Keith Jarrett Standards, Vol. 1 Mp3, Flac, Wma

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Keith Jarrett Standards, Vol. 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Standards, Vol. 1 Country: Japan Released: 1991 Style: Post Bop MP3 version RAR size: 1539 mb FLAC version RAR size: 1538 mb WMA version RAR size: 1346 mb Rating: 4.7 Votes: 363 Other Formats: ADX AA MIDI DMF ASF DXD WAV Tracklist Hide Credits The Meaning Of The Blues 1 4:23 Written-By – Bobby Troup, Leah Worth All The Things You Are 2 7:45 Written-By – Jerome Kern, Oscar Hammerstein* It Never Entered My Mind 3 6:43 Written-By – Lorenz Hart, Richard Rodgers The Masquerade Is Over 4 9:57 Written-By – Allie Wrubel, Herbert Magidson God Bless The Child 5 15:33 Written-By – Arthur Herzog*, Billie Holliday* Companies, etc. Recorded At – Power Station Phonographic Copyright (p) – ECM Records GmbH Copyright (c) – ECM Records GmbH Marketed By – Polydor K.K. Credits Design [Cover] – Barbara Wojirsch Double Bass – Gary Peacock Drums – Jack DeJohnette Engineer – Jan Erik Kongshaug Liner Notes [Japanese] – Shoichi Yui Piano – Keith Jarrett Producer – Manfred Eicher Notes Recorded January 1983 at Power Station, New York City. ℗ 1983 ECM Records GmbH © 1983 ECM Records GmbH Comes with Obi and Japanese insert. Barcode and Other Identifiers Barcode: 4 988005 079046 Rights Society: JASRAC Label Code: J33J-20200 Other versions Category Artist Title (Format) Label Category Country Year Keith Jarrett, Gary ECM Keith Jarrett, Peacock, Jack ECM 1255, Records, ECM 1255, Gary Peacock, DeJohnette - Germany 1983 811 966-1 ECM 811 966-1 Jack DeJohnette Standards, Vol. 1 Records (LP, Album) Keith Jarrett, Gary ECM Keith Jarrett, Peacock, Jack ECM 1255, Records, ECM 1255, Gary Peacock, DeJohnette - Germany Unknown 811 966-4 ECM 811 966-4 Jack DeJohnette Standards, Vol. 1 Records (Cass, Album) Standards, Vol. 1 ECM 811 966-2 Keith Jarrett 811 966-2 Germany 1985 (CD, Album, RE) Records Keith Jarrett, Gary Keith Jarrett, Peacock, Jack ECM ECM 1255 Gary Peacock, DeJohnette - ECM 1255 Spain 1984 Records Jack DeJohnette Standards, Vol. 1 (LP) Keith Jarrett, Gary Peacock, Jack Keith Jarrett, DeJohnette - ECM UCCU-6024 Gary Peacock, UCCU-6024 Japan 2011 Standards, Vol. 1 Records Jack DeJohnette (CD, Album, Ltd, RE, RM, SHM) Related Music albums to Standards, Vol. 1 by Keith Jarrett Keith Jarrett, Gary Peacock, Jack DeJohnette - Changes Keith Jarrett Trio - Standards Live Keith Jarrett Trio - Bye Bye Blackbird Keith Jarrett - Standards, Vol. 1 Keith Jarrett - The Art Of Improvisation Keith Jarrett, Gary Peacock, Jack DeJohnette - Standards, Vol. 2 Keith Jarrett Trio - Still Live John Abercrombie, Dave Holland, Jack DeJohnette - Gateway - In The Moment Keith Jarrett / Gary Peacock / Jack DeJohnette - Somewhere (Live In Lucerne 2009) Keith Jarrett • Jack DeJohnette - Ruta And Daitya.

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Dante Anzolini
Music at MIT Oral History Project Dante Anzolini Interviewed by Forrest Larson March 28, 2005 Interview no. 1 Massachusetts Institute of Technology Lewis Music Library Transcribed by: Mediascribe, Clifton Park, NY. From the audio recording. Transcript Proof Reader: Lois Beattie, Jennifer Peterson Transcript Editor: Forrest Larson ©2011 Massachusetts Institute of Technology Lewis Music Library, Cambridge, MA ii Table of Contents 1. Family background (00:25—CD1 00:25) ......................................................................1 Berisso, Argentina—on languages and dialects—paternal grandfather’s passion for music— early aptitude for piano—music and soccer—on learning Italian and Chilean music 2. Early musical experiences and training (19:26—CD1 19:26) ............................................. 7 Argentina’s National Radio—self-guided study in contemporary music—decision to become a conductor—piano lessons in Berisso—Gilardo Gilardi Conservatory of Music in La Plata, Argentina—Martha Argerich—María Rosa Oubiña “Cucucha” Castro—Nikita Magaloff— Carmen Scalcione—Gerardo Gandini 3. Interest in contemporary music (38:42—CD2 00:00) .................................................14 Enrique Girardi—Pierre Boulez—Anton Webern—Charles Ives—Carl Ruggles’ Men and Mountains—Joseph Machlis—piano training at Gilardo Gilardi Conservatory of Music—private conductor training with Mariano Drago Sijanec—Hermann Scherchen—Carlos Kleiber— importance of gesture in conducting—São Paolo municipal library 4. Undergraduate education (1:05:34–CD2 26:55)
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John Stephens, Composer 2000 Johansen International Competition for Young String Players
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Cal Poly Arts Season Launches with Jazz Trio Oct. 4 http://www.calpolynews.calpoly.edu/news_releases/2006/September... Skip to Content Search Cal Poly News News California Polytechnic State University Sept. 11, 2006 FOR IMMEDIATE RELEASE Jazz Trio Plays Spanos Theatre Oct. 4 SAN LUIS OBISPO – In a spectacular showcase featuring jazz greats Bill Frisell (guitar/banjo), Jack DeJohnette (drums, percussion, piano) and Jerome Harris (electric bass/vocals), Cal Poly Arts launches its new 2006-07 performing arts season. The trio of master musicians will perform on Wednesday, October 4, 2006 at 8 p.m. in the Spanos Theatre. The evening will include highlights from the acclaimed release, “The Elephant Sleeps But Still Remembers.” Recorded at Seattle’s Earshot Festival in October 2001, “The Elephant Sleeps But Still Remembers” brilliantly captures the collaboration of two unparalleled musical visionaries: Jack DeJohnette -- “our era’s most expansive percussive talent” (Jazz Times) -- and Bill Frisell, “the most important jazz guitarist of the last quarter of the 20th century” (Acoustic Guitar). DeJohnette and Frisell first worked together in 1999. “We immediately had a rapport and we talked about doing more,” DeJohnette recalls. Frisell needed no convincing: “I have been such a fan of Jack’s since the late ’60s when I first heard him,” the guitarist says. “He’s been such an influence and inspiration throughout my musical life.” The two got together the afternoon before the 2001 Earshot concert and at the soundcheck, ran through a couple of numbers, but the encounter was largely improvised. “We had a few themes prepared,” Frisell says, “but it was pretty much just start playing, and go for it.” According to DeJohnette, “Bill and I co-composed in real time, on the spot” for “The Elephant Sleeps...” The album features 11 tracks covering a breadth of sonic territories.
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In Consideration of the Performers and Other Members of The
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DECEMBER 2011 ISSUE MMUSICMAG.COM DECEMBER 2011 ISSUE MMUSICMAG.COM MUSICIAN What do you recall of the Rio show? I’m doing—although I don’t know anybody ESSENTIAL JARRETT When I walked onstage for the Rio concert who does—is beginning. On Rio there are I was at ease. There was something warm 15 difficult moments that wouldn’t exist if I and glowing about the hall. It was a little played constantly. It’s an affirmation of my The Köln Concert funky, and there was something inviting state of mind being so open that I can start (1975) about it. But I wasn’t aware of my radical over 15 times and create a structure that This is the one that put feelings about it until I listened back to it. more or less seems unimprovised. Jarrett on the map as I couldn’t stop listening to it, and that had a solo piano master. never happened to me before. What guides you? Recorded in Germany In Buddhism, an empty mind is the real in January 1975, it went on to become What makes a show stand out? music. It’s that first choice of sound that one of the best-selling jazz albums—and In my case it has nothing at all to do with brings you back into the world again. When I best-selling piano album—in history, with musical thought. It’s just, am I in the right began that format, the audiences didn’t know more than 3 million copies sold worldwide. place? Did I have the right meal? I somehow what the hell to do: “Do I applaud? Is he realized that there was a connection with OK?” When I came onstage for the second Nude Ants the audience that grew as the Rio concert set in Rio, I had no idea I was going to play (1979) continued.
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POST EXAMINER FINAL Full Thesis Compile No 2A W Table of Contents
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