Judges Handbook Sydney and Melbourne

Total Page:16

File Type:pdf, Size:1020Kb

Judges Handbook Sydney and Melbourne 9 OCTOBER – 30 OCTOBER 2013 It's On Sydney Generic A5_New Logo 6/09/13 12:31 PM Page 1 CONTENTS WELCOME 05 GENERAL INFORMATION 07 ABOUT AFI 10 ABOUT AACTA 11 HOW TO CAST YOUR VOTE 13 PRODUCTION DETAILS SHORT FICTION FILM 15 SHORT ANIMATION 21 visit sydney.com FEATURE FILM 27 for more information on great events, experiences and things to do SCREENINGS PROGRAM Image© Sydney Festival, Jamie Williams Jamie Festival, Sydney Image© SYDNEY 47 MELBOURNE 49 ACKNOWLEDGEMENTS 50 SPONSORS & PARTNERS 51 3 Good luck WELCOME AACTA Award Welcome to this year’s showcase short filmmakers, I hope that this of outstanding contemporary nomination for an AACTA Award contenders! Australian screen productions, each leads to opportunities both in vying for our nation’s highest screen Australia and internationally. accolades – the Australian Academy of Cinema and Television Arts Awards. It is now your privilege as AFI and AACTA members to view these This showcase heralds the beginning films – either at screenings in Sydney of the viewing and voting period and Melbourne, or via the online for the 3rd AACTA Awards, and platform, AACTA TV – and to vote to I’m delighted to see such an determine the winners. accomplished slate of short films and feature films competing, with many As we commence the 3rd AACTA having already achieved both critical Awards season I take this opportunity and audience acclaim, here and to thank our sponsors and partners abroad. who make our work in recognising Australian screen excellence possible. The 15 Feature Films in Competition span many genres, including I also thank our industry for their romantic comedy to horror, and big exceptional work which makes the budget dramas to intimate coming AACTA Awards so competitive and of age stories, and I look forward compelling, as well as our members to seeing which of these Australia’s for their invaluable and ongoing leading screen professionals narrow support. Thank you. down to a list of nominees. The Short Fiction Film and Short Animation nominees have been 5 chosen by a jury of industry Damian Trewhella professionals. As is an established AFI | AACTA CEO trajectory for many Australian Stories that stay with you GENERAL INFORMATION Welcome to the AACTA Awards Latecomers arriving after the Screenings, which are held for the scheduled start of a screening may purpose of judging the AACTA not be admitted. Awards. PRODUCTION DETAILS SCREENING SCHEDULE The synopses and production details Each film will be screened once in listed in the Judges Handbook Sydney and Melbourne. Please refer have been supplied and approved to the Screening Program at the back by the producer of each entered BRAVO! of the Judges Handbook. production. Every effort will be made to avoid VOTING changes to the screening schedule, Congratulations and best wishes AFI | AACTA members hold the however in the event that changes to all the AACTA Award contenders. exclusive privilege of voting in the must be made, all members will AACTA Awards. You’re all stars. receive direct email communication and changes will also be noted on All votes will be submitted on the the AACTA website (www.aacta.org). AACTA website, via an online voting The Star is proud to play its part as form. Only one voting form per a supporter of the AACTA Awards. ADMISSION REGULATIONS AFI | AACTA member per round will AFI | AACTA members receive be accepted. complimentary entry to all sessions, upon presentation of AFI | AACTA acknowledges that their membership cards at the it may not be possible for voting cinema box office at the time of the members to view all films in STAR.COM.AU screening. competition. Therefore, individual member votes shall be weighted to Please note that tickets cannot be reflect the percentage of films each obtained in advance of screenings. member has seen. All seating is offered on a first come, Further information on voting is first serve basis, and is strictly limited available on page 13 of the Judges by the capacity of each cinema. The Handbook. AFI | AACTA cannot guarantee entry to popular sessions. Ernst & Young is the scrutineer for the AACTA Awards. Persons under the age of 18 are restricted to sessions based on the classifications listed for each 7 80 PYRMONT STREET, SYDNEY 1800 700 700 film. Films without classification are restricted to persons aged 18 and over – proof of age may be required. STAR0422_AACTA_210x148.indd 1 13/09/13 5:06 PM GENERAL INFORMATION AACTA TV The Short Fiction Film and Short Animation nominees, and a selection of Feature Films in Competition will be showcased for all AFI | AACTA members on AACTA TV during the AACTA Awards Screenings period. To access AACTA TV, please visit www.aacta.org/aacta-tv. NOMINEES AND WINNERS Nominees will be announced at the AACTA Awards Nominations Announcement later in 2013. Winners in all categories will be announced and presented at the AACTA Awards in January 2014. INFORMATION For more information regarding AFI |AACTA Membership or the AACTA Awards Screenings, please contact AFI | AACTA: E [email protected] [email protected] T 1300 139 697 W www.aacta.org 9 ABOUT AFI ABOUT AACTA The Australian Film Institute (AFI) The Australian Academy of Cinema MEMBERSHIP was created in 1958 by those with a and Television Arts (AACTA) was “AACTA membership denotes pride passion for film. launched by the Australian Film and passion for Australia’s screen Institute (AFI) in August 2011, with the industry. It shows dedication to Today, alongside the Australian primary role of identifying, awarding, furthering screen craft excellence, Academy of Cinema and Television promoting and celebrating Australia’s particularly by voting in the AACTA Arts (AACTA), which is the AFI’s greatest achievements in film and Awards, and shows a desire to professional membership body, the television. connect the industry across all crafts, AFI continues to support, encourage as represented by the Academy.” and promote Australian screen Australia has produced some of Geoffrey Rush, AACTA President culture. the best screen practitioners and productions in the world, and an Members help shape the Australian CALLING ALL SCREEN AACTA TV important part of AACTA’s role is to screen industry, particularly by the AACTA TV is yet another way we recognise this through the annual privilege of judging and voting in ENTHUSIASTS AACTA Awards – Australia’s highest the peer-assessed AACTA Awards, AFI membership is open to promote and share access to screen accolades. ensuring that those best qualified to everyone – those with a passion for premium Australian screen content. recognise excellence do so. film and television, those studying it Members are offered exclusive and those emerging in the industry. access to this online screening CONNECTING THE platform, providing an opportunity AACTA also facilitates professional INDUSTRY development for members, including One of the most important benefits to watch the year’s nominated Short AACTA is a not-for-profit, member by partnering with Guilds to provide AFI members receive is the right Fiction Films and Short Animations, organisation. AACTA membership screen craft forums, and also provides to vote in the AACTA Awards. AFI and gain access to other quality is granted exclusively to film and networking opportunities at events members vote for the winner of the curated content. television professionals, each from a throughout the year. Best Short Fiction Film and Best Short cross-section of the screen industry Animation in the 3rd AACTA Awards. We thank our screen-loving members including production across all Other benefits include complimentary for their ongoing support and screen crafts, distribution, exhibition screenings and special member rates Other member benefits include enthusiasm for Australian screen and television networks. at national cinemas, film festivals and film giveaways and updates via culture. for industry magazine subscriptions. Facebook and Twitter, and cinema, The Australian Academy is overseen film festival and screen magazine JOIN US by AACTA President Geoffrey discounts. Join us in our quest to celebrate Rush and an Honorary Council BECOME A MEMBER Australian screen excellence. - a selection of Australia’s most To apply for AACTA membership and By supporting AFI | AACTA through outstanding and highly skilled for more information: membership, you are helping to E [email protected] screen craft specialists, each chosen recognise Australia’s best and T 1300 139 697 because of their contribution to the E [email protected] brightest screen talent, creating new W www.aacta.org industry, and each representing T 1300 139 697 opportunities for our industry. AACTA’s 15 screen craft chapters, W www.aacta.org from cinematography and costume 10 design, to screenwriting and 11 directing. HOW TO CAST YOUR VOTE AACTA MEMBERS AFI MEMBERS In line with best-practice international Membership of the Australian Film models, the 3rd AACTA Awards will Institute (AFI) is open to all screen again employ a two-step voting enthusiasts. AFI members are model for Feature Film voting. provided the opportunity to vote in the categories of Best Short Fiction Feature Film voting is open to AACTA Film and Best Short Animation in the members – screen professionals who 3rd AACTA Awards. have undergone an accreditation process to become an AACTA For more information on voting in the member. 3rd AACTA Awards, please visit www.aacta.org. In round one of Feature Film voting, each chapter of AACTA votes to determine a short list of nominees in the applicable award category collaborate specific to that chapter. create In round two, all members of AACTA can vote on this shortlist of nominees connect to determine the winner. This two-step model allows for celebrate a more consistent and rigorous approach to voting, and will ensure that practitioners best qualified to recognise excellence in their specific crafts are short listing nominees on which the broader AACTA membership then vote.
Recommended publications
  • Making Our Own—Two Ethnographies of the Vernacular in New Zealand Music: Tramping Club Singsongs and the Māori Guitar Strumming Style
    Making our own—two ethnographies of the vernacular in New Zealand music: tramping club singsongs and the Māori guitar strumming style by Michael Brown A thesis submitted to Victoria University of Wellington/Massey University in fulfilment of the requirements for the degree of Doctor of Philosophy in Music New Zealand School of Music 2012 ii Abstract This work presents two ethnographies of the vernacular in New Zealand music. The ethnographies are centred on the Wellington region, and deal respectively with tramping club singsongs and the Māori guitar strumming style. As the first studies to be made of these topics, they support an overall argument outlined in the Introduction, that the concept of ―vernacular‖ is a valuable way of identifying and understanding some significant musical phenomena hitherto neglected in New Zealand music studies. ―Vernacular‖ is conceptualised as an informal, homemade approach that enables people to customise music-making, just as language is casually manipulated in vernacular speech. The different theories and applications which contribute to this perspective, taken from music studies and other disciplines, are examined in Chapter 1. A review of relevant New Zealand music literature, along with a methodological overview of the ethnographies is presented in Chapter 2. Each study is based upon different mixtures of techniques, including participant-observer fieldwork, oral history, interviews, and archival research. They can be summarised as follows: Tramping club singsongs: a medium of informal self-entertainment among New Zealand wilderness recreationists in the mid-twentieth century. The ethnography focuses on two clubs in the Wellington region, the Tararua Tramping Club and the Victoria University College Tramping Club, during the 1940s-1960s period, when changing social mores, tramping‘s camaraderie and individualism, and the clubs‘ different approaches, gave their singsongs a distinctive character.
    [Show full text]
  • Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
    Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding.
    [Show full text]
  • Festival 30000 LP SERIES 1961-1989
    AUSTRALIAN RECORD LABELS FESTIVAL 30,000 LP SERIES 1961-1989 COMPILED BY MICHAEL DE LOOPER AUGUST 2020 Festival 30,000 LP series FESTIVAL LP LABEL ABBREVIATIONS, 1961 TO 1973 AML, SAML, SML, SAM A&M SINL INFINITY SODL A&M - ODE SITFL INTERFUSION SASL A&M - SUSSEX SIVL INVICTUS SARL AMARET SIL ISLAND ML, SML AMPAR, ABC PARAMOUNT, KL KOMMOTION GRAND AWARD LL LEEDON SAT, SATAL ATA SLHL LEE HAZLEWOOD INTERNATIONAL AL, SAL ATLANTIC LYL, SLYL, SLY LIBERTY SAVL AVCO EMBASSY DL LINDA LEE SBNL BANNER SML, SMML METROMEDIA BCL, SBCL BARCLAY PL, SPL MONUMENT BBC BBC MRL MUSHROOM SBTL BLUE THUMB SPGL PAGE ONE BL BRUNSWICK PML, SPML PARAMOUNT CBYL, SCBYL CARNABY SPFL PENNY FARTHING SCHL CHART PJL, SPJL PROJECT 3 SCYL CHRYSALIS RGL REG GRUNDY MCL CLARION RL REX NDL, SNDL, SNC COMMAND JL, SJL SCEPTER SCUL COMMONWEALTH UNITED SKL STAX CML, CML, CMC CONCERT-DISC SBL STEADY CL, SCL CORAL NL, SNL SUN DDL, SDDL DAFFODIL QL, SQL SUNSHINE SDJL DJM EL, SEL SPIN ZL, SZL DOT TRL, STRL TOP RANK DML, SDML DU MONDE TAL, STAL TRANSATLANTIC SDRL DURIUM TL, STL 20TH CENTURY-FOX EL EMBER UAL, SUAL, SUL UNITED ARTISTS EC, SEC, EL, SEL EVEREST SVHL VIOLETS HOLIDAY SFYL FANTASY VL VOCALION DL, SDL FESTIVAL SVL VOGUE FC FESTIVAL APL VOX FL, SFL FESTIVAL WA WALLIS GNPL, SGNPL GNP CRESCENDO APC, WC, SWC WESTMINSTER HVL, SHVL HISPAVOX SWWL WHITE WHALE SHWL HOT WAX IRL, SIRL IMPERIAL IL IMPULSE 2 Festival 30,000 LP series FL 30,001 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 1 TRAPP FAMILY SINGERS FL 30,002 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 2 TRAPP FAMILY SINGERS SFL 930,003 BRAZAN BRASS HENRY JEROME ORCHESTRA SEC 930,004 THE LITTLE TRAIN OF THE CAIPIRA LONDON SYMPHONY ORCHESTRA SFL 930,005 CONCERTO FLAMENCO VINCENTE GOMEZ SFL 930,006 IRISH SING-ALONG BILL SHEPHERD SINGERS FL 30,007 FACE TO FACE, RECORD 1 INTERVIEWS BY PETE MARTIN FL 30,008 FACE TO FACE, RECORD 2 INTERVIEWS BY PETE MARTIN SCL 930,009 LIBERACE AT THE PALLADIUM LIBERACE RL 30,010 RENDEZVOUS WITH NOELINE BATLEY AUS NOELEEN BATLEY 6.61 30,011 30,012 RL 30,013 MORIAH COLLEGE JUNIOR CHOIR AUS ARR.
    [Show full text]
  • Download Detailseite
    BERLINALE SPECIAL TOP OF THE LAKE Jane Campion Bis zur Brust steht die zwölfjährige Tui im eiskalten See in der neusee- Australien/Neuseeland 2012 Garth Davis ländischen Provinz. Sie hat offensichtlich mit dem Gedanken gespielt, Länge 350 Min. · Format DCP · Farbe sich umzubringen. Es stellt sich heraus, dass sie im fünften Monat STABLISTE schwanger ist. Die Polizistin Robin, die vorübergehend in ihren Heimat- Regie Jane Campion, Garth Davis ort versetzt wurde, wird als Spezialistin für Kindesmissbrauch von der Buch Jane Campion, Gerard Lee örtlichen Polizei eingeschaltet. Doch noch bevor sie eine Beziehung zu Kamera Adam Arkapaw dem Mädchen aufbauen kann, verschwindet Tui spurlos, und eine breit Schnitt Alexandre De Franceschi, angelegte Suchaktion beginnt. Um das Netz der Intrigen und Machen- Scott Gray schaften zu zerschlagen, muss sich Robin ihrer eigenen Vergangenheit Musik Mark Bradshaw stellen. Zur gleichen Zeit richtet sich am See eine Frauenkommune in Ausstattung Fiona Crombie BIOGRAFIE Art Director Ken Turner Jane Campion Geboren 1954 in Wellington, einer verwunschenen Landschaft aus Containern ein. Angeführt wird sie von einer geheimnisvollen Frau mit langen weißen Haaren. Kostüm Emily Seresin Neuseeland. Sie studierte zwei Jahre Malerei Maske Noriko Watanabe Mit ihrer sechsteiligen TV-Serie heben die Regisseurin Jane Campion und wechselte 1981 auf die Australian Film Produzentin Phillippa Campbell Television and Radio School. 1986 wurde ihr und ihr Co-Regisseur Garth Davis das Erzählen in Fernsehformaten auf Ausführende Produzenten Emile Sherman, Kurzfilm AN EXERCISE IN DISCIPLINE – PEEL eine neue ästhetische Stufe. Alle Elemente eines spannenden Krimis Iain Canning mit der Goldenen Palme ausgezeichnet. 1991 sind da. Eingebettet in eine magisch-mystische Landschaft, zeichnet mit AN ANGEL AT MY TABLE Gast des Forums.
    [Show full text]
  • Aacta Award Winners
    Media Release: Strictly embargoed until 4.00pm Tuesday 28th January 2014. THE AUSTRALIAN ACADEMY ANNOUNCES THE FIRST GROUP OF 3RDAACTA AWARD WINNERS A full list of nominees and winners announced today can be found at the end of this document. The 3rd AACTA Awards Luncheon presented by Deluxe was held today at Sydney’s The Star Event Centre, where the Australian Academy of Cinema and Television Arts (AACTA) announced the first group of the 3rd AACTA Awards winners. The charming and often hilarious actor Patrick Brammall, who won the AACTA Award for Best Performance in a Television Comedy for his depiction of entrepreneur Sean Moody in ABC1’s comedy series A MOODY CHRISTMAS in 2013, hosted the sold out event. The group of awards presented at the 3rd AACTA Awards Luncheon presented by Deluxe recognised the talent and innovation of practitioners working across television, documentary, short fiction film, short animation and feature film categories. Joining Brammall to present the day’s 22 Awards was AACTA President Geoffrey Rush, and actors Richard Cawthorne & Damian Walshe-Howling (BIKIE WARS), Glen McMillan from WONDERLAND, Abby Earl and Arianwen Parkes-Lockwood (A PLACE TO CALL HOME). WENTWORTH’S Leanna Walsman, and BETTER MAN’s, Remy Hii - just to name a few. 3rd AACTA Awards Winners Announced The Australian feature film category was dominated by BaZ Luhrmann’s THE GREAT GATSBY which won each of the six Awards for which it was nominated, including Best Cinematography, Best Production Design, Best Costume Design, Best Editing, Best Sound, Best Original Music Score presented by APRA AMCOS and the AACTA Award for Outstanding Achievement in Visual Effects.
    [Show full text]
  • 2019 AACTA AWARDS PRESENTED by FOXTEL All Nominees – by Category FEATURE FILM
    2019 AACTA AWARDS PRESENTED BY FOXTEL All Nominees – by Category FEATURE FILM AACTA AWARD FOR BEST FILM PRESENTED BY FOXTEL HOTEL MUMBAI Basil Iwanyk, Gary Hamilton, Julie Ryan, Jomon Thomas – Hotel Mumbai Double Guess Productions JUDY & PUNCH Michele Bennett, Nash Edgerton, Danny Gabai – Vice Media LLC, Blue-Tongue Films, Pariah Productions THE KING Brad Pitt, Dede Gardner, Jeremy Kleiner, Liz Watts, David Michôd, Joel Edgerton – Plan B Entertainment, Porchlight Films, A Yoki Inc, Blue-Tongue Films THE NIGHTINGALE Kristina Ceyton, Bruna Papandrea, Steve Hutensky, Jennifer Kent – Causeway Films, Made Up Stories RIDE LIKE A GIRL Richard Keddie, Rachel Griffiths, Susie Montague – The Film Company, Magdalene Media TOP END WEDDING Rosemary Blight, Kylie du Fresne, Kate Croser – Goalpost Pictures AACTA AWARD FOR BEST INDIE FILM PRESENTED BY EVENT CINEMAS ACUTE MISFORTUNE Thomas M. Wright, Virginia Kay, Jamie Houge, Liz Kearney – Arenamedia, Plot Media, Blackheath Films BOOK WEEK Heath Davis, Joanne Weatherstone – Crash House Productions BUOYANCY Rodd Rathjen, Samantha Jennings, Kristina Ceyton, Rita Walsh – Causeway Films EMU RUNNER Imogen Thomas, Victor Evatt, Antonia Barnard, John Fink – Emu Runner Film SEQUIN IN A BLUE ROOM Samuel Van Grinsven, Sophie Hattch, Linus Gibson AACTA AWARD FOR BEST DIRECTION HOTEL MUMBAI Anthony Maras – Hotel Mumbai Double Guess Productions JUDY & PUNCH Mirrah Foulkes – Vice Media LLC, Blue-Tongue Films, Pariah Productions THE KING David Michôd – Plan B Entertainment, Porchlight Films, A Yoki Inc,
    [Show full text]
  • Upper Middle Bogan Med
    When an upper middle class woman discovers she is adopted she is shocked to find out... She comes from a drag racing family in the outer suburbs. Synopsis Upper Middle Bogan is a new eight-part comedy series Heading up a drag racing team in the outer suburbs, which tells the story of two families living at opposite Wayne and Julie are thrilled to be reunited with the ends of the freeway. daughter they thought they had lost. Sensing she was different her whole life, Bess Denyar Bess is keen to get to know her new family, however (Annie Maynard), a doctor with a highbrow mother, fitting in doesn’t always come easily. Her sister is a Margaret (Robyn Nevin), an architect husband, Danny tough nut to crack and there are misunderstandings (Patrick Brammall) and twin 13 year olds at a private aplenty. Navigating their way through the unknown is school, finds out she is adopted and is stunned. Even a challenge for all of these very entertaining individuals. more so when she meets her birth parents, Wayne (Glenn Robbins) and Julie Wheeler (Robyn Malcolm). A Gristmill Production for ABC TV. Executive Producers Robyn Butler, Wayne Hope, Geoff Porz and ABC TV If that’s not enough to digest, Bess also discovers she Executive Producer Debbie Lee. has siblings, Amber (Michala Banas), Kayne (Rhys Mitchell) and Brianna (Madeleine Jevic). PREMIERES THURSDAY 15 AUGUST 8.30PM ABC1 For more information, we’d be happy to help. Tracey Taylor, ABC TVMarComs P. 03 9524 2313 M. 0419 528 213 E. [email protected] For images visit abc.net.au/tvpublicity abc.net.au/abc1 facebook.com/abctv twitter.com/abctv #uppermiddlebogan One Two I’m A Swan Forefathers, Two Mothers THURSDAY 15 AUGUST 8.30PM ABC1 THURSDAY 22 AUGUST 8.30PM ABC1 When Bess Denyar, a successful doctor with an Still struggling with the news she is adopted, Bess architect husband, an overbearing mother and is angry with Margaret for lying to her for all these twin 13 year olds at a private school, finds out years and refuses to speak to her.
    [Show full text]
  • Te Awamutu Courier Thursday, August 13, 2020 Wrestling with Water Circulated Free to 14,045 Homes in Te Awamutu and Surrounding Districts
    Te Awamutu Ph (07) 871-5069 email: [email protected] 410 Bond Road, Te Awamutu YourC community newspaper for over 100 years Thursday, August 13, 2020 A/H 021 503 404 Delays in Kihikihi Support for rural Drivers travelling on SH3 in Kihikihi can expect delays with a four-way stop traffic management in place over a three-day period at the end of this week. Waipa¯District Council is women promised undertaking hydro-excavating work which will require all traffic to stop for short periods of time between 9am and 4pm at the intersection of Church, Ballance and Lyon Streets. Caitlan Johnston n Friday last week National VJ Day Service Party leader Judith Collins This Saturday is the 75th visited the Waipa¯district anniversary of Victory in and announced a health Japan, VJ Day (see story page Opolicy that will benefit women, 14) which the Te Awamutu especially rural women, she says. RSA planned to National is pledging to put $20 commemorate with a service million towards protecting women at the Memorial Park Sunken from gynaecological cancers through Cross. greater awareness, improved clinical Due to the uncertainty over guidelines, increased testing and community transmission of greater access to clinical trials. Covid-19 the decision has been The Opposition leader made the made to cancel the event. Te announcement to a large crowd of Awamutu RSA is also closing farmers and business people at John the club to members and Austin Ltd yards in Te Mawhai near visitors until further notice. Te Awamutu. She was joined by National Party MP for Taranaki/King Country, Water alert lifted Barbara Kuriger, and MP for Hamilton Water restrictions no longer East, David Bennett.
    [Show full text]
  • First Winners of the 4Th Aacta Awards Announced in Sydney
    Media Release – Strictly embargoed until 4:00pm Tuesday 27 January 2015 FIRST WINNERS OF THE 4TH AACTA AWARDS ANNOUNCED IN SYDNEY The 4th AACTA Awards Luncheon presented by Deluxe was today held at The Star Event Centre Sydney, celebrating screen craft excellence, and marking the first winners for the 4th AACTA Awards season. Twenty two awards were presented, recognising the talent and innovation of practitioners working across television, documentary, short fiction film, short animation and feature film. The remainder of 4th AACTA Awards will be presented at the 4th AACTA Awards Ceremony in Sydney on Thursday. Today’s event was hosted by writer/actor/producer/director Adam Zwar, whose AACTA and AFI awarded productions include Agony Aunts, Lowdown and Wilfred. Zwar, whose humour was in full force, was joined by outstanding presenters including AACTA President Geoffrey Rush, David Stratton, Damian Walshe-Howling, Alexandra Schepisi, Charlotte Best and Diana Glenn, to name a few. The talent pool was fierce this year with a number of productions bagging multiple nominations Including THE BROKEN SHORE, TENDER, UKRAINE IS NOT A BROTHEL and PREDESTINATION, all with five nominations. TELEVISION On the small screen the AACTA Award for Best Children’s Television Series went to Colin South and Keith Saggers for their show set in a tiny town called Whale Bay, home to a giant thong, ABC3’s THE FLAMIN’ THONGS. The AACTA Award for Best Direction in a Television Light Entertainment or Reality Series went to Beck Cole and Craig Anderson for Episode 3 of the ABC’s BLACK COMEDY, a ground breaking show, featuring an ensemble cast of Indigenous writers and performers.
    [Show full text]
  • CED Digest, Vol. 7
    ************************************************************************ ************************************************************************ CED Digest Vol. 7 No. 1 1/5/2002 ------------------------------------------------------------------------ 20 Years Ago In CED History: January 6, 1982: * Archbishop Jozef Glemp, the Roman Catholic primate of Poland, tells a congregation in Warsaw's St. John's Cathedral that those who signed oaths renouncing Solidarity were coerced by the government and the oaths have no validity. January 7, 1982: * Presidential counselor Edwin Meese III reads a statement that reverses President Reagan's pre-election stand against the registration of 18-year-old males for a possible future military draft. * The Winter 1982 Consumer Electronics Show begins in Las Vegas, Nevada. While a year earlier the RCA VideoDisc system had been one of the most prominent introductions, at the 1982 show the VHD VideoDisc holds the spotlight with a large display space sporting the slogan "There's More to See on VHD." Other notable video-related introductions include the Technicolor CVC mini-cassette VCR system, the first tubeless consumer video camera, and the first Pioneer LaserDisc player with CX noise reduction. A picture of the VHD booth at the Winter 1982 CES can be seen at this URL: http://www.cedmagic.com/history/vhd-1982-ces.jpg January 8, 1982: * Spokesmen for the American Telephone & Telegraph Company (AT&T) and the U.S. Department of Justice announce the settlement of a seven-year-old antitrust case which will result in AT&T divesting itself of 22 telephone companies, effectively breaking up the monopoly. * Future CED title in widespread theatrical release: Four Friends. January 9, 1982: * A frigid blast of artic air arrives in the United States bringing with it a week of record low temperatures.
    [Show full text]
  • THTR 363 Syl-Fall
    THTR 363: Introduction to Sound Design INSTRUCTOR: Richard K. Thomas, 494-8050 [email protected] OFFICE HOURS: Tuesday: 2:30 – 3:30 p.m., Thursday, 1:30 – 2:30 p.m. PAO 2184 CLASS SCHEDULE: Fall 2011 August 23 Intro to Course (Music As a Foundation, pp. 1 - 6) 25 Lecture: Music Language and Theatre (Music As a Foundation, pp. 6 - 25) 30 Music as a Foundation of Theatre: Origins September 1 Lecture: Primal Elements of Music (Music As a Foundation, pp. 25 – 45) 6 Lecture: Primal Elements of Music (Cont.) 8 Lecture: Primal Elements of Music (Cont.) 13 Lecture: Dramatic Time and Space 17 Lecture: The Function of the Soundscape 20 Group Presentations: General Overview of Design Elements 22 Group Presentations: General Overview of Design Elements (cont.) 27 Watch “More to Live For” in studio (No Rick) 29 No Class: Rick at IRT October 4 Color DVDʼs DUE 6 Color Projects DUE 11 Color (Cont) 13 Octoberbreak 18 Color Composition DUE 20. Time DVDʼs Due 25 Time Projects DUE 27 Time (Cont.) November 1 Time Composition DUE 3 Mass DVDʼs DUE 8 Mass Projects DUE 10 Mass (Cont.) 15 Mass Composition DUE THTR 363 Syllabus: Fall, 2011 Page 2 17 Space DVDʼs DUE 22 Space Projects DUE 24 THANKSGIVING BREAK 29 Space Compositions DUE December 1 Line DVDʼs DUE 6 Line Projects DUE 8 Line (Cont) Final Exam Period: Sonnet Projects Due NOTE: THIS SYLLABUS SUBJECT TO CHANGE!! Course Objectives: The purpose of this course is to introduce students to an aesthetic vocabulary of design elements that is useful in both visual and auditory design.
    [Show full text]
  • Raiders of the Lost Ark (1981) Das Boot
    RAIDERS OF THE LOST ARK (1981) A homage to rather than a spoof of the Saturday matinee serials of the 1930s, Raiders of the Lost Ark brought producer George Lucas (hot from Star Wars) together with director Steven Spielberg, for a movie combining excitement, special effects, and adventure, all played with a wry sense of humor. Harrison Ford, in the role that suited him best in all his career, stars as Indiana Jones, a tweed-wearing professor of archaeology by day, who spends the rest of his time scouring the globe for treasures and artifacts—like the Lost Ark of the Covenant (the gold chest in which Moses supposedly stored the stone tablets inscribed with the Ten Commandments). Unfortunately, the Nazis are after it too, having heard that any army who carries the ark before it is indestructible. With his trademark fedora, bullwhip, and rumpled clothes, Indy outruns a speeding boulder in a booby-trapped cavern, escapes from a pit of snakes, dodges sinister bandits in an African market, and hangs underneath a moving DAS BOOT (1981) West Germany (Bavaria, Radiant, U.S. (Lucasfilm, Paramount) 115m truck in a nail-biting chase through the desert. These are only some of the THE BOAT SDR, WDR) 149m Technicolor Language: German / English Metrocolor movie’s impressive set pieces. Our dashing hero is no Superman, though, Director Wolfgang Petersen’s 1981 World War II drama Das Boot was nominated Director: Wolfgang Petersen Language: English / German / getting beaten and bashed up at every turn. for six Academy Awards, a “mission impossible” for any foreign film.
    [Show full text]