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CURRICULUM VITAE – REVISED NOVEMBER 2015 JESSICA BISSETT PEREA 2417 HART HALL • ONE SHIELDS AVE • DAVIS, CA 95616 530.752.3237 • [email protected] WWW.JBPEREA.FACULTY.UCDAVIS.EDU EDUCATION 2011 Ph.D., Musicology – University of California, Los Angeles Dissertation: “The Politics of Inuit Musical Modernities in Alaska” Committee: Olivia Bloechl (chair), Anthony Seeger, Tara Browner, Raymond Knapp, and Robert Fink 2005 M.A., Music (Musicology) – University of Nevada, Reno Thesis: “The Minor Intrusions of Charles Mingus: A Critique of a Modern Jazz Canon Formation” Committee: David Ake (chair), Louis Niebur, Dennis Dworkin (History) 2003 B.M., Music Education – Central Washington University McNair Thesis: “Pacific Northwest Perspectives on Vocal Jazz Education” ACADEMIC APPOINTMENTS 2013 – Assistant Professor, Department of Native American Studies University of California, Davis 2011 – 2013 UC President’s Postdoctoral Fellow, Department of Music University of California, Berkeley 2010 – 2011 Lecturer, Department of American Indian Studies San Francisco State University 2008 – 2009 State Scholar and Community Liaison, for the Smithsonian Institution’s traveling exhibition New Harmonies: Celebrating American Roots Music Alaska Humanities Forum, Anchorage, AK 2006 & 2007 Summer Term Instructor, Department of Musicology University of California, Los Angeles 2004 – 2005 Instructor, Department of Music and Dance University of Nevada, Reno AREAS OF SPECIALIZATION Music, sound and media studies; 20th and 21st century American music history; Indigenous aesthetics and philosophies; Alaska Native and Circumpolar Inuit cultures, histories, and politics; intertribal and intercultural alliances and cultural production; popular, folk, jazz and improvisational performance cultures; critical race and gender studies; research methodologies and critical pedagogy. J. BISSETT PEREA CV – 2 – PUBLICATIONS Books In progress Race Music and the Politics of Indigenous Modernity in Alaska, 1959 – Present Journal Articles In progress “The ‘Sound of Eskimo,’ Sounding Inuit: Unsettling Colonial Logics of Gender and Race in Tanya Tagaq Gillis’ Reclamation of Nanook of the North” Under with Jessica Gutierrez, “Revitalizing Native American Music and Dance Review Curriculum at UC Davis through Research into Teaching, Student Learning, and Assessment,” for the American Indian Culture and Research Journal special issue “Cultural Competence to Ensure Native American Student Success in Higher Education: Perspectives and Prospects,” ed. Robert Keith Collins. 2013 “A Tribalography of Alaska Native Presence in Academia.” In American Indian Culture and Research Journal 37 (3): 3-27. Special issue “Reducing Barriers to Native American Student Success in Higher Education: Challenges and Best Practices,” ed. Robert Keith Collins. 2012 “Pamyua’s Akutaq: Traditions of Modern Inuit Modalities in Alaska.” In MUSICultures (formerly the Canadian Journal for Traditional Music) 39 (1): 7- 41. Special issue “Indigenous Modernities,” eds. Beverley Diamond, Kati Szego, and Heather Sparling. Book Chapters Under “Sound Quantum and the Predicament of Audible Indigeneity in Flying Wild Review Alaska.” In Music and Modernity Among First Peoples of North America, eds. Victoria Lindsay Levine and Dylan Robinson. Under “Audiovisualizing Inuit Men and Masculinities On The Ice.” In Critically Contract Sovereign: Indigenous Gender, Sexuality, and Feminist Studies, ed. Joanne Barker. Durham: Duke University Press. 2012 “Voices from the Jazz Wilderness: Locating Pacific Northwest Jazz Choir Culture.” In Jazz/Not Jazz: The Music and Its Boundaries, eds. David Ake, Charles Hiroshi Garrett, and Daniel Goldmark. Berkeley: University of California Press. 219-236. Reviews 2014 “Aboriginal Music in Contemporary Canada: Echoes and Exchanges by Anna Hoefnagels and Beverley Diamond, eds.” In Yearbook for Traditional Music 46: W1-3. 2007 “Charles Mingus, Music Written for Monterey, 1965 Not Heard … Played in its Entirety at UCLA, Vol. 1 & 2. By Charles Mingus. JWS 013/014 (2 CDs), 2006.” Journal of the Society for American Music 1 (4): 543–546. J. BISSETT PEREA CV – 3 – Encyclopedia Entries 2013 “Fitzgerald, Ella.” In The Grove Dictionary of American Music (2nd Edition), ed. Charles Hiroshi Garrett. New York: Oxford University Press. Vol. 3: 305-306. 2013 “Lee, Jeanne.” In The Grove Dictionary of American Music (2nd Edition), ed. Charles Hiroshi Garrett. New York: Oxford University Press. Vol. 5: 81. 2013 “McRae, Carmen.” In The Grove Dictionary of American Music (2nd Edition), ed. Charles Hiroshi Garrett. New York: Oxford University Press. Vol. 5: 331-332. 2013 “Manhattan Transfer.” In The Grove Dictionary of American Music (2nd Edition), ed. Charles Hiroshi Garrett. New York: Oxford University Press. Vol. 5: 360. 2013 “Tiulana, Paul.” In The Grove Dictionary of American Music (2nd Edition), ed. Charles Hiroshi Garrett. New York: Oxford University Press. Vol. 8: 218. 2013 “Vocal Jazz Ensemble.” In The Grove Dictionary of American Music (2nd Edition), ed. Charles Hiroshi Garrett. New York: Oxford University Press. Vol. 8: 377-378. SELECTED GRANTS, FELLOWSHIPS, AWARDS, AND HONORS 2015 – 2016 Faculty Fellow, Hellman Fellows Program, UC Davis ($29,000) 2015 Participant, Faculty Success Program, National Center for Faculty Development and Diversity, tuition funded by the UC Office of the President and the UC Davis HArCS Dean’s Office ($3,250) 2015 Principal Investigator for “Researching and Restoring Native American Song and Dance Repertoire in NAS Performing Arts Curriculum at UC Davis,” Small Grant in Aid of Research, UC Davis Academic Senate Committee on Research ($2,000) 2015 Recipient, UC Davis Native American Community Honoring, Native American Culture Days and Powwow Committees, Cross Cultural Center, UC Davis 2015 Principal Investigator for “UC Arctic Cultural Studies Research Working Group,” with co-PIs Christyann Darwent (UCD Anthropology) and Shari Huhndorf (UCB Ethnic Studies), UC Center for New Racial Studies ($20,024) 2015 Recipient, Undergraduate Instructional Improvement Program Mini-Grant, UC Davis Center for Excellence in Teaching and Learning ($500) 2014 – 2015 Key Organizer, Support for Tanya Tagaq Gillis UC Davis Artist Residency and Arctic Indigeneities, Media, and Social Justice symposium programming (in partnership with Robert and Margrit Mondavi Center for the Performing Arts Executive Director Don Roth and Associate Executive Director & Director of Programming Jeremy Ganter), funded by the Andrew W. Mellon Foundation Performing Arts Grant Program ($12,000) 2014 – 2015 Principal Investigator for “Revitalizing Native American Music and Dance Communities at UC Davis,” Open Classroom Challenge Grant, UC Institute for Research in the Arts ($5,000) J. BISSETT PEREA CV – 4 – 2014 – 2015 Principal Investigator for “Revitalizing NAS 032 ‘Native American Music and Dance’ through Research into Teaching, Student Learning, and Assessment,” Undergraduate Instructional Improvement Program Large Grant, UC Davis Center for Excellence in Teaching and Learning ($11,978) 2014 Principal Investigator, Support for Radmilla Cody and Angela Webb Visiting Artists Residency as part of the Responding to IndiVisible: African-Native Lives in the Americas symposium programming, co-sponsored by the UC Institute for Research in the Arts ($1,000) and the UC Center for New Racial Studies ($2,500) 2014 Principal Investigator for “Listening Critically to ‘Quyana Alaska’: An Analysis of Cultural Change, Canon Formation, and Traditional Protocols of Encounter amongst Alaska Native Drum-Dance Groups, 1982-Present,” Small Grant in Aid of Research, UC Davis Academic Senate Committee on Research ($2,000) 2013 – 2014 Recipient, Undergraduate Instructional Improvement Program Mini-Grant, UC Davis Center for Excellence in Teaching and Learning ($500) 2013 – 2014 Co-Recipient, Writing Group Grant, UC Davis Humanities Institute ($500) 2011 – 2013 Postdoctoral Fellow, University of California President’s Postdoctoral Fellowship Program, UC Berkeley 2010 Recipient, Alaska Native Visionary Award, Alaska Native Heritage Month Board of Directors 2010 Recipient, Student Travel Award, Applied Ethnomusicology Section, Society for Ethnomusicology 2009 Recipient, Research Travel Grant, Graduate Division, UCLA 2008 Recipient, Quality of Graduate Education Program Summer Fellowship, UCLA 2007 – 2008 Principal Investigator for “Contemporary Alaska Native Music and Identity Formation,” Graduate Research Mentorship Award with Professor Olivia Bloechl, Graduate Division, UCLA 2007 Principal Investigator for “Exploring Native American Traces in Twentieth Century Popular Music,” Graduate Summer Research Mentorship Award with Professor Tara Browner, Graduate Division, UCLA 2007 Recipient, Student Travel Award, Society for American Music 2005 – 2007 Recipient, Eugene V. Cota-Robles Fellowship for Diversity, UCLA 2003 Recipient, Dean’s Scholar, College of Liberal Arts, Central Washington University 2001 – 2003 Participant, McNair Postbaccalaureate Achievement Program, Central Washington University 2000 – 2001 Recipient, Knik Tribal Council Higher Education Grant 1999 – 2010 Recipient, Excellence Scholarship, The CIRI Foundation 1998 – 2002 Recipient, Cook Inlet Tribal Council Higher Education Grant J. BISSETT PEREA CV – 5 – INVITED LECTURES 2015 “Indigenous Theory in the Americas,” invited panelist for the President’s Roundtable at the Society for Ethnomusicology Annual Meeting in Austin, TX. December 3-6. 2015 “Arctic Perspectives on Indigenous