DOCSLIB.ORG

Isolation Interviews Alberto Ríos De La Rosa

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Isolation Interviews Alberto Ríos De La Rosa ISOLATION INTERVIEWS ALBERTO RÍOS DE LA ROSA ISSUE 12 ISSUE 12 Continuing the Isolation Interviews: a new series of weekly artist and curator profiles highlighting current concerns, accompanied by a selection of available works. We know that these are precarious and uncertain times for everyone and with so many people staying at home, self-isolating or social distancing, we want to be able to continue sharing some of our favourite art and artists with you. The Isolation Interviews are a weekly series of conversations with artists and curators that will explore how these new circumstances are affecting their practices, projects and productivity. We’ll hear how they are finding solutions - and even opportunities - and what their plans and hopes are for the future. Brooke Benington is committed to supporting and creating opportunities for artists. We believe that this is needed now more than ever. Most artists are self-employed, often supplementing their income by working as technicians, fabricators, assistants, teachers and a whole host of other jobs. Now, many have very suddenly lost a vital source of income. With this in mind, we are accompanying each Isolation Interview with a curated selection of work by that artist, available for purchase. Thank you for your continued support. Stay safe and look after one another. Lily & George Directors, Brooke Benington 3 LEFT Untitled by Jannis Kounellis at Casa Wabi, Puerto Escondido, Oaxaca, Mexico Instituto Nacional de Ciencias Médicas or activated with all members from projects? Have you been able to find You’re based in Mexico, currently y Nutrición Salvador Zubirán, one of the the community to demand for better ways to adapt and continue despite the in Mexico City. How is the artistic hospitals in the city that treats COVID opportunities before the country’s restrictions? community in the city coping? Are there patients. Ministry of Culture, an office that has signs of people finding creative ways to be been short in developing a substantial and Even though I was trained as an art productive, make and share their art? Likewise, @ObreraCentro and artist comprehensive economic contingency historian at the highly academic Courtauld Marcos Castro has produced Dibujes aid package to regenerate the creative Institute of Art in London, I quickly learnt The artistic community in Mexico City para Colorear, two colouring books industry amidst the pandemic. that I wanted to develop my curatorial is both resourceful and resilient. It is a with drawings from both emerging and process hand in hand with the artist’s thriving community that has adapted consolidated artists in the country, a practice. quickly to the hardest circumstances and powerful tool to help people with anxiety Could you tell us a bit about your has learnt to produce in precariousness during lockdown. Besides dozens of curatorial practice, how you usually This process is born directly with the for a long time. It is also a solidary creators, curators, academics and galleries operate and how if at all the current artists’ conversation and their work in the community that supports itself and others that present virtual studio visits as well situation has impacted on you and your studio, studying their approach to both with new initiatives and ways to continue as online conferences and interviews with production, virtual exhibition and every day, various artists have organised ABOVE selling; fostering the development of new themselves to sell and promote their work Your age and my age and the age of the sun by Ugo Rondinone at dynamics within these hard circumstances. online or via Instagram in enterprises like Casa Wabi, Puerto Escondido @sssoporte, @arteporlatangente or @ Oaxaca, Mexico Several strategies and actions have tajotaller with auction schemes and other LEFT been taken by artists groups to support innovative designs to display and present Installation view of Tepetate by Francisco Muñoz at Casa Wabi - the local society in all possible ways. I their work. On the commercial front, nine Santa María, Mexico City can think of Carlos Amorales’ studio galleries launched #Plataforma2020, an that crafted hundreds of face masks in online selling platform that aims to reduce conjunction with his gallery kurimanzutto, the negative economic impact of the these were given to the most vulnerable lockdown by presenting works together workers in the city. Other tremendous and sharing the sales profits while action came from curator Mauricio donating 10% to similar initiatives. Maillé who led a team that organised @ fotospormexico, an initiative that sold The artist community in Mexico is photographs by more than 150 artists and also very active politically. In the last whose income was donated entirely to the months, some fronts have been created 4 5 ABOVE Your age and my age and the age the narratives and materials they engage shells or feathers and their interactions and broadcasting, parallel to other forces of the sun by Ugo Rondinone at with. Not only I enjoy working with them, with the classical bronze, marble, copper You were the curator at the world- like the gallery, the studio, the museum Casa Wabi, Puerto Escondido Oaxaca, Mexico I also engage in a professional deeper or iron in the search for new discourses famous Casa Wabi residency for several or the university. Residencies have also relationship that allows me to complement that engage with sculpture as a medium years and you have recently accepted proven to be powerful tools and centres BELOW Installation view of Silogismos de the academic reasoning I build around the and tool related to power, history writing, a position as Director of Operations for social change and community driven la Construcción at StudioBlock artwork. I have focused my practice in fetishism and memory. That being said, I at SFER IK Museion which also has a actions in the country. M74, Mexico City working alongside emerging artists in the was preparing a large emerging sculpture ABOVE residency programme at its core. What country; first at Fundación Casa Wabi with exhibition dealing with these issues Installation view of Tepetate by role do you think residencies can play in When we began working at Casa Wabi Francisco Muñoz at Casa Wabi - its space at Santa María la Ribera, where together with English curator and historian Santa María, Mexico City contemporary art practice? Are there any back in 2014 (led by artist Bosco Sodi), I curated ten solo projects between 2017 Isaac Simon that has been postponed to other residency programmes you admire we realised we were pioneers in the BELOW and 2018, and later as an independent 2021 into a new venue to be confirmed. The Pure Necessity by David either in Mexico or internationally? country in crafting an architecture and curator with exhibitions at both commercial Claerbout at SFER IK Museion, arts centre with a program that put Tulum, Mexico galleries and artist-run spaces. Residencies must be recognised as together artists from all over the world You are a prominent voice advocating a crucial growing force in the art with members of 12 different towns at In the last two years I have been studying for contemporary Mexican artists. Are professionalisation, production, exhibition the Oaxacan coast. People found hard the various sculptural methods and there any artists who you are particularly narratives that are taking place around excited about right now and what is it the country. I am driven by the direct about them that has caught your eye and relationship and experimentation with less your imagination? orthodox materials like red clay, concrete, aluminium, wax, glass, the organic like Following my research on current sculpture related practices in the country, I have been working closely with artists Ernesto Solana, Luis Urculo, Yolanda Ceballos (in collaboration with Pequod Gallery ), Tomás Díaz Cedeño (in collaboration with Peana Gallery), Paula Cortazar (in collaboration with Machete Galeria) and Adeline de Monseignat, whose samples of their work you can see with this interview. 6 7 to understand that a community project section will intervene the palaeontology is causing and will continuously cause in did not involve using the communities hall with 3D printing technology all social, economic and cultural aspects as labour force; it has been all about sculptures. of society in the nearby future, we must creating new tools via experiences, also recognise our aptitudes as a species to workshops and a multiplicity of initiatives overcome these challenges, learning from that have engaged in a cultural exchange Over the past months we have seen our own history and memory. but also in a personal and social growth communities - both artistic and otherwise in both sides of these experiences. I am - coming together (while apart) and During this contingency we have all tremendously happy to see the foundation finding new ways to collaborate, cooperate turned to art, music, theatre, dance and is continuously growing alongside the and rise above the difficulties. Are you literature, attesting their inner quality communities they work with and the hopeful for a post-COVID-19 world as catalyser for social regeneration. I trust artists that enrich their programs. where we might see this spirit continue? in the arts and culture strength to lead Are there things about how the art world the way for a spiritual and creative I am currently working with Martha has operated historically that you would renovation after this “great pause”. But Pellat in creating
Load more

Recommended publications
  • Natural Materials These Are Materials That Are ‘Naturally’ Found Around Us
    Natural Materials These are materials that are ‘naturally’ found around us. We may have to dig them out of the ground, grow them, or take them from living things. Wood It is used for burning, building houses, benches, fences and lots of other things. It isn’t chemically processed so it is natural. Wood comes from stems and roots of trees and other woody plants. Cotton Cotton is a soft, fluffy material that grows around the seed of the cotton plant. There are no chemical processes used to make cotton so it is a natural material. The cotton is spun into yarn to make a soft breathable fabric. Cotton is used to make clothes and furnishings. Gold Gold is a metal found as nuggets in rocks. It is not chemically processed so it is a natural material. Gold is melted down to make jewellery, gold teeth and used in industry. Gold is also used for investment. It is kept in bars which are worth lots of money. Iron Iron is a metal. There is lots and lots of iron on earth. It is found in the earth’s crust and core. It is not chemically processed therefore it is a natural material. It is used to make gates, buildings, tools, fireplaces, piping and many more. Leather Leather is a material created by the tanning of animal hide and skins. Usually from cattle. It is not chemically processed therefore it is a natural material. It is used for shoes, jackets, other clothing, upholstery and also used in industry. Sand Sand is made from ground up rock and mineral particles.
    [Show full text]
  • Sustainable Acoustic Materials
    sustainability Editorial Sustainable Acoustic Materials Jorge P. Arenas 1,* and Kimihiro Sakagami 2 1 Institute of Acoustics, University Austral of Chile, PO Box 567, Valdivia 5090000, Chile 2 Environmental Acoustics Laboratory, Department of Architecture, Graduate School of Engineering, Kobe University, Kobe 657-8501, Japan; [email protected] * Correspondence: [email protected]; Tel.: +56-632-221012 Received: 10 August 2020; Accepted: 11 August 2020; Published: 13 August 2020 Abstract: Technological advances in materials science, manufacturing processes, chemistry and nanoscience have led to enormous developments in innovatively engineered materials over recent decades. Among them, sustainable acoustic materials have helped to improve acoustical comfort in built environments, and their use is rapidly growing in the architecture, automotive, aerospace and construction industries. These materials are manufactured through a responsible interaction with the environment in order to avoid a depletion or degradation of the natural resources, and to allow for long-term environmental quality. This Special Issue reports on some research studies on membrane absorbers and fibrous materials of natural origin that can be sustainable alternatives to traditional acoustic materials. Keywords: sustainable materials; sound-absorption; natural fibers; acoustic materials; recycled and recyclable materials; membrane absorbers; nanofibers 1. Introduction Although the term is complex, and several definitions of ‘sustainability’ can be found in the literature, the report presented by the World Commission on Environment and Development to the United Nations General Assembly in 1987 stated that the use of resources and the development of technologies should “meet the needs of the present without compromising the ability of future generations to meet their own needs” [1].
    [Show full text]
  • What Characteristics Define Ecological Building Materials
    Proceedings of the 7th IASME / WSEAS International Conference on HEAT TRANSFER, THERMAL ENGINEERING and ENVIRONMENT (HTE '09) What Characteristics Define Ecological Building Materials SMARANDA BICA, LILIANA ROŞIU, RADU RADOSLAV Department of Architecture “Politehnica” University of Timişoara Traian Lalescu str. 2A, 300223 Timişoara ROMANIA [email protected] [email protected] [email protected] http://www.upt.ro Abstract: - The impact of building activities on the environment is tremendous. It can be analyzed considering different topics: insulation, use of unconventional energy sources, solar devices, glass houses, photovoltaic systems etc. The paper focuses on the complex problem of healthy, ecological materials, analyzing what makes a building material ecological and what criteria should these meet. Some new ideas and technologies for the use of one of the oldest natural building materials, earth, are presented. Key-Words: Ecology, Building, Materials, Health, Energy, Environment 1 Introduction Ecology is nowadays an every day topic. The building 2 What are healthy materials? sector is directly targeted, being, from the ecological The building materials should be healthy for the point of view, one of the most damaging for the inhabitants/users. That means they should be: environment. The variety of new materials is - Without pollutants and toxic components tremendous, and so is the variety of new ideas. But what - Not causing unpleasant noises are the characteristics an ecological building material - Secure as radioactivity
    [Show full text]
  • Minerals in Your Home Activity Book Minerals in Your Home Activity Book
    Minerals In Your Home Activity Book Minerals in Your Home Activity Book Written by Ann-Thérèse Brace, Sheila Stenzel, and Andreea Suceveanu Illustrated by Heather Brown Minerals in Your Home is produced by MineralsEd. © 2017 MineralsEd (Mineral Resources Education Program of BC) 900-808 West Hastings St., Vancouver, BC V6C 2X4 Canada Tel. (604) 682-5477 | Fax (604) 681-5305 | Website: www.MineralsEd.ca Introduction As you look around your home, it is important to think of the many things that you have and what are they made from. It’s simple - everything is made from Earth’s natural resources: rocks, soil, plants, animals, and water. They can be used in their natural state, or processed, refined and manufactured by people into other useable things. The resources that grow and can be replaced when they die or are harvested, like plants and animals, are called renewable resources. Those that cannot be regrown and replaced, like rocks, soil and water, are called non-renewable resources. All natural resources are valuable and we must use them conservatively. Mineral resources are natural Earth materials that must be mined from the ground. We use them every day, and they are non- renewable. Some are changed very little before they are used, like the rock granite for example, that is commonly used to make kitchen countertops or tombstones. Other mineral resources, like those that contain useful metals, must be processed to extract the metal ingredient. The metal is then manufactured into different parts of a product, like a toaster or a smartphone. Whether you are practicing violin in your room, eating a meal in the kitchen, watching TV in the living room or brushing your teeth in the bathroom, your daily activities use things that come from mineral resources.
    [Show full text]
  • C#13 Modern & Contemporary Art Magazine 2013
    2013 C#13 Modern & Contemporary Art Magazine C#13 O $PWFSJNBHF"MGSFEP+BBS 7FOF[JB 7FOF[JB EFUBJM Acknowledgements Contributors Project Managers Misha Michael Regina Lazarenko Editors Amy Bower Natasha Cheung Shmoyel Siddiqui Valerie Genty Yvonne Kook Weskott Designers Carrie Engerrand Kali McMillan Shahrzad Ghorban Zoie Yung Illustrator Zoie Yung C# 13 Advisory Board Alexandra Schoolman Cassie Edlefsen Lasch Diane Vivona Emily Labarge John Slyce Michele Robecchi Rachel Farquharson Christie's Education Staff Advisory Board John Slyce Kiri Cragin Thea Philips Freelance C#13 App Developer Pietro Romanelli JJ INDEX I Editor’s Note i British Art 29 Acknowledgements ii Kali McMillan Index iii Index iv Venice C#13 Emerging Artists 58 Robert Mapplethorpe's Au Debut (works form 1970 to 1979) Artist feature on Stephanie Roland at Xavier Hufkens Gallery Artist feature on De Monseignat The Fondation Beyeler Review Artist feature on Ron Muek LITE Art Fair Basel Review Beirut Art Center Review HK Art Basel review Interview with Vito Acconci More than Ink and Brush Interview with Pak Sheun Chuen Selling Out to Big Oil? Steve McQueen's Retrospective at Schaulager, Basel The Frozen Beginnings of Art Contemporary Arts as Alternative Culture Interview with Lee Kit (in traditional Chinese) A Failure to Communicate Are You Alright? Exhibition Review A Failure to Communicate Notes on Oreet Ashrey Keith Haring at Musee D’Art
    [Show full text]
  • Thermal Stability, Fire Performance, and Mechanical Properties of Natural Fibre Fabric-Reinforced Polymer Composites with Different Fire Retardants
    polymers Article Thermal Stability, Fire Performance, and Mechanical Properties of Natural Fibre Fabric-Reinforced Polymer Composites with Different Fire Retardants Erik Valentine Bachtiar 1, Katarzyna Kurkowiak 2, Libo Yan 1,2,* , Bohumil Kasal 1,2 and Torsten Kolb 1 1 Centre for Light and Environmentally-Friendly Structures, Fraunhofer Wilhelm-Klauditz-Institut WKI, Bienroder Weg 54E, Braunschweig 38108, Germany; [email protected] (E.V.B.); [email protected] (B.K.); [email protected] (T.K.) 2 Department of Organic and Wood-Based Construction Materials, Technical University of Braunschweig, Hopfengarten 20, 38102 Braunschweig, Germany; [email protected] * Correspondence: [email protected] or [email protected] Received: 22 February 2019; Accepted: 10 April 2019; Published: 16 April 2019 Abstract: In this study, ammonium polyphosphate (APP) and aluminum hydroxide (ALH) with different mass contents were used as fire retardants (FRs) on plant-based natural flax fabric-reinforced polymer (FFRP) composites. Thermogravimetric analysis (TGA), limited oxygen index (LOI), and the Underwriters Laboratories (UL)-94 horizontal and vertical tests were carried out for evaluating the effectiveness of these FR treatments. Flat-coupon tensile test was performed to evaluate the effects of FR treatment on the mechanical properties of the FFRP composites. For both fire retardants, the results showed that the temperature of the thermal decomposition and the LOI values of the composites increased as the FR content increases. Under the UL-94 vertical test, the FFRP composites with 20% and 30% APP (i.e., by mass content of epoxy polymer matrix) were self-extinguished within 30 and 10 s following the removal of the flame without any burning drops, respectively.
    [Show full text]
  • Hemp 101 for Construction a Sustainable Finishing Material HELLO
    Hemp 101 for Construction A Sustainable Finishing Material HELLO, Welcome to Hemp 101 for Construction: An introduction to one of the oldest and "newest" building materials on earth. For professionals in construction who are new to hemp... This is not a technical guide, it's an overview of a high performance, versatile, and resilient natural material that's going to flood the market in the coming years. We'll take a short look back at hemp's history, dive into technical and functional uses, then look forward to how it can help us collectively move towards a more sustainable earth. Through the lens of your professions, you can view this material from many perspectives, recognize its limitations and potential, as well as evaluate both short term benefits and long term returns. I created this guide because the reemergence of hemp is recent, and so naturally, many people have never heard of the plant, or think hemp is Marijuana. Education on the facts and science is our path to breaking the stigma, and to adding one of the strongest fibers on earth to our toolbox. I invite you to explore it, and consider it on your next project. Hebah Saddique, PMP Founder, Green Takeover October 2020 1 GREEN TAKEOVER Born to bridge the worlds of climate action and industrial hemp, Green Takeover symbolizes the union of these two movements. Our mission is to inspire action using hemp as a catalyst for a green economy. Hemp fits directly into conversations of a circular economy, regenerative design thinking and materials for a closed loop.
    [Show full text]
  • Sustainability by Design in Textile Products and Fashion
    New Design Ideas Vol.1, No.1, 2017, pp.37-49 SUSTAINABILITY BY DESIGN IN TEXTILE PRODUCTS AND FASHION Nesrin Önlü1* 1Textile & Fashion Design Department, Fine Arts Faculty, Dokuz Eylul University, Izmir, Turkey Abstract. Sustainability is to deliver everything we need to live, without disturbing the natural equilibrium, to future generations and to produce and sustain them in ways that they can benefit. Sensitivity to the environment is essential in sustainability. Manifesto, take it from nature, give it back to nature, or reapply it. Natural return is the goal of sustainability to produce environmentally friendly products and to recreate less consuming society. We have to spend our consumption habits for a sustainable life, we must adopt slow fashion instead of fast fashion in order to reduce the most damage to the environment in the concept of fashion which is effective in every area of our life today. Fashion, on the other hand, is a concept that is connected to a much more design than any other period, and has become a phenomenon that shapes every stage of our life, every field. The ultimate in design is the design and production of much more product variety than we can consume. This kind of production damages the neighborhood too much and confronts future generations with a world that can not be experienced. For this reason, this article will talk about the importance of sustainability, its contribution to sustainability of design, and how sustainability can be achieved through design within textiles and fashion. Keywords: sustainability, design, textile, fashion. Corresponding Author: Nesrin Önlü, Professor, Textile & Fashion Design Department, Fine Arts Faculty, Dokuz Eylul University, Izmir, Turkey, e-mail:[email protected] Manuscript received: 8 November 2017 1.
    [Show full text]
  • Maddalena Ambrosio Alice Anderson Ruben Brulat Mat Chivers
    Maddalena Ambrosio Nancy Fouts Ayça Koseogullari Giuseppe Penone b. 1970, Naples, Italy. Lives/works b. 1945, Seattle, Washington. b. 1977, Istanbul, Turkey. Lives/works in b. 1947, Garessio, Italy. Lives/works in in Milan. Lives/works in London. Brooklyn, NY. Paris & Turin. Untitled, 2016, 215 x 220 x 180 cm, Peacock with War Bonnet, 2017, 70 x 90 cm, Dawn 02, 2017, 28.5 x 19 cm, graphite on paper. Thirty-Three Herbs (Trentatre Erbe), found object, wood & roots. taxidermy peacock, feathers, beads, fur, leather. In her delicate drawings using graphite on 1989, each 42 x 30 cm, portfolio of 33 Following the tradition of ecology-related art She typically juxtaposes two unrelated paper she explores the physical elements of lithographs, edition 7/30. she has used natural branches interwoven man-made and natural objects, leaving the places by interpretation of scale, time, space Thirty-Three Herbs (Trentatre Erbe), with a found chair to express the importance viewer to interpret their meaning. This ironic and horizon to evoke the tranquility of the land 1989, 42 x 30 cm, title page, of maintaining the balance between humanity fusion of a taxidermy peacock with a Native and sea. (framed separately), edition 7/30. and the order of nature. American headdress is inspired by the artist’s In 1968 he began making his first experimental Cherokee ancestry. Antti Laitinen works with nature near where he was born in Alice Anderson the Garessio forest, Piedmont. These litho- Andy Goldsworthy b. 1975, Finland. Lives/works in Finland. graphs were created after the original rubbings b.
    [Show full text]
  • RAMMED EARTH: Synergy of Natural Material in Artificial Earthscapes
    RAMMED EARTH: Synergy of Natural Material in Artificial Earthscapes The thesis explores the use of soil, a traditional and sustainable building material, situated in the landscape of an abandoned surface quarry mine, defined as drosscape by Lars Lerup and Alan Berger. In taking advantage of this new artificial landscape as a material for new production, the site develops into a vocational learning center and temporary housing, which serve to spread awareness of Rammed Earth construction as a refined, modern alternative to contemporary materials, that has matured beyond its origins as primitive mud huts set in warm, dry climates. The main facility provides a testing ground for application and research of Rammed Earth construction, expanded upon by a continual construction of various housing units throughout the lifespan of the project, utilized as a practical learning experience for the trainees. This thesis project proposes to use an open pit mine’s own materials to inhabit it with new structures, transforming the ground into a space that brings awareness of the artificial construction from natural materials. The abandoned open- pit mine therefore provides both an opportunity and a critique, as suggested by Solà-Morales, to present a solution to the contextual destructive practices. Material - Rammed Earth technique from the Spanish settlers centuries drosscape that fuelled for its growth. Reclassification from merely another post- ago, most of United States never moved beyond The project quarry is situated among an industrial area in need of reuse into an area with SITE GLOBAL limited experimental projects. (Augarde) intersection of several highways, driving distance exactly the right conditions and urban context A Vocational Rammed Earth center could The Northeast Megalopolis, stretching to each of the regional major cities.
    [Show full text]
  • History, Nature, and Products of Wood - Youngs Robert L
    FORESTS AND FOREST PLANTS – Vol. II - History, Nature, and Products of wood - Youngs Robert L. HISTORY, NATURE, AND PRODUCTS OF WOOD Youngs Robert L Professor Emeritus, Virginia Polytechnic Institute and State University, Blacksburg, Virginia, USA Keywords: History of wood use, wood anatomy, wood physical effects, wood strength, round timber, lumber, wood-based composites, laminated wood products Contents 1. Introduction 2. History of Wood Use 3. Nature of Wood 3.1. Structure and Formation of Wood 3.2. Physical Properties of Wood 3.3. Mechanical Properties of Wood 3.4. Chemical Properties of Wood 4. Basic Forms of Wood and Wood-based Materials 4.1. Round timbers and poles and ties 4.2. Lumber 4.3. Wood-based Composites and Panel Products 4.4. Glued Structural Members 4.5. Structural Sandwich Construction Acknowledgements Glossary Bibliography Biographical Sketch 1. Introduction Wood has been used and adapted by humans since the earliest recognition that they could make use of the materials they found around them. As they used it to meet a varying array of human needs, in peace and in war, in farming and in industry, people gradually came to understand something of the unique nature of wood. Its properties were first understood by experience, more recently by systematic research and refined observation.UNESCO Wood is still essential to human– life,EOLSS but has evolved over the ages from a simple, readily available natural material to a modern industrial and engineering material, with aSAMPLE unique ability to contribute toCHAPTERS human life both as a material for use and as a key element in the natural world of the forest.
    [Show full text]
  • The Heat Conductivity Properties of Hemp–Lime Composite Material Used in Single-Family Buildings
    materials Article The Heat Conductivity Properties of Hemp–Lime Composite Material Used in Single-Family Buildings Sławomir Pochwała 1,*, Damian Makiola 1, Stanisław Anweiler 2 and Michał Böhm 3 1 Department of Thermal Engineering and Industrial Facilities, Faculty of Mechanical Engineering, Opole University of Technology, Ulica Prószkowska 76, 45-758 Opole, Poland; [email protected] 2 Department of Environmental Engineering, Faculty of Mechanical Engineering, Opole University of Technology, Ulica Prószkowska 76, 45-758 Opole, Poland; [email protected] 3 Department of Mechanics and Machine Design, Faculty of Mechanical Engineering, Opole University of Technology, Ulica Prószkowska 76, 45-758 Opole, Poland; [email protected] * Correspondence: [email protected]; Tel.: +48-77-449-8456 Received: 27 January 2020; Accepted: 21 February 2020; Published: 24 February 2020 Abstract: The main goal of the paper is to calculate the heat conductivity for three experimental hemp–lime composites used for structural construction purposes with the use of the experimental stand inside two compartments. Due to current construction trends, we are constantly searching for eco-friendly materials that have a low carbon footprint. This is the case of the analyzed material, and additional thermographic heat distribution inside the material during a fire resistance test proves that it is also a perfect insulation material, which could be applied in addition of popular isolating materials. This paper presents the results of certain hemp–lime composite studies and the potential for using hemp–lime composite for the structural construction industry. Hemp–lime composite heat transfer coefficient, fire resistance, and bulk density properties are compared to those of other commonly used construction materials.
    [Show full text]