The 22 Festival of Fantastic Films 2011

Total Page:16

File Type:pdf, Size:1020Kb

The 22 Festival of Fantastic Films 2011 The 22nd Festival Of Fantastic Films 2011 July 2011 Volume 22 Issue It is vital that those members Two who want to stay at the hotel contact them now ( quoting Festival of Fantastic Films / Days Hotel Liam Earl ) as the limited Aka Manchester Conference st rd rooms we had are rapidly Centre October 21 to 23 going, and if not booked 2011 before the 1st September ( BOOKED NOT PAID ) then those free rooms will be released and subsequently Welcome to the second charged at the hotels normal nd Progress report for the 22 rates. You have been Festival being held over the warned. weekend of 21st 23rd October 2011. As previously "Monsters, John. Monsters from mentioned we are returning to the Id." Forbidden Planet (1956 Days Hotel Aka Manchester Conference Centre on Sackville Since the first report was sent Street in Manchester. out you will all have heard the very sad news about the death "I am...Drac-u-la. I bid you of Marge Edwards who was a welcome." crucial part of the Festival Dracula (1931) team – she will be sadly couple of Richard’s movies missed including Horror Hospital. ------------- Renee Glynne who has had more to do with movies and for a longer time will be a great guest so it is worth coming for her alone. ----------- One of our closest friends Norman J Warren has been attending as a regular for many R I P – Marge mmany years now, and we felt that it was We will be about time having the "Look! It's moving. It's alive. It's that he got pleasure, all alive... It's alive, it's moving, it's his name up things alive, it's alive, it's alive, it's alive, before the considering, IT'S ALIVE!" lights for a of the return Frankenstein (1931) change – so of one of our we will be favourite doing a people after a few years of ill Norman J Warren special which health, Richard Gordon has a will include a trio of his movies new book coming out later this including Inseminoid, Satan’s year . Slave & Prey – what else could you possibly want. --------- As Robin Askwith has written ------ a forward to the book he has Most of you from outside agreed to return so it should be Manchester may not know Dr C great fun, Robin appeared in a P Lee ( yes it is Christopher – but no not that one ), he is a “The Rockabilly Rasputin” Film Historian at Salford began his enthusiasm for horror University. Chris has done films at an early age. Born in many talks in Manchester on San Fernando, in 1948, young Manchester movies both made Johnny’s penchant for the here and set here. Chris will be offbeat was soon shown when doing a special presentation to he befriended his family’s us on the movie career of Cliff hulking neighbour Tor Johnson, Twemlow. He is great to talk to wrestler and star of Ed Wood and is very knowledgeable ( his spectaculars, including Plan 9 jokes aren’t the best but you from Outer Space. can’t have everything. Johnny naturally gravitated to _________ Forrey Ackerman’s place, where he met Ed Wood, who "R-o-s-e-b-u- autographed d." the young Citizen Kane enthusiast’s "Oh, no. It wasn't the airplanes. It (1941) first edition of was Beauty killed the Beast." “Famous Of course we King Kong (1933) Monsters of already Filmland”. mentioned last PR that we have the pleasure of both Derek When Johnny formed his Fowlds & returning for a original band in 1966, they were second visit Derren Nesbitt. in competition with such up- and-coming L.A. groups as The ------------- Doors. So Johnny brought into play his trump card – an old LEGEND BY NAME... Outer Limits monster costume, bought at an auction. Johnny Legend can boast a wildly unique career as film One of the band would don the producer, director, writer, Giant Garbage Eater outfit and musician, actor, wrestling hand out fliers encouraging manager and promoter. people to attend their next gig on Sunset Strip. Johnny finally entered the film The great bearded one also industry in the early 1970s, came up with the idea of using his extensive knowledge Wrestling Extravaganzas with Rockabilly Music is mixed in of horror movies to write trailers with the bouts. However, for AIP. He also appeared as a Johnny was at the centre of one stoned hippy falling down a of oddest feuds in sporting flight of stairs in the then topical history when he defeated “shockumentary” Pot Parents Cheryl “Lightning” Russa, and Police. legendarily winning himself the A.I.W.A. World Women’s The only way was up – and Championship, after which, it back to music - so that by 1973 seems, he proclaimed himself to be a devout feminist. Johnny was at the heart of LA’s rockabilly revival. In the early '80s, Johnny was touring Europe wearing a Confederate-general’s uniform, proclaiming “The South Will Rise Again”, the mantra from Herschell Gordon Lewis’ 1964 schlocker Two Thousand Maniacs. As an actor, Johnny went on to various grim fates in horror films such as Children of the Corn III, as well as appearing in a nationwide Budweiser In 1977, Johnny had co-written commercial. He played a and produced a successful demented Country & Western record sung by one of the singer in the 1998 giant killer superstars of old time wrestling, cockroach confection Bug Freddie Blassie. Buster, seizing the opportunity to sing his unforgettable ditty “I The pair teamed up again six Itch Like a Sonofabitch”. years later when Johnny co- produced, co-directed and co- wrote the movie My Breakfast With Blassie, which also starred Andy Kauffman in what turned out to be his last film. Said to have been shot in four-and-a- half hours on a single day, it features Andy and Blassie chatting over breakfast about the kind of stuff that didn’t make it in to My Dinner With Andre – wrestling, pancakes and how to keep your hands clean. Johnny Legend has also become a key man rediscovering lost low-budget horror and exploitation moves. After seeing "Switchblade Sisters" in 1976, Johnny was so impressed that he decided that Ed Woods movie from 1956 it should have a proper national release. Johnny now runs the DVD label Legend House and continues to It took 20 years, but in June tour and perform music on 1996, Quentin Tarantino came stage all over the world. to the rescue and he and Johnny managed to gain the He promises to be an film a major theatrical and video interesting interview. release. Richard Gordon, Johnny has been back on the road with Ray Steckler's early Great news that our ever- sixties horror movie The popular guest, the renowned Incredibly Strange Creatures film producer Mr Richard Who Stopped Living and Gordon, at the age of 85, Became Mixed-up Zombies, intends to travel the 3000 miles complete with people playing from his home in New York to “live monsters” in the audience, be with us again. giving modern filmgoers a taste of the great days of monster Often asked when he would movie moments. write a book about his long and varied career, his answer has Dracula foundered before invariably been “Never”. reaching London’s West End in 1951. Richard’s ingenious solution was to persuade British producer George Minter to use Bela in a movie. The result was Mother Riley Meets the Vampire and the four-week shoot at least provided the stranded Bela and his wife Lillian with enough money to return to Hollywood. However, he has now finally relented with The Horror Hits of Richard Gordon, a book-length All that will be of particular autobiographical interview by interest to another of this year’s Tom Weaver. ( It is hoped that Tom will come over with guests – C.P. Lee, an expert on Richard but as yet NOT Mancunian Films, which confirmed ). produced all the early Old Mother Riley movies. Born in London in 1925, Richard relocated to the USA in the late 1940s, producing a The Horror Hits of Richard string of cult classics including Gordon, has a forward by The Haunted Strangler, and another of this year’s guests, Corridors of Blood, both starring Robin Askwith, who starred in Boris Karloff. His other films two of Richard’s movies, Tower include Fiend Without a Face, of Evil (1973) and Horror First Man Into Space, Devil Doll Hospital (1973). & Horror. "Can you imagine the level of a One of Richard’s odder exploits mind that watches wrestling?" was coming to the rescue of Hannah and Her Sisters (1986) Bela Lugosi, when the actor was left high and dry in Britain after his theatrical tour of Robin’s appearance in the latter film somewhat easily segued into his appearance in Carry On Girls of 1973. The Horror Hits of Richard Gordon, Robin Asquith Renee Glynne Although mostly remembered for his starring role in the 1970s Renée Glynne’s amazing “Confessions” films, there’s career has spanned over half a much more to Robin than the century of the real glory days of somewhat gormless sex- the British film industry, working machine Timmy Lee in the with some of the biggest names series of “Topless Carry-Ons in the industry. Beginning in with Bottoms”. the Scenario Department at Pinewood in 1943, within two Among his first film years she was production performances, were with secretary on Brief Encounter. internationally renowned director Lindsay Anderson on If Her next job was on Caesar in 1968 and then with Italian and Cleopatra at Denham, which starred Claude Rains and director-of-the-moment Pier Vivienne Leigh, bit involved Paolo Passolini in The Renee having tea with the Canterbury Tales.
Recommended publications
  • Bcsfazine #528 | Felicity Walker
    The Newsletter of the British Columbia Science Fiction Association #528 $3.00/Issue May 2017 In This Issue: This and Next Month in BCSFA..........................................0 About BCSFA.......................................................................0 Letters of Comment............................................................1 Calendar...............................................................................6 News-Like Matter..............................................................11 Turncoat (Taral Wayne)....................................................17 Art Credits..........................................................................18 BCSFAzine © May 2017, Volume 45, #5, Issue #528 is the monthly club newsletter published by the British Columbia Science Fiction Association, a social organiza- tion. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or Apartment 601, Manhattan Tower, 6611 Coo- ney Road, Richmond, BC, Canada, V6Y 4C5 (new address). BCSFAzine is distributed monthly at White Dwarf Books, 3715 West 10th Aven- ue, Vancouver, BC, V6R 2G5; telephone 604-228-8223; e-mail whitedwarf@ deadwrite.com. Single copies C$3.00/US$2.00 each. Cheques should be made pay- able to “West Coast Science Fiction Association (WCSFA).” This and Next Month in BCSFA Friday 19 May: Submission deadline for June BCSFAzine (ideally). Sunday 14 May at 7 PM: May BCSFA meeting—at Ray Seredin’s, 707 Hamilton Street (recreation room), New Westminster.
    [Show full text]
  • Independent Visions of Excess
    Cine-Excess 13 Independent Visions of Excess 7th-9th November 2019 BCU (Margaret Street Campus) & Associated Screening Venues in the Region Guests of Honour: Jen and Sylvia Soska (Directors: American Mary, Rabid [2019]) Norman J. Warren (Director: Prey, Inseminoid) 1 Day 1 Thursday 7th November 2019 (Birmingham City University Margaret Street Campus) 9.30am-10am Conference Registration and Coffee: Margaret Street Foyer, BCU 10am-10.15am CONFERENCE WELCOME (Room IPS) 10.15am-12pm PANEL 1: Split: Representations of Age, Disability and Mental Health in Cult Cinema (Room GO1) CHAIR: Iain Robert Smith 1. Re-B.O.R.N: Challenging ageism in Ross Hagen’s grade z cinema Amanda Reyes (Independent Scholar) 2. The validation of a traumagenic mental disorder in Split Kanwal Jit Singh (Punjabi University) 3. Dying of fright, or what horror films can tell us about the autistic experience Ethan Lyon (Queen Mary University) 10.15am-12pm PANEL 2: New Blood: Critical Approaches to Horror (Room IPS) CHAIR: Alex Fitch 1. Bloody muscles on VHS: When Asia extreme met the video nasties Jonathan Wroot (University of Greenwich) 2. Hard-Core Horror at the Margins: Independence, experimentation and extremity in the films of Phil Stevens Eddie Falvey (University of Exeter/Plymouth College of Art) 3. A Master of Horror? The making and marketing of Takashi Miike’s horror reputation Joe Hickinbottom (University of Exeter) 12pm – 1pm LUNCH 1pm- 2pm Cine-Excess Keynote 1: Dr Stacey Abbott (Room IPS) 2pm-3.30pm: PANEL 3: Non-Western Visions of Excess (Room GO1) CHAIR: Jonathan Wroot 1. Excessive Colours in Iranian Cinema.
    [Show full text]
  • Ansible® 405 April 2021 from David Langford , 94 London Road, Reading, Berks, RG1 5AU, UK
    Ansible® 405 April 2021 From David Langford , 94 London Road, Reading, Berks, RG1 5AU, UK. Website news.ansible.uk. ISSN 0265-9816 (print); 1740- 942X (e). Logo: Dan Steffan . Cartoon (‘Dragon’s Eye’): Ulrika O’Brien . Available for SAE, ticholama, hesso-penthol or resilian. MOVING ON. October 2021 will see the tenth anniversary of the online £50 reg; under-17s £12; under-13s free. See novacon.org.uk. Encyclopedia of Science Fiction , hosted by Orion and linked to the SOLD OUT . 21-24 Apr 2022 ! Camp SFW, Vauxhall Holiday Park, Gollancz SF Gateway ebook operation. Orion/Gollancz have now decided Great Yarmouth. See www.scifiweekender.com. All places presumably not to renew the contract on 1 October. The principal Encyclopedia taken by membership transfers from the cancelled March 2021 event. editors John Clute and David Langford plan to move sf-encyclopedia.com POSTPONED AGAIN . 27-29 May 2022 ! Satellite 7, Crowne Plaza, to their own web server and continue as seamlessly as possible with Glasgow. £70 reg (£80 at the door); under-25s £60; under-18s £20; much the same ‘look and feel’, perhaps with a new sponsor and certainly under-12s £5; under-5s £2. See seven.satellitex.org.uk. Former dates 21- with a few improvements that the current platform doesn’t allow. 23 May 2021. All existing memberships transferred to 2022; no refunds. Rumblings. DisCon III (Worldcon 2021, Washington DC), with one The Army of Unalterable Law of its two hotels not only closed but filing for bankruptcy, is unable to tell Peter S. Beagle and his current business partners regained rights ‘to members whether it will be a physical as well as a virtual convention.
    [Show full text]
  • Taylor Doctoralthesis Complete
    21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies. The cinema, and the cinematic text, is a complex performance whose individual components combine to produce a sum greater than the total of its parts. The cinema itself is a performance—not just the acting—participating in a cultural dialogue, continually reshaping and challenging notions of liveness, made more urgent with the ever-increasing use of digital technologies that seem to further segregate what is generally considered real performance from the final, constructed cinematic text.
    [Show full text]
  • My Movies Collection
    My Movies Collection The [REC] Collection [REC] Type: Movie Type: Movie Year: 1900 Rel. Date: - Year: 2007 Rel. Date: - Director: - Runtime: 5h 38min Director: Paco Plaza Runtime: 1h 18min Actors: - Actors: Paco Plaza, Manuela Velasco, Ferran Terraza. Audio: - Audio: Subtitles: - Subtitles: [REC] 2 [REC] 3: Genesis Type: Movie Type: Movie Year: 2009 Rel. Date: - Year: 2012 Rel. Date: - Director: Paco Plaza Runtime: 1h 25min Director: Paco Plaza Runtime: 1h 20min Actors: Paco Plaza, Jonathan D. Mellor, Óscar Zafra, Ariel Casas. Actors: Paco Plaza, Leticia Dolera, Diego Martín. Audio: Audio: Subtitles: Subtitles: [REC] 4: Apocalypse 10 Cloverfield Lane Type: Movie Type: Movie Year: 2014 Rel. Date: - Year: 2016 Rel. Date: - Director: Jaume Balagueró Runtime: 1h 35min Director: Dan Trachtenbe... Runtime: 1h 43min Actors: Jaume Balagueró, Manuela Velasco, Paco Manzanedo. Actors: Dan Trachtenberg, John Goodman. Audio: Audio: Subtitles: Subtitles: 12 Angry Men 28 Days Later Type: Movie Type: Movie Year: 1957 Rel. Date: - Year: 2002 Rel. Date: - Director: Sidney Lumet Runtime: 1h 36min Director: Danny Boyle Runtime: 1h 53min Actors: Sidney Lumet, Martin Balsam, John Savoca. Actors: Danny Boyle, Alex Palmer, Bindu De Stoppani. Audio: Audio: Subtitles: Subtitles: 28 Weeks Later 3 Silent Classics by Josef Von Sternberg Type: Movie Type: Movie Year: 2007 Rel. Date: - Year: 1900 Rel. Date: - Director: Juan Carlos Fres... Runtime: 1h 40min Director: - Runtime: 4h 04min Actors: Juan Carlos Fresnadillo, Robert Carlyle, Rose Byrne. Actors: - Audio: Audio: - Subtitles: Subtitles: - The 39 Steps Abrakadabra Type: Movie Type: Movie Year: 1935 Rel. Date: - Year: 2018 Rel. Date: - Director: Alfred Hitchcock Runtime: 1h 26min Director: Nicolás Onetti Runtime: - Actors: Alfred Hitchcock, Robert Donat, Madeleine Carroll.
    [Show full text]
  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard
    [Show full text]
  • The Future: the Fall and Rise of the British Film Industry in the 1980S
    THE FALL AND RISE OF THE BRITISH FILM INDUSTRY IN THE 1980S AN INFORMATION BRIEFING National Library Back to the Future the fall and rise of the British Film Industry in the 1980s an information briefing contents THIS PDF IS FULLY NAVIGABLE BY USING THE “BOOKMARKS” FACILITY IN ADOBE ACROBAT READER SECTION I: REPORT Introduction . .1 Britain in the 1980s . .1 Production . .1 Exhibition . .3 TV and Film . .5 Video . .7 “Video Nasties” & Regulation . .8 LEADING COMPANIES Merchant Ivory . .9 HandMade Films . .11 BFI Production Board . .12 Channel Four . .13 Goldcrest . .14 Palace Pictures . .15 Bibliography . .17 SECTION II: STATISTICS NOTES TO TABLE . .18 TABLE: UK FILM PRODUCTIONS 1980 - 1990 . .19 Written and Researched by: Phil Wickham Erinna Mettler Additional Research by: Elena Marcarini Design/Layout: Ian O’Sullivan © 2005 BFI INFORMATION SERVICES BFI NATIONAL LIBRARY 21 Stephen Street London W1T 1LN ISBN: 1-84457-108-4 Phil Wickham is an Information Officer in the Information Services of the BFI National Library. He writes and lectures extensively on British film and television. Erinna Mettler worked as an Information Officer in the Information Services of the BFI National Library from 1990 – 2004. Ian O’Sullivan is also an Information Officer in the Information Services of the BFI National Library and has designed a number of publications for the BFI. Elena Marcarini has worked as an Information Officer in the Information Services Unit of the BFI National Library. The opinions contained within this Information Briefing are those of the authors and are not expressed on behalf of the British Film Institute. Information Services BFI National Library British Film Institute 21 Stephen Street London W1T 1LN Tel: + 44 (0) 20 7255 1444 Fax: + 44 (0) 20 7436 0165 Try the BFI website for film and television information 24 hours a day, 52 weeks a year… Film & TV Info – www.bfi.org.uk/filmtvinfo - contains a range of information to help find answers to your queries.
    [Show full text]
  • Zombies: New Media, Cinema, and Performance
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title 21st Century Zombies: New Media, Cinema, and Performance Permalink https://escholarship.org/uc/item/9hq1z1t7 Author Taylor, Joanne Marie Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California 21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies.
    [Show full text]
  • Now in It's 30 Year 25Th
    Now in it’s 30th Year 25th - 27th October 2019 Welcome to the third progress report for the thirtieth festival. We are pleased add another two guests have confirmed that can attend to complete the line-up for the festival. It just keeps getting better. How are you going to fit it all in? Writer/Director/Special Dez Skinn, Effects and Make-up Publisher— back by Design supremo popular request to Sergio Stivaletti finish the stories he started last year. Help us celebrate the past thirty years by sharing your memories of festivals past. Send us your photographs and tell us what you remember. We hope to include some of these in the festival programme book. Guests The following guests have confirmed that they can attend (subject to work commitments). Lawrence Deirdre Giannetto Janina Gordon Clark Costello De Rossi Faye Dana Pauline Norman J. Gillespie Peart Warren 1 A message from the 3 Festival’s Chairman 2010 As we approach Festival number 30 - one of the best 2011 things we can look forward to is getting to see a lot of faces who have been around for at least 20 or more years, who, like me, are beginning to show that it isn’t just films that age. 2012 It has been a hard task to find new guests but we managed it again this year – in fact we have some real quality guests in both the acting profession and the 2013 behind-the-screen work. When I, Tony, Harry and Dave Trengove started this event we were thinking it might continue for about 5 2014 years - not 30! So I would like to say that the success of the event, has been firmly in the hands of those mentioned and several other persons (some unfortunately no longer with us).
    [Show full text]
  • DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008
    DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008 Title Issue Page *batteries not included May 99 12 "10" Jun 97 5 "Weird Al" Yankovic: The Videos Feb 98 15 'Burbs Jun 99 14 1 Giant Leap Nov 02 14 10 Things I Hate about You Apr 00 10 100 Girls by Bunny Yaeger Feb 99 18 100 Rifles Jul 07 8 100 Years of Horror May 98 20 1000 Eyes of Dr. Mabuse Sep 00 2 101 Dalmatians Jan 00 14 101 Dalmatians Apr 08 11 101 Dalmatians (remake) Jun 98 10 101 Dalmatians II Patch's London Adventure May 03 15 10:30 P.M. Summer Sep 07 6 10th Kingdom Jul 00 15 11th Hour May 08 10 11th of September Moyers in Conversation Jun 02 11 12 Monkeys May 98 14 12 Monkeys (DTS) May 99 8 123 Count with Me Jan 00 15 13 Ghosts Oct 01 4 13 Going on 30 Aug 04 4 13th Warrior Mar 00 5 15 Minutes Sep 01 9 16 Blocks Jul 07 3 1776 Sep 02 3 187 May 00 12 1900 Feb 07 1 1941 May 99 2 1942 A Love Story Oct 02 5 1962 Newport Jazz Festival Feb 04 13 1979 Cotton Bowl Notre Dame vs. Houston Jan 05 18 1984 Jun 03 7 1998 Olympic Winter Games Figure Skating Competit May 99 7 1998 Olympic Winter Games Figure Skating Exhib. Sep 98 13 1998 Olympic Winter Games Hockey Highlights May 99 7 1998 Olympic Winter Games Overall Highlights May 99 7 2 Fast 2 Furious Jan 04 2 2 Movies China 9 Liberty 287/Gone with the West Jul 07 4 Page 1 All back issues are available at $5 each or 12 issues for $47.50.
    [Show full text]
  • British Films 1971-1981
    Preface This is a reproduction of the original 1983 publication, issued now in the interests of historical research. We have resisted the temptations of hindsight to change, or comment on, the text other than to correct spelling errors. The document therefore represents the period in which it was created, as well as the hard work of former colleagues of the BFI. Researchers will notice that the continuing debate about the definitions as to what constitutes a “British” production was topical, even then, and that criteria being considered in 1983 are still valid. Also note that the Dept of Trade registration scheme ceased in May 1985 and that the Eady Levy was abolished in the same year. Finally, please note that we have included reminders in one or two places to indicate where information could be misleading if taken for current. David Sharp Deputy Head (User Services) BFI National Library August 2005 ISBN: 0 85170 149 3 © BFI Information Services 2005 British Films 1971 – 1981: - back cover text to original 1983 publication. What makes a film British? Is it the source of its finance or the nationality of the production company and/or a certain percentage of its cast and crew? Is it possible to define a British content? These were the questions which had to be addressed in compiling British Films 1971 – 1981. The publication includes commercial features either made and/or released in Britain between 1971 and 1981 and lists them alphabetically and by year of registration (where appropriate). Information given for each film includes production company, studio and/or major location, running time, director and references to trade paper production charts and Monthly Film Bulletin reviews as source of more detailed information.
    [Show full text]
  • GAMEPLAY HD NIKKI the KNIFE Nick
    GAMEPLAY HD NIKKI THE KNIFE Nick “Nikki the Knife” Gallucci has been a professional gamer since 1998, having successfully competed on a national level with his team 20ID. Now, as host of his own GAMEPLAY HD original series, Gallucci travels to some of the biggest and best gaming events of the year, giving viewers a behind-the-scenes look at the often bizarre world of professional video gaming. World Premiere – “NIKKI THE KNIFE VS THE PENNY ARCADE EXPO – THE REMATCH” TV-MA Sunday, October 12th at 8:00PM ET Nikki the Knife attends the Penny Arcade Expo in Seattle, Washington, where he interviews Star Trek: The Next Generation star (and videogame enthusiast) Wil Wheaton, revisits the band Anamanaguchi, and searches for actor Tony Danza, rumored to be at the event. Along the way, Nikki checks out new games such as Iron Chef America, Fallout 3, Gears of War 2, Left 4 Dead and Brothers in Arms: Hells Highway. RUSH HD QUEST FOR THE 2008 NASCAR SPRINT CUP The action, drama and white-knuckle thrills of the #1 motorsport in America returns to RUSH HD with all-new episodes of its Emmy® Award-winning documentary series, QUEST FOR THE 2008 NASCAR SPRINT CUP. A RUSH HD exclusive, each episode of the series condenses the previous Sunday’s NASCAR Sprint Cup Series race into an action-filled 30-minutes covering the heart-pounding thrills on the track, as well as compelling behind-the- scenes stories. From planning meetings in the garage to cars racing door-to-door on the racetrack, each episode includes cinema verité-style footage of the race, dialogue between drivers and crew chiefs, and post-race driver interviews.
    [Show full text]