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Jackson's Auction
Jackson's Auction Collector's Choice: Antiques & Collectibles Tuesday - September 18, 2012 Collector's Choice: Antiques & Collectibles 1: GALLE CAMEO GLASS AND LOETZ STYLE ART GLASS VASES USD 200 - 400 GALLE CAMEO GLASS AND LOETZ STYLE ART GLASS VASES, CIRCA 1900. The Galle with cut fern decoration (damaged), the Loetz style with amber oil spot finish over an opalescent body with crimped rim. Height 9.5 inches (24 cm) and 5 inches (12.5 cm). 2: A CONSOLIDATED LOVEBIRDS VASE USD 100 - 200 A CONSOLIDATED MOLDED AND FROSTED GLASS LOVEBIRDS VASE, EARLY 20TH CENTURY. With blue patina. Height 10.5 inches (26.5 cm). 3: IN THE MANNER OF LALIQUE, A LARGE CHARGER USD 100 - 200 IN THE MANNER OF LALIQUE, A LARGE MOLDED AND FROSTED GLASS CHARGER, 20TH CENTURY. Depicting dancing nudes on a blue stained ground, apparently unsigned. Diameter 17.75 inches (45 cm). 4: A FRENCH OPALESCENT MOLDED ART GLASS TRAY USD 150 - 250 A FRENCH OPALESCENT MOLDED ART GLASS TRAY, FIRST HALF OF 20TH CENTURY. In the manner of Sabino with large floral blossoms and a butterfly molded in deep relief with powder blue opalescent highlights under a satin finish, apparently unsigned. Diameter 13.25 inches (33.5 cm). 5: A VERLYS MOLDED AND FROSTED GLASS CHARGER USD 150 - 250 A VERLYS MOLDED AND FROSTED GLASS CHARGER, 20TH CENTURY. Depicting three birds in flight and goldfish. Inscribed Verlys. Diameter 13.75 inches (35 cm). 6: AN R. LALIQUE FOR D'ORSAY GLASS CREAM JAR USD 350 - 550 AN R. LALIQUE FOR D'ORSAY MOLDED AND FROSTED GLASS CREAM JAR. -
Touch of Glass
A Touch of Glass PopularScience A Touch of Glass SUKANYA DATTA NATIONAL BOOK TRUST, INDIA ISBN 978-81-237-9071-8 First ePrint Edition 2020 © Sukanya Datta Rs:185.00 ePrint by Ornate Techno Services Pvt Ltd Published by the Director, National Book Trust, India Nehru Bhawan, 5 Institutional Area, Phase-II Vasant Kunj, New Delhi - 110070 Website: www.nbtindia.gov.in This book is dedicated with love to the memory of Debjani Ghosh (Bubul didi) and to Sanjoy Ghosh (Sanjoyda) for being my Go-To couple foreverything for as long as I canremember. Contents Acknowledgement i Preface x x 1. Fact and Fairytale i1 2. First Look 5 3. Natural Glass 9 4. Making Glass 16 5. Techniques and Tools ofTrade 43 6. Glass Industry in the Ancient 69 World 118 7. Glass Industry in Ancient India 128 8. Glass Industry of Modern India 147 9. Gallery of ArtGlass 167 10. Architectural Wonders in Glass 187 11. Fun Fact and Futuristic Firsts 207 12. Idioms Inspired by Glass SelectBibliography 221 Index 225 Acknowledgement My association with the National Book Trust (NBT) goes back almost two decades and I have always first approached NBT with any new manuscript of mine; rarely have I been refused. For this privilege I thank the Director, NBT with all my heart. Heartfelt thanks are also due to Mrs. Kanchan Wanchoo Sharma then at the Editorial Department of NBT. Her very positive feedback to my idea gave me the encouragement to go forward with the manuscript. My current Editor Ms. Surekha Sachdeva who took over from Kanchan has been most meticulous in editing and deserves my thanks for all her efforts. -
Uranium Glass by Barrie Skelcher
Uranium Glass By Barrie Skelcher To the general public the word uranium is synonymous with nuclear weapons, nuclear power stations and radioactivity. But the term uranium glass, to the collector, will always be associated with that oily, yellow-green, transparent medium known colloquially as Vaseline glass. However, this is only part of the story. The chemistry textbooks tell us that uranium was discovered by the German chemist, Martin Heinrich Klaproth, in 1789, which is perhaps a simplification of the truth. The element was named after the planet Uranus and what Klaproth reported to the Royal Prussian Academy of Science in that year was uranium oxide, which he had separated from the heavy, black mineral known as pitchblende. The element itself was not isolated until 1841, but this did not stop it from being used in glassmaking. The chemistry of uranium is somewhat complex as it has several valency states. It is also amphoteric, being able to act as either a base or an acid. Hence we can have such compounds as uranium nitrate or sodium diuranate. This must have made life somewhat bewildering for the early 19th century glassmakers, especially as the chemists of those years had only a very crude understanding of molecular compositions. Perhaps this is why in the surviving batch books of those days we find such loose terminology. For example in a Whitefriars batch book of 1832, on the same page we see the terms “Saltpetre” and “Nitre” used in adjacent recipes when they were in fact the same compound, i.e. potassium nitrate. In other books we see recipes using the term “lead”, “litharge”, “red lead” and even “lead or litharge”. -
Collectible Glass
COLLECTIBLE GLASS Glass Canes Gold w/ Red Candy Cane Swirl Blown Glass Ball Top Cane, 45 ½” Tall Green 3-Sided w/ Rope Twist End of the Day Art Glass Cane, 40” Tall Red/White Swirl 4-Side End of the Day Art Glass Cane, 37” Tall Aqua 3-Sided End of Day Art Glass Cane w/ Shepherds Hook, 58” Tall Vaseline Opalescent Glass Fenton Vaseline Opalescent Hobnail Basket w/ Candy Ribbon Edge, 6” Tall Vaseline Opalescent Hobnail Bride’s Basket, 7” Diameter Bowl, 12” Tall Vaseline Opalescent 4-Flower Trumpet Vase Vaseline Opalescent Covered Butter Dish Vaseline Opalescent Cream & Sugar Vaseline Opalescent Bonbon Stand, 7 ½” Diameter Vaseline Opalescent Jack in the Pulpit Stem Vase, 9 ½” Tall Vaseline Opalescent Gold Trimmed Spooner, Cream & Sugar Vaseline Opalescent Daisy & Button Fan Vase, 4” Tall Vaseline Opalescent Jack in the Pulpit Vase, 7” Tall Vaseline Opalescent Toothpick Vaseline Opalescent Open Candy Dish, 4” Tall Vaseline Opalescent Hobnail Single Epergne Base Vaseline Opalescent Hobnail Vase, 5 ½” Tall Vaseline Opalescent Footed Nut Dishes (3) Vaseline Opalescent Individual Creamer Vaseline Opalescent Ruffle Bowl, 3” Diameter Vaseline Opalescent Beaded Whimsy Open Candy Dish, 4” Tall Vaseline Swirl Vase, 6 ½” Tall Vaseline Opalescent Hobnail Bowl, 10” Diameter Vaseline Opalescent Bowl, 5” Diameter Vaseline Opalescent w/ Basket Weave Reverse, 7” Bowl Vaseline Opalescent Cherry Ruffle Spooner Vaseline Opalescent Candy Stripe Whimsy Vase, 6” Tall Vaseline Opalescent Enamel Painted Floral Vase, 5” Tall Vaseline Opalescent Heart Pattern Bowl, -
Reviews on Nº 2 2013
Reviews on Nº 2 2013 2012 ICOM Glass Meeting Lectures: Glass collections in Spain GLASS Interview: Javier Gómez Edit ICOM INTERNATIONAL COMMITTEE FOR MUSEUMS AND COLLECTIONS OF GLASS http://network.icom.museum/glass Editorial and Board Members Paloma Pastor. Chair Jane Shadel Spillman. Secretary Karin Rühl. Treasurer Kaisa Koivisto Reino Liefkes Teresa Medici Susanne Netzer Anne Vanlatum English text correction Jane Shadel Spillman Coordinator of this journal Paloma Pastor Cover illustration Javier Gómez, “Espacio Abierto XXIII”, 2001, Particular collection, France Back cover Illustration Meritxell Tembleque and Joaquim Falcó, “Voces de piedra”, 2007 Layout Cyan, Proyectos Editoriales, S.A. © 2013 ICOM Glass and authors ISSN: 2227-1317 Journal sponsored by ICOM. International Council of Museums We want to take this opportunity to thank the peo- ple who have collaborated in this Journal, particu- larly Jane Shadel Spillman and Teresa Medici for their effort and support. No part of this magazine may be used or reproduced Yolanda Tabanera, Installation. Cloister of Santa María without the written permission of the publisher. ICOM Glass can not accept any responsibility for la Real, in Nájera, La Rioja, 2005. errors or inaccuracies in the information. SUMMARY 6 Lectures 6 ICOM Glass Meeting in Spain 7 European Glassmaking Technology in China: Kilian Stumpf’s probable Influence ‘over liuli’ 15 Artistic Production of the Bohemian- Moravian Glassworks (CˇMS) in the 1940s 20 From the Gilded Age to the Roaring Twenties: The Mt. Washington and Pairpoint -
(#115 Line), Update on Hobbs Brockunier and Hobbs Glass Co
(#115 line), Update on Hobbs Brockunier and Hobbs Glass Co. Art Glass. Tom Bredehoft 8-1 200 Years of Glass Making in WV, Younger Generation Helps to Celebrate 11-2 200 Years of West Virginia Glass 1813-2013, Dean Six 11-1 200 Years of West Virginia Glass 1813-2013: The Celebration Continues 11-2 (#205 line), Update on Hobbs Brockunier and Hobbs Glass Co. Art Glass. Tom Bredehoft 8-1 (#323 line), A Closer Look: No. 323 Toy Water Set by Hobbs, Brockunier & Co., Dave Peterson 8-4 (#346 line), Update on Hobbs Brockunier and Hobbs Glass Co. Art Glass. Tom Bredehoft 8-1 (A.A. Importing), Slag Glass, Tom Felt 2-4 (Acanthus & Palmette pattern), Imperial Glass Reproductions of Early American Glass from the MMA, Dean Six 5-2 (Acid Seal Label), From the Past 1-3 (Acorn pattern), I Can See Clearly Now! Collecting Clear Glass Examples of Art Glass Shakers, Scott Beale 10-3 (Acorn pattern), A Step Away From the Usual: Collecting Odd Colored Victorian Shakers, Scott Beale 11- 4 (Actress pattern), Opera (Actress) Pattern, Bob Sanford 8-4 (Actress pattern), Women on Glass Made in America, 1850-1910, Part 1, Historical Glass Club of Pittsburgh Study Group 10-3 (Adams & Co.), EAPG vs L.G. Wright: Wildflower Pattern, Dean Six 7-3 (Adams & Co.), Match Safes and Holders, Dean Six 7-3 (Adams & Co.), Novelty Teapot, Bob Sanford 3-2 (Adams & Co.), Lamps, An Oversimplified History of, Dean Six 3-2 (Adams & Co.), Opera (Actress) Pattern, Bob Sanford 8-4 (Advertising glass), Fostoria Brazilian Pickle Dishes, Harold Roth 9-2 (Aetna Glass), Bird Caster, The 6-3 (Aetna's No. -
Glass: a Pocket Dictionary of Terms Commonly Used to Describe Glass
T H E C O R N I N G M U S E U M O F G LASS Glass A Pocket Dictionary of Terms Commonly Used to Describe Glass and Glassmaking R E V I S E D E DITION Glass A Pocket Dictionary of Terms Commonly Used to Describe Glass and Glassmaking Les Pins (Pines), blown, applied, cut, engraved. France, Emile Gallé, dated 1903. H. 17.8 cm (88.3.31). Purchased with funds from the Clara Peck Endowment, the Houghton Endowment, and a special grant. Glass A Pocket Dictionary of Terms Commonly Used to Describe Glass and Glassmaking Revised Edition CO mp IL ed B Y D AVI D W H I teh O U S E T he CO R N I N G M U S eum O F G L A SS edITOR: Richard W. Price DESIGN AND TYPOGRaphY: Jacolyn S. Saunders COPYRIght © 1993, 2006 The Corning Museum of Glass Corning, New York 14830-2253 Standard Book Number: 0-87290-165-3 Library of Congress Control Number: 93-072859 PREFACE This short dictionary, originally published in 1993, is intended to help students and collectors of glass to understand some of the unfamiliar words that they may encounter in books, cata- logs, and museum labels. It contains definitions of words and phrases that describe glassmakers’ materials, techniques, tools, and products. Words that appear in boldface type in the defi- nitions have their own entries elsewhere in the dictionary. The illustrations have been selected from objects in The Cor- ning Museum of Glass. They are described on pages 91–94.