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Your Call Goes Deep to Find Solutions for California's Water Crisis
“A revolution to democratize water” Your Call goes deep to find solutions for California’s water crisis p.4 Wait Wait . Don’t Tell Me p.6 comes to Saturday mornings, starting in August The KALW Audio Academy’s Class of 2015 p. 7 “This place is confusingly utopian” FSFSF p. 3 Nato Green readies to take his local comedy feature weekly Women changing the status quo – hear their voices on Inflection Point p. 3 Summer 2015 KALW: By and for the community . COMMUNITY BROADCAST PARTNERS America Scores Bay Area • Association for Continuing Education • Berkeley Symphony Orchestra • Burton High School • East Bay Express • Global Exchange • INFORUM at The Commonwealth Club • Jewish Community Center of San Francisco • LitQuake • Mills College • New America Media • Other Minds • outLoud Radio • Radio Ambulante • San Francisco Arts Commission • San Francisco Conservatory of Music • San Quentin Prison Radio • SF Performances • Stanford Storytelling Project • StoryCorps • Youth Radio KALW VOLUNTEER PRODUCERS Dennis Aman, Lisa Bartfai, Dan Becker, David Boyer, Susie Britton, Sarah Cahill, Bob Campbell, Olivia Cuevas, Jack Detsch, Julie Dewitt, Matt Fidler, Chuck Finney, Marcy Fraser, Berenice Freedome, Richard Friedman, Catherine Girardeau, Chris Hambrick, Eric Jansen, Hannah Kingsley-Ma, Carol Kocivar, David Latulippe, Allison Lee, Tim Lou Ly, Martin MacClain, JoAnn Mar, Holly McDede, Marlo McKenzie, Rhian Miller, Sandy Miranda, Daniel Moore, Ted Muldoon, Emmanuel Nado, Marty Nemko, Erik Neumann, Emma Nobel, Edwin Okong’o, Kevin Oliver, Steve O’Neill, -
Eerie Indianaepisode Guide
Episode Guide Compiled by Loren Heisey https://innermind.com/myguides/ Terry Gaetz [This Page Left Blank] THE EERIE INDIANAEPISODE GUIDE Guide revision history Version 1.0: initial release (7/9/92) Version 1.1: update (7/27/92) Version 1.2: update (10/5/92) Version 2.0: re-release (3/6/93) Version 2.1: minor update (7/29/93) Version 2.2: major update (3/24/94) Version 2.3: minor update (4/2/94) Version 2.4: minor update (3/5/20) Manythanks to Gerald Edgar for capturing and digitizing the graphics used in the PostScript® version of the guide. The means for incorporating the graphics in the guide came from some of Michael Brown’sguides. Gerald, Pete Lee, CoreyKirk, Katie Schwarz, Larry Virden, AndrewDawson and others on the Eerie Indiana mailing list provided various information used in the guide. This guide is for personal use only and may be distributed freely.Nocharge may be made for this document beyond the costs of printing and distribution. version 2.4 March 5, 2020 i THE EERIE INDIANAEPISODE GUIDE Table of Contents Guide Notes iii Cast 1 Credits 2 Introductions 3 Episodes 5 1. Foreverware 5 2. The Retainer 6 3. The ATM Machine 7 4. The Losers 8 5. Scariest Home Videos 9 6. Just Say No Fun 10 7. Heart on a Chain 11 8. The Dead Letter 12 9. Who’sWho 13 10. The Lost Hour 14 11. Marshall’sTheory of Believability 15 12. Tornado Days 16 13. The Hole in the Head Gang 17 14. -
“I'm Looking for Jack Bauer at That Time”: 24, Torture
“I’M LOOKING FOR JACK BAUER AT THAT TIME”: 24, TORTURE, & GETTING YOUR HANDS DIRTY IN THE NAME OF IDEOLOGY By RYAN JAMES THOMAS A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS IN COMMUNICATION WASHINGTON STATE UNIVERSITY The Edward R. Murrow School of Communication MAY 2008 To the Faculty of Washington State University: The members of the Committee appointed to examine the thesis of RYAN JAMES THOMAS find it satisfactory and recommend that it be accepted. ____________________________________ Chair ____________________________________ ____________________________________ ____________________________________ ii ACKNOWLEDGEMENTS I would like to take this opportunity to thank my committee chair, Dr. Elizabeth Blanks Hindman, for her advice, insight, dedication, and suggestions, all of which have helped shape this project into what it is today, not to mention keeping me on track with timely yet thorough feedback. I would also like to extend my sincere thanks to the rest of my committee, Dr. Susan Dente Ross, Dr. Michael Salvador, and Dr. Richard Taflinger. Each of them has offered interesting, considerate, and challenging feedback, and both this project and I are considerably richer as a result of their input. To my girlfriend, Alexandra Ford: thank you for your constant encouragement, support, and love. You have helped me meet deadlines, keep on track, stay focused, and remain positive. Perhaps most importantly, you make me smile. A lot. So thanks for that. You are an unending source of joy in my life. Finally, I wish also to thank my parents for all the encouragement they have given me from an early age to aspire to be all that I can be, instilling in me a love for books, education, and self-improvement that I have to this day. -
Geffen Playhouse Announces 2006/2007 Season
Contact: Allison Rawlings Director of Communications (310) 966-2412 [email protected] GEFFEN PLAYHOUSE POSTPONES MARGULIES COMMISSION UNTIL 08/09 AND ANNOUNCES DANIEL SULLIVAN AS DIRECTOR Margulies’ Family Adventure Shipwrecked! An Entertainment Takes Place of The Elephant in the Room as Final Play in 07/08 Season LOS ANGELES, April 2, 2008 — Donald Margulies’ recently acclaimed Shipwrecked! An Entertainment: The Amazing Adventures of Louis de Rougemont (As Told by Himself) will replace the Geffen- commissioned world premiere of the playwright’s new work, with the working title of The Elephant in the Room, as part of the Geffen Playhouse’s 07/08 season. The Geffen-commissioned project, set to open this June, was postponed in order to align with the schedule of the artistic team’s first-choice director and give this new production the best possible world premiere – something the theater is confident about with award-winning director Daniel Sullivan signing on to direct the piece as part of the Geffen’s 08/09 season. “I wanted very much to work on this new play with Dan Sullivan, who wasn’t available this spring, and with whom I have enjoyed a rewarding collaboration now spanning ten years, starting with Dinner with Friends and continuing through the Broadway productions of Sight Unseen and Brooklyn Boy, ” said playwright Donald Margulies. “Serendipitously, the Geffen was interested in producing my recent play Shipwrecked! An Entertainment in the near future and the artistic team for that production happened to be available this June, so everything fell into place quite nicely.” Shipwrecked! An Entertainment was recently commissioned by South Coast Repertory and had a lauded limited run on the theater’s Julianne Argyros Stage last fall. -
Greatest Generation: Deep Space Nine
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Music Transition Dark Materia’s “The Picard Song,” record-scratching into a Sisko- centric remix by Adam Ragusea. Picard: Here’s to the finest crew in Starfleet! Engage. [Music begins. A fast-paced techno beat.] Picard: Captain Jean-Luc Picard, the USS Enterprise! [Music slows, record scratch, and then music speeds back up.] Sisko: Commander Benjamin Sisko, the Federation starbase... Deep Space 9. [Music ends.] 00:00:14 Music Music Record scratch back into "The Picard Song," which plays quietly in the background. 00:00:15 Adam Host Welcome to The Greatest Generation: Deep Space Nine. It's a Star Pranica Trek podcast by a couple of guys who are a little bit embarrassed about having a Star Trek podcast. I'm Adam Pranica. 00:00:25 Ben Harrison Host I'm Ben Harrison. 00:00:26 Adam Host Do you know what today is? [Music fades out.] [Ben laughs.] Ben? 00:00:29 Ben Host Why is today different from all other days, Adam? 00:00:32 Adam Host Because it's inescapably... May the fourth. 00:00:38 Ben Host No shit! 00:00:39 Music Music A scratchy, 8-bit rendition of John Williams's "Star Wars (Main Title)" plays for a few seconds and then stops. 00:00:47 Adam Host It is. Which means, uh, everyone is saying the phrase that pays today. -
The Caucasian Chalk Circle by Bertolt Brecht Translated by Alistair Beaton Directed by Stephanie Shroyer
Antaeus Theatre Company Presents THE CAUCASIAN CHALK CIRCLE by Bertolt Brecht Translated by Alistair Beaton Directed by Stephanie Shroyer Scenic Designer Costume Designer Frederica Nascimento** Angela Calin** Lighting Designer Sound Designer Ken Booth Jeff Gardner** Props Designer Assistant Director Erin Walley Emily Hawkins Dramaturg Production Stage Manager Ryan McRee Taylor Anne Cullen* Ensemble John Apicella*, Noel Arthur*, Paul Baird*, Gabriela Bonet*, Claudia Elmore, Turner Frankosky, Troy Guthrie, Steve Hofvendahl*, Connor Kelly-Eiding*, Michael Khachanov, Alex Knox*, Mehrnaz Mohammadi, Madalina Nastase, Liza Seneca*, Janellen Steininger*, George Villas* *Member, Actors’ Equity Association, the union of professional Actors and Stage Managers in the United States. This production is presented under the auspices of the Actors’ Equity Los Angeles Membership Company Rule. ** Artistic Director’s Note Welcome to the final show of our 2018/19 season. We are delighted to have you back! One of the founding principles of Antaeus is that we are an ensemble and few plays speak to that aesthetic more than Bertolt Brecht’s masterwork, The Caucasian Chalk Circle. The idea for the production came out of the “Antaeus Project”, where actors can bring forward plays and use the Library to explore and study them with other members. Ensemble member and former Co-Artistic Director, John Apicella, led the charge on this one and you will see him onstage tonight. The Caucasian Chalk Circle is a homecoming for us. We did Brecht’s Mother Courage and Her Children 14 years ago. Antaeus member, and director, Stephanie Shroyer is back with us for the first time since Tonight at 8:30 in 2007. -
La Nueva Edad Dorada De La Televisión Norteamericana Concepción Cascajosa Virino*
La nueva edad dorada de la televisión norteamericana Concepción Cascajosa Virino* Una cosa divertida pasó de camino al nuevo milenio. Era una noche de domingo de enero de 1999 cuando los espectadores norteamericanos, al menos aquellos abonados al canal de cable premium HBO, vieron por primera vez un capítulo de The Sopranos (Los Soprano, HBO: 1999-2007). La serie, una hibridación del género de gangsters y el drama familiar, logró un éxito de audiencia espectacular para los estándares de HBO y, lo que es más importante, un impacto cultural inmediato, siendo coronada por el crítico de The New York Times Stephen Holden como probablemente el producto cultural más importante de los últimos veinticinco años1. Su creador era un artesano del medio llamado David Chase que, con cierto afán provocador, repetía sin rubor que la televisión había arruinado a las películas2. En el verano de 2003, en la revista Cahiers du cinéma optaron por darle la vuelta a esa idea para constatar, con un especial de veinticuatro páginas, la relevancia alcanzada por la televisión norteamericana. El texto introductorio de Olivier Joyard, titulado L’Âge d’Or de la série américaine, comenzaba con una cita de alguien tan signifi cativo como Chris Marker, quien afi rmaba que la televisión norteamericana había logrado igualar e incluso superar al cine de Hollywood en muchos aspectos3. Aunque Los Soprano recibía atención en el especial, la posición de preeminencia era ostentada por 24 (Fox: 2001-), cuyo elaborado tratamiento de la puesta en escena y el juego temporal la convertían en el texto televisivo más destacado desde posiciones formalistas. -
Cinematic Visions of Los Angeles: Representations of Identity and Mobility in the Cinematic City Fox, Kenneth James
Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city Fox, Kenneth James The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1767 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LT-H-111111423-i ai3890 iýýmX ýw Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city Kenneth James Fox Queen Mary, University of London Thesis submitted for the degree of Doctor of Philosophy February 2006 Cinematic visions of Los Angeles: Representations of identity and mobility in the cinematic city Table of Contents Thesis Abstract Acknowledgements (ii) Foreword: From Ballyshannon to Los Angeles 1-4 Chapter One 5-54 The Cinematic City Chapter Two 55 - 85 Los Angeles: interweaving the material and the cinematic city Chapter Three 86 - 118 Reconstructing past visions of Los Angeles: mobility and identity in the noir cinematic city Chapter Four 119-158 Cinematic visions of future Los Angeles Chapter Five 159 -191 Cinematic visions of contemporary Los Angeles: Chapter Six 192 - 228 Cinematic visions of Latina/o Los Angeles Chapter Seven 229 - 260 Los Angeles: A cinematic city of hybridity? Chapter Eight 261 - 281 Cinematic Los Angeles: a new imaginary? Bibliography 282 - 309 Filmography 310 - 320 Appendix 1 (Stills in Volume 2) 1- 65 THESIS ABSTRACT Kenneth James Fox Cinematic visions of Los Angeles: representations of identity and mobility in the cinematic city. -
Current, October 10, 2011 University of Missouri-St
University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 10-10-2011 Current, October 10, 2011 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, October 10, 2011" (2011). Current (2010s). 90. http://irl.umsl.edu/current2010s/90 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. OCTOBER 10, 2011 VOL. 45; TheWWW.T H ECURRECurrentN T-ONL INE . C OM ISSUE 1356 MADCO performs Pulse at Touhill Auditorium By Minho Jung, page 2 JENNIFER MEAHAN / THE CURRENT ALSO INSIDE MonthMan Eating of Giving Sandwich at UMSL PRISM Drag Show Almin Sabotic Profile 73 NewUMSL art Philanthropy installation festivalfeeds one in Octoberman 1312 UMSL “comes out” for a fabulous show 14 Senior team leader in Men’s Soccer 2 | The Current | OCTOBER 10, 2011 | WWW.THECURRENT-ONLINE.COM | | NEWS TheCurrent VOL. 45, ISSUE 1356 News WWW.THECURRENT-ONLINE.COM EDITORIAL Jubilee celebration kicks off From Editor-in-Chief....................................................Matthew B. Poposky Managing Editor.........................................................Janaca Scherer News Editor..................................................................Minho Jung Golf Balls to Hallowed Halls project Features Editor............................................................Ashley -
Artistic Directors' Note
Artistic Directors’ Note Welcome to our 2019/20 season. This season we focus on questions of identity: Who are we? What are our values? What matters to us as individuals, as families, as communities, and as a society? To begin that enquiry we are excited to be departing from tradition and producing two new plays that have been developed in the Antaeus Playwrights Lab. The Lab was created to support award-winning mid-career playwrights. Most of the year they meet on a weekly basis, coming with new pages from their latest play and Antaeus actors bring those pages to life. Last year we had our first LAB RESULTS, a reading festival of six of these new plays. All of the work was exciting, but two of the plays stood out as “Antaeus Plays.” They have the sweep of history and big ideas that make them universal and, well, classic. So we decided to take the leap and open our season with them running in rotating repertory. We haven’t done rep since 2007 when we moved into our space on Lankershim Avenue and we produced Noel Coward’s Tonight at 8:30, eight one acts over two nights. We believe you will find these plays as moving and important as we do. Stephanie Alison Walker’s The Abuelas explores the awful repercussions of Argentina’s so-called “Dirty War” when the country was ruled by a military dictatorship. The World Premiere of Jennifer Maisel’s Eight Nights follows the poignant journey of a World War II Jewish refugee and her family through eight decades. -
Written by William Shakespeare Directed by Michael Murray Ensemble
The Antaeus Theatre Company Presents Written by William Shakespeare Directed by Michael Murray Scenic Design Costume Design François-Pierre Couture Terri A. Lewis Sound Design/Original Music Lighting Design Peter Bayne Michael Gend Properties Design Production Stage Manager Adam Meyer Kristin Weber Ensemble Rhonda Aldrich*, Tony Amendola*, Daniel Bess*, Mark Bramhall*, Stephen Caff rey*, Ramón de Ocampo*, Elizabeth Dennehy*, Mitchell Edmonds*, Bo Foxworth*, Jesse Gavin*, Joe Holt*, Sally Hughes, Joe Hulser*, Gregory Itzin*, Michael Kirby*, Desirée Mee Jung, Tro Shaw*, Adam J. Smith*, James Sutorius*, Joel Swetow*, Danielle Thorpe*, Jeff Torres, Marcelo Tubert*, Jason Turner *member, Actors’ Equity Association, the union of professional Actors and Stage Managers in the United States Artistic Directors’ Note Welcome to Antaeus and the first production of our 2015 season. We know you have a choice when you fly, and we are glad and grateful that you chose Antaeus. This is a year of growth for us here at Antaeus. With that in mind, we found ourselves drawn to projects that force us to face our own evolution, and our own sense of growing up. There are few stories we find as compelling in this vein as that of one of England’s greatest kings, Henry the Fifth. And so we welcome you to the initial journey of Prince Hal. Henry IV, Part One is a play about honor, about fathers and sons, and ultimately about choosing one’s destiny. This is the young man who will one day rally the troops at Agincourt with a speech about Saint Crispin’s Day. In a time of such political and religious division, we believe it is important to remember the ties that bring and keep us together. -
Completeandleft
MEN WOMEN 1. GA Gary Allan=Singer-songwriter=123,618=9 Gimena Accardi=Actress, model and singer=13,470=148 Gregg Allman=rock and blues singer, keyboardist, Gabriela Arciero=American, Musician=5,158=277 guitarist and songwriter=51,528=24 Girls Aloud= musician=4,523=293 GG Allin=American singer-songwriter=42,387=29 Ginger Alden=American actress=53,539=50 Gold Ag=Kosovar, Rapper=6,880=175 Gianna Amore=American, Model=5,787=254 Giorgio Armani=Couturier=8,533=144 Gael Anderson= =31,295=84 Gianni Agnelli=Italian, Diplomat=3,717=272 Gillian Anderson=Actress=115,933=23 Gary Allen=Actor=3,685=274 Gwili Andre=Actress=4,897=284 Gael Anderson= =31,295=46 Giovanna Antonelli=Brazilian actress=60,662=46 Gerald Anderson=Filipino, Actor=44,204=28 Gabrielle Anwar=Actress=112,179=29 Geoffrey Arend=Actor=7,998=157 Ginevra Arabia=Canadian, Model=20,888=113 Groove Armada= =3,294=298 Gülcan Arslan=Turkish, Actress=7,701=209 Gabriel Aubry=Canadian, Model=88,766=12 Gemma Arterton=British actress=329,841=4 George Augusto=Peruvian, Film/TV Gina Athans=South African model=8,607=191 Producer=35,899=38 Gemma Atkinson=British actress and model=427,743=1 Gene Autry=American, Actor=12,644=104 …………………….. Groove Armada COMPLETEandLEFT Gabrielle Aplin GA,Gene Autry Guano Apes GA,Gillian Anderson Gary Allan GA,Giorgio Armani GA,Gracie Allen George ,Abbott ,Playwright ,Damn Yankees GA,Gregg Allman Grace ,Abbott ,Activist ,Advocate against child labor Gamal ,Abdel-Nasser ,Head of State ,President of Egypt, 1956-70 Gary ,Ackerman ,Politician ,Congressman, New York 5th Gerry