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Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 110 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 110 CONGRESS, FIRST SESSION Vol. 153 WASHINGTON, MONDAY, JUNE 18, 2007 No. 98 House of Representatives The House met at 12:30 p.m. and was mismanagement, corruption, and a per- In this program, people receive an called to order by the Speaker pro tem- petual dependence upon foreign aid and overnight transfer from an American pore (Ms. HIRONO). remittances. Mexico must make tough bank account to a Mexican one. The f decisions and get its economy in shape. two central banks act as middlemen, Until then, Madam Speaker, we will taking a cut of about 67 cents no mat- DESIGNATION OF SPEAKER PRO continue to face massive immigration ter what the size of the transaction. TEMPORE from the south. According to Elizabeth McQuerry of The SPEAKER pro tempore laid be- While we are painfully aware of the the Federal Reserve, banks then typi- fore the House the following commu- problems illegal immigration is caus- cally charge $2.50 to $5 to transfer ing our society, consider what it is nication from the Speaker: about $350. In total, this new program doing to Mexico in the long run. The WASHINGTON, DC, cuts the costs of remittances by at June 18, 2007. massive immigration is draining many least half. In America, 200 banks are I hereby appoint the Honorable MAZIE K. villages across Mexico of their impor- now signed up for this service com- HIRONO to act as Speaker pro tempore on tant labor pool. -
The Relationship Between Fame and Fortune in Performance Related Careers with A
International Journal of Health and Economic Development, 6(2), 36-46, July 2020 36 The Relationship between Fame and Fortune in Performance Related Careers with a Shorter Life Expectancy due to Accidents, Addiction, Homicide and Suicide S. Eric Anderson, Ginny Sim La Sierra University, Riverside, California, USA [email protected] Abstract Around 92% of the US population dies from natural causes. However, only 49% of famous musician stars die from natural causes resulting in performance related careers being one of the most dangerous professions in the United States. According to this study, musicians were 20 times more likely to die from an addiction, four times more likely to die from an accident, six times more likely to die of homicide and four times more likely to die of suicide than the general population. Why do dangerous profession lists fail to include musicians in the high risk career list categories? It is not the profession that is dangerous, but primarily the personality type gravitating towards the profession that creates risk. Should certain personality types be directed to non-performance related careers? Probably not, since performing on stage may be a more effective intervention than psychiatric treatment. Keywords: Accidents, Alcohol, Anxiety, depression, homicide, musicians and suicide. Introduction Is there a relationship between fame in performance related careers with the shorter life expectancy due to accidents, drug overdose, homicide and suicide? The number of musicians, Elvis Presley, Janis Joplin, Jimi Hendrix, Keith Moon, Sid Vicious, Kurt Cobain, Amy International Journal of Health and Economic Development, 6(2), 36-46, July 2020 37 Winehouse, Michael Jackson, Whitney Houston and Prince who died of addiction is staggering. -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
A SIX -HOUR DOCUMENTARY- "WATTSTAX REVISITED" %S the WATTSTAX '72 CONCERT MADE MUSICAL HISTORY
NOW AVAILABLE! A SIX -HOUR DOCUMENTARY- "WATTSTAX REVISITED" %s THE WATTSTAX '72 CONCERT MADE MUSICAL HISTORY LASTAUGUST IN THE LOS ANGELES MEMORIAL COLISEUM. OVER 100,000 PEOPLE TURNED OUT TO HEAR ONE OF THE MOST EXCITING LIVE CONCERTS EVER STAGED! Featuring THE BAR-KAYS EMOTIONS ISAAC HAYES DAVID PORTER ALBERT KING RANCE ALLEN GROUP SOUL CHILDREN STAPLE SINGERS TOMMY TATE JOHNNIE TAYLOR CARLA THOMAS RUFUS THOMAS EDDIE FLOYD BILLY ECKSTINE REV. JESSE JACKSON, JR. Special interviews and commentary with Stax artists including 30 full minutes with Black Moses himself. Now, a six -hour documentary, "Wattstax Revisited" is for radio ever produced. It's a powerful programming tool being made available to selected radio stations through- that will build audience and make you money at the same out the United States on an exclusive basis. It contains time. It will be available on a first come -first served basis all the excitement of the original concert mixed down into to only one station per market. a high quality recording plus interviews and commentary. If you are interested in acquiring the exclusive broad- This is the original Wattstax '72 concert in its entirety, and casting rights to "Wattstax Revisited" for your station, the total product in this documentary is not available any- contact us immediately and we will forward full informa- where else, in the film or on record. tion and a demonstration tape. "Wattstax Revisited" is one of the most exciting packages FOR ADDITIONAL INFORMATION Please contact: Produced by Ted Randal Enterprises Jim Dorse, Marketing Director Directed by Ted Randal & Tom Reed TED RANDAL ENTERPRISES Assistant Director Bill Graham 1606 N. -
17/7/13 Slagg Brothers Rhythm & Blues, Soul
17/7/13 Slagg Brothers Rhythm & Blues, Soul & Grooves Show Sweet Soul Music 2:20 Arthur Conley Arthur Lee Conley (1946 – 2003), best known for this 1967 hit Backslop 2:33 Baby Earl & The Trinidads Released posthumously after Redding's death in 1967 on the album The Immortal Otis Hard to Handle 2:21 Otis Redding Redding in 1968. I Got A Woman 2:57 Ray Charles 1954. One of the prototypes for what later became termed as "soul music" Howlin' Wolf recorded "The Red Rooster" in 1961, written by Willie Dixon. This version Little Red Rooster 2:54 Sam Cooke 1963, with young Billy Preston on organ Tell Mama 2:24 Etta James Recorded in 1968 at the FAME Studios in Muscle Shoals, Alabama Don't Knock My Love (Part 1) 2:22 Wilson Pickett 1971, Pickett's last number-one single and one of his last hits for Atlantic Records. I Never Loved A Man (The 1967, became the first big hit of her career. Recorded 9 albums for Columbia 2:52 Aretha Franklin Way I Love You) previously to signing for Atlantic under producer Jerry Wexler Originally a country song written in 1961 by Harlan Howard, Patsy Cline and Charlie He Called Me Baby 3:32 Candi Staton Rich also had hit versions. This version a hit in 1971, recorded at Rick Hall’s Fame Studios. Me And Baby Brother 3:32 War 1973, from album Deliver the Word From 1973 album Innervisions. Wonder played all instruments on the track, including Higher Ground 3:42 Stevie Wonder drums. -
Sam Moore BIO for Years Sam Moore Was Best Known for His Work With
Sam Moore BIO For years Sam Moore was best known for his work with the historic soul duo Sam & Dave. The rapid-fire style, built on the call and response of gospel, was fashioned and pioneered by Sam and became the trademark of the duo. Songs like Hold On I’m Coming, I Thank You, When Something Is Wrong With My Baby, Soul Sister, Brown Sugar, Wrap It Up and his monster hit Soul Man catapulted them up both the Pop and R & B Charts. Sam & Dave sold more than 10 million records worldwide. The music and sound of Sam & Dave became so popular that the duo served as the inspiration for The Blues Brothers parody by Dan Aykroyd and John Belushi. Though he has tremendous love and respect for the music he created as “the voice” of the duo, Sam, who has been called “the blast furnace of soul,” has maintained his appeal and his stardom as a solo artist and continues to tour scoring critical acclaim for his work. He recorded Rainy Night In Georgia, as a duet with Conway Twitty, which earned them a platinum record as well as two Country Music Association Awards nominations. This was Twitty’s last recording. The Grammy Award winner has countless television appearances globally including The Leno Show, Late Night With David Letterman, Later With Jools, The Today Show, Entertainment Tonight, The Grammys and many others. Sam has also appeared in several major movies including One Trick Pony, Tapeheads, Blues Brothers 2000 and Night of The Golden Eagle. A documentary filmed by the legendary D.A. -
AXS TV Schedule for Mon. February 5, 2018 to Sun. February 11, 2018
AXS TV Schedule for Mon. February 5, 2018 to Sun. February 11, 2018 Monday February 5, 2018 5:40 PM ET / 2:40 PM PT 8:00 AM ET / 5:00 AM PT Blondie Nashville Powered by original members Debbie Harry and Chris Stein, this unforgettable special gives Don’t Open That Door - Scarlett struggles when Jeff Fordham wants his new artists to cultivate viewers a front row seat as the multi-platinum pop culture trendsetters blaze through a career- hot, sexy personas; Rayna wants to obtain the rights to her music; Avery and Gunnar decide to spanning set list packed with classic hits and modern favorites. record songs with Scarlett’s friend Zoey. 7:00 PM ET / 4:00 PM PT 9:00 AM ET / 6:00 AM PT Nothing But Trailers The Big Interview Sometimes the best part of the movie is the preview! So AXS TV presents Nothing But Trailers. Carol Burnett - Emmy award-winning entertainer Carol Burnett is television royalty. In a candid See the best trailers, old and new, in AXS TV’s collection. conversation, she talks about her legendary career, the state of the television industry as well as the highs and lows of a life in the spotlight. Premiere 9:00 PM ET / 6:00 PM PT 10:00 AM ET / 7:00 AM PT Dead Man Walking Colbie Caillat Sister Helen Prejean forms a bond with a convicted killer, overcoming her own fears and fighting Colbie Caillat performs her first hit single, “Bubbly” as well as the love-stricken “Realize”, and for the young man’s life when no one else will. -
Various Music from the Wattstax Festival & Film
Various Music From The Wattstax Festival & Film mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Blues Album: Music From The Wattstax Festival & Film Country: Europe Released: 2007 Style: Gospel, Rhythm & Blues, Soul, Funk MP3 version RAR size: 1998 mb FLAC version RAR size: 1723 mb WMA version RAR size: 1712 mb Rating: 4.3 Votes: 970 Other Formats: AC3 DXD VQF AU XM FLAC ADX Tracklist Hide Credits –Dale Warren & The Wattstax Salvation Symphony 1-1 7:56 '72 Orchestra Written-By – Dale O. Warren* 1-2 –Rev. Jesse Jackson Introduction 5:50 Lift Every Voice And Sing 1-3 –Kim Weston 3:39 Written-By – Johnson* Heavy Makes You Happy (Sha-Na-Boom-Boom) 1-4 –The Staple Singers 3:39 Written-By – Barry-Bloom* Are You Sure 1-5 –The Staple Singers 4:03 Written-By – Banks*, Jackson* I Like The Things About Me 1-6 –The Staple Singers 5:55 Written-By – Stubbs*, Staples* Respect Yourself 1-7 –The Staple Singers 4:37 Written-By – Ingram*, Rice* I'll Take You There 1-8 –The Staple Singers 5:16 Written-By – Alvertis* Precious Lord, Take My Hand 1-9 –Deborah Manning 4:25 Written-By – Thomas A. Dorsey Better Get A Move On 1-10 –Louise McCord 4:01 Written-By – Bettye Crutcher Them Hot Pants 1-11 –Lee Sain 4:11 Written-By – Leon Moore Wade In The Water 1-12 –Little Sonny 4:21 Written-By – Traditional I Forgot To Be Your Lover 1-13 –William Bell 2:35 Written-By – Jones*, Bell* Explain It To Her Mama 1-14 –The Temprees 2:50 Written-By – Fultz*, Moore* I've Been Lonely (For So Long) 1-15 –Frederick Knight 3:54 Written-By – Weaver*, Knight* Pin The -
Digital Radio Makes Billions of Dollars a Year from Airplay of Music Made Before Feb
Jenn Bostic Kevin Gates MC Taylor Phil Cook Sarah McLachlan Dear Congress, Pass The Jennifer Warnes Kris Kristofferson Melissa Etheridge Phil Everly (Estate) Sergio Mendes Jerry Douglas Laura Ballance Michael Feinstein Punch Brothers Shelby Lynne Jim Morrison (Estate) Laura Veirs Michelle Phillips Randy Newman Stelth Alexander Jim Peterik Lee Loughnane Michelle Branch Ray Manzarek (Estate) Steve Cropper Jimi Hendrix Lights Mick Hucknall Ray Parker Jr. Steve Earle (Experience Hendrix) Digital radio makes billions of dollars a year from airplay of music made before Feb. 15, 1972. Yet, because of an Linda Ronstadt Miles Davis (Estate) R.E.M. Steve Miller Classics Act Jimmy Page Lindsey Stirling Muddy Waters (Estate) Rhett Miller Stone Temple Pilots ambiguity in state and federal copyright laws, artists and copyright owners who created that music receive nothing Joe Cocker (Estate) Lizz Wright Nat King Cole (Estate) Rhiannon Giddens Superchunk Joel Rafael for the use of their work. The CLASSICS Act (H.R. 3301 S. 2393) would correct this inequity and fi nally ensure that Loretta Lynn Neil Diamond Rick Wakeman Suzanne Vega John Densmore musicians and vocalists who made those timeless songs fi nally get their due. Lucifer’s Friend Neil Young Robbie Robertson Syd Barrett (Estate) John Doe Mac McAnally Nick Mason Robby Krieger T Bone Burnett We urge Congress to pass the CLASSICS Act and other pro-artist reforms quickly. John Fogerty Mac McCaughan Nils Lofgren Robert Lamm Taj Mahal John Lee Hooker (Estate) Abdul “Duke” Fakir Boney James Chromeo Dionne Warwick Grateful Dead Majid Al Maskati Noddy Holder Robert Plant The Both John Leventhal Aimee Mann Bonnie Raitt Chuck Jackson Dolly Parton Hal Willner “Mama” Cass Elliot (Estate) Otis Redding (Estate) Rodney Crowell the John R Cash Trust John McCrea Alan Price Booker T. -
AXS TV Schedule for Mon. December 31, 2018 to Sun. January 6, 2019
AXS TV Schedule for Mon. December 31, 2018 to Sun. January 6, 2019 Monday December 31, 2018 6:15 PM ET / 3:15 PM PT 6:00 AM ET / 3:00 AM PT Santana Live at the 1982 US Festival Smart Travels Europe The never before seen footage and official release of Carlos Santana’s legendary performance at Naples & the Amalfi Coast - Deep in the heart of Italy, Naples is the ideal launching point for ex- the 1982 US Festival documents one of the signature moments of his illustrious career, featuring ploring some of the country’s great historic treasures. We marvel at the ancient city of Pompeii, major hits “Black Magic Women,” “Oye Como Va,” “Hold On,” “She’s Not There,” and more. Santana move on to stylish Sorrento, and drive the thrilling Amalfi coast to take in spectacular views. showed once again why his guitar virtuosity, Latin rock flavorings and signature tone cannot be Further south, we visit Paestum, home to the best Greek ruins outside of Greece. duplicated. Santana also performs “Incident at Neshabur” with special guest Herbie Hancock. 6:30 AM ET / 3:30 AM PT 7:30 PM ET / 4:30 PM PT Rock Legends Rolling Stones: Havana Moon Eric Clapton - Rock Legends Eric Clapton tells the story of one of Britain’s enduring rock stars, Havana Moon captures the historic, once in a lifetime concert by The Rolling Stones in Havana, featuring insights from music critics and showcasing classic music videos. Cuba. This epic, record breaking concert features the hits Jumpin’ Jack Flash, It’s Only Rock ‘n Roll, Gimme Shelter, Brown Sugar, Satisfaction and many more. -
Global Music Pulse: the POP CATALOG Poser's Collective
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) IIII111II1 II I 1I1II,1IIII 1I,1II1J11 III 111IJ1IInIII #BXNCCVR 3-DIGIT 908 #90807GEE374EM002# BLBD 779 A06 B0128 001 033002 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT APRIL 14, 2001 COMMENTAR Y SENATE NEARING TACKLES MUSICNET PROPOSAL RAISES How To Revive INTERNET MUSIC ISSUES QUESTIONS OF FAIRNESS BY BILL HOLLAND The Senate hearing focused Singles Market BY FRANK SAXE goes into the label's pockets. WASHINGTON, D.C.-Of the many mainly on the issues of licensing NEW YORK-While the music in- Streaming media developer Real- issues presented by the 14- witness product from labels and music pub- BY MICHAEL ELLIS dustry was busy touting its new Networks is teaming with Warner panel at the Senate Judiciary Com- lishers, but no lawmakers hinted at The collapse of the U.S. sin- MusicNet digital download Music Group (WMG), mittee hearing April 3 to examine the legislation to help solve the many gles market-down more than initiative, critics were call- Inapster BMG Entertainment, growing pains marketplace 40% this year so far -is terri- ing into question the team- and the EMI Group to and problematic problems. In ble for the U.S. record indus- ing of three -fifths of the create the online sub- implications of fact, commit- try. The cause of the decline is music business into a sin- scription music service, online music, tee chairman not a lack of interest among gle entity that may one which is set to bow this lawmakers Sen. -
RZA on the Soul of Music [EXCLUSIVE SOULHEAD INTERVIEW] @RZA @Erickablount January 8, 2015
• FEATURES • INTERVIEWS • PRINCE • AUDIO • VIDEO • EVENTS • ABOUT • SHOP • FEATURES o • INTERVIEWS • PRINCE o • AUDIO o • VIDEO o • EVENTS o o • ABOUT o o o • SHOP 0 Everybody is Talking About the Good Ole Days: RZA on the Soul of Music [EXCLUSIVE SOULHEAD INTERVIEW] @RZA @ErickaBlount January 8, 2015 . Everybody is Talking About the Good Ole Days: RZA on the Soul of Music by Ericka Blount Danois If hip-hop tours, white appropriation, anniversary celebrations, books and hip-hop documentaries aren’t an indication that hip-hop has reached the status of Beatles-style nostalgia and reverence, then releasing a Wu-Tang Clan 20th anniversary reunion album, A BetterTomorrow, is solid proof that the genre has officially arrived. RZA, always the heart of the operation, worked tirelessly to round up the troops and dissolve beefs for the reunion album that dropped Dec. 2, 2014. “I wanted to make a record that pays homage to soul music and hip-hop,” he said about the making of this album. “I went to the past to make something for the future.” RZA came out of his own pockets to fund the album to the tune of half a million dollars. Some of the best in the industry are featured on the album—Rick Rubin, Adrian Younge, David Porter, Kenny Gamble and Rob Cavallo, all had their hands in the pot. Wu-Tang has always done things big and with vision. RZA led the 9-member group to an unprecedented label deal where each member was able to launch solo records. The deal allowed them to become the most revolutionary rap group of the mid-’90s releasing five group and 19 compilation albums totaling over 6 platinum records and over 40 million sold.