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The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Internationale Turniere B-Kategorie Spesenbeitrag Max
A-Kategorie Spesenersatz ÖBV Grundlagen für die Einsatzplanung österr. Schiedsrichter - Internationale Turniere B-Kategorie Spesenbeitrag max. € 150.- Die Beschickung erfolgt grundsätzlich nur durch das Schiedsrichterreferat (SRR) ! R……….Referee C-Kategorie Spesenbeitrag max. € 100.- U……….Umpire D-Kategorie kein Spesenbeitrag Basis ist eine vorliegende Einladung für das Turnier, die Kategorie und die Qualifikation des SR`s AS……….Assessor E ….. BE-Event Spesenersatz ÖBV, Beitrag von BE N…national, I…international, BE…Badminton Europe a. bzw. c., BWF…Badminton World Federation a. bzw. c. A…Assessment Participant F ….. BWF-Event Spesenersatz ÖBV (T)…mögliches Trainingsturnier für Kandidaten zum Intern. SR in Begleitung eines erfahrenen Intern. SR`s CI……..Course Instructor G ….. BWF-Event Spesenübernahme BWF Die Kollegen sind höflichst aufgefordert Ihre Einsätzewünsche dem SRR rasch bekannt zu geben. C……..Course Participant JA-JD ….. BE-Junior Kategorien A-D wie oben beschrieben Die Zahlen geben die letzte Stelle des Jahres an, in dem das Turnier zuletzt besucht wurde (unabhängig von der Funktion). Einsätze die mehr als 10 Jahre zurückliegen werden nicht berücksichtigt. Season Date Tournament Venue Status Invitation Category Requirement Delegation Yes/No Personaly Minimum 2015 Course Standard Assessment Schlieben Klaus BWFa-Ref.- BWFc - NemecBEc-Ref. Michael - CejnekItric Ewald Katarina - BEc - BEcSchwerin David Shahhosseini- BEc SaraSteiner - BEa Michael -Böhm BEa Andreas Halasz Janos Hegedüs Peter Herbst Miriam Tanczos Zoltan Wolf Daniel Kohlfürst Fred Steurer Fabian Svoboda MichaelKöchelhuber Thomas Jan-15 08.-11.01.2015 Estonia International Tallinn/EST BEC - Int. Series Y B I 3 4 U 14.-17.01.2015 Polish International Junior (Mi-Sa) Lubin/POL BEC - Junior A Y JC I 15.-18.01.2015 Swedish Masters Uppsala/SWE BEC - Int. -
THQ Online Manual
INSTRUCTION BOOKLET LIMITED WARRANTY THQ (UK) LIMITED warrants to the original purchaser of this THQ (UK) LIMITED product that the medium on which the computer program is recorded is free from defects in materials and workmanship for a period of ninety (90) days from the date of purchase. This THQ (UK) LIMITED software is sold ”as is“, without express or implied warranty of any kind resulting from use of this program. THQ (UK) LIMITED agrees for a period of ninety (90) days to either repair or replace, at its option, free of charge, any THQ (UK) LIMITED product, postage paid, with proof of purchase, at its Customer Service centre. Replacement of this Game Disc, free of charge to the original purchaser is the full extent of our liability. Please mail to THQ (UK) LIMITED, Ground Floor; Block A, Dukes Court, Duke Street, Woking, Surrey, GU21 5BH. Please allow 28 days from dispatch for return of your Game Disc. This warranty is not applicable to normal wear and tear. This warranty shall not be applicable and shall be void if the defect in the THQ (UK) LIMITED product has arisen through abuse, unreasonable use, mistreatment or neglect. THIS WARRANTY IS IN LIEU OF ALL OTHER WARRANTIES AND NO OTHER REPRESENTATIONS OR CLAIMS OF ANY NATURE SHALL BE BINDING OR OBLIGATE THQ (UK) LIMITED. ANY IMPLIED WARRANTIES OF APPLICABILITY TO THIS SOFTWARE PRODUCT, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED TO THE NINETY (90) DAY PERIOD DESCRIBED ABOVE. IN NO EVENT WILL THQ (UK) LIMITED BE LIABLE FOR ANY SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES RESULTING FROM POSSESSION, USE OR MALFUNCTION OF THIS THQ (UK) LIMITED PRODUCT. -
The Oral Poetics of Professional Wrestling, Or Laying the Smackdown on Homer
Oral Tradition, 29/1 (201X): 127-148 The Oral Poetics of Professional Wrestling, or Laying the Smackdown on Homer William Duffy Since its development in the first half of the twentieth century, Milman Parry and Albert Lord’s theory of “composition in performance” has been central to the study of oral poetry (J. M. Foley 1998:ix-x). This theory and others based on it have been used in the analysis of poetic traditions like those of the West African griots, the Viking skalds, and, most famously, the ancient Greek epics.1 However, scholars have rarely applied Parry-Lord theory to material other than oral poetry, with the notable exceptions of musical forms like jazz, African drumming, and freestyle rap.2 Parry and Lord themselves, on the other hand, referred to the works they catalogued as performances, making it possible to use their ideas beyond poetry and music. The usefulness of Parry-Lord theory in studies of different poetic traditions tempted me to view other genres of performance from this perspective. In this paper I offer up one such genre for analysis —professional wrestling—and show that interpreting the tropes of wrestling through the lens of composition in performance provides information that, in return, can help with analysis of materials more commonly addressed by this theory. Before beginning this effort, it will be useful to identify the qualities that a work must possess to be considered a “composition in performance,” in order to see if professional wrestling qualifies. The first, and probably most important and straightforward, criterion is that, as Lord (1960:13) says, “the moment of composition is the performance.” This disqualifies art forms like theater and ballet, works typically planned in advance and containing words and/or actions that must be performed at precise times and following a precise order. -
Pay-Per-View
Pay-Per-View Don’t bother with the babysitter. Stop worrying about traffic. Because with Pay Per View, you get the best seats in the house without ever leaving home. From UFC fights to exclusive concerts, watch the best in live sports and entertainment right on your own TV. Ordering made easy No need to call or go online. Just order with your remote. From the Guide menu, go to the Pay Per View event channel (PPV) to see what’s playing this month. Once you’ve made your selection, all you need to do is select “Watch” and then confirm your order. It’s that easy. What’s new this month? UFC 264: Poirier vs McGregor 3 July 10th, 2021, 10:00 p.m. ET / 7:00 p.m. PT The final chapter in the trilogy between Dustin Poirier and Conor McGregor will be written on Saturday, July 10, as the lightweight superstars settle the score in the main event of UFC 264 at T-Mobile Arena in Las Vegas. After Ireland's McGregor defeated Poirier in 2014, Louisiana's "Diamond" evened the score in January, setting up the most highly anticipated rubber match in UFC history between former champions determined to be the one leaving this trilogy victorious. SD standard definition $64.99 HD high definition $64.99 Channels 324 and 611 (BlueCurve TV SD) Channels 300 and 601 (BlueCurve TV HD) Replays: Available until July 25th, 2021 Ring Of Honor: Best In The World 2021 July 11h, 2021, 8:00 p.m. ET / 5:00 p.m. -
A2 6 Falling from Hell (In a Cell)
Journal of Physics Special Topics An undergraduate physics journal A2 6 Falling From Hell (In a Cell) R. Bradley-Evans, R. Gafur, R. Heath, M. Hough Department of Physics and Astronomy, University of Leicester, Leicester, LE1 7RH December 2, 2017 Abstract We take a look at some of the physics involved in the WWE Wrestlemania 32 Hell in a Cell match between The Undertaker and Shane McMahon. By resolving forces and momentum involved in Shane McMahon's fall from the top of the cell and through a table, we calculate the effective impact he feels and compare this to an instantaneous impact (a situation where the table does not break). The reduction in momentum is found to be 943.9 Ns. It is concluded that the table he goes through drastically reduces the impact he would have felt, had it been instantaneous. Introduction fall that Shane McMahon actually experiences. Professional wrestling is a scripted form of Theory sports entertainment, but there are still many The physics involved in this scenario requires match types and situations which often see resolving forces. As Shane McMahon begins his wrestlers putting their bodies through high im- fall from the top of the cell, his initial velocity pact manoeuvres. In this paper, we are going to is 0 ms−1. At this point, the only forces acting take a look at some of the physics involved in upon him are gravity and drag, so the force can the WWE Wrestlemania 32 Hell in a Cell match be calculated by that took place between The Undertaker and Shane McMahon. -
“Smackdown”: a Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2012 Ideological “Smackdown”: A Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling Casey Brandon Hart University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Broadcast and Video Studies Commons, Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Mass Communication Commons Recommended Citation Hart, Casey Brandon, "Ideological “Smackdown”: A Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling" (2012). Dissertations. 550. https://aquila.usm.edu/dissertations/550 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi IDEOLOGICAL “SMACKDOWN”: A TEXTUAL ANALYSIS OF CLASS, RACE AND GENDER IN WWE TELEVISED PROFESSIONAL WRESTLING by Casey Brandon Hart Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2012 ABSTRACT IDEOLOGICAL “SMACKDOWN”: A TEXTUAL ANALYSIS OF CLASS, RACE AND GENDER IN WWE TELEVISED PROFESSIONAL WRESTLING by Casey Brandon Hart May 2012 The focus of this study is an in-depth intertextual examination of how the WWE in 2010 and by extension contemporary professional wrestling in general represents a microcosm of modern cultural ideology. The study examines three major areas in which this occurs. -
British Bulldogs, Behind SIGNATURE MOVE: F5 Rolled Into One Mass of Humanity
MEMBERS: David Heath (formerly known as Gangrel) BRODUS THE BROOD Edge & Christian, Matt & Jeff Hardy B BRITISH CLAY In 1998, a mystical force appeared in World Wrestling B HT: 6’7” WT: 375 lbs. Entertainment. Led by the David Heath, known in FROM: Planet Funk WWE as Gangrel, Edge & Christian BULLDOGS SIGNATURE MOVE: What the Funk? often entered into WWE events rising from underground surrounded by a circle of ames. They 1960 MEMBERS: Davey Boy Smith, Dynamite Kid As the only living, breathing, rompin’, crept to the ring as their leader sipped blood from his - COMBINED WT: 471 lbs. FROM: England stompin’, Funkasaurus in captivity, chalice and spit it out at the crowd. They often Brodus Clay brings a dangerous participated in bizarre rituals, intimidating and combination of domination and funk -69 frightening the weak. 2010 TITLE HISTORY with him each time he enters the ring. WORLD TAG TEAM Defeated Brutus Beefcake & Greg With the beautiful Naomi and Cameron Opponents were viewed as enemies from another CHAMPIONS Valentine on April 7, 1986 dancing at the big man’s side, it’s nearly world and often victims to their bloodbaths, which impossible not to smile when Clay occurred when the lights in the arena went out and a ▲ ▲ Behind the perfect combination of speed and power, the British makes his way to the ring. red light appeared. When the light came back the Bulldogs became one of the most popular tag teams of their time. victim was laying in the ring covered in blood. In early Clay’s opponents, however, have very Originally competing in promotions throughout Canada and Japan, 1999, they joined Undertaker’s Ministry of Darkness. -
Deputy with DUI Receives Two-Week Suspension
Witness Tells of Intimidation Surgery for Coach Brown Mossyrock Man Testifies That He Saw Riffe Longtime Centralia Basketball Coach Brothers in Victims’ Car in 1985 / Main 3 Will Have Heart Surgery / Sports 1 Roxy Theater $1 Turns into a USO Early Week Edition Tuesday, for Veterans Day Oct. 29, 2013 / Life 1 Reaching 110,000 Readers in Print and Online — www.chronline.com GORDON AADLAND: 1921-2013 Deputy With DUI The Autumn of Receives Two-Week Saturday’s Child Suspension SUSPENDED: Deputy Jeff Humphrey Will Keep Job as Deputy at the Lewis County Sheriff’s Office, But Will No Longer Work as a Detective By Stephanie Schendel [email protected] The Lewis County deputy who was ar- rested in September for suspicion of driv- ing under the influence of alcohol will receive a two-week, unpaid suspension but will keep his job in law enforcement, Sheriff Steve Mansfield announced Mon- day. A Washington State Patrol trooper ar- rested Jeff S. Humphrey at about 4 a.m. Sept. 8 after he drove through a road clo- sure on Labree Road and Interstate 5 in please see DEPUTY, page Main 14 State Continues Investigation The Chronicle / file photo Gordon Aadland sits in the woods at Rainbow Falls State Park while celebrating his 83rd birthday in 2004. Into Funeral REMEMBERED: Friends know it at the time. In the weeks prior, he had An Old Lover's Ode to Autumn Home Mishap Recall Chronicle been pressing Centralia College Editor’s note: Columnist and Centralia to consider bringing two of its The following is a column Gordon By The Chronicle greatest musical talents — singer wrote in the fall of 2004, on the first day of autumn. -
How Women Fans of World Wrestling Entertainment Perceive Women Wrestlers Melissa Jacobs Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 5-2017 "They've Come to Draw Blood" - How Women Fans of World Wrestling Entertainment Perceive Women Wrestlers Melissa Jacobs Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Jacobs, Melissa, ""They've Come to Draw Blood" - How Women Fans of World Wrestling Entertainment Perceive Women Wrestlers" (2017). All Theses. 2638. https://tigerprints.clemson.edu/all_theses/2638 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. “THEY’VE COME TO DRAW BLOOD” – HOW WOMEN FANS OF WORLD WRESTLING ENTERTAINMENT PERCEIVE WOMEN WRESTLERS A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Communication, Technology, and Society by Melissa Jacobs May 2017 Accepted by: Dr. D. Travers Scott, Committee Chair Dr. Erin Ash Dr. Darren Linvill ABSTRACT For a long time, professional wrestling has existed on the outskirts of society, with the idea that it was just for college-aged men. With the rise of the popularity of the World Wrestling Entertainment promotion, professional wrestling entered the mainstream. Celebrities often appear at wrestling shows, and the WWE often hires mainstream musical artists to perform at their biggest shows, WrestleMania and Summer Slam. Despite this still-growing popularity, there still exists a gap between men’s wrestling and women’s wrestling. Often the women aren’t allowed long match times, and for the longest time sometimes weren’t even on the main shows. -
Annual Report2010
ANNUAL REPORT 2010 REPORT & FINANCIAL STATEMENTS FOR YEAR ENDING 31 DECEMBER 2010 INCLUDING NOTICE & AGENDA FOR 2011 ANNUAL GENERAL MEETING BWF ANNUAL REPORT 2010 1 TABLE OF CONTENTS OFFICERS ....................................................................................................................................................................................... 2 PRESIDENT’S REVIEW ................................................................................................................................................................ 3 CHIEF OPERATING OFFICER’S REPORT ................................................................................................................................... 7 ADMINISTRATION ..................................................................................................................................................................... 10 DEVELOPMENT .......................................................................................................................................................................... 16 IOC / INTERNATIONAL RELATIONS........................................................................................................................................ 24 MARKETING ................................................................................................................................................................................ 28 EVENTS ....................................................................................................................................................................................... -
BASE BASE CARDS 1 Asuka 2 Bobby Roode 3 Ember Moon 4 Eric
BASE BASE CARDS 1 Asuka 2 Bobby Roode 3 Ember Moon 4 Eric Young 5 Hideo Itami 6 Johnny Gargano 7 Liv Morgan 8 Tommaso Ciampa 9 The Rock 10 Alicia Fox 11 Austin Aries 12 Bayley 13 Big Cass 14 Big E 15 Bob Backlund 16 The Brian Kendrick 17 Brock Lesnar 18 Cesaro 19 Charlotte Flair 20 Chris Jericho 21 Enzo Amore 22 Finn Bálor 23 Goldberg 24 Karl Anderson 25 Kevin Owens 26 Kofi Kingston 27 Lana 28 Luke Gallows 29 Mick Foley 30 Roman Reigns 31 Rusev 32 Sami Zayn 33 Samoa Joe 34 Sasha Banks 35 Seth Rollins 36 Sheamus 37 Triple H 38 Xavier Woods 39 AJ Styles 40 Alexa Bliss 41 Baron Corbin 42 Becky Lynch 43 Bray Wyatt 44 Carmella 45 Chad Gable 46 Daniel Bryan 47 Dean Ambrose 48 Dolph Ziggler 49 Heath Slater 50 Jason Jordan 51 Jey Uso 52 Jimmy Uso 53 John Cena 54 Kalisto 55 Kane 56 Luke Harper 57 Maryse 58 The Miz 59 Mojo Rawley 60 Naomi 61 Natalya 62 Nikki Bella 63 Randy Orton 64 Rhyno 65 Shinsuke Nakamura 66 Undertaker 67 Zack Ryder 68 Alundra Blayze 69 Andre the Giant 70 Batista 71 Bret "Hit Man" Hart 72 British Bulldog 73 Brutus "The Barber" Beefcake 74 Diamond Dallas Page 75 Dusty Rhodes 76 Edge 77 Fit Finlay 78 Jake "The Snake" Roberts 79 Jim "The Anvil" Neidhart 80 Ken Shamrock 81 Kevin Nash 82 Lex Luger 83 Terri Runnels 84 "Macho Man" Randy Savage 85 "Million Dollar Man" Ted DiBiase 86 Mr. Perfect 87 "Ravishing" Rick Rude 88 Ric Flair 89 Rob Van Dam 90 Ron Simmons 91 Rowdy Roddy Piper 92 Scott Hall 93 Sgt.