2019-20 Academic All-America® Committee
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Discorder April 200 1 That Fluffy Tailed Magazine from Citr 101.9 Fm
DISCORDER APRIL 200 1 THAT FLUFFY TAILED MAGAZINE FROM CITR 101.9 FM WEIGHTS & MEASURES • ANION TOBIN • FROG EYES • KIA KADIRI SOLARBABY • LADYTRON • CANNED HAMM DIARY i— t^n\jr g MO INJ -IT TOUR DE with special guests I Tickets Available At I I ucHotmaaror | At Richards on Richards j (604) 280-4444 f 1036 Richards St. AND ONE BASSIX Vancouver, BC IIMM* h*£ 217 W. Hastings & Landscape Body Machine (604) 689 - 7734 Doors at 8 pm *MP Jr? ?f J ROC CATCH'EM WFJ ©THE COMMODORE SATURDAY APRIL 28TH, NOISE CONSPIRACY R0CK1T FROM THE CRYJPJL JHE (I NTERNATIONAl) NOISE CONSPIRACY ^GROUP SOUNDS" "SURVIVAL SICKNESS" RES QVAGRANT > WATER STREET VANCOUVER CANADA Events at a glance: heavily sedated: Barbara Andersen frffi#lffffi in training: Lyndsay Sung kia kadiri by hancunt p. 12 ad rep: DJ Z-TRIP @ CROSSFADE FRIDAYS solarbaby by spike p. 13 Maren Hancock art directrix: frog eyes by jay aouillara p. 14 Lori Kiessling ladytron by Christine gfroerer p. 15 assistant art director: amon tobin by luke meat and robert robot p. 16 Matt Searcey THURSDAY APRIL 19 weights and measures by lia kiessling p. 17 producfion mananger: Christa Min MARQUES WYATT canned hamm tour diary by little hamm p. 19 photo editor: Ann Goncalves real live action editor: STRICTLY RHYTHM, KING STREET i... _ Steve DiPasquale •fe AmaHnrl* "Hn.iR« Music" On YOSHITOSHI, layout: interview hell p. 5 Russ "Switch" Davidson, Farah Dharshi, Lori, Matt Searcy, Tara 7" p. 6 Westover radio free press p. 7 photography and illustrations: SATURDAY APRIL 21 Hoi strut and fret p. -
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ARTICLE THE SIXTH AMENDMENT FAÇADE: THE RACIAL EVOLUTION OF THE RIGHT TO COUNSEL SHAUN OSSEI-OWUSU† ABSTRACT One of the most perilous pitfalls of constitutional criminal procedure scholarship is the inexact treatment of race vis-à-vis the Sixth Amendment right to counsel. This imprecision exists because of historical and theoretical blind spots. In right to counsel literature, race is either neglected, subsumed under poverty, or understood in the simple terms of disproportionality (e.g., how indigent defense’s failures acutely impact racial minorities). A historical examination of early legal aid institutions and jurisprudence reveals the centrality of race in modern indigent defense schemes. Throughout the twentieth century, the politics of race informed right to counsel decisions and policies in ways that shape the current landscape but have been † Kellis E. Parker Teaching Fellow; Academic Fellow, Columbia Law School. J.D., University of California, Berkeley, School of Law; Ph.D., University of California, Berkeley; M.L.A., University of Pennsylvania; B.S. Northwestern University. For helpful feedback, I am grateful to Aziza Ahmed, Rabia Belt, Maggie Blackhawk, Jessica Bulman-Pozen, Bennett Capers, Guy-Uriel Charles, Trevor Gardner, Nicole Stelle Garnett, Maeve Glass, Jeff Gordon, Paul Haagen, Ian Haney López, Bert Huang, Jasmine Johnson, Olati Johnson, Jeremy Kessler, Steve Koh, Sophia Lee, Tim Lovelace, Anna Lvovsky, Serena Mayeri, Ajay Mehrotra, Melissa Murray, Anne Joseph O’Connell, Michael Pinard, Dave Pozen, Daniel Richman, Dorothy Roberts, Russell Robinson, Matthew Shapiro, Jonathan Simon, Fred Smith, Emily Stolzenberg, Karen Tani, Sherod Thaxton, Kim Taylor- Thompson, Kendall Thomas, Anthony Thompson, Franita Tolson, Amanda Tyler, and Patricia Williams. -
The Malahat Review at Fifty : Canada’S Iconic Literary Journal
THE MALAHAT CANADA’S ICONIC LITERARY JOURNAL LITERARY ICONIC CANADA’S REVIEW Edited by John Barton General Editor, University of Victoria Libraries Publication Series Christine Walde at FIFTY The University of Victoria Libraries gratefully thanks the for its generous support of this publication © 2017 University of Victoria Libraries Editor: John Barton General Editor, University of Victoria Libraries Publication Series: Christine Walde The Malahat Review is affiliated with the Faculty of Humanities and the Faculty of Fine Arts, and is published quarterly by the University of Victoria, British Columbia, Canada. Design and layout by Clint Hutzulak at Rayola Creative, Victoria, British Columbia Printed by Glenmore Custom Print + Packaging, Richmond, British Columbia Printed on Cougar 100 lb. cover and Lynx 80 lb. text. Front cover photo by Vince Klassen Photographic, Victoria, British Columbia Typeset in Palatino Linotype, Linotype Univers, and Centaur MT Pro Produced in an edition of 1500 copies The University of Victoria Libraries and The Malahat Review acknowledge that we are guests on the unceded territory of the Coast and Straits Salish peoples. We acknowledge with respect the lands, waters, people, and ancestors of the Lkwungen- speaking peoples whose connection to and stewardship of these lands and waters remain unbroken to this day. A Brief History of the Malahat’s Early Internationalism has been adapted from an original essay which first appeared on The Malahat Review website. The copyright to Christy Clark and the Kinder Morgan Go-Go Girls is held by Lawrence Paul Yuxweluptun. The painting is reproduced with the permission of the artist and the private owner. We thank April Thompson from Macaulay & Co. -
Poets Artists Magazine
Curated by Daniel Maidman MICHAEL ALAN JUAN GIRALDO RICHARD MEYER HERB SMITH devotionNIN ANDREWS DAN GLUIBIZZI JENNY MORGAN KIKI SMITH ANNA ROSE BAIN JAMES GURNEY SYRIE MOSKOWITZ SAMANTHA KEELY SMITH BO BARTLETT ANNE HARRIS KATIE O’HAGAN JORDAN SOKOL NOAH BECKER JAIME HERNANDEZ MIA PEARLMAN SHARON SPRUNG CARRIE-ANN BRACCO NICOLA HICKS ISAAC PELEPKO ADRIENNE STEIN JOAQUIN CARTER ALEXIS HILLIARD JOSEPH PODLESNIK BELINDA SUBRAMAN GRACE CAVALIERI CATHERINE HOWE ELISA PRITZKER DORIAN VALLEJO MARY CHIARAMONTE LINA HSIAO CHRIS RINI JOE VELEZ MARCO COLÍN DAVID JON KASSAN CECILIA RUIZ CAROLINE WESTERHOUT SILVIA CURBELO STANKA KORDIC DAVID SALLE LINDSEY WOHLMAN ELIZABETH D’ANGELO JEREMY LIPKING FARSAM SANGINI ZANE YORK STEPHANIE DESHPANDE DANIEL MAIDMAN PERI SCHWARTZ JAMES GILROY RENEE MCGINNIS ANDREW SENDOR PoetsArtists | November 2015 | Issue #68 ART by MARCO COLÍN devotionCurated by Daniel Maidman Yesterday I saw a girl who looked like Melissa Carroll. She was slender and This was a pretty neat bit of historical argumentation, if I do say so myself, but pale, dressed in black, with lank, slightly feathered black hair, and she wore it provided only a contingent argument for the great table. That is, it said, “The big sunglasses. Melissa has been gone a while now, but she’s turning out to be great table broke up because of this chain of historical accidents – I believe the sort of person you still think you glimpse here and there. we ought to undo these accidents and come back together, as we were meant to be.” But I slipped that “as we were meant to be” in at the end. -
The Racial Evolution of the Right to Counsel
ARTICLE THE SIXTH AMENDMENT FAÇADE: THE RACIAL EVOLUTION OF THE RIGHT TO COUNSEL SHAUN OSSEI-OWUSU† ABSTRACT One of the most perilous pitfalls of constitutional criminal procedure scholarship is the inexact treatment of race vis-à-vis the Sixth Amendment right to counsel. This imprecision exists because of historical and theoretical blind spots. In right to counsel literature, race is either neglected, subsumed under poverty, or understood in the simple terms of disproportionality (e.g., how indigent defense’s failures acutely impact racial minorities). A historical examination of early legal aid institutions and jurisprudence reveals the centrality of race in modern indigent defense schemes. Throughout the twentieth century, the politics of race informed right to counsel decisions and policies in ways that shape the current landscape but have been † Kellis E. Parker Teaching Fellow; Academic Fellow, Columbia Law School. J.D., University of California, Berkeley, School of Law; Ph.D., University of California, Berkeley; M.L.A., University of Pennsylvania; B.S. Northwestern University. For helpful feedback, I am grateful to Aziza Ahmed, Rabia Belt, Maggie Blackhawk, Jessica Bulman-Pozen, Bennett Capers, Guy-Uriel Charles, Trevor Gardner, Nicole Stelle Garnett, Maeve Glass, Jeff Gordon, Paul Haagen, Ian Haney López, Bert Huang, Jasmine Johnson, Olati Johnson, Jeremy Kessler, Steve Koh, Sophia Lee, Tim Lovelace, Anna Lvovsky, Serena Mayeri, Ajay Mehrotra, Melissa Murray, Anne Joseph O’Connell, Michael Pinard, Dave Pozen, Daniel Richman, Dorothy Roberts, Russell Robinson, Matthew Shapiro, Jonathan Simon, Fred Smith, Emily Stolzenberg, Karen Tani, Sherod Thaxton, Kim Taylor- Thompson, Kendall Thomas, Anthony Thompson, Franita Tolson, Amanda Tyler, and Patricia Williams. -
Jason Mclean CV 2018
WILDING CRAN GALLERY JASON McLEAN (b . 1 9 7 1 , Canadian, based in Brooklyn, NY) EDUCATION 1994-98 Fine Arts Diploma, Emily Carr Institute of Art and Design, Vancouver 1997-98 Langara College, Vancouver 1989-91 HB Beal Art, London, Ontario, Canada SOLO EXHIBITIONS Upcoming 2019 Walkie Talkie, Back Gallery Project, Vancouver January 2019 2018 Boomerang Smile, Michael Gibson Gallery, London, Ontario July 2018 Correspondence, Burnaby Art Gallery, with collaboration of the Burnaby Library, McGill Branch Fall 2018 2017 Say Hi to the Sun, Glenhyrst Art Gallery of Brant, Brantford, Canada (with Fiona Smyth) 29 July - 10 September, 2017. Collaborative Drawings, Lazy Susan, New York, NY with Noah Becker, June, 2017 2016 Parking Lot with a Memory, Michael Gibson Gallery London, Ontario, Canada Oct/Nov Wing Nite, Ed Varie Gallery, Los Angeles, California October (with Mark DeLong) 2015 Son of a Salesman, Michael Gibson Gallery, London, Ontario Lettuce Legs, Cinders Haus Club, Brooklyn, NY Soda Gardner, Wilding Cran Gallery, Los Angeles 2014 Napkin Drawings, Curated by: Lee Henderson, Attache Gallery, Victoria Rachel Jones Pop-Up Shop, Curated by: Allegra Laviola, New York, NY, December 5-14, 2014 (with: Jeila Gueramian) 2013 Sucrologist Schnauzer, Weird Things, Toronto 2012 Here, Now, Jessica Bradley Gallery, Toronto If you could read my mind, McIntosh Gallery, University of Western Ontario, London, Ontario, Canada Catalogue 939 South Santa Fe Ave Los Angeles CA 90021 www.wildingcran.com [email protected] 213 553 9190 WILDING CRAN GALLERY 2011 O-Pee-Chee Dirt Pile: Jason McLean and Joe Grillo, Allegra LaViola Gallery, New York 2010 in the corner there is light, Jessica Bradley Art + Projects, Toronto Endlessely Traversed Landscapes, (Olympic Billboard Project), Vancouver 2009 Zona Maco, Maco Art Fair, Mexico City Aunt Jeans Buns, La Viola Bank Gallery, New York Goodnight Irene, with Adrian Norvid, Jessica Bradley Art + Projects, Toronto 2008 Path of Wonder, Emergency Room, Vancouver 2007 Uncle Porkchop, Perugi Art Contemporie, Padova, Italy Occasional Art, St.