Rent Program
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Valentine Concert Program Playbill Cover
From Broadway With Love From Broadway With Love ACT 1 ACT 2 Some Enchanted Evening (South Pacific) …….…...……………… Trey Shinault Wedding March (A Midsummer’s Night Dream) Six - Hand Piano … Nancy Burstein, Annie McGrath & Rosanne Reddin Adelaide’s Lament (Guys & Dolls) ……………….……………...…. Marsha Allen Aba Daba Honeymoon (Two Weeks With Love) ….. Katherine & Sarah Lenahan I Think That He Likes Me (Homemade Fusion) …….…………….. Kaitlin Bowles Gimme That Thing Called Love (Thoroughly Modern Millie) . Courtney Cummings Your Feet’s Too Big (Ain’t Misbehaven) ……….……………………. Mark Bzdick The Music That Makes Me Dance (Funny Girl) …….…………...… Mark Bzdick Part of Your World (Little Mermaid) ……………….....……………… Tiffany Bray Someone to Watch Over Me (Oh, Kay!) ……....…………….…… Gail Timmons I Know It’s Today (Shrek) ………………………………….....…. Brigit Davidson Say the Word (The Unauthorized Biography of Samantha Brown) ………... Randi Berg Johanna (Sweeney Todd) …………………………………….….….. Neil Hollands Let It Go (Frozen) …………………………………..…………..… Kelsey Helmick Not For the Life of Me (Thoroughly Modern Millie) ………… Carrie Grace Morgan I Am Aldolpho (The Drowsy Chaperone) …………………………..… Neil Hollands Once in A Lifetime (Stop the World, I Want to Get Off ) Piano Duet . Annie McGrath & Rosanne Reddin Happily Ever After (Once Upon a Mattress) ……………….. Carrie Grace Morgan All I Ask of You (Phantom of the Opera) …….……….… Adin Pace & Mike Godsil I Am Playing Me ( [title of show] ) ……...……………………….. Dorothy Douglas My Man (Funny Girl) …………………...…………..…….…. Deborah Soderholm I Have Found (The Royal Family of Broadway) ……………………….... Sue Mellon If the World Should End (Spider Man: Turn Off the Dark) ……………… Randi Berg Different (Honk!) …………………...……………….……………. Matthew Rivera I’ve Grown Accustomed to Her Face (My Fair Lady) ……..…… Matthew Rivera Ten Minutes Ago (Cinderella) …………………………………... Katherine Ruble I Never Has Seen Snow (House of Flowers) …......……………….... -
KS5 Exploring Performance Styles in Musical Theatre
Exploring performance KS5 styles in Musical Theatre Heidi McEntee Heidi McEntee is a Dance and KS5 – BTEC LEVEL 3, UNIT D10 Performing Arts specialist based in the Midlands. She has worked in education for over fifteen years delivering a variety of Dance and Performing Arts qualifications at Introduction Levels 1, 2 and 3. She is a Senior Unit D10: Exploring Performance Styles is one of the three units which sit within Module D: Assessment Associate working on musical theatre Skills Development from the new BTEC Level 3 in Performing Arts Practice Performing Arts qualifications and (musical theatre) qualification. This scheme of work focuses on the first unit which introduces a contributing author for student and explores different musical theatre styles. revision guides. This unit requires learners to develop their practical skills in dance, acting and singing while furthering their understanding of musical theatre styles. The unit culminates in a performance of two extracts in two different styles of musical theatre as well as a critical review of the stylistic qualities within these extracts. This scheme of work provides a suggested approach to six weeks of introductory classes, as a part of a full timetable, which explores the development of performance styles through the history of musical theatre via practical activities, short projects and research tasks. Learning objectives By the end of this scheme, learners will have: § Investigated the history of musical theatre and the factors which have influenced its development Unit D10: Exploring Performance § Explored the characteristics of different musical theatre styles and how they have developed Styles from BTEC L3 Nationals over time Performing Arts Practice (musical § Applied stylistic conventions to the performance of material theatre) (2019) § Examined professional work through critical analysis. -
Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20 -
Audition Repertoire Choices: More Than Just Voice
Popular Song and Music Theater ASSOCIATE EDITOR: Robert Edwin Audition Repertoire Choices: More Than Just Voice cautioned that "no one can (Jo every- or her strengths. To personalize this thing well." They now must make process, allow me to track for you my some hard decisions about what they 2005-06 high school senior class, want to sing and act. To make these shed some light on the students' rep- choices effectively, my students must ertoire choices, and offer some in- take an honest and highly critical per- sight as to why and how they made sonal inventory of how they look, how their selections. they sound, and how they act. Let's start with Michaela, a beau- A glance in the studio mirror will tiful and very talented young woman remind them that they are a certain who came to my studio in her soph- physical "type." Are they tall or short, omore year as a classically trained thin or heavy, athletic or soft, beauti- singer. Although she had worked pro- ful or unattractive, handsome or fessionally in her late child years and homely, or somewhere in between? wanted a music theater career, she Robert Edwin A vocal warm up will reaffirm their was discouraged from using her belt Each and working range. Do they have voice and, as a result, had no techni- a high voice or a low voice, a big voice cal foundation for that style of singing. When asked to describe what I do or a small voice, a pretty voice or a Since the typical music theater col- as a teacher of singing, my short an- character voice, a flexible voice or a lege audition for women -
European Journal of American Studies, 11-3 | 2017 Challenging “La Vie Bohème”: Community, Subculture, and Queer Temporality in
European journal of American studies 11-3 | 2017 Special Issue: Re-Queering The Nation: America’s Queer Crisis Challenging “La Vie Bohème”: Community, Subculture, and Queer Temporality in Rent Eleonora Sammartino Electronic version URL: https://journals.openedition.org/ejas/11720 DOI: 10.4000/ejas.11720 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Eleonora Sammartino, “Challenging “La Vie Bohème”: Community, Subculture, and Queer Temporality in Rent”, European journal of American studies [Online], 11-3 | 2017, document 4, Online since 04 February 2017, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/11720 ; DOI: https://doi.org/10.4000/ejas.11720 This text was automatically generated on 8 July 2021. Creative Commons License Challenging “La Vie Bohème”: Community, Subculture, and Queer Temporality in ... 1 Challenging “La Vie Bohème”: Community, Subculture, and Queer Temporality in Rent Eleonora Sammartino 1 At the beginning of 2016, the first BroadwayCon, held from 22-24 January in the heart of New York’s Theatreland, marked a very special occasion for every theatre enthusiast. As demonstrated by the flurry of articles in specialized columns and websites like “Playbill” (“Original Rent Cast”) and “Entertainment Weekly” (Derschowitz), blogs such as “Broadway Musical Blog” (Rigsbee), and tweets (“#BroadwayCon”), the convention had a meaningful significance for fans of the musical Rent, which celebrated 20 years from its opening off-Broadway during that weekend. More somberly, the festivities were also a chance to remember its creator, Jonathan Larson, who died the night before the first off-Broadway preview. However, the film adaptation of Rent (Chris Columbus, 2005) has not enjoyed the same enduring popularity of the stage musical. -
RENT Study Guide.Pdf
A tool for using the theater across the curriculum to meet National Standards for Education • Production Overview RENT • Lesson Guides • Student Activities • At-Home Projects • Reproducibles Copyright 2008, Camp Broadway, LLC All rights reserved This publication is based on Rent with book, music and lyrics by Jonathan Larson. The content of the Rent edition of StageNOTES™: A Field Guide for Teachers is fully protected under the copyright laws of the United states of America and all other countries with which the United States has reciprocal copyright relations. All rights regarding publishing, reprint permissions, public readings, and mechanical or electronic reproduction, including but not limited to, CD-ROM, information storage and retrieval systems and photocopying, and the rights of translation into foreign languages are strictly prohibited. Printed in the United States of America First Digital Edition: July 2008 For more information on StageNOTES™ and other theatre arts related programs, contact: Camp Broadway, LLC 336 West 37th Street, Suite 460 New York, New York 10018 Telephone: (212) 575-2929 Facsimile: (212) 575-3125 Email: [email protected] www.campbroadway.com 2 CONTENTS Using the Field Guide and Lessons...............................................................4 OF List of Characters and Synopsis................................................................5 LANGUAGE ARTS......................................................................................8 Language Arts Writing Lesson....................................................11 -
My Tried and True Repertoire Keith Hancock, Tesoro HS, [email protected]
My Tried and True Repertoire Keith Hancock, Tesoro HS, [email protected] Adv. SATB General A Boy and a Girl-Whitacre Adv. SATB Graduation Bogoroditse Devo-Rachmaninov For Good-Huff Daemon Irrepit Callidus-Orban 100 Years-James Daniel, Daniel, Servant of the Lord-Moore Finale B-Emerson David’s Lamentation-Shank In My Life-Zegree Der Gang Zum Liebchen-Brahms Dirait-on-Lauridsen Adv. SSAA General El Guayaboso-Lopez-Gavilan Ah si mon moine voulait danser-Patriquin Esto les Digo-Lange Ain’t No Grave-Caldwell/Ivory Lamentations of Jeremiah-Stroope Away from the Roll of the Sea-Loomer Lord, I Know I Been Changed-More Benedictus-Haydn/Cleveland O Magnum Mysterium-Childs Chi la Gagliarda-Donato O Magnum Mysterium-Victoria Deus Noster Refugium-Knecht O Sifuni Mungu-Maddux Dirait-on-Lauridsen Praise His Holy Name-Hampton Dome Epais-Delibes Si, Ch’io Vorrei Morire-Monteverdi Exaudi! Laudate!-Patton Sing Me to Heaven-Gawthrop Hey, Nonny No!-Kowalski Sure on this Shining Night-Lauridsen Hoj! Hura Hoj!-Macha That Ever I Saw-Meader Hotaru Koi-Ogura The Last Words of David-Thompson I Am Not Yours-Childs The Pasture-Stroope Jubilate Deo-Roman Twa Tanbou-Guilaume Koowu-Khoury Wipip-Guillaume Koudjay-Guillaume Zigeunerleben-Schumann Kungala-Leek Las Amarillas-Hatfield Adv. SATB Holiday Laudate Dominum-Hovland Betelehemu-Brooks Mainacht-Brahms/Stroope Bashana Haba’ah-Leavitt Music Down in my Soul-Hogan Blow, Blow Thou Winter Wind-Rutter Nigra Sum-Casals Carol of the Bells-Wilhousky Ouvre Ton Coeur-Bizet The First Noel-Meader Hymns to the Waters from Rig Veda-Holst Christmastime is Here-Snyder Still I Rise-Powell Go Where I Send Thee-Caldwell/Ivory The Lake Isle of Innisfree-Daley Holly, Jolly Christmas-Shaw The Seal Lullabye-Whitacre It’s Beginning to Look a Lot Like Christmas- Tota Pulchra Es-Durufle Huff Tundra-Gjeilo La Virgen lava Panales-Nin-Culmell Will There Really Be a Morning-Johnson Let it Snow/Winter Wonderland-Billingsley Lo, How a Rose E’er Blooming-Maddux Adv. -
The Creation and Development of Rent by Jonathan Larson
ABSTRACT Title of Document: “OVER THE MOON”: THE CREATION AND DEVELOPMENT OF RENT BY JONATHAN LARSON Elizabeth Titrington, Master of Arts, 2007 Directed By: Professor Richard King Chair, Department of Musicology Despite its critical acclaim and commercial success , the hit musical Rent by Jonathan Larson has received scant attention in academic literature. The story of Rent has been told and retold in the popular media, but a look at Larson’s own drafts, notes, and other personal wri tings adds another important and largely missing voice – Larson’s own. In this study, I use the Jonathan Larson Collection, donated to the Library of Congress in 2004 , to examine this seminal work and composer by tracing Rent ’s development and documenting L arson’s creative process. My analysis of material from the Larson Collection and the interviews of others involved in Rent ’s development reveal s the story of how this unconventional rock musical made it to the stage, highlighting the importance of visio n, but also of revision and collaboration. “OVER THE MOON”: THE CREATION AND DEVELOPMENT OF RENT BY JONATHAN LARSON By Elizabeth Corbin Titrington Thesis submitted to the Faculty of the Graduate School of the University of Maryl and, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2007 Advisory Committee: Professor Richard King , Chair Professor Jonathan Dueck Professor Robert Provine © Copyright by Elizabeth Titrington 2007 Preface Although I cannot claim the status of Rent head – I do not know every word to “La Vie Bohème” by heart or have a website dedicated to the show – I admit to approach ing this project as a fan as well as scho lar. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Winter 2012 Folded Program Updated 1.27.12
BROADWAY WORLDWIDE PROGRAM TESTIMONIALS “Nothing will do more to open doors for our young people and prepare them for unimagined new careers.” -Former President Bill Clinton on the StudentsLive Broadway Education Programs PRESENTS “Programs like these enable a new generation of audiences to make the arts a permanent part of their lives.” -Secretary Of State Hillary Clinton on the StudentsLive Broadway Education Programs BR - BROADWAY “This was the most well-prepared and well-executed education program I have ever attended…here’s a program that makes students live and breathe in a way they never did before.” DREAM CAMP -Peter Filichia, Theatre Critic, Newark Star Ledger and TheaterMania.com “Wow! I cried though the first 5 numbers and three more times throughout the course of the show. What you put together is incredible. It reminded me of the magic of Broadway WINTER 2012 and how lucky we all are to be a part of this. More importantly what it can do for these children, how it can bring them out of their shells. You did a wonderful job. I was honored to be a guest.” - Stephanie Klemons, Broadway Cast Member, In The Heights “I want to say thank you for giving me the opportunity to attend the Broadway Dream Camp. What an incredible amount of song and dance the kids learned in English! The quality of their performance was evidence of the strong teachers that they had. It was inspiring to see their passionate faces having a great time on stage and fearlessly nailing each number. I felt privileged to share in the experience. -
Karaoke Catalog Updated On: 09/04/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 09/04/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton My Way - Frank Sinatra Wannabe - Spice Girls Perfect - Ed Sheeran Take Me Home, Country Roads - John Denver Broken Halos - Chris Stapleton Sweet Caroline - Neil Diamond All Of Me - John Legend Sweet Child O'Mine - Guns N' Roses Don't Stop Believing - Journey Jackson - Johnny Cash Thinking Out Loud - Ed Sheeran Uptown Funk - Bruno Mars Wagon Wheel - Darius Rucker Neon Moon - Brooks & Dunn Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Always On My Mind - Willie Nelson Girl Crush - Little Big Town Zombie - The Cranberries Ice Ice Baby - Vanilla Ice Folsom Prison Blues - Johnny Cash Piano Man - Billy Joel (Sittin' On) The Dock Of The Bay - Otis Redding Bohemian Rhapsody - Queen Turn The Page - Bob Seger Total Eclipse Of The Heart - Bonnie Tyler Ring Of Fire - Johnny Cash Me And Bobby McGee - Janis Joplin Man! I Feel Like A Woman! - Shania Twain Summer Nights - Grease House Of The Rising Sun - The Animals Strawberry Wine - Deana Carter Can't Help Falling In Love - Elvis Presley At Last - Etta James I Will Survive - Gloria Gaynor My Girl - The Temptations Killing Me Softly - The Fugees Jolene - Dolly Parton Before He Cheats - Carrie Underwood Amarillo By Morning - George Strait Love Shack - The B-52's Crazy - Patsy Cline I Want It That Way - Backstreet Boys In Case You Didn't Know - Brett Young Let It Go - Idina Menzel These Boots Are Made For Walkin' - Nancy Sinatra Livin' On A Prayer - Bon -
Karaoke Catalog Updated On: 08/09/2016 Sing Online on Entire Catalog
Karaoke catalog Updated on: 08/09/2016 Sing online on www.karafun.com Entire catalog TOP 50 Uptown Funk - Bruno Mars Crazy - Patsy Cline Summer Of '69 - Bryan Adams Don't Stop Believing - Journey Love Yourself - Justin Bieber Shake It Off - Taylor Swift Sweet Caroline - Neil Diamond My Girl - The Temptations Like I'm Gonna Lose You - Meghan Trainor Girl Crush - Little Big Town Wagon Wheel - Darius Rucker Ex's & Oh's - Elle King Tennessee Whiskey - Chris Stapleton Before He Cheats - Carrie Underwood Black Velvet - Alannah Myles Let It Go - Idina Menzel Me Too - Meghan Trainor Baby Got Back - Sir Mix-a-Lot EXPLICIT Bohemian Rhapsody - Queen House Of The Rising Sun - The Animals H.O.L.Y. - Florida Georgia Line Hello - Adele Sweet Home Alabama - Lynyrd Skynyrd When We Were Young - Adele Ring Of Fire - Johnny Cash Jackson - Johnny Cash Take Me Home, Country Roads - John Denver Summer Nights - Grease Sweet Child O'Mine - Guns N' Roses Unchained Melody - The Righteous Brothers Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Livin' On A Prayer - Bon Jovi Can't Stop The Feeling - Justin Timberlake Piano Man - Billy Joel I Want It That Way - Backstreet Boys All Of Me - John Legend Turn The Page - Bob Seger These Boots Are Made For Walkin' - Nancy Sinatra Can't Help Falling In Love - Elvis Presley My Way - Frank Sinatra (Sittin' On) The Dock Of The Bay - Otis Redding Folsom Prison Blues - Johnny Cash Me And Bobby McGee - Janis Joplin Love Shack - The B-52's 7 Years - Lukas Graham Wannabe - Spice Girls A Whole New World -