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Hollywood Intellectual Property Opportunities for the Browser Games Industry
Hollywood Intellectual Property Opportunities for the Browser Games Industry Philip Reisberger Chief Games Officer August 2011, GDC Europe Facts The Company Founded 2002 Number of Employees 800+ Key Titles DarkOrbit, Seafight, Farmerama Battlestar Galactica Online, The Mummy Online, Skyrama Locations Hamburg, Germany Berlin, Germany San Francisco, USA Malta Sao Paulo, Brazil 2 Figures The Figures 30 languages 70 active games More than 200 million users 250,000+ new registrations per day Winner • Mashable Best Online Game 2010 • Best Community Support 2011 • Best Gaming Portal 2010, 2011 • Best Browser Game 2010, 2011 • International Business Award 2010 • Deloitte Rising Stars 2009 • Best Gaming Website USA 2009 • MTV Games Award 2009 • … 3 250,000 …over 250,000 babies are born every day in the world. Bigpoint adds more than 250,000 new players every day too... 4 Hollywood IPs Establishing an IP 1 Success Factors Benefits of Licensing 2 Market Differences Focus: 3 Battlestar Galactica Online 4 Learnings 5 1. Establishing IP 6 BIGPOINT‘S GAME PORTFOLIO Diversity and high quality offer millions of players fun & entertainment CORE GAMES „AAA“ GAMES CASUAL GAMES More than 50 MILLION users BATTLESTAR GALACTICA In just under one year, 30 have registered for ONLINE was the MOST MILLION users moved to the DARKORBIT since it went SUCCESSFUL launch of a game country to start their own online in 2006 and has in Bigpoint history with over 1 online farms at FARMERAMA mollions of active MILLION player after 4 WEEKS monthly users SEAFIGHT. More than -
View Entire Issue As
THE BRADY BOYS Oscar Wilde said you can find it all on Brady Street, and the annual festival there proves it. Page 26 The vOicE Of progress for WiScOnSin’S LgBT cOmmunity July 14, 2011 | Vol. 2, No. 18 county SPECIAL REPORT: pursues DAHmER, benefits DEATH & By Louis Weisberg ented employees in the mar- THE mPD: Staff writer ketplace.” Milwaukee County Aurora Health Care, the supervisors have launched state’s largest employer a renewed push to extend with 31,000 workers in the health insurance benefits to Milwaukee area, has offered 20 YEARS the same-sex partners of domestic partner benefits county workers. since 2005. Six of the 10 Seven supervisors, joined Fortune 500 employers in by representatives from Milwaukee also offer such LATER public, private and religious benefits. groups, formally announced Dwight Morgan, senior the effort at Aurora St. Luke’s vice president of human Medical Center on July 7. resources, told report- PaGE 6 They described the issue as ers that Aurora’s domestic one of smart business and partner plan “has worked basic fairness. remarkably well” and had no “This is a pro-business “appreciable impact” on the move, and we’re taking a page company’s bottom line. He out of the book of some said the cost represents less of the largest private-sector than 1 percent of Aurora’s employers in Milwaukee,” employee benefit expendi- said Supervisor Marina tures. Dimitrijevic. “They use this Morgan said the benefits tool to recruit the most tal- help Aurora attract employ- ees from a larger pool of talent, which makes the com- pany stronger. -
Federal Register Volume 31 • Number 86
FEDERAL REGISTER VOLUME 31 • NUMBER 86 Wednesday, May 4,1966 • Washington, D.C. Pages 6603-6674 P A R T I (Part II begins on page 6659) Agencies in this issue— The President Atomic Energy Commission Civil Aeronautics Board Consumer and Marketing Service Customs Bureau Economic Opportunity Office Engineers Corps Federal Aviation Agency Federal Communications Commission Federal Maritime Commission Federal Power Commission Fish and Wildlife Service Food and Drug Administration General Services Administration Immigration and Naturalization Service Interior Department Interstate Commerce Commission Land Management Bureau National Park Service Securities and Exchange Commission Small Business Administration „ Social Security Administration State Department Treasury Department Detailed list of Contents appears inside. No. 86—Pt. I----1 5-Y ear Compilât ions of Presidential Documents Supplements to Title 3 of the Code of Federal Regulations The Supplements to Title 3 of the Code the President and published in the Federal of Federal Regulations contain the full text Register during the period June 2, 19 38 - of proclamations, Executive orders, reor December 31, 1963. Tabular finding aids ganization plans, trade agreement letters, and subject indexes are included. T h e in and certain administrative orders issued by dividual volumes are priced as follows: 1938—1943 Compilation— $3.00 1949—1953 Compilation^— $7.00 1943—1948 Compilation— $7.00 1954—1958 Compilation— $4.00 1959—1963 Compilation— $6.00 Compiled by Office of the Federal Resister, National Archives and Records Service, General Services Administration Order from Superintendent of Documents, U.S. Government Prinfins Office, Washington, D.C., 20402 Published daily, Tuesday through Saturday (no publication on Sundays, Mondays, or FEDERALMREGISTER on the day after an official Federal holiday), by the Office of the Federal Register, National Archives and Records Service, General Services Administration (mail address National Area Code 202 Phone 963-3261 Archives Building, Washington, D.C. -
Summary of Sexual Abuse Claims in Chapter 11 Cases of Boy Scouts of America
Summary of Sexual Abuse Claims in Chapter 11 Cases of Boy Scouts of America There are approximately 101,135sexual abuse claims filed. Of those claims, the Tort Claimants’ Committee estimates that there are approximately 83,807 unique claims if the amended and superseded and multiple claims filed on account of the same survivor are removed. The summary of sexual abuse claims below uses the set of 83,807 of claim for purposes of claims summary below.1 The Tort Claimants’ Committee has broken down the sexual abuse claims in various categories for the purpose of disclosing where and when the sexual abuse claims arose and the identity of certain of the parties that are implicated in the alleged sexual abuse. Attached hereto as Exhibit 1 is a chart that shows the sexual abuse claims broken down by the year in which they first arose. Please note that there approximately 10,500 claims did not provide a date for when the sexual abuse occurred. As a result, those claims have not been assigned a year in which the abuse first arose. Attached hereto as Exhibit 2 is a chart that shows the claims broken down by the state or jurisdiction in which they arose. Please note there are approximately 7,186 claims that did not provide a location of abuse. Those claims are reflected by YY or ZZ in the codes used to identify the applicable state or jurisdiction. Those claims have not been assigned a state or other jurisdiction. Attached hereto as Exhibit 3 is a chart that shows the claims broken down by the Local Council implicated in the sexual abuse. -
The Postmodern Sacred
The Postmodern Sacred Popular Culture Spirituality in the Genres of Science Fiction, Fantasy and Fantastic Horror Em McAvan BA (Honours) Curtin University This thesis is submitted for the degree of Doctor of Philosophy at Murdoch University, August 2007. Declaration I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary educational institution. __________________________ Acknowledgements My thanks to Vijay Mishra and Wendy Parkins for their supervision, my friends and family for their support and encouragement, and to Candy Robinson for everything else. Contents Introduction 1 Chapter One 17 The Postmodern Sacred Chapter Two 60 ‘Something Up There’: Transcendental Gesturing in New Age influenced texts Chapter Three 96 Of Gods and Monsters: Literalising Metaphor in the Postmodern Sacred Chapter Four 140 That Dangerous Supplement: Christianity and the New Age in Tolkien’s Lord of the Rings Chapter Five 171 Good, Evil and All That Stuff: Morality and Meta-Narrative in the Postmodern Sacred Chapter Six 214 Nostalgia and the Sacredness of “Real” Experience in Postmodernity Conclusion 253 Bibliography 259 1 Introduction The Return of the Religious and the Postmodern Sacred God is no longer dead. When Nietzsche famously declared his death toward the end of the 19th century, it seemed possible, even inevitable, that God and religion would die under the rationalist atheist onslaught. That, however, was not to be the case. Religion and “spirituality” have survived the atheist challenge, albeit profoundly changed. Although there are a number of contributing factors, the revival of the religious in the West has occurred partly as a result of the postmodernist collapse of the scientific meta-narratives that made atheism so powerful. -
Key Agents of Mediation That Define, Create, and Maintain TV Fandom
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication Fall 12-20-2012 Abracadabra: Key Agents of Mediation that Define, Create, and Maintain TV Fandom David H. Gardner Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Gardner, David H., "Abracadabra: Key Agents of Mediation that Define, Create, and Maintain TV Fandom." Thesis, Georgia State University, 2012. https://scholarworks.gsu.edu/communication_theses/95 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ABRACADABRA: KEY AGENTS OF MEDIATION THAT DEFINE, CREATE, AND MAINTAIN TV FANDOM by DAVID H. GARDNER Under the Direction of Dr. Alisa Perren ABSTRACT From a media industries, fan studies, and emerging socio-cultural public relations perspective, this project pulls back the Hollywood curtain to explore two questions: 1) How do TV public relations practitioners and key tastemaker/gatekeeper media define, create, build, and maintain fandom?; and 2) How do they make meaning of fandom and their agency/role in fan creation from their position of industrial producers, cultural intermediaries, members of the audience, and as fans themselves? This project brings five influential, working public relations and media professionals into a conversation about two case studies from the 2010-2011 television season – broadcast network CBS’ Hawaii Five-0 and basic cable network AMC’s The Walking Dead. Each of these shows speaks to fandom in particular ways and are representative of the industry’s current approaches in luring specific audiences to TV. -
Battlestar Galactica: Season Three Checklist
Battlestar Galactica: Season Three Checklist Base Cards # Card Title [ ] 01 Title Card/Checklist [ ] 02 Title Card/Checklist [ ] 03 Title Card/Checklist [ ] 04 Occupation [ ] 05 Occupation [ ] 06 Occupation [ ] 07 Precipice [ ] 08 Precipice [ ] 09 Precipice [ ] 10 Exodus: Part 1 [ ] 11 Exodus: Part 1 [ ] 12 Exodus: Part 1 [ ] 13 Exodus: Part 2 [ ] 14 Exodus: Part 2 [ ] 15 Exodus: Part 2 [ ] 16 Collaborators [ ] 17 Collaborators [ ] 18 Collaborators [ ] 19 Torn [ ] 20 Torn [ ] 21 Torn [ ] 22 A Measure of Salvation [ ] 23 A Measure of Salvation [ ] 24 A Measure of Salvation [ ] 25 Hero [ ] 26 Hero [ ] 27 Hero [ ] 28 Unfinished Business [ ] 29 Unfinished Business [ ] 30 Unfinished Business [ ] 31 The Passage [ ] 32 The Passage [ ] 33 The Passage [ ] 34 The Eye of Jupiter [ ] 35 The Eye of Jupiter [ ] 36 The Eye of Jupiter [ ] 37 Rapture [ ] 38 Rapture [ ] 39 Rapture [ ] 40 Taking a Break from All Your Worries [ ] 41 Taking a Break from All Your Worries [ ] 42 Taking a Break from All Your Worries [ ] 43 The Woman King [ ] 44 The Woman King [ ] 45 The Woman King [ ] 46 A Day in the Life [ ] 47 A Day in the Life [ ] 48 A Day in the Life [ ] 49 Dirty Hands [ ] 50 Dirty Hands [ ] 51 Dirty Hands [ ] 52 Maelstrom [ ] 53 Maelstrom [ ] 54 Maelstrom [ ] 55 The Son Also Rises [ ] 56 The Son Also Rises [ ] 57 The Son Also Rises [ ] 58 Crossroads: Part 1 [ ] 59 Crossroads: Part 1 [ ] 60 Crossroads: Part 1 [ ] 61 Crossroads: Part 2 [ ] 62 Crossroads: Part 2 [ ] 63 Crossroads: Part 2 Significant Seven (1:8 Packs) # Card Title [ ] SS1 Brother Cavil [ ] -
Alex O'loughlin Shares Hawaii Five-0 Scoop!
Home > News > Alex O'Loughlin Shares Hawaii Five-0 Scoop! ASK MATT: A COWBOY REMATCH? Burning questions on The Amazing Race, Lost and the Emmys, NCIS: LA, Glee, Castle and more Albert L. Ortega/PR Photos TRUE BLOOD GOES GREEK Theo Alexander sinks his Alex O'Loughlin Shares Hawaii teeth into a juicy new True Blood role Five-0 Scoop! by Bekah Wright May 14, 2010 08:35 AM EST CBS knew what they were doing when they cast Alex O’Loughlin in the role of Detective Steve McGarrett in the remake of the 70s classic Hawaii Five-0. Though there was no cracking the Australian actor when it came to the plot of the upcoming pilot, he did share MICK JAGGER GETS some behind-the-scenes information about the series with TV Guide LOST! Magazine while attending Thursday’s Australians in Film 6th Annual The Rolling Stones Breakthrough Awards in Beverly Hills. frontman stays up Late with Jimmy Fallon O’Loughlin said he expects fans of the original Hawaii Five-0 will be Join Mark Harmon, Michael Weatherly, Sean happy with the modern-day version. “One of our main priorities is Murray, Brian Dietzen, Rocky Carroll and David maintaining the integrity of Hawaii Five-0,” he says. “We pay homage McCallum on TV Guide Magazine's Rat-Pack to the old series, but it is a new, contemporary remake of an old themed shoot with the men of NCIS! classic. I hope fans really like it.” When it came to scenes from McGarrett’s past as a Navy Seal, ALL MY CHILDREN O’Loughlin definitely enjoyed himself. -
250 Speakers Free Festival Register Today
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 4, 2021 Page 1 of 26 INSIDE Warner Music Group • Pop on Top, R&B Rising: The State Boosts Profit Margins on of the Hot 100’s Top 10 in Q1 2021 $1.25B Quarterly Revenue • Red Hot Chili Peppers Selling BY ED CHRISTMAN Song Catalog • The Revolution Will arner Music Group rebounded nicely “Following a strong first quarter, I’m happy to Be Digitized: How from last year’s pandemic-riddled report that our momentum continued in Q2, and our RAC Is Using NFTs to second fiscal quarter, posting $117 business is stronger than ever,” WMG CEO Steve Coo- Empower Artists million in net income, or 23 cents per said in a statement. “Despite the ongoing pandem- • Here’s How perW diluted share, on revenues of $1.25 billion for the ic, we generated double-digit revenue growth in both Music Companies quarter ended March 31, 2021. That’s versus a $48 Recorded Music and Music Publishing. Our success Are Honoring million net income loss on revenue of $1.09 billion for was driven by chart-topping new releases from our Asian American the quarter ended March 31, 2020. incredible artists and songwriters, as well as bold and and Pacific Islander Heritage Month Most importantly, all of the company’s profit met- imaginative execution from our world-class opera- rics showed improvement with OIBDA (operating tors. We’re excited about the rest of year, as we have a • UTA Promotes income before depreciation and amortization) coming fantastic slate of new music coming from established over 100 Across in at $228 million versus $12 million in the year earlier superstars and emerging talent.” 30 Divisions period; while after those expenses, operating income The company credited releases from Megan Thee • All Your Questions came in at $151 million, versus a $43 million loss last Stallion, as well as carryover success from Dua Lipa, About the End of the time out. -
Poughkeepsie Journal EDIA GROUP Efiwring Cusionriers
AFFIDAVIT OF PUBLICATION FROM Poughkeepsie Journal EDIA GROUP efiwring Cusionriers. Driving AQUAS, A GANNETT COMPANY Diana Figueroa being duly sworn says that he/she is the principal clerk of THE POUGHKEEPSIE JOURNAL, a newspaper published in the County of Dutchess and the State of New York, and the notice of which the annexed is a printed copy, was published in the newspaper on the date (s) below: Zone: Run Dates: 03/07/19, 03/14/19, 03/21/19, 03/28/19 Sig re Sworn to before me, this 2nd day of April 2019 Notary Signature Ad Number: 0100006762 P000 RE EPS te,IOURNAL.COM I I ItuRSPAY. MARCO ii. 1019 I IA Georgia joins effort to fund menstrual products in schools Isms Mama's by 0 °Meal leglalative deadline. hone, litylliusit ShOddlti help hum a 11100101 astec AtIONYCS, vi. and :Anus hide monsise of pausing Gamble pi Quinn lb..' datiotes noon tit this year. A sham proposal foiled last at products to schools Sul the noted ATLAA1 A - esety weekr1.17 at a MU ukout hag of 110.Mr ..angina nit MM. swent nem Allan:iv a hall dozen so lieu, Speaker PP) rem Jan haws pens, which she said mod mtddle• so eluticett0 situ the school Muse to gel second in M the Georgia afoul pits Can't use. sanitary pads Ikon and taw at the Inglie114ankh0g Ent:1mnd saM she ends VP Wind Then macaw vary 111111 Mothers elyytedereputalkatiwonnO1htbe altate. Sh0111 910 con ofliet ownpuelo4 month. dotal Novick them: they dont haw the has typed that ellinleating Ike tug for Iyhecauselhere's nobortget ful sanitary' moot', they fargel to bring R&M then all ranunners or metntmal pesclinds pude wader nannies 161 het 00..11 felon& nowt them wouldn't make a MetutINful cliflotentt le she said come of the Ytude My -came 'try Ferry Issue that can he gained; lot those who 010 orient lite Itlighteld In.:eery day.- ansilindu a 11U1Seol 7wetlion garispiewrrh. -
Excavating the Future
EXCAVATING THE FUTURE Liverpool Science Fiction Texts and Studies, 57 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47. Sonja Fritzsche, The Liverpool Companion to World Science Fiction Film 48. Jack Fennel: Irish Science Fiction 49. Peter Swirski and Waclaw M. Osadnik: Lemography: Stanislaw Lem in the Eyes of the World 50. Gavin Parkinson (ed.), Surrealism, Science Fiction and Comics 51. Peter Swirski, Stanislaw Lem: Philosopher of the Future 52. -
Labyrinths of the Self: Different Characters, Identical Bodies in Battlestar Galactica Sérgio Dias Branco
Labyrinths of the Self: Different Characters, Identical Bodies in Battlestar Galactica Sérgio Dias Branco BSG 2007: The Politics, Poetics and Philosophy of “Battlestar Galactica”. Bucks New University, 28 Jul. 2007. 1 This paper analyses a specific aesthetic feature of Battlestar Galactica (2004-): the actors’ effort to interpret different characters assuming identical bodies that coexist in the fic- tion. The actors who appear as the cybernetic entities called cylons and James Callis who plays Gaius Baltar incarnate various characters — or versions of them, in Callis’s case — without emphatic physical changes. My aim is to assess the function of this fea- ture within the structure of the series. Why do we see them as different when they can easily be confused? Because, in some cases, they are presented as psychologically different. We know that the humanoid cylons are versions of specific models. These models can be thought of as templates: they de- termine the shape of each version, but not who they are or what makes them unique as beings. The characters’ differences are therefore conveyed through performance — that is, through the significant details of their voices, costumes, postures, and gestures. There are versions of humanoid cylons that the series has no narrative or dramatic interest in differentiating. They share more common traits than differences and at times it is difficult to know if we are seeing the same copy or not. For example, the number five model is known as Aaron Doral (Matthew Bennett) and its copies are dis- tinguished by what they wear — yet the suicide bomber turns to Adama (Edward James Olmos) when he hears: “Doral.” A copy of this model appears later, overseeing the rela- tionship between Boomer (Grace Park) and Helo (Tahmoh Penikett) in Caprica and wearing the same outfit as the first version.