Obituary Frozen Alive

Total Page:16

File Type:pdf, Size:1020Kb

Obituary Frozen Alive OBITUARY FROZEN ALIVE One of the greatest death metal bands in an incredible live performance from Poland - for the first time on DVD! This DVD cannot be missed by a genuine Obituary fan as it is a complete review of the band’s music, featuring songs both old and new, all testifying to the musicians’ technical perfection, charisma, and excellence. The DVD also includes lots of sensational bonus materials including the “Insane” video, the previously unreleased “On the Floor” video, an interview with Frank Watkins & Trevor Peres, an interview with John & Donald Tardy, 3 documentaries - the making of “Insane”, the making of “Frozen in Time” album, and “Backstage in Poland” and more! Track Listing Bonus Videos 1. (Intro: Rain) 9. Internal Bleeding 17. Solid State • Insane (video clip) 2. Redneck Stomp 10. Back to One 18. Stand Alone • On the Floor (video clip) 3. On the Floor 11. Find the Arise 19. Back from the Dead • Drum Solo (live in Romania - tbc) 4. Insane 12. Back Inside 20. Lockjaw • The Making of Insane (documentary) 5. Chopped in Half 13. Threatening Skies 21. Slow Death • The Making of Frozen in Time album (documentary) 6. Turned Inside Out 14. By the Light 22. ‘Til Death • Backstage in Poland (documentary) 7. Dying 15. (Kill for Me Intro) 23. Slowly We Rot 8. (Internal Bleeding Intro) 16. Kill for Me Artist Obituary Title Frozen Alive Selection # DR-4557 UPC 022891455790 LIMITEDLIMITED EDITIONEDITION versionversion alsoalso availableavailable Prebook 12/12/2006 Street Date 1/16/2007 Retail $19.95 Artist Obituary Genre Metal This limited swing Title Frozen Alive LIMITED EDITION Run Time 150 minutes Selection # MMPDVD0091 Box Lot 30 UPC 5907785028524 Label METAL MIND case edition Prebook 12/12/2006 Audio 5.1 Surround Sound Street Date 1/16/2007 Format DVD Retail $34.95 includes an 80 min. Genre Metal Run Time 150 min. (DVD) + 80 min. (CD) Box Lot 30 BONUS CD! Label METAL MIND Audio 5.1 Surround Sound Format DVD T: 800-888-0486 | F: 610-650-9102 | PO Box 280 | Oaks, PA 19456 | www.MVDb2b.com Publicity Contact: Clint Weiler | 610.650.8200 x115 | [email protected].
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Download This Issue (PDF)
    CONTENTS: From the Editors The only local voice for news, arts, and culture. 200 issues in and counting Editors-in-Chief: August 29, 2018 Brian Graham & Adam Welsh ournalism will kill you,” Horace Greeley once said, “but it will Managing Editor: Nick Warren Hiding In Plain Sight – 5 “J keep you alive while you’re at it.” Though the quote is well over a century Copy Editor: Matt Swanseger Another sexual abuse scandal in the Catholic old, it’s still true today. In fact, we used it Contributing Editors: Church leads to horror and exasperation to open the introduction to our 100th is- Ben Speggen sue in 2014. It’s our 200th issue now, and Jim Wertz Company G’s World War I Disaster – 8 we’re very much alive. Contributors: Greeley of course, is well known to any Maitham Basha-Agha One hundred years ago this month journalism student. And any Erie histori- Mary Birdsong an worth their salt knows that he spent a Charles Brown Jonathan Burdick VN6: An Appeal to the Ethical Voter – 10 stint of time here in town working for the Tracy Geibel Erie Gazette. Jonathan Burdick certainly Lisa Gensheimer Pushing a button to restore decency to democracy knows this, and is quick to bring up Gree- Miriam Lamey ley’s contributions and thoughts on his Tommy Link on November 6 Aaron Mook time in Erie. Burdick traces the roots of Dan Schank Two Centuries of Making Headlines – 13 Erie newspapers, from The Mirror in 1811, Tommy Shannon all the way to what you’re reading right Ryan Smith now.
    [Show full text]
  • NOV. 27- Dec. 3, 2014
    NOV. 27- DEC. 3, 2014 ----------------------------Cover Story • Les Misérables--------------------------- Ballads and Barricades By Jen Poiry-Prough ment supporting the melody lines that are always felt that American productions of Les some of the most beautiful phrases ever Misérables had a disadvantage because they For the past 5 years, Rich Najuch and written for the stage,” he says. “Cameron didn’t have the versatility of dialect that Brit- Joel Froomkin have produced delightful Macintosh called them ‘magic notes.’ This ish actors were able to employ,” he explains. holiday Supper Club shows at the New Hun- show is filled with themes that support the “In British productions, simply by changing tington Theatre. But to end the inaugural melody, but are absolutely breathtaking. It’s regional dialect the actors are not only able season of their main stage theatre Different one of the only shows I know where the au- to transform their characters, but they can Stages, they decided to do a bit of a 180. dience can hum the accompaniment. That’s also make clear statements regarding geo- Rather than a lighthearted holiday caba- extraordinary.” graphic location, social status and class.” ret show, they are mount- Another enhance- ing a grand production of ment Froomkin is bring- the most heart-wrenching, ing to his production tear-jerking and univer- centers on the characters sally beloved musical in themselves. He has turned history: Les Misérables. to the source material, What makes this sto- the Victor Hugo novel, to ry – about the oppressed
    [Show full text]
  • Pressemitteilung Zu Obituary
    Pressemitteilung zu Obituary Die amerikanischen Death Metaller Obituary präsentieren ihr neues Album „Obituary“ (Relapse) am 25.03.18 im Logo live Hamburg, November 2017 – Im Sommer 2017 gab es nur zwei Shows in Deutschland, jetzt kommen Obituary für eine komplette Tour wieder nach Deutschland. Die Death Metal-Protagonisten aus Florida haben weitere sieben Shows im März 2018 gebucht, um ihr am 16.03.17 erschienenes zehntes Top 30-Album „Obituary“ (Relapse) live vorzustellen. Das Quintett um Frontmann John Tardy tritt in Hamburg am 25.03.18 im Logo auf. Obituary aus Tampa/Florida haben mit Alben wie „Slowly We Rot“ (1989) oder „Cause Of Death“ (1990) Genre-definierende Klassiker geschaffen und zählen zu den einflussreichsten Death Metal-Bands überhaupt, ihr eigenständiger Sound ist geprägt von simplen und einprägsamen Gitarrenriffs sowie vom Gesang von John Tardy. Nach nur zwei Shows im August 2017 (Summer Breeze Festival und Dortmund) kommen die legendären Death Metaller zurück nach Deutschland, um ihr im März 2017 erschienenes zehntes Album „Obituary“ (Relapse Records) zu promoten. 1984 gründen die Brüder John (v) und Donald Tardy (dr) Xecutioner, die sich kurz vor dem Erscheinen des Debüts „Slowly We Rot“ im Jahr 1989 in Obituary umbenennen. Zusammen mit ihrem Produzenten Scott Burns erschaffen sie damit im inzwischen legendären Morrisound Studio einen Meilenstein des Death Metal, an dem sich alle Nachfolger orientieren. Obituarys Erfolg trägt maßgeblich zur Etablierung des Nischen-Genres Death Metal bei. Dabei sind sie im Laufe der Jahre mit ihrem eigenen Sound, den stetigen Tempiwechsel und dem unvergleichbaren Gesangsstil von John Tardy eine unverwechselbare Größe geworden. Mit den einigen der folgenden Alben wie zum Beispiel Pressekontakt: Erik Sabas +49 40 4133018-40 [email protected] river_concerts www.riverconcerts.de River Concerts „The End Complete” (1992), „World Demise” (1994) und „Frozen in Time” (2005) zementieren sie ihren Ruf als eine der eigenständigsten und wichtigsten Bands ihres Genres.
    [Show full text]
  • The History of Rock Music: 1976-1989
    The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc.
    [Show full text]
  • OBITUARY, ONE TAIL, ONE HEAD and AUÐN to INFERNO 2018 We Welcome Legendary Death Metal Band OBITUARY As One of Our Headliners for Inferno Metal Festival 2018
    OBITUARY, ONE TAIL, ONE HEAD AND AUÐN TO INFERNO 2018 We welcome legendary death metal band OBITUARY as one of our headliners for Inferno Metal Festival 2018. Also confirmed for Inferno Metal Festival 2018 are Norwegian black metal outfit ONE TAIL, ONE HEAD and Icelandic atmospheric black metal band AUÐN! INFERNO METAL FESTIVAL 2018: EMPEROR – OBITUARY CARPATHIAN FOREST - DARK FUNERAL – NAPALM DEATH – FLESHGOD APOCALYPSE – MEMORIAM – ORIGIN – ONE TAIL, ONE HEAD – NECROPHOBIC – BATUSHKA – AUÐN – NORDJEVEL – MEPHORASH – EARTH ELECTRIC- VANHELGD – UADA – ERIMHA OBITUARY Few bands have had bigger impact on death metal than Obituary. Some of the their early masterpieces, like “Slowly We Rot”, “Cause of Death” and “The End Complete”, was genre defining. Still today the band make some of the best death metal albums out there. Just listen to the amazing self-titled new album that was released earlier this year. Obituary has a long history and we have to go all the way back to 1984 when the band started out as Xecutioner in Tampa, Florida. Spawning way for the Tampa death metal scene with their unique brutal sound. Obituary have rarely performed in Norway and we actually have go back to 1994, on the “World Demise Tour”, for the their last Oslo gig. We are proud to bring the pioneers of death metal back to Oslo and for their very first performance at Inferno Metal Festival. https://www.facebook.com/ObituaryBand/ ONE TAIL, ONE HEAD Norwegian black metal band One Tail, One Head has been around since 2006. The band is a part of the Nidrosian black metal scene.
    [Show full text]
  • Extreme Metal: Subculture, Genre, and Structure
    Université de Montréal Extreme metal: Subculture, Genre, and Structure par Samaël Pelletier Université de Montréal Faculté de Musique Mémoire présenté en vue de l’obtention du grade de Maîtrise en musique option musicologie avril 2018 © Samaël Pelletier. 2018 Abstract Extreme metal is a conglomeration of numerous subgenres with shared musical and discursive tendencies. For the sake of concision, the focus throughout this thesis will mainly be on death metal and black metal – two of the most popular subgenres categorized under the umbrella of extreme metal. Each chapter is a comparative analysis of death metal and black metal from different perspectives. Thus, Chapter One is historical account of extreme metal but also includes discussions pertaining to iconography and pitch syntax. Subsequently, Chapter Two concerns itself with the conception of timbre in death metal and black metal. More specifically, timbre will be discussed in the context of sound production as well as timbre derived from performance, in particular, vocal distortion. The conception of rhythm/meter will be discussed in Chapter Three which will simultaneously allow for a discussion of the fluidity of genre boundaries between death metal and progressive metal – largely because of the importance placed on rhythm by the latter subgenre. Instead of a focus on musical practices, Chapter Four will instead take a sociological approach with the aim of answering certain issues raised in the first three chapters. Ultimately, this thesis aims to elucidate two questions: What are the different aesthetic intentions between practitioners of death metal and black metal? And, how do fans conceptualize these aesthetic differences? Sarah Thornton’s notion of subcultural capital – which is derived from Pierre Bourdieu’s notion of cultural capital – will help to answer such questions.
    [Show full text]
  • Below 83 Happy Hour Hunting 2010
    01 22 10 | reportermag.com Below 83 When hypothermia sets in Happy Hour Hunting Reporter takes you out for a drink 2010: Job Outlook A challenging environment awaits graduates TABLE OF CONTENTS 01 22 10 | VOLUME 59 | ISSUE 16 NEWS PG. 06 2010 Job Outlook Finding a co-op or job this year might not be so easy. Kathy Griffin SG/Staff Council Update Paul Solt calls for the end of free laundry. RIT/ROC Forecast Comedy! Tragedy! Magic! LEISURE PG. 10 Happy Hour Hunting: The South Wedge Reporter takes you out for a drink. th Reviews Friday, Feb 5 Vampire Weekend is the only good kind of vampire. 8 pm (Doors open at 7 pm) Gordon Field House At Your Leisure Interpreted Extra big, for your pleasure. $17 - RIT Students FEATURES PG. 16 $26 - Fac/Staff/Alumni Below 83 When hypothermia sets in. $41 - General Public Winter Exhaust Car care tips for winter driving. SPORTS PG. 22 Photo Essay: Tail Gating RIT cooks up some team spirit. Tigers Shut Down Crusaders RIT Men take on Holy Cross. VIEWS PG. 27 Artifacts That is one seriously big snowman. Word on the Street How would you like to be frozen alive? Patrons enjoy food and drinks at the Distillery on Mt. Hope. | photograph by Rigo Perdomo RIT Rings Can you really mix Adderall and Xanax? Cover photograph by Aly Artusio-Glimpse All tickets on sale now at the Gordon Field House Box Office. Public tickets also available at ticketmaster.com EDITOR’S NOTE LETTERS TO THE EDITOR EDITOR IN CHIEF Andy Rees | [email protected] DANCING LESSONS FROM GOD MANAGING EDITOR Madeleine Villavicencio While doing some research for an upcoming article about Reporter’s former editors in chief, I happened “alternative” treatment that nearly eradicated ment for blinding rage at ignorance.
    [Show full text]
  • Ashley Byock
    NORTHWESTERN UNIVERSITY Embalming in Memory: Mourning, Narrativity, and Historiography in the Nineteenth-Century United States A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT for the degree DOCTOR OF PHILOSOPHY Field of English By Ashley M. Byock EVANSTON, ILLINOIS December 2008 2 © Copyright by Ashley M. Byock 2008 All Rights Reserved 3 ABSTRACT Embalming in Memory: Mourning, Narrativity, and Historiography in the Nineteenth-Century United States Ashley M. Byock This dissertation argues that mid-nineteenth-century definitions of personhood, citizenship, and nationality were largely constructed through the tropes and narrative structures of sentimental mourning. This argument is developed through examinations of a wide range of materials, including novels and first-person narratives, newspaper and magazine articles, medical and scientific texts related to embalming, and legal cases that sought to regulate citizenship. Reading across these texts, this dissertation trace the emergence of two literary tropes, the deathbed tableau and the metaphor of the dead beloved “embalmed in memory,” in private, public, political, scientific, racial, and gendered discourse. As a study, ultimately, of narratives and of the status of narrativity itself, this dissertation argues that because identity is always constructed in part around losses—of others and of self, mourning sustains a uniquely rich relationship to the formation of the stories through which we define ourselves as individual and as social or political beings. The first section of this dissertation defines and examines two modes that I refer to as sentimental and counter-sentimental narrativity. The two chapters in this section examine antebellum texts in order to argue that while sentimental narrativity expresses a cultural fantasy of wholeness, sacred domesticity, and transcendent spirituality, counter-sentimental narrativity emerges as a vein within sentimentalism that both espoused and struggled against the limitations 4 of sentimental tradition.
    [Show full text]
  • Obituary Left to Die Mp3, Flac, Wma
    Obituary Left To Die mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Left To Die Country: UK Released: 2008 Style: Death Metal MP3 version RAR size: 1557 mb FLAC version RAR size: 1827 mb WMA version RAR size: 1223 mb Rating: 4.6 Votes: 846 Other Formats: MMF RA DXD MP2 WAV MPC VOX Tracklist Hide Credits 1 Forces Realign 4:39 2 Slowly We Rot 5:04 Dethroned Emperor 3 4:40 Written-By – Celtic Frost 4 Left To Die 6:19 Video Evil Ways 3:04 Companies, etc. Phonographic Copyright (p) – Tanglade Ltd Copyright (c) – Abstract Sounds Copyright (c) – Tanglade Music Recorded At – Redneck Studios Produced At – Redneck Studios Mixed At – Red Room Recorders Mastered At – Morrisound Studios Published By – Obituary Music Published By – Celtic Frost Credits Bass – Frank Watkins Cover [Art] – Andreas Marschall Design [Packaging] – Adrian Wear Drums – Donald Tardy Guitar – Ralph Santolla, Trevor Peres Lyrics By – John Tardy Mastered By – Tom Morris Mixed By – Mark Prator, Obituary Music By – Donald Tardy, Trevor Peres Producer – Donald Tardy, John Tardy, Mark Prator Recorded By – Donald Tardy, John Tardy, Mark Prator Vocals – John Tardy Notes Limited edition tour EP. Includes exclusive "Evil Ways" video, 2008 re-recording of "Slowly We Rot" and a cover of Celtic Frost's "Dethroned Emperor!" "Slowly We Rot" and "Dethroned Emperor" are incorrectly listed in reverse order on the back. Correct order is first "Dethroned Emperor" followed by the 2008 re-recording of "Slowly We Rot". Dedicated to the memory of Pascal Bouma. Made in the UK ℗ Tanglade Ltd 2008 © Abstract Sounds / Tanglade Music 2008 Includes an exclusive "Evil Ways" video, 2008 re-recording of "Slowly We Rot" and a cover of Celtic Frost's "Dethroned".
    [Show full text]
  • 313 3D in Your Face 44 Magnum 5 X a Cosmic Trail A
    NORMALPROGRAMM, IMPORTE, usw. Richtung Within Temptation mit einem guten Schuß Sentenced ALLOY CZAR ANGEL SWORD ACCUSER Awaken the metal king CD 15,50 Rebels beyond the pale CD 15,50 Dependent domination CD 15,50 Moderater NWoBHM Sound zwischen ANGRA BITCHES SIN, SARACEN, DEMON, Secret garden CD 15,50 Diabolic CD 15,50 SATANIC RITES gelegen. The forlorn divide CD 15,50 ALLTHENIKO ANGRA (ANDRE MATOS) Time to be free CD 29,00 ACID Back in 2066 CD 15,50 Japan imp. Acid CD 18,00 Devasterpiece CD 15,50 ANGUISH FORCE Engine beast CD 18,00 Millennium re-burn CD 15,50 2: City of ice CD 12,00 ACRIDITY ALMANAC 3: Invincibile imperium Italicum CD 15,50 For freedom I cry & bonustracks CD 17,00 Tsar - digibook CD & DVD 18,50 Cry, Gaia cry CD 12,00 ACTROID ALMORA Defenders united MCD 8,00 Crystallized act CD 29,00 1945 CD 15,50 Japan imp. RRR (1998-2002) CD 15,50 Kalihora´s song CD 15,50 Sea eternally infested CD 12,00 ABSOLVA - Sid by side CD 15,50 ADRAMELCH Kiyamet senfonisi CD 15,50 Broken history CD 15,50 ANIMETAL USA Shehrazad CD 15,50 Lights from oblivion CD 15,50 W - new album 2012 CD 30,00 313 ALTAR OF OBLIVION Japan imp. Opus CD 15,50 Three thirteen CD 17,00 Salvation CD 12,00 ANNIHILATED ADRENALINE KINGS 3D IN YOUR FACE ALTERED STATE Scorched earth policy CD 15,50 Same CD 15,50 Faster and faster CD 15,50 Winter warlock CD 15,50 ANNIHILATOR ADRENICIDE Eine tolle, packende Mischung aus AMARAN Alice in hell CD 12,00 PREMONITION (Florida) ILIUM, HAN- War begs no mercy CD 15,50 KER und neueren JAG PANZER.
    [Show full text]
  • Metal Obs' Numéro 31
    Metal Obs’ numéro 31 - Juin 2009 - GRATUIT Metal Obs’ n°31 - Juin 2009 MENSUEL METAL GRATUIT DISTRIBUÉ EXCLUSIVEMENT DANS LES MAGA- Doit-on encore prendre du temps pour vous expliquer- SINS FNAC que le disque est en crise ? Vous expliquer que le télé RÉDACTEUR EN CHEF Geoffrey PAUFERT (Fnac Valenciennes)SEC RÉTAIRE DE RÉDAC- chargement, si anodin pour les jeunes générations, est TION Will «Of Death» HIEN RÉDACTION Will Of Death, Yazan «Yath» El Safadi, Gaetan un acte hors-la-loi, et que non, avoir 10.000 morceaux Soleil, Olivier «Breizhjoker» Le Pan, Regis «min cousin» Vandenbussche, Lucie, Looner, sur son Ipod n’est pas « cool » ? Luna , Gilles «Der Kaiser» Kaeser, Jonathan Deladerrière nous prendre du temps pour vous dire que le label SPV va MAQUETTE: Geoffrey Paufert Peut-être alors devons- WEBMASTER : Jean-Noël Bonnaillie très mal, et qu’il risque de fermer ses portes (en cessation financière depuis plus d’un REMERCIEMENTS aux labels, à la FNAC et à tous les vendeurs metal, les chargés de mois), et que les conséquences seront désastreuses vu son catalogue ? Non. Alors vous communication FNAC, Mathieu Barville, Jean-Luc Muller, Daniel d’UNDERCLASS, Char- dire que la plate-forme de téléchargement légal de Nuclear Blast va aussi fermer ses - les-Henry Provost, Virginie Binard, Karine «Blackberry forever» S. portes, les métalleux préférant voler leur musique plutôt que de la payer ? REMERCIEMENTS ETERNELS Michel S. Oui, fini le temps de se dire que le metal n’était pas touché, qu’il était peuplé de pas NOUS CONTACTER : sionnés qui achètent leurs disques. Il y en a beaucoup bien sûr, mais ce nombre semble [email protected] si infime par rapport à tous ceux pour qui acheter un disque, et donc faire vivre les www.noise-web.com groupes, ne signifie rien.
    [Show full text]