Eric Harris's Journal Transcribed and Annotated
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Hell on Earth… Alex
Bulletin of the Kate Sharpley Library 02:2000 No21 $1/50p Hell on Earth… Alex. Berkman’s first speech after his release from Alexanderjail Berkman was released from prison on May Sheriff, “he can speak half a dozen languages”. Then 18, and went direct to Detroit, Mich., where he the officer of the workhouse came up to me and said; delivered the following address on May 22: “young man, let me tell you something: we only speak I suppose you have heard the story about the one language here, and damn little at that.” Under such little boy who was asked one day by his mother circumstances you will understand that I am somewhat whether he had said his morning prayer, and little out of practice: in fact, I have almost forgotten how to Johnny replied that he had, and then asked: “Mother, talk at all. And, therefore, I am not going to make a why is it my prayer is so long? Mary is such a big girl, so•called speech to you tonight, but I just want to talk and she has only got a little prayer”. His mother said, to you a little. “why, Johnny, how’s that?” and then the little boy told First of all, I want to tell you how glad I am to her that when Mary was called in the morning she be again in your midst. And you, my friends, are prayed like this: “Oh, Lord. I hate to get up.” That’s evidently pleased to see me, but, great as your pleasure how I felt when my name was called. -
Abound to Each Other
PAGE 12 THE RETRIEVER FEATURES October 31,-1995 Pub Parades Pizza and Pals Tim Marshallsay moment it is MTV. A few watch with by Constable called "Haywain and Retriever Contributor interest as someone unknown brings Fries" hidden somewhere. A sign us his latest release, which, although warns of an impending price increase There are deafening howls of unintelligible, appears to be about for certain items that came back into laughter from the front of the room sex, judging by the number of but- effect back in August. The sign stands where the TV hangs, as the huge, tocks on the screen — all spinning at sentry by the stacks of trays (card- inanely grinning woman glides a rate that would baffle Kepler. board or plastic), invariably wet. through the studio audience as if on Noise begets noise, so those shout- The Pub's staff stand in front of the wheels. She is clad in a red, crushed ing to make themselves heard are, at griddle, and behind the glass counter velvet dress that conceals her legs the same time, drowning out some- — it's panes as steamy with conden- and seems to eliminate friction. My one else. Conversations are staccato sation as an English bathroom in grandmother had an armchair with fragments, with lives of their own: January. The grill staff have a thank- the same pattern, material, size, and "... didn't do the homework ..."; "... less task that they handle with great shape. This is Carnie. This is free should've pulled Benitez while he aplomb. Students in a hurry, and fac- hour. -
Sally Anne Morgan Thread
BULLY SUGAREGG CD / LP / CS SP 1363 RELEASE DATE: AUGUST 21ST, 2020 TRACKLISTING: 1. Add It On 2. Every Tradition 3. Where to Start 4. Prism 5. You 6. Let You 7. Like Fire 8. Stuck in Your Head 9. Come Down 10. Not Ashamed 11. Hours and Hours 12. What I Wanted GENRE: Alternative Rock SUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener “Add It On” zooms heavenward within seconds, epitomizing band leader Alicia Bognanno’s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of “Where to Start” and CD Packaging: Digipack “Let You” are the musical equivalents of the sun piercing through a LP Packaging: Single-pocket jacket with perpetually cloudy sky. custom dust sleeve Includes mp3 coupon A very old saying goes that no one saves us but ourselves. Recognizing NON-RETURNABLE and breaking free from the patterns impeding our forward progress can be transformative. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way. The artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. “Being able to finally navigate CS Packaging: Three-panel LP Packaging: Single-pocket jacket with that opened the door for me to write about it,” she says, pointing to J-card in clear case. custom dust sleeve the sweet, swirly “Like Fire” and slower, more contemplative songs NON-RETURNABLE LOSER EDITION blue w/white smoke such as “Prism” and “Come Down” as having been born of this new vinyl - Includes mp3 coupon NON-RETURNABLE headspace. -
Calling All Music Lovers!
Plugged In Issue Six • the official school newspaper of Speedway Senior High School • March 1,1 2011 A pro prospect in our midst? Lost Frogs: Junior hockey star just one of the guys Four Found Greatness comes in many shapes and sizes. At Speedway and other east High, it comes in the form of 5’6”, 135-pound junior, Mason coast cities than By Sandy Bauers The Philadelphia Inquirer Jobst. He is one of the top junior hockey prospects in his age in Indianapolis. (MCT) group. Jobst has talked to In August, conservationists and The 17-year old center has lived and breathed hockey recruiters at many biologists launched a five-month nearly his entire life. It all started on his third birthday, when colleges around the search to try to find 100 “lost” species young Mason received a pair of brand new ice skates. Soon country; Colorado, of amphibians. Some 126 researchers after, he was wearing them around constantly. At age four, Minnesota, Yale, combed five continents in search of Jobst enrolled in his first youth hockey league, where he Maine, and Boston frogs, salamanders and others that had played the game for the first time at Pepsi Coliseum. College. not been seen in a decade or longer Nowadays, Mason is still playing hockey at Pepsi Mason spends a and were feared extinct. Coliseum. Recently, he had the chance to play on United lot of time working The good/bad news: They found States Hockey out. He has U18, four. They also made 11 re-discoveries League’s (USHL) Indiana Jr. -
Mixology Shaken Or Stirred? Olive Or Onion? Martini Cocktail Sipping Is an Art Developed Over Time
Vol: XXXVI Wednesday, April 3, 2002 INSIDI: THIS WI;I;K ^ PHOTO BY SOFIA PANNO Various dancers from all the participating tribes and nations in this event; Blood Tribe, Peigan Nation and Blackfoot Nation performing a dance together. LCC celebrates flboriginal Ruiareness Day BY SOFIA PANNO president. the weather," said Gretta Old Shoes, Endeawour Staff The Rocky Lake Singers and Blood Tribe member and first-year Drummers entertained the crowd student at LCC. gathered around Centre Core with their Events such as this help both aboriginal As Lethbridge Community College traditional singing and drum playing, as and non-aboriginal communities better First Nations and Aboriginal Awareness did the exhibition dancers with their understand each other. Day commenced, the beat of the drums unique choreography. "It's very heart-warming to see students and the echoes from the singing flowed According to native peoples' culture from LCC take in our free event because through LCC's hallways on March 27, and beliefs passed down from one that's our main purpose, to share our 2002. generation to the next, song and dance is aboriginal culture," said David. "Our theme was building used to honour various members of a LCC First Nations Club members relationships," said Salene David, First tribe. Some songs honour the warriors indicate that awareness of native peoples' Nations Club member/volunteer. while others, the women of the tribe. current needs at LCC is a necessary step, According to the club's president Bill Canku Ota, an online newsletter in understanding them and their culture. Healy, the LGC First Nations Club Piita celebrating Native America explains the "We [the native peoples] have been Pawanii Learning Society is responsible Midewiwin Code for Long Life and here since the college has been opened for the organizing of this year's event. -
The Dramatization of the Diary of Anne Frank and Its Influence on American Cultural Perceptions
GOOD AT HEART: THE DRAMATIZATION OF THE DIARY OF ANNE FRANK AND ITS INFLUENCE ON AMERICAN CULTURAL PERCEPTIONS A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Whitney Lewis Stalnaker May, 2016 © Copyright All rights reserved Except for previously published materials Thesis written by Whitney Lewis Stalnaker B.S., Glenville State College, 2011 M.A., Kent State University, 2016 Approved by Dr. Richard Steigmann-Gall , Advisor Dr. Kenneth Bindas , Chair, Department of History Dr. James Blank , Dean, College of Arts and Sciences TABLE OF CONTENTS TABLE OF CONTENTS ............................................................................................................... iii PREFACE ........................................................................................................................................v ACKNOWLEDGMENTS ............................................................................................................. ix INTRODUCTION ...........................................................................................................................1 Historiography ...............................................................................................................5 Methodology ..................................................................................................................9 Why This Play? ............................................................................................................12 CHAPTERS -
Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4. -
A Comparative Analysis of Punk in Spain and Mexico
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2018-07-01 El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico Rex Richard Wilkins Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Spanish and Portuguese Language and Literature Commons BYU ScholarsArchive Citation Wilkins, Rex Richard, "El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico" (2018). Theses and Dissertations. 6997. https://scholarsarchive.byu.edu/etd/6997 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Brian Price, Chair Erik Larson Alvin Sherman Department of Spanish and Portuguese Brigham Young University Copyright © 2018 Rex Richard Wilkins All Rights Reserved ABSTRACT El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins Department of Spanish and Portuguese, BYU Master of Arts This thesis examines the punk genre’s evolution into commercial mainstream music in Spain and Mexico. It looks at how this evolution altered both the aesthetic and gesture of the genre. This evolution can be seen by examining four bands that followed similar musical and commercial trajectories. -
DICK, MARRISSA R., Ph.D. an African American Woman's
DICK, MARRISSA R., Ph.D. An African American Woman’s Educational Journey: Pragmatic and Pedagogical Practices of Fantasy. (2012) Directed by Dr. Kathleen Casey. 157 pp. My dissertation is an autobiographical narrative about my journey through a non-pedagogical and oppressive school system, to an oppressive marriage, and back to a graduate program that, in my opinion, epitomizes the essence of pedagogy. I explain how fantasy theory has situated itself in my life as a metacognitive tool in order to save my conscious reality as it guided me towards transcendence. I address my introduction to fantasy as a child inside of the classroom. I talk about mis-educative experiences inside of the classroom and provide examples of those experiences. I discuss microaggression and how it was played out during my earlier educational years as well as describe my experience with internal-microaggression during my master’s program. I explain how fantasy returned to my life during my marriage and divorce. I also discuss my relationship with the Black church utilizing soul therapy. I talk about my African American contemporary Christian romance novels and how writing them allowed me to be reflective on my past relationships so I could still have faith and hope of love in my future. I conclude my dissertation by providing examples of my teaching pedagogy and my inspirations for those reading my dissertation. In essence this dissertation is a qualitative culmination of past recollections, current reflections, and future endeavors as I continue to learn and transcend through my lifelong journey with education. AN AFRICAN AMERICAN WOMAN’S EDUCATIONAL JOURNEY: PRAGMATIC AND PEDAGOGICAL PRACTICES OF FANTASY by Marrissa R. -
Customer Order Form
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ENDER's GAME by Orson Scott Card Chapter 1 -- Third
ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.