hear the dramatic sweep and sonic depth of the performance caught so resplendently on disc—that’s another story. thomas’ dedication to live recordings has never seemed so thoroughly justified.” – San Francisco Chronicle Mahler: Symphony No. 1 SFS-0002 Hybrid SACD MAHLER SYMPHONY NO. 2 SOLOISTS Isabel Bayrakdarian Lorraine Hunt Lieberson with the San francisco Symphony Chorus “At times demoniacally dramatic, [MTT] … yields a forceful, stunning interpretation (sumptuous brass) with sepulchral undertones (strings from beyond the grave). the vocal parts are almost supernatural.… it is a decidedly classy performance.” – Le Monde Mahler: Symphony No. -
LORI LAITMAN the Scarlet Letter Libretto by David Mason
AMERICAN OPERA CLASSICS LORI LAITMAN The Scarlet Letter Libretto by David Mason Claycomb • Armstrong MacKenzie • Belcher Knapp • Gawrysiak Opera Colorado Orchestra and Chorus Ari Pelto Lori CD 1 66:18 LAITMAN Act I (b. 1955) 1 Scene I: A Meeting Place 14:47 The Scarlet Letter (2008, rev. 2015–16) (Wilson, Bellingham, Dimmesdale, Chillingworth, Prynne, Chorus) Opera in Two Acts 2 Scene II: The Prison 13:33 (Chillingworth, Prynne) Libretto by David Mason (b. 1954) 3 Interlude: Time Passing 2:29 Based on the novel by Nathaniel Hawthorne (1804–64) (Chorus) Commissioned by The University of Central Arkansas through Robert Holden and the UCA Opera Program 4 Scene III: The Governor’s Rose Garden, Seven Years Later 14:18 (Bellingham, Wilson, Chillingworth, Dimmesdale, Prynne) Cast in order of vocal appearance 5 Scene IV: Dimmesdale’s Study – His Nightmare 21:11 A Sailor . Charles Eaton, Baritone (Chillingworth, Dimmesdale, Hibbons) A Farmer . Benjamin Werley, Tenor Goodwife 1 . Emily Robinson, Soprano John Wilson, an elder minister . Kyle Knapp, Tenor CD 2 45:04 Governor Bellingham . Daniel Belcher, Baritone Arthur Dimmesdale, a young minister . Dominic Armstrong, Tenor Act II Congregation Leader . William Bryan, Baritone 1 Scene I: The Forest 22:33 Goodwife 2 . Becky Bradley, Soprano (Chillingworth, Prynne, Dimmesdale) Goodwife 3 . Danielle Lombardi, Mezzo-soprano Roger Chillingworth, Hester’s long-missing husband . Malcolm MacKenzie, Baritone 2 Scene II: A Meeting Place – Election Day 22:31 Hester Prynne, a young seamstress . Laura Claycomb, Soprano (Hibbons, Prynne, Bellingham, Wilson, Dimmesdale, Chillingworth, Chorus) Mistress Hibbons, a witch . Margaret Gawrysiak, Mezzo-soprano A Shipmaster . William Bryan, Baritone Pearl, Hester’s daughter . -
Sir Antonio Pappano and Accademia Nazionale Di Santa Cecilia
Sir Antonio Pappano and Accademia Nazionale di Santa Cecilia Orchestra bring renewed prestige to Italy through international touring and recordings for their 10th anniversary 11 - 18 April, 2016 Paris – 11, Berlin– 12, Hannover - 14, Hamburg - 15, Frankfurt – 17, Munich – 18 ROSSINI La Cenerentola: Symphony, BEETHOVEN Piano Concerto No. 4 SAINT-SAENS Symphony No. 3 7 - 11 May, 2016 São Paolo - 7, 8 , Buenos Aires – 10, 11 Sir Antonio Pappano’s 10th anniversary with the Orchestra dell’Accademia Nazionale di Santa Cecilia brings renewed prestige to Italy’s oldest music institution through their international touring and multiple recordings which are gaining further critical acclaim. Their next tour starts in Paris at the new Philharmonie on 11 April. This is followed by a five-city tour across Germany, with return concerts in Berlin, Hamburg, Frankfurt and Munich and their first visit to Hannover. Their programme includes Saint-Saëns’s Symphony No.3 (“Organ Symphony”), Beethoven’s 4th Piano Concerto performed by Hélène Grimaud and Rossini’s Cenerentola Sinfonia. In May, Pappano and the Accademia di Santa Cecilia will cross the Atlantic for their first tour to South America for concerts in São Paolo and Buenos Aires and there will be a much-anticipated return to the UK in the summer (to be announced in due course). Italian pianist Beatrice Rana, featured on the latest Warner Classics recording of Tchaikovsky’s Piano Concerto No.1 and Prokofiev Piano Concerto No. 2 (her debut album), will join Maestro Pappano and the Accademia di Santa Cecilia on their South American tour. At a time of cultural instability and economic malaise, the Accademia di Santa Cecilia stands as a beacon of artistic excellence, progress and enlightened administration in Italy. -
N E W S R E L E a S E
N E W S R E L E A S E CONTACT: Katherine Blodgett phone: 215.893.1939 e-mail: [email protected] Alyssa Porambo phone: 215.893.3136 FOR IMMEDIATE RELEASE e-mail: [email protected] DATE: June 11, 2015 Click here for downloadable images from the 2015 Tour of Europe The Philadelphia Orchestra’s 2015 Tour of Europe: A Triumphant Success (Philadelphia, June 11, 2015)—The Philadelphia Orchestra returned from its highly-anticipated European Tour with Music Director Yannick Nézet-Séguin on June 7, 2015, following 14 performances in 10 of Europe’s most storied and historic music halls in Luxembourg, Germany, France, Austria, the Netherlands, and England. Across the board, European audiences and critics alike lauded the Fabulous Philadelphians under the leadership of Nézet- Séguin, with Vienna’s Der Standard commenting, “A cornucopia of perfection and dynamic fury—this is just a taste of what the Philadelphia Orchestra brought to its first evening performance of its two-day residence at the Wiener Musikverein. … Yannick Nézet-Séguin is considered by many to be one of the most thrilling conductors of our time, and his interpretation of Pyotr Ilyich Tchaikovsky’s Fifth Symphony with the Philadelphia Orchestra was a consummate masterpiece of sheer perfection.” Overall, the Tour’s successes were threefold: as an artistic venture, with the Orchestra and Nézet-Séguin receiving glowing reviews; as an opportunity for furthering the Orchestra’s educational mission through residency activities in Lyon and London; and as a moment for promoting Pennsylvania as a global destination for tourism, trade, and business development, alongside two delegations representing the Commonwealth of Pennsylvania and the City of Philadelphia. -
Cleveland Orchestra with Antoni Wit & Jan Lisiecki (April
Cleveland Orchestra with Antoni Wit & Jan Lisiecki (April 21) by Daniel Hathaway Poland was much in evidence at Severance Hall on Thursday evening, April 21, when Polish guest conductor Antoni Wit led The Cleveland Orchestra in Richard Wagner’s Polonia Overture and Frédéric Chopin’s fminor piano concerto with Canadian pianist Jan Lisiecki (the son of Polish parents). Ludwig van Beethoven’s “Eroica” Symphony may have been the outlier, thematically, but it ended the evening on similar notes of proud dignity. While Poland may claim Chopin as its favorite musical son, France has almost an equal claim on the composer. Only a few weeks after the Warsaw premiere of this concerto in 1830, he decamped for Paris, never to return. Taking profit of the upward expansion of the piano keyboard and the technological innovations that made it possible to hear the instrument in large concert halls, Chopin wrote fantastically elaborate passages for the right hand that can contain more notes per square inch than the busiest moments of J.S. Bach. Those gnatlike clouds of notes can be difficult to organize into lucid musical phrases. Under the fingers of some pianists, Chopin’s music can sound glib and insubstantial. Jan Lisiecki, only 21, isn’t one of those. His performance on Thursday was poetic and virile, full of health and vigor. Lisiecki has strong fingers. His passagework was brilliant, his melismas clear, and his trills scintillating. He displayed a fine sense of musical rhetoric in the slow movement, and his playing in the finale was rhythmic and stately. -
Angel Fingers © MATHIAS BOTHOR © MATHIAS Canada’S Youngest Classical Piano Star Takes Center Stage at the Auditorium Sultry Nights Parco Della Musica
ENTERTAINMENT Angel Fingers © MATHIAS BOTHOR © MATHIAS Canada’s youngest classical piano star takes center stage at the Auditorium Sultry Nights Parco della Musica. Tiffany Parks has the details. Spice up your night with a burlesque performance at Rome’s trendiest retro hat could be more impressive around the world, including the New York hot spot, Micca Club. Upstairs you can than performing a solo recital to Philharmonic, the Philadelphia Orchestra, the twist the night away to oldies from the Wsold-out crowds at one of the most Orchestre de Paris, the BBC Symphony, and ‘50s and ‘60s, or pop down to the cozy prestigious concert halls in Europe? Doing it the Rotterdam Philharmonic Orchestra. He underground lair where live, old-fashioned when you’re barely 19 years old. Jan Lisiecki has played under such notable conductors burlesque shows take place every weekend. is a Canadian pianist of Polish descent who as Claudio Abbado, Antonio Pappano, Via degli Avignonesi, 73. Tel 3933236244. is taking the classical music world by storm, Christian Zacharias, David Zinman, and Paavo www.miccaclub.com being named Deutsche Grammophon’s Järvi, and collaborated with legendary artists Young Artist of the Year and winning the like Yo-Yo Ma, Emmanuel Ax, and Pinkas Schleswig-Holstein Music Festival’s Leonard Zukerman. Lisiecki’s ambitious program, like Bernstein Award last year alone. Lisiecki is his most recent album, is all Chopin. It opens certainly not the first piano prodigy to grace with the Grande Valse Brillante, op. 18, Chopin’s the world’s most important stages, but mere first important piano waltz, and continues technical ability and virtuosity are not enough with 24 Préludes, op. -
Sir Colin Davis Anthology Volume 1
London Symphony Orchestra LSO Live Sir Colin Davis Anthology Volume 1 Sir Colin Davis conductor Colin Lee tenor London Symphony Chorus London Symphony Orchestra Hector Berlioz (1803–1869) – Symphonie fantastique, Op 14 (1830–32) Recorded live 27 & 28 September 2000, at the Barbican, London. 1 Rêveries – Passions (Daydreams – Passions) 15’51’’ Largo – Allegro agitato e appassionato assai – Religiosamente 2 Un bal (A ball) 6’36’’ Valse. Allegro non troppo 3 Scène aux champs (Scene in the fields) 17’16’’ Adagio 4 Marche au supplice (March to the Scaffold) 7’02’’ Allegretto non troppo 5 Songe d’une nuit de sabbat (Dream of the Witches’ Sabbath) 10’31’’ Larghetto – Allegro 6 Hector Berlioz (1803–1869) – Overture: Béatrice et Bénédict, Op 27 (1862) 8’14’’ Recorded live 6 & 8 June 2000, at the Barbican, London. 7 Hector Berlioz (1803–1869) – Overture: Les francs-juges, Op 3 (1826) 12’41’’ Recorded live 27 & 28 September 2006, at the Barbican, London. Hector Berlioz (1803–1869) – Te Deum, Op 22 (1849) Recorded live 22 & 23 February 2009, at the Barbican, London. 8 i. Te Deum (Hymne) 7’23’’ 9 ii. Tibi omnes (Hymne) 9’57’’ 10 iii. Dignare (Prière) 8’04’’ 11 iv. Christe, Rex gloriae (Hymne) 5’34’’ 12 v. Te ergo quaesumus (Prière) 7’15’’ 13 vi. Judex crederis (Hymne et prière) 10’20’’ 2 Antonín Dvořák (1841–1904) – Symphony No 9 in E minor, Op 95, ‘From the New World’ (1893) Recorded live 29 & 30 September 1999, at the Barbican, London. 14 i. Adagio – Allegro molto 12’08’’ 15 ii. Largo 12’55’’ 16 iii. -
Renée Fleming Sings Her First La Traviata
DAVID GOCKLEY, GENERAL DIRECTOR PATRICK SUMMERS, MUSIC DIRECTOR Subscribe Now! 2002–2003 Season Renée Fleming sings her first La Traviata. See it FREE when you SUBSCRIBE NOW! DHoustonivas,divas,divas! Grand Opera celebrates “The Year of the Diva.” Renée Fleming will at long last sing her first Violetta—and, where might this Experience all the anticipated debut happen? The Met? La Scala? Vienna? No, Renée has chosen to excitement and premiere this significant role here at Houston Grand Opera. In a year of firsts— Susan Graham’s first Ariodante and The Merry Widow and Elizabeth Futral’s benefits of a full first Manon—Ms.Fleming’s Violetta will be a defining moment in the world of opera. season subscription: The season begins with the return of Ana Maria Martinez as Mimi in Puccini’s • Free parking beloved La Bohème. Laura Claycomb,the young Te x a s soprano who had • Free subscription to audiences on their feet in this season’s Rigoletto,will return in Donizetti’s Scottish Opera Cues magazine masterpiece, Lucia di Lammermoor.The season closes with the world premiere of • Free season preview The Little Prince,when Oscar-winning composer Rachel Portman turns Antoine CD or cassette de Saint-Exupéry’s much loved novel into a magical and moving opera. • Free lost ticket replacement Extraordinary singers in extraordinary productions.As a full season subscriber, • Exchange privileges you get 7 operas for the price of 6. That means you can see Renée Fleming’s debut • 10% discount on as Violetta for free! I urge you to take advantage of this offer, it’s the only way we additional tickets can guarantee you a seat.