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Support Staff Association Naenabership Drive Takes Off Future
' ' • . ' . I . • . • · . I • : I ,, . , /,, //,,,,~ody Support staff SIXlH ANNUAL AIM4RDS FOR association naenabership CRFATIVE WORK IN lFIE ARTS 1980-81 drive takes off • • ., f , . • . By Mark Gerson attempt to form a CSN-affiliated union Nearly 300 members of the four weeks ago. university's support staff have joined At an informatin meeting held in H- CUNASA, the Concordia University 937 on March 11, 100-or-so staffers, Non-Academic Staff Association, since mostly from Sir George, were im a general mailing went out to all pressed with the importance of Concordia staff less than three weeks becoming actively involved in ago as part of a membership drive. CUNASA. CUNASA organizers estimate that "The 1976 attempt to form an there are somewhere in the neigh association failed due to the apathy of bourhood of 900 support staff members," said France Pelletier, a members in the university community, program advisor in Fine Arts. She and Academic Vice-Rector Graham warned the audience that if CUNASA Mai-tin has indicated that the ad meets a similar fate, the union ministration will likely recognize the organizers would return. association once it has signed 50 per Pelletier admitted, however, that cent plus one, or approximately 450 of unionization was not out of the them. question and, although the current Staff overwhelmingly rejected an See Association page 2 Future for n on-· · francophone. youths exanained By Beverley Smith First p,rize for Barry Blitt's p~ster in the Fifth Annual Arts Fes tival, Winners named, Students at Concordia are either not Non-Frc!_ncophone Youth." see story page 5. -
World's Columbian Exposition, 1893 : Official Catalogue. Part X
> * * ■ . * * • / Official Catalogue /» OF EXHIBITS^ W ORIsD’S COLUMBIAN Exposition Department K. FlNB f\RTS» Chicago W. B. GONKEY COMPANY, PUBLISHERS TO THE EXPOSITION (A 1893 606 9 4 * f , i World’s Columbian Exposition 1893 ♦ OFFICIAL CATALOGUE Pf\RT X. ART GALLERIES and ANNEXES Department K. FINE ARTS Painting, Sculpture, Architecture,, DE.GORATION HALSEY G. IV&S, Chief » —— . .. • • • - ^ Edited by The Department of Publicity and Promotion M. P. HANDY, Chief CHICAGO: W. B. CONKEY COMPANY, PUBLISHERS TO THE World's Columbian exposition, 1693. 4 Entered according to Act of Congress in the year A. D. 1893, in the office of Librarian of Congress at Washington, D. C., by The World’s Columbian Exposition, For the exclusive use of W. B. Conkey Company, Chicago. This Catalogue presents the lists of exhibitors and exhibits as they were installed or accepted for installation, according to information filed with the editor of the Catalogue at the time of going to press. Additional entries, withdrawals, or changes in location of exhibits, will be noted in a subsequent edition. W. B. CONKEY COMPANY PRINTERS AND BINDERS CHICAGO. DEPARTMENT OF FINE ARTS. (K> HALSEY C. IVES, CHIEF. CHARLES M. KURTZ, ASSISTANT CHIEF. SARA T. HALLOWELL, ASSISTANT. LOUIS J. MILLET, SUPERINTENDENT OF ARCHITECTURAL AND DECORATIVE EXHIBITS GEORGE CORLISS, SUPERINTENDENT OF GALLERIES. I 6 DEPARTMENT K.—FINE ARTS. GROUP 143.—ENGRAVINGS AND ETCHINGS; PRINTS. FOR ETCHINGS NEW YORK. Carleton T. Chapman. C. F. W. Mielatz. Samuel Colman. C. A. Platt. James D. Smillie. PHILADELPHIA. Hermann Faber. Max Rosenthal. Bernhard Uhle. BOSTON. W. B. Closson. S. R. Koehler. Charles A. -
Persepolis and Waltz with Bashir, an Alternative Perspective on the Middle
PERSEPOLIS AND WALTZ WITH BASHIR, AN ALTERNATIVE PERSPECTIVE ON THE MIDDLE EAST, A MIRROR FOR THE WEST by Kristyna Dzmuranova This thesis was prepared under the direction of the candidate's thesis advisor, Dr. Stephen Charbonneau, School of Communication & Multimedia Studies, and has been approved by the members of her supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in paI1iai fulfillment of the requirements for the degree of Master of Arts. SORY COMMITTEE: ----y'--- - ~ant&:L Susan Reilly, Ph.D. ~ Director, School of Communication & Multimedia Studies Heather Coltman, D.M.A. Interim Dean, The Dorothy F. Schmidt College of A11s and Letters 117Z-r~ .. 11 PERSEPOLIS AND WALTZ WITH BASHIR, AN ALTERNATIVEPERSPECTIVE ON THE MIDDLE EAST, A MIRROR FOR THE WEST I. Introduction...........................................................................................................................................1 A. Delving into the Topic..................................................................................................................1 B. Overview of the Examined Movies...............................................................................................5 1. Persepolis................................................................................................................................5 2. Waltz with Bashir.....................................................................................................................6 C. Literature -
100 YEARS at the PHOENIX Archive of an Oxford Cinema 1913 – 2013
100 YEARS AT THE PHOENIX Archive of an Oxford Cinema 1913 – 2013 Hiu M Chan Dedicated to the Phoenix and Oxford with love This archive is part of a post-graduate research project and so is work-in-progress. While every effort has been made to weed out errors and inconsistencies – derived from the source material (newspaper microfi che archives) – some will have inevitably slipped through. If you spot any errors and omissions please get in touch via the website http://phoenixcentenary.wordpress.com and we will update the database. The publishers are not responsible for the verifi cation of the entries; that is my remit. Thank you. Hiu M Chan and the Phoenix Centenary Project Published in conjunction with the centenary of the Oxford Phoenix Picture, 57 Walton Street, Oxford OX2 6AE © Hiu M Chan, 2013 All right reserved No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form by any means, electronic or mechanical, without prior written permission of the author. ISBN 978-0-9567405-5-7 Design: Nick Withers Associate Editor: James Harrison Film lists typeset in Helvetica Neue Digitally printed and bound in England by Charlesworth Press, Wakefi eld, Yorkshire A special limited hardback edition was also published exclusively for use in the cinema on the 100th anniversary, 15th March 2013. For further details, research feedback, or to input any updates, corrections or amendments please contact: www.hiuandfi lm.com Oxfordfolio, 100A Cowley Road, Oxford OX4 1JE Preface 15th March 2013 marks the 100th anniversary of the Phoenix Picturehouse Cinema in Oxford. -
Early Features of Melbourne and Sydney Film Festival Programmes (1952–1965)
A PPENDIX 1: EARLY FEATURES OF MELBOURNE AND SYDNEY FILM FESTIVAL PROGRAMMES (1952–1965) © The Author(s) 2016 205 K. Stevens, Australian Film Festivals, DOI 10.1057/978-1-137-58130-3 206 APPENDIX 1: EARLY FEATURES OF MELBOURNE AND SYDNEY… # Films shared between # Films shared MFF and SFF programmes lms and programme elements Sydney Film Festival Select fi Programme breakdown lms, c fi lms, lms, Berlin lms, Germania Anno Mike and Stefani (Darbon and Louisiana Story lms, documentaries lms, early Australian lms, animated fi (Flaherty, 1926); (Flaherty, lms grouped in thematic lms and programme elements (Rossellini, 1948) lm, French avant-garde fi lms from Canada (Ruttman, 1927); Zero Shorts programmes: scientifi religious fi experimental fi Discussion: Censorship, Film Criticism Select fi La Belle et la Bête Cocteau, 1946); 1948); (Flaherty, (Williams, 1951) Short fi and national programmes, including: Religious fi classroom fi fi fi Discussion forums: Film Society Problems, Censorship, Film and Making a Film Society, Moana Melbourne Film Festival lms lms Programme breakdown 8 features 79 short fi 9 features 88 short fi Year Year 1952 1953 APPENDIX 1: EARLY FEATURES OF MELBOURNE AND SYDNEY… 207 ) continued ( lms lms 9 features 13 short fi 6 features 12 short fi c, The (Dreyer, (Dreyer, (de Sica, (Heyer, (Heyer, (Rossellini, (Yutkevitch, (Yutkevitch, (Tati, 1948); (Tati, (Longford, lm programme (Schoedsack & (Kinugasa, 1953); lms Miracle in Milan Skanderbeg Jour de fête Back of Beyond Grass (Cocteau, 1950); Orphée Sentimental Bloke 1919); -
Film Title Notes Year Country Director Subtitles Link 1 Link 1 Short Cuts
Film Title Notes Year Country Director Subtitles Link 1 Link 1 Short Cuts Drame/Comédie dramatique ‧ 3h 10m "Short1993 Cuts"_America 7,7/10 Robert Altman yes https://drive.google.com/open?id=1qal0SqE_vgiVJV9JRqlc0Fpk7F_KGBb_zg Peppermint Candy 1999 _Korea Lee Chang dong yes https://drive.google.com/open?id=1xcswzuQ8DaFq-Ei_sIOofxWkANRkEVGlzQ Chronicle of the Years of Fire 1975 AlgeriaMohammed Lakhdar-Haminano https://drive.google.com/open?id=1_zcadQmwv6b1xpFyGEQGSbsOhKXKTmzAcghttps://drive.google.com/open?id=1NdbBesi7qmV0wHDCvW5JQo2V6zsvLSCWyw Cameraperson Documentaire ‧ 1h 43m 7,4/10 2016 America Kirsten Johnson yes https://drive.google.com/open?id=1-cK37wuoxiguvyvP8vrRqvRmw6q2FTG1Hg Only Lovers Left Alive Drame/Cinéma de fantasy ‧ 2h 3m 7,3/10 2013 America Jim Jarmusch yes https://drive.google.com/open?id=1w0JyOV7CoHD-gZqsjnON8JXPLOWzQ5uynw Before Midnight 2013 America Richard Linklater yes https://drive.google.com/open?id=16pp4B4kNhr2W-O8zynXOLF4UShQjVUXjUw Samsara Musique/Documentaire ‧ 1h 42m 8,5/10 2011 America Ron Fricke no dialog https://drive.google.com/file/d/100Ho0HXzzTJ05COTepsTrRONLM38hyhWUA/view The Tree of Life 2011 America Terrence Malick yes https://drive.google.com/open?id=18grJWNXNTiipJUDq8_TFkBWHsUYaHPo5kA Somewhere 2010 America Sofia Coppola yes https://drive.google.com/open?id=1I3QgQhzfuB3PWkxOOT7kjbFu1hsoPDp_mw The Limits Of Control 6.3 2009 America Jim Jarmusch yes https://drive.google.com/open?id=19b4ccbxEfqnQSZ_w8epncwBBXWN1anXK1A Idiots and Angels animation 2008 America Bill Plympton no dialog https://drive.google.com/file/d/1rSGxujBDD0oqnB0O8Y5wyqpgHnFpljY6kA/view -
The Rise of Art Cinema in Postwar Film Culture: the Exhibition, Distribution, and Reception of Foreign Language Films in Britain 1945–1968
The rise of art cinema in postwar film culture: the exhibition, distribution, and reception of foreign language films in Britain 1945–1968 Margaret O’Brien Submitted for the qualification of Doctor of Philosophy Birkbeck University of London Department of Film, Media and Cultural Studies 2018 1 I declare that the work presented in this thesis is entirely my own. __________________________________ MARGARET O’BRIEN © Margaret O'Brien 2018. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from this thesis, nor any information derived therefrom, may be published without the author's prior written consent. 2 Abstract The rise of art cinema in postwar film culture: the exhibition, distribution, and reception of foreign language films in Britain 1945–1968 This institutional and cultural history seeks to restore the foreign language art film to its influential position in postwar British film culture. Its central argument is that the elevation of a group of mainly European directors and films to the newly autonomous field of cinematic art reached its heights in the 1950s and 1960s. Three main factors which drove this process are explored: firstly, changes in society related to education and social mobility that created new audiences; secondly, changing economic and cultural contexts, especially the film festival, whereby European productions were able to challenge Hollywood; and thirdly the construction of new institutional frameworks through publications, distribution companies, cinemas, and film societies. A further argument is that film critics, who were increasingly promoting the ideas of personal authorship inflected by national histories, provided audiences with analytical tools for their readings of art films, thus becoming key agents in the construction of intellectual discourses which separated the art film from Hollywood studio production. -
Cinderella of Modern Greece”: Aliki Voyouklaki As National Romance
FILMICON: Journal of Greek Film Studies ISSUE 1, September 2013 “Cinderella of Modern Greece”: Aliki Voyouklaki as National Romance Nick Potamitis Film scholar and poet, Cambridge ABSTRACT As a metaphor for social unity, the love couple functions as an ideological symbol par excellence. Greece during the 1950s, characterized as it was by the attempt at establishing right-wing hegemony, saw a massive discursive mobilization of this privileged signifier in support of ideological reconstruction. Aliki Vouyouklaki starred in over a dozen hugely popular and commercially successful films alongside Dimitris Papamichael, and theirs was a popular dyad that conflated both diegetic and extra-textual romance, embodying a passionate and often rowdy on-screen relationship re-enacted in the well-publicized celebrity marriage that followed. In the context of post-war reconstruction it is not love that conquers all but capitalism – the Law. Three romantic comedies starring Aliki Vouyouklaki and Dimitris Papamichael (Spare the Rod…, Mandalena, and Aliki in the Navy) will serve to illustrate the process by which the authority of the law is inflected anew through the matrix of romance. KEYWORDS Vouyouklaki stardom ideology civil war popular cinema romance 79 CINDERELLA OF MODERN GREECE ISSUE 1, September 2013 MODERN GREEK FAIRYTALES I wrote once that Vouyouklaki was synonymous with Karamanlis, and I meant that they both began their careers together. And they were careers in parallel. They both imprinted on their careers the misery, the dreams, the illusions, the nightmares and the hopes, the delusion and the wiles of an entire people. Karamanlis created a bourgeois Greece … and it was one such Greek girl that Aliki personified.