S.No Institute Name State Last Name First Name Programme

Total Page:16

File Type:pdf, Size:1020Kb

S.No Institute Name State Last Name First Name Programme S.NO INSTITUTE NAME STATE LAST NAME FIRST NAME PROGRAMME COURSE 1 NARASARAOPETA ENGINEERING Andhra Pradesh ELUGU M LAKSHMI ENGINEERING AND ELECTRONICS & COMMUNICATION COLLEGE TANUJA TECHNOLOGY ENGG 2 NARASARAOPETA ENGINEERING Andhra Pradesh ANGATI SRINIVASARA MANAGEMENT MASTERS IN BUSINESS COLLEGE O ADMINISTRATION 3 NARASARAOPETA ENGINEERING Andhra Pradesh PINJALA PRASANNA ENGINEERING AND ELECTRICAL AND ELECTRONICS COLLEGE LAKSHMI TECHNOLOGY ENGINEERING 4 CHAITANYA ENGINEERING Andhra Pradesh MANDALIKA RAMALINGES ENGINEERING AND CIVIL ENGINEERING COLLEGE WARA TECHNOLOGY 5 CHAITANYA ENGINEERING Andhra Pradesh MOTIKI VAMSI ENGINEERING AND ELECTRONICS & COMMUNICATION COLLEGE TECHNOLOGY ENGG 6 CHAITANYA ENGINEERING Andhra Pradesh K RAJESWARA ENGINEERING AND ELECTRICAL AND ELECTRONICS COLLEGE RAO TECHNOLOGY ENGINEERING 7 CHAITANYA ENGINEERING Andhra Pradesh ATCHI APPALA ENGINEERING AND MECHANICAL ENGINEERING COLLEGE TECHNOLOGY 8 CHAITANYA ENGINEERING Andhra Pradesh TIRUMULARAJ SUSHMA ENGINEERING AND ELECTRICAL AND ELECTRONICS COLLEGE U TECHNOLOGY ENGINEERING 9 CHAITANYA ENGINEERING Andhra Pradesh KORLAPU KRISHNA ENGINEERING AND ELECTRONICS AND COMMUNICATION COLLEGE TECHNOLOGY ENGINEERING (SANDWICH) 10 CHAITANYA ENGINEERING Andhra Pradesh KANDEKAR RESHMA ENGINEERING AND ELECTRONICS & COMMUNICATION COLLEGE TECHNOLOGY ENGG 11 CHAITANYA ENGINEERING Andhra Pradesh POLAMARASET ARUN ENGINEERING AND ELECTRICAL AND ELECTRONICS COLLEGE TY TECHNOLOGY ENGINEERING 12 ISL WOMEN'S ENGINEERING Andhra Pradesh BATTULA PREETI ENGINEERING AND COMPUTER SCIENCE & ENGINEERING COLLEGE TECHNOLOGY 13 ISL WOMEN'S ENGINEERING Andhra Pradesh P. RENUKA ENGINEERING AND ELECTRONICS AND COLLEGE TECHNOLOGY COMMUNICATIONS ENGINEERING 14 ISL WOMEN'S ENGINEERING Andhra Pradesh M CHANDRA ENGINEERING AND Please Select COLLEGE SEKHAR TECHNOLOGY 15 ISL WOMEN'S ENGINEERING Andhra Pradesh TUMMA SIRISHA ENGINEERING AND ELECTRONICS & COMMUNICATION COLLEGE TECHNOLOGY ENGG 16 ISL WOMEN'S ENGINEERING Andhra Pradesh MUDA DIVYA RAO ENGINEERING AND COMPUTER SCIENCE & ENGINEERING COLLEGE TECHNOLOGY 17 GANDHI ACADEMY OF TECHNICAL Andhra Pradesh GALANKI RAVI ENGINEERING AND MINING ENGINEERING EDUCATION POLYTECHNIC TECHNOLOGY 18 GANDHI ACADEMY OF TECHNICAL Andhra Pradesh GAVINI SATHISH ENGINEERING AND MECHANICAL ENGINEERING EDUCATION POLYTECHNIC TECHNOLOGY 19 SRI VENKATESWARA COLLEGE OF Andhra Pradesh KAMALANATH JAMUNA MANAGEMENT MASTERS IN BUSINESS COMPUTER SCIENCES AN ADMINISTRATION 20 GANDHI ACADEMY OF TECHNICAL Andhra Pradesh K NARASIMHA ENGINEERING AND CIVIL ENGINEERING EDUCATION POLYTECHNIC RAJU TECHNOLOGY 21 GANDHI ACADEMY OF TECHNICAL Andhra Pradesh GRANDHI SUSMITHA ENGINEERING AND ELECTRONICS AND EDUCATION POLYTECHNIC TECHNOLOGY COMMUNICATIONS ENGINEERING 22 AVANTHI’S POST GRADUATE & Andhra Pradesh KAMARAPU BALASRI MANAGEMENT MASTERS IN BUSINESS RESEARCH ACADEMY ADMINISTRATION 23 AVANTHI’S POST GRADUATE & Andhra Pradesh B MALLESH MANAGEMENT MASTER IN BUSINESS RESEARCH ACADEMY ADMINISTRATION(GENERAL MANAGEMENT) 24 BA&KR MCA COLLEGE Andhra Pradesh THIKAVARAPU SURESH MANAGEMENT MASTERS IN BUSINESS ADMINISTRATION (INFORMATION MANAGEMENT) 25 ST.MARTIN'S INSTITUTE OF Andhra Pradesh PALLEKONDA DOLLY DIANA MANAGEMENT MASTERS IN BUSINESS BUSINESS MANAGEMENT ADMINISTRATION 26 RISHI MS INSTITUTE OF Andhra Pradesh MANIKYALA SRINIVAS ENGINEERING AND ELECTRONICS ENGINEERING & TECHNOLOGY TECHNOLOGY FOR WOMEN 27 RISHI MS INSTITUTE OF Andhra Pradesh MERUGU NARMADA ENGINEERING AND INFORMATION TECHNOLOGY ENGINEERING & TECHNOLOGY TECHNOLOGY FOR WOMEN 28 ST. FRANCIS INSTITUTE OF Andhra Pradesh GATLA ARVIND MANAGEMENT MASTER IN BUSINESS MANAGEMENT ADMINISTRATION(GENERAL MANAGEMENT) 29 RAJEEV GANDHI MEMORIAL Andhra Pradesh M YEKAMBRAM ENGINEERING AND COMPUTER SCIENCE & ENGINEERING COLLEGE OF ENGINEERING & NAIDU TECHNOLOGY TECHNOLOGY 30 RAJEEV GANDHI MEMORIAL Andhra Pradesh BOSE SUBHASIS ENGINEERING AND ELECTRONICS & COMMUNICATION COLLEGE OF ENGINEERING & TECHNOLOGY ENGG TECHNOLOGY 31 RAJEEV GANDHI MEMORIAL Andhra Pradesh MUPPASANI SATHEESH ENGINEERING AND MECHANICAL ENGINEERING COLLEGE OF ENGINEERING & TECHNOLOGY TECHNOLOGY 32 RAJEEV GANDHI MEMORIAL Andhra Pradesh CHAKALA NARESH ENGINEERING AND MECHANICAL ENGINEERING COLLEGE OF ENGINEERING & TECHNOLOGY TECHNOLOGY 33 RAJEEV GANDHI MEMORIAL Andhra Pradesh BOMMI REDDY SATYAM ENGINEERING AND FIRST YEAR/OTHER COLLEGE OF ENGINEERING & REDDY TECHNOLOGY TECHNOLOGY 34 RAJEEV GANDHI MEMORIAL Andhra Pradesh VULASALA HARI MANAGEMENT MASTERS IN BUSINESS COLLEGE OF ENGINEERING & ADMINISTRATION TECHNOLOGY 35 RAJEEV GANDHI MEMORIAL Andhra Pradesh MH HAFIZA ENGINEERING AND FIRST YEAR/OTHER COLLEGE OF ENGINEERING & TECHNOLOGY TECHNOLOGY 36 NIZAM INSTITUTE OF Andhra Pradesh MOHD AFZAL ENGINEERING AND FIRST YEAR/OTHER ENGINEERING & TECHNOLOGY TECHNOLOGY 37 NIZAM INSTITUTE OF Andhra Pradesh NAGA RAJU PARASA ENGINEERING AND FIRST YEAR/OTHER ENGINEERING & TECHNOLOGY TECHNOLOGY 38 NIZAM INSTITUTE OF Andhra Pradesh KEERAMI SUHASINI ENGINEERING AND FIRST YEAR/OTHER ENGINEERING & TECHNOLOGY TECHNOLOGY 39 NIZAM INSTITUTE OF Andhra Pradesh SASIKALA RASAMSETTY ENGINEERING AND INFORMATION TECHNOLOGY ENGINEERING & TECHNOLOGY TECHNOLOGY 40 NIZAM INSTITUTE OF Andhra Pradesh AHMED MD ENGINEERING AND ELECTRICAL AND ELECTRONICS ENGINEERING & TECHNOLOGY TECHNOLOGY ENGINEERING 41 NIZAM INSTITUTE OF Andhra Pradesh HUSSAIN ASHRAF MANAGEMENT BUSINESS MANAGEMENT ENGINEERING & TECHNOLOGY 42 NIZAM INSTITUTE OF Andhra Pradesh BANDA BINDU MANAGEMENT BUSINESS MANAGEMENT ENGINEERING & TECHNOLOGY 43 GOVERNMENT POLYTECHNIC Andhra Pradesh GONDRALA ANURADHA ENGINEERING AND ELECTRONICS & COMMUNICATION TECHNOLOGY ENGG 44 KUPPAM ENGINEERING COLLEGE Andhra Pradesh A SATISH ENGINEERING AND ELECTRONICS AND TECHNOLOGY COMMUNICATIONS ENGINEERING 45 KUPPAM ENGINEERING COLLEGE Andhra Pradesh J SIREESHA MCA MASTERS IN COMPUTER APPLICATIONS 46 KUPPAM ENGINEERING COLLEGE Andhra Pradesh M DEVIKARANI ENGINEERING AND FIRST YEAR/OTHER TECHNOLOGY 47 KUPPAM ENGINEERING COLLEGE Andhra Pradesh N VENU GOPAL ENGINEERING AND POWER ELECTRONICS TECHNOLOGY 48 KUPPAM ENGINEERING COLLEGE Andhra Pradesh V GAYATHRI ENGINEERING AND COMPUTER SCIENCE AND TECHNOLOGY ENGINEERING 49 KUPPAM ENGINEERING COLLEGE Andhra Pradesh M MAGESH ENGINEERING AND COMPUTER SCIENCE AND TECHNOLOGY ENGINEERING 50 RATAN GLOBAL BUSINESS SCHOOL Andhra Pradesh PATRA KISAN MANAGEMENT POST GRADUATE DIPLOMA IN MANAGEMENT 51 CITY WOMENS COLLEGE OF Andhra Pradesh DEEPIKA MOHAMMED ENGINEERING AND INFORMATION TECHNOLOGY ENGINEERING & TECHNOLOGY TECHNOLOGY 52 VISHWA BHARATHI INSTITUTE OF Andhra Pradesh KUMAR SHASHI ENGINEERING AND COMPUTER SCEINCE & ENGINEERING TECHNOLOGY AND SCIENCES TECHNOLOGY 53 VISHWA BHARATHI INSTITUTE OF Andhra Pradesh GUMMADI SRIDHAR ENGINEERING AND COMPUTER SCIENCE & ENGINEERING TECHNOLOGY AND SCIENCES TECHNOLOGY 54 VISHWA BHARATHI INSTITUTE OF Andhra Pradesh PASULA SUCHETHA ENGINEERING AND FIRST YEAR/OTHER TECHNOLOGY AND SCIENCES TECHNOLOGY 55 VISHWA BHARATHI INSTITUTE OF Andhra Pradesh GALI SOWMYA ENGINEERING AND ELECTRONICS & COMMUNICATION TECHNOLOGY AND SCIENCES TECHNOLOGY ENGG 56 VISHWA BHARATHI INSTITUTE OF Andhra Pradesh GANDIKOTA RAJESH ENGINEERING AND ELECTRONICS & COMMUNICATION TECHNOLOGY AND SCIENCES TECHNOLOGY ENGG 57 V.S.M. COLLEGE OF ENGINEERING Andhra Pradesh GUTTKONDA TILAK ENGINEERING AND CIVIL ENGINEERING TECHNOLOGY 58 V.S.M. COLLEGE OF ENGINEERING Andhra Pradesh KOTA PRASANTHI ENGINEERING AND ELECTRICAL AND ELECTRONICS TECHNOLOGY ENGINEERING 59 V.S.M. COLLEGE OF ENGINEERING Andhra Pradesh CHAMUNDESW REDDY ENGINEERING AND COMPUTER SCIENCE AND ARI TECHNOLOGY ENGINEERING 60 V.S.M. COLLEGE OF ENGINEERING Andhra Pradesh BOMIDI VARAPRASAD ENGINEERING AND CIVIL ENGINEERING A TECHNOLOGY 61 V.S.M. COLLEGE OF ENGINEERING Andhra Pradesh N SRINIVASA ENGINEERING AND ELECTRONICS & COMMUNICATION RAO TECHNOLOGY ENGG 62 V.S.M. COLLEGE OF ENGINEERING Andhra Pradesh YELURI SURESH ENGINEERING AND COMPUTER SCIENCE & ENGINEERING KUMAR TECHNOLOGY 63 V.S.M. COLLEGE OF ENGINEERING Andhra Pradesh K V V S S GUNNESWAR ENGINEERING AND CIVIL ENGINEERING A RAO TECHNOLOGY 64 AVANTHI INSTITUTE OF Andhra Pradesh TUPPARI BHARGAVI PHARMACY FIRST YEAR/OTHER PHARMACEUTICAL SCIENCES 65 BALAJEE POLYTECHNIC Andhra Pradesh BAGGAM S ENGINEERING AND MECHANICAL ENGINEERING CHAKRADHAR TECHNOLOGY 66 BALAJEE POLYTECHNIC Andhra Pradesh KURUMELLA RAMYA ENGINEERING AND MECHANICAL ENGINEERING TECHNOLOGY 67 BALAJEE POLYTECHNIC Andhra Pradesh AKKINENI SRIKANTH ENGINEERING AND ELECTRICAL AND ELECTRONICS TECHNOLOGY ENGINEERING 68 BALAJEE POLYTECHNIC Andhra Pradesh PALLA SRIDHAR ENGINEERING AND CIVIL ENGINEERING TECHNOLOGY 69 CENTRAL INSTITUTE OF TOOL Andhra Pradesh YEDAVELLI KALYANI ENGINEERING AND MACHINE ENGINEERING DESIGN/ MSME TOOL ROOM, TECHNOLOGY HYDERABAD 70 RKLK D-PHARMACY COLLEGE Andhra Pradesh VANGARA DASHARADHA PHARMACY PHARMACY KISHORE 71 RKLK D-PHARMACY COLLEGE Andhra Pradesh YANALA SURESH PHARMACY PHARMACY 72 NOVA COLLEGE OF ENGINEERING Andhra Pradesh NARAGANI ANURADHA ENGINEERING AND ELECTRONICS AND & TECHNOLOGY TECHNOLOGY COMMUNICATIONS ENGINEERING 73 NOVA COLLEGE OF ENGINEERING Andhra Pradesh GOLLA BALAJI ENGINEERING AND ELECTRICAL AND ELECTRONICS & TECHNOLOGY TECHNOLOGY ENGINEERING 74 NOVA COLLEGE OF ENGINEERING Andhra Pradesh GUTTA SESHA ENGINEERING AND COMPUTER SCIENCE AND & TECHNOLOGY PRIYANKA TECHNOLOGY ENGINEERING 75 NOVA COLLEGE OF ENGINEERING Andhra Pradesh BEERAM V.K.N.SOMUSE ENGINEERING AND COMPUTER SCIENCE AND & TECHNOLOGY KHAR TECHNOLOGY ENGINEERING 76 NOVA COLLEGE OF ENGINEERING Andhra Pradesh P VENKATA MANAGEMENT MASTERS IN BUSINESS & TECHNOLOGY
Recommended publications
  • PRESS INFORMATION BUREAU GOVERNMENT of INDIA PRESS NOTE RESULT of the CIVIL SERVICES (PRELIMINARY) EXAMINATION, 2019 Dated: 12Th July, 2019
    PRESS INFORMATION BUREAU GOVERNMENT OF INDIA PRESS NOTE RESULT OF THE CIVIL SERVICES (PRELIMINARY) EXAMINATION, 2019 Dated: 12th July, 2019 On the basis of the result of the Civil Services (Preliminary) Examination, 2019 held on 02/06/2019, the candidates with the following Roll Numbers have qualified for admission to the Civil Services (Main) Examination, 2019. The candidature of these candidates is provisional. In accordance with the Rules of the Examination, all these candidates have to apply again in the Detailed Application Form-I (DAF-I) for the Civil Services (Main) Examination, 2019, which will be available on the website of the Union Public Service Commission (https://upsconline.nic.in) during the period from 01/08/2019 (Thursday) to 16/08/2019 (Friday) till 6:00 P.M. All the qualified candidates are advised to fill up the DAF-I ONLINE and submit the same ONLINE for admission to the Civil Services (Main) Examination, 2019 to be held from Friday, the 20/09/2019. Important instructions for filling up of the DAF-I and its submission will also be available on the website. The candidates who have been declared successful have to first get themselves registered on the relevant page of the above website before filling up the ONLINE DAF-I. The qualified candidates are further advised to refer to the Rules of the Civil Services Examination, 2019 published in the Gazette of India (Extraordinary) of Department of Personnel and Training Notification dated 19.02.2019. It may be noted that mere submission of DAF-I does not, ipso facto, confer upon the candidates any right for admission to the Civil Services (Main) Examination, 2019.
    [Show full text]
  • List of Unclaimed PF Amount of Ex. Employees of DSIIDC Ltd
    List of unclaimed PF amount of Ex. employees of DSIIDC Ltd. S. EMPLOYEE EMPLOYER PF NO NAME FATHER NAME TOTAL NO. SHARE SHARE 1 1 LATE SH. VISHNU KIRTI SH. KRISHAN LAL 22047.00 0.00 22047.00 2 39 NARINDER KUMAR 46435.00 46425.00 92860.00 3 42 C.D.SINGHAL 7522.00 7606.00 15128.00 4 51 PANKAJ SRIVASTVA DR. P.D. SRIVASTVA 452.00 373.00 825.00 5 59 ANAND SINGH 15604.00 15604.00 31208.00 6 60 NATHU RAM 18383.00 18383.00 36766.00 7 61 KAMLA KHULLAR SH. SHANTI NARAIN 30281.00 30358.00 60639.00 8 62 S.L. TOKAS SH. S. TOKAS 12078.00 12078.00 24156.00 9 63 RAM NATH SH. DUKHARI RAM 0.00 1392.00 1392.00 10 70 0.P. SETH SH. S.S. SETH 218.00 218.00 436.00 11 81 KISHAN KUMAR GUPTA SH. KUNDAN PRASAD 21595.45 0.00 21595.45 12 86 GEETA BHATTASALI 2524.00 2524.00 5048.00 13 93 S.C. GUPTA SH. T.C. GUPTA 263632.00 209258.00 472890.00 14 94 P.P. MEGHANI LATE SH. S.P. MEGHANI 75718.00 66248.00 141966.00 15 104 SURINDERJEET KAUR SH. KESAR SINGH KALRA 8632.00 10539.00 19171.00 16 107 DEEPAK JAIN SH. M.L. JAIN 61.00 0.00 61.00 17 108 9ADHA KRISHAN SH. DURGA PRASAD 55.00 879.00 934.00 18 109 S.K.MINHAS 8055.00 8055.00 16110.00 19 120 NANDAN SINGH HEET SH.
    [Show full text]
  • To Download the Advance Information Sheet
    NEW TITLE AUGUST 2015 MUSIC ISBN: 978-93-83098-98-9 `595/£14.99/$20 PB Published by Fine publishing within reach D-78, Okhla Industrial Area, Phase-I, New Delhi-110 020, INDIA Tel: 91-11-26816301, 49327000; Fax: 91-11-26810483, 26813830 email: [email protected]; website: www.niyogibooksindia.com MUSIC `595/£14.99/$20 PB ISBN: 978-93-83098-98-9 Size:229 x 152mm, 324pp, 26 b/w photographs Interviewers Black and white, 80gsm bookprint Geeta Sahai & Shrinkhla Sahai Paperback Ever wondered how late Pandit Ravi Shankar went beyond cultural boundaries to Geeta Sahai is a writer, propagate Hindustani classical music and impact the global music scene? How did broadcaster and documentary Ustad Amjad Ali Khan fight emotional and financial setbacks to settle into musical filmmaker. Her short stories harmony with destiny? How did Begum Akhtar’s soulful voice inspire a reluctant have won international awards percussionist to dedicate his life to vocal music and emerge as the legendary Pandit and have been included in Jasraj? How did late Dr Gangubai Hangal break away from the shackles of social an international anthology– ostracism to emerge as a legend of her times? Undiscovered Gems. She was associated with Worldspace Satellite Radio for nearly ten years Beyond Music – Maestros in Conversation delves into candid opinions on issues, as Programme Director - Radio Gandharv-24X7 revealing thoughts on music-making and emotional sagas of some of the most Hindustani Classical Music Station. She has made accomplished, revered classical musicians—Dr Prabha Atre, Pandit Vishwa Mohan many introspective documentary films. Currently, Bhatt, Dr N.
    [Show full text]
  • Unclaimed Shares
    FOLIO_CDS_PAR ISSUE_NUM SCRIP_LOR_W NO_OF_SE TICIPANT_DSP SECURITY_HOLDER_NAME BER ARR_NO CURITIES NET_AMOUNT 1 83 SIDRA SULTAN B-1 6551 52 2 165 MUHAMMAD UBEDULLAH B-1 6576 52 3 177 FAREEHA ZAHEER B-1 6580 52 4 199 SHAKIL AHMAD CHOHAN B-1 6588 52 5 419 NASEER AHMAD B-1 6650 52 6 552 MUHAMMAD ASIF NAVEED B-1 6688 52 7 695 UZMA SAQIB B-1 6726 52 8 723 SYEDA MARIAM TARIQ B-1 6734 52 9 811 ZESHAN AHMED B-1 6763 104 10 870 MUHAMMAD ASHRAF B-1 6787 52 11 879 HUMAYUN ABDUL KARIM B-1 6793 52 12 886 FAISAL ZAFAR B-1 6797 52 13 894 MUHAMMAD IMRAN B-1 6803 52 14 897 FARHAT ZAHOOR B-1 6806 52 15 903 NIGHAT TARIQ B-1 6812 52 16 905 TARIQ MASOOD B-1 6814 52 17 906 SUMAIRA ANWAAR B-1 6815 52 18 1016 ABID ABBAS B-1 6837 52 19 1335 MUSHTAQ AHMED B-1 6924 52 20 1395 NISAR AHMED B-1 6937 52 21 1446 BASHIR AHMED B-1 6957 52 22 1476 ADEEL MAZHAR B-1 6968 52 23 1511 NOSHEEN SHAREEF B-1 6978 52 24 1536 SAQIB SIDDIQE B-1 6981 52 25 1562 MUHAMMAD EBTISAM AHMED B-1 6987 52 26 1704 QAMAR ZAMAN B-1 7033 52 27 1737 GHULAM RASOOL B-1 7041 52 28 1756 MUHAMMAD ZOHAIB B-1 7049 52 29 1843 MOHAMMED AMJID KHAN B-1 7078 52 30 1853 MUHAMMAD SALEEM B-1 7083 52 31 1865 MUHAMMAD SAEED B-1 7092 52 32 1867 RAJA ZAFAR MEHMOOD SATTI B-1 7094 52 33 1875 MAHMOOD AHMED B-1 7099 104 34 1969 REHMAT ULLAH B-1 7131 52 35 2004 SYED MOHSIN ALI B-1 7148 52 36 2019 NADEEM NASEEB B-1 7154 52 37 2022 MUHAMMAD ASHRAF B-1 7156 52 38 2031 RAO ABDUL HADI B-1 7162 52 39 2062 FAIZAN AHMED B-1 7166 52 40 2081 JAWAD HUSSAIN B-1 7172 52 41 2155 MUHAMMAD NAEEM B-1 7200 52 42 2169 SHAKILA AKHTER B-1 7203
    [Show full text]
  • Indian Music Instruments Sarangi Sitar Sitar Is of the Most Popular Music
    Indian Music Instruments Sarangi Sitar Sitar is of the most popular music instruments of North India. The Sitar has a long neck with twenty metal frets and six to seven main cords. Below the frets of Sitar are thirteen sympathetic strings which are tuned to the notes of the Raga. A gourd, which acts as a resonator for the strings is at the lower end of the neck of the Sitar. The frets are moved up and down to adjust the notes. Some famous Sitar players are Ustad Vilayat Khan, Pt. Ravishankar, Ustad Imrat Khan, Ustad Abdul Halim Zaffar Khan, Ustad Rais Khan and Pt Debu Chowdhury. Sarod Sarod has a small wooden body covered with skin and a fingerboard that is covered with steel. Sarod does not have a fret and has twenty-five strings of which fifteen are sympathetic strings. A metal gourd acts as a resonator. The strings are plucked with a triangular plectrum. Some notable exponents of Sarod are Ustad Ali Akbar Khan, Ustad Amjad Ali Khan, Pt. Buddhadev Das Gupta, Zarin Daruwalla and Brij Narayan. Sarangi Sarangi is one of the most popular and oldest bowed instruments in India. The body of Sarangi is hollow and made of teak wood adorned with ivory inlays. Sarangi has forty strings of which thirty seven are sympathetic. The Sarangi is held in a vertical position and played with a bow. To play the Sarangi one has to press the fingernails of the left hand against the strings. Famous Sarangi maestros are Rehman Bakhs, Pt Ram Narayan, Ghulam Sabir and Ustad Sultan Khan.
    [Show full text]
  • Name Wise Roll Ordr List of Written Qualified Candidates
    CIVIL SERVICES (PRELIMINARY) EXAMINATION,2019 NAME WISE ROLL ORDR LIST OF WRITTEN QUALIFIED CANDIDATES __________________________________________________________________ SR. NO. ROLL NO. NAME _________________________________________________________________ 1 0100007 SENTA ARVIND DEVJIBHAI 2 0100057 ASHANK KUMAR SINGH 3 0100059 DHRUV DHAIVAT KETANBHAI 4 0100123 YADAV PRAMODKUMAR RAMAKANT 5 0100179 DHILA SHANTIBEN VELA 6 0100218 VISMAY A BHARAI 7 0100320 RAJAT KUMAR DAMACHYA 8 0100385 DESAI ANKUR BALDEVBHAI 9 0100389 PATEL PRASHANT ARVINDBHAI 10 0100653 MADAN LAL DELU 11 0100708 DANGAR BHARGAV BACHUBHAI 12 0100972 ANTIYA KALPESHKUMAR GANESHBHAI 13 0101024 DHAVALKUMAR PARSOTAM HEDAMBA 14 0101232 BAROT HIREN JITENDRABHAI 15 0101310 BAROT JIGNESHKUMAR NIRANJANKUM 16 0101436 PATEL KARAN KAMLESHBHAI 17 0101667 ANURAG CHOUDHARY 18 0101803 PARMAR ABHISHEK 19 0101854 PATANI TEJASKUMAR D 20 0102028 RUPELLA SANDEEP MUKESHKUMAR 21 0102270 THACKER DHAVALKUMAR GHANSHYAMB 22 0102449 VAGHELA JAYRAJSINH M 23 0102599 PATEL RAVIKUMAR BHOGILAL 24 0102613 JHAVERI VISHAL JAYANTBHAI 25 0102744 NANJI NARANBHAI BHANUSHALI 26 0102994 SANJAY MEENA 27 0103047 PRASHANTKUMAR RAJNIKANT PATEL CIVIL SERVICES (PRELIMINARY) EXAMINATION,2019 NAME WISE ROLL ORDR LIST OF WRITTEN QUALIFIED CANDIDATES __________________________________________________________________ SR. NO. ROLL NO. NAME _________________________________________________________________ 28 0103273 CHAUHAN SIDDHARTH HASMUKHRAY 29 0103289 SAURABH GANGWAL 30 0103414 ARVIND SINGH YADAV 31 0103750 PARESHKUMAR T
    [Show full text]
  • Ragamala World Music 2017 Program Book
    RAGAMALA 2017: WELCOME SCHEDULE Ragamala 2017 A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE For the 5th year, spanning 15 hours and featuring dozens of performers, Ragamala offers a FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts jaw-dropping assortment of Indian classical music from some of its greatest and emerging Ragamala: A Celebration of Indian Classical Music + Dance A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE practitioners. Ragamala functions as the perfect, immersive introduction to the classical music Chicago Cultural Center, Preston Bradley Hall FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 of India. Not only are both the music of the north (Hindustani) and the south (Carnatic) + Millennium Park, Great Lawn FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 - 6:30PM-10AM Chicago Cultural Center represented, but listeners will also get the rare chance to hear ragas performed at the time of 78 E. Washington Street, 3rd Floor Preston Bradley Hall, 3rd Floor day they were originally composed for—a facet of the tradition lost in the west. 6:30pm-10am 78 E Washington Street Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts 6:30pm-6:30am The word “raga” has a Sanskrit origin, meaning "coloring or dyeing". The term also connotes an Evolution of Songs from Indian Films: 1930-2017 emotional state referring to a "feeling, affection, desire, interest, joy or delight", particularly 6:30-7:30pm SATURDAY, SEPTEMBER 9 related to passion, love, or sympathy for a subject or something. In the context of ancient Anjali Ray, vocals with Rishi Thakkar, tabla and Anis Chandnani, harmonium Yoga + Gong Meditation Indian music it is often devotional and used as a prayer.
    [Show full text]
  • Amjad Ali Khan, Sarod Amaan Ali Khan, Sarod Ayaan Ali Khan, Sarod Elmira Darvarova, Violin
    Amalgam Amjad Ali Khan, Sarod Amaan Ali Khan, Sarod Ayaan Ali Khan, Sarod Elmira Darvarova, Violin AF1602 Amjad Ali Khan was only six years old when he gave his first Sarod recital. It was the Stanford University, Indiana University, York University, Washington University, Stony beginning of yet another glorious chapter in the history of Indian classical music. Taught by Brook, Northeastern University and New Mexico University. BBC Magazine voted his CD his father Haafiz Ali Khan, Amjad Ali Khan was born to the illustrious Bangash lineage titled ‘Bhairav’ among the world’s best 50 classical albums for the year 1995, and in 2009 rooted in the Senia Bangash School of music. Today he shoulders the sixth generation of Amjad Ali Khan was nominated for a Grammy award for ‘Ancient Sounds’ , a joint-venture legacy in this legendary lineage. After his debut, the graph of his legendary career took the with Iraqi oud soloist Rahim Alhaj. In 1999, Mr. Khan inaugurated the World Festival of speed of light, and on its way the Indian classical music scene witnessed regular and Sacred Music with His Holiness the Dalai Lama. In 1998, Khan composed the signature tune scintillating bursts of Raga supernovas. In his case, the term ‘beauty of the Ragas’ acquires a for the 48th International Film Festival. On the ninth anniversary of 9/11, Amjad Ali Khan special meaning as he has to his credit the distinction of having created many new Ragas. It is gave a Peace Concert at the United Nations in New York in the presence of the UN Secretary love for music and his belief in his music that has enabled him to interpret traditional notions General Ban Ki-Moon.
    [Show full text]
  • From the Private Collection of Marguerite and Kent Charugundla, 2007, Tamarind Art Gallery LLC, Kent Charungla, Deepanjana D
    Lightning: From the Private Collection of Marguerite and Kent Charugundla, 2007, Tamarind Art Gallery LLC, Kent Charungla, Deepanjana D. Klein, TamarindArt Gallery, 0979449502, 9780979449505, Tamarind Art Gallery LLC, 2007 DOWNLOAD http://bit.ly/1uTiIvY http://en.wikipedia.org/w/index.php?search=Lightning%3A+From+the+Private+Collection+of+Marguerite+and+Kent+Charugundla DOWNLOAD http://goo.gl/RqT5E http://bit.ly/1mYAH9A Indian and Southeast Asian Art Including Modern Indian Paintings, New York, Wednesday, March 29, 2006, Sotheby's (Firm), 2006, Art, 224 pages. Memory, Metaphor, Mutations The Contemporary Art of India and Pakistan, Yashodhara Dalmia, Dean Salima Hashmi, 2007, Art, 227 pages. "As boundaries slowly dissolve and interactive realities become evident, the cultures of India and Pakistan are beginning to draw attention. Recent exchanges have taken place. Nalini Malani Splitting the Other : Retrospective 1992-2009 : [Ausstellung, MusГ©e Cantonal Des Beaux-arts, Lausanne, March 20 - June 6, 2010], Johan Pijnappel, 2010, Art, 183 pages. One of the most important contemporary artists working in India today, Nalini Malani (born 1946) employs painting, video installation, shadow play and theater-oriented works to. Guyton Price Smith Walker Kunsthalle Zurich, Beatrix Ruf, Nov 30, 2011, Art, 192 pages. Edited by Beatrix Ruf. Text by Jon Kessler, Johanna Burton, Bettina Funcke.. Sudhir Patwardhan , Sudhir Patwardhan, Ranjit Hoskote, Sakshi Gallery, 2010, Art, Modern, 205 pages. Works of modern painter with special reference to the depiction of Bombay, India in them; covers the period, 1975-2004; includes introduction.. Past Forward Six Artists in Search of Their Childhood, Gowri Ramnarayan, 1997, Biography & Autobiography, 70 pages. In this enchanting book six Indian artists--painter M.F.
    [Show full text]
  • Padma Vibhushan * * the Padma Vibhushan Is the Second-Highest Civilian Award of the Republic of India , Proceeded by Bharat Ratna and Followed by Padma Bhushan
    TRY -- TRUE -- TRUST NUMBER ONE SITE FOR COMPETITIVE EXAM SELF LEARNING AT ANY TIME ANY WHERE * * Padma Vibhushan * * The Padma Vibhushan is the second-highest civilian award of the Republic of India , proceeded by Bharat Ratna and followed by Padma Bhushan . Instituted on 2 January 1954, the award is given for "exceptional and distinguished service", without distinction of race, occupation & position. Year Recipient Field State / Country Satyendra Nath Bose Literature & Education West Bengal Nandalal Bose Arts West Bengal Zakir Husain Public Affairs Andhra Pradesh 1954 Balasaheb Gangadhar Kher Public Affairs Maharashtra V. K. Krishna Menon Public Affairs Kerala Jigme Dorji Wangchuck Public Affairs Bhutan Dhondo Keshav Karve Literature & Education Maharashtra 1955 J. R. D. Tata Trade & Industry Maharashtra Fazal Ali Public Affairs Bihar 1956 Jankibai Bajaj Social Work Madhya Pradesh Chandulal Madhavlal Trivedi Public Affairs Madhya Pradesh Ghanshyam Das Birla Trade & Industry Rajashtan 1957 Sri Prakasa Public Affairs Andhra Pradesh M. C. Setalvad Public Affairs Maharashtra John Mathai Literature & Education Kerala 1959 Gaganvihari Lallubhai Mehta Social Work Maharashtra Radhabinod Pal Public Affairs West Bengal 1960 Naryana Raghvan Pillai Public Affairs Tamil Nadu H. V. R. Iyengar Civil Service Tamil Nadu 1962 Padmaja Naidu Public Affairs Andhra Pradesh Vijaya Lakshmi Pandit Civil Service Uttar Pradesh A. Lakshmanaswami Mudaliar Medicine Tamil Nadu 1963 Hari Vinayak Pataskar Public Affairs Maharashtra Suniti Kumar Chatterji Literature
    [Show full text]
  • SRUTI NOTES a Publication of SRUTI - the India Music & Dance Society
    SRUTI NOTES A Publication of SRUTI - The India Music & Dance Society www.sruti.org E-mail: [email protected] Volume 14, Issue 1, February 2011 Board of Directors Celebrating 25 years of excellence in President Uma Prabhakar Indian Classical Music and Dance President-Elect in the Delaware Valley Raji Venkatesan Treasurer Usha Balasubramaniam President’s Note Secretary Ravi Pillutla Greetings! I wish you all a very happy and prosperous New Year! Directors I consider it a unique privilege and honor for me to have this opportunity to lead SRUTI into her Ramaa Nathan 25th year, along with the competent and enthusiastic support of my fellow board members, who Gayathri Rao come with years of experience in planning, managing and executing such events of SRUTI. Six of Ramana Kanumalla them are from the previous board, with Raji Venkatesan as President-Elect, Usha Balasubramanian Raghunandan Parthasarathy as Treasurer, Ravi Pillutla as Secretary, Ramaa Nathan as Director of Resources and, Sunanda Sunanda Gandham Gandham as Director (2). We welcome our newly elected board members (who are not new to SRUTI by any means), Gayathri Rao as Director of Publications and Outreach, Ramana Kanumalla Committees as Director of Marketing & Publicity and, Raghunandan Parthasarathy as Director (1). Together, we Resources & Development look forward to presenting to you all carefully selected classical Indian music and dance programs Ramaa Nathan (Chair) throughout this year and making your 25th year SRUTI experience extra special and fun! Usha Balasubramanian The programming for 2011 season was initiated way back in the May/June time frame last year un- Rajee Padmanabhan Raghunandan Parthasarathy der the leadership of Mr.
    [Show full text]
  • Sarod & Scheherazade
    NOTES ON THE PROGRAM BY LAURIE SHULMAN, ©2019 Sarod & Scheherazade ONE-MINUTE NOTES Amjad Ali Khan: Samaagam: A Concerto for Sarod, Concertante Group and String Orchestra Amjad Ali Kahn’s concerto fuses Northern Indian traditional instruments with a Western orchestra. Samaagam is Sanskrit for “flowing together,” an apt metaphor for Khan’s compelling concerto. He draws heavily on nearly a dozen ragas, the melodic building blocks of India’s classical music. Listen for drones and improvisatory passages that are cousins to jazz solos. Sarod, tabla and the NJSO’s principal string players all have their opportunity for exercising spontaneous musical creativity. Rimsky-Korsakov: Scheherazade Scheherazade features an obbligato role for our excellent concertmaster, Eric Wyrick. His recurring solo violin line represents the spellbinding voice of the Sultana as she relates the 1001 tales of the Arabian Nights, thereby staving off death by entertaining her husband. Scheherazade’s music is sinuous and seductive. The sultan’s theme, in the brasses, is barbaric, forceful and masculine. The writing is enchanting—a perfect blend of exoticism and impeccable orchestration. AMJAD ALI KHAN: Samagaam: A Concerto for Sarod, Concertante Group and String Orchestra AMJAD ALI KHAN Born: October 9, 1945, in Gwalior, Madhya Pradesh, India Composed: 2008 World Premiere: June 20, 2008, in Kirkwall, Orkney Islands, Scotland NJSO Premiere: These are the NJSO-premiere performances. Duration: 45 minutes Amjad Ali Khan is arguably the most celebrated Indian classical musician since Ravi Shankar. His instrument, the sarod, is a cousin of the sitar. Both are members of the lute family: plucked string instruments with a hollow body.
    [Show full text]