American Square Dance Vol. 56, No. 3 (Mar. 2001)
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National Historic Landmark Nomination Ryman Auditorium
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Ryman Auditorium Other Name/Site Number: Union Gospel Tabernacle 2. LOCATION Street & Number: 116 Fifth Avenue North Not for publication:__ City/Town: Nashville Vicinity:__ State: TN County: Davidson Code: 037 Zip Code: 37219 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): X Public-Local: _ District: __ Public-State: _ Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 1 ___ buildings ___ sites ___ structures ___ objects 1 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of related multiple property listing: NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Reflections on Bill Monroe T/Te Mhenian Staff
Page four, THE ATHENIAN, October 1996 30th Annual Fiddlers Reflections on Bill Monroe (cont'd from page one). and around every corner of the campus. Experts and Combined reports by David Robinson, Jim Patterson, novices, friends and strangers, and young and old will and The Music of Bill Monroe MCA join together for jam sessions. Teaching, learning, listening and enjoying will be the order of the day. You Bill Monroe was looking for the men in charge may never even make it to the stages because the jam of WSM radio station. He was ready to take his music sessions provide some of the best entertainment around. from the Carolinas and the east coast, where he had Bring your instrument and join in. beenplaying, to thebroaderaudience that WSM offered. A variety of food will be on sale by Athens State WSM could be heard from the Rocky Mountains to the College clubs and organizations. The convention Atlantic Ocean, but it also had another interesting provides these organizations with the opportunity to draw for Bill Monroe, "WSM has the same initials I raise funds for operating expenses and scholarships. have. That's William Smith Monroe." Arts and crafts will also be available for purchase from He found those men and was hired the same about 150 vendors. Every effort is made to avoid a "flea day. The Grand Ole Opry career that started on market" atmosphere, all vendors are by invitation only October 28, 1939, came to a close just short of fifty- and all exhibits are screened to ensure they are in seven years later on September 9, 1996, when Bill keeping with the traditional music theme. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS NOVEMBER 23, 2020 | PAGE 1 OF 18 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Stapleton, Wallen Country By The Glass: The Genre’s Songwriters Reign Page 4 Grapple With Alcohol’s Abundance Bluegrass Turns 75 Country fans might not see all the world through “Whis- so long. Ironically, drinking is one of them.” Page 10 key Glasses,” but they’re definitely hearing it through Getting drunk is such a stereotypical activity in the genre that alcoholic earbuds. it was listed among the elements of the “perfect country and The 2019 Morgan Wallen hit “Whiskey Glasses” brought western song” in David Allan Coe’s “You Never Even Called Me songwriter Ben Burgess the BMI country song of the year title by My Name,” but alcohol has not always been prominent. When Rhett, Underwood on Nov. 9, and the Country Airplay chart dated Nov. 24 reveals Randy Travis reenergized traditional country in the mid-1980s Make Xmas Special a format that remains whiskey bent, if not hellbound. Seven of while mostly avoiding adult beverages as a topic, the thirst for Page 11 the songs on that list liquor dwindled. The — including HAR- trend turned around DY’s “One Beer” so strongly that three (No. 5), Lady A’s hits in the late-1990s FGL’s Next Album Is “Champagne Night” — Collin Raye’s ‘Wrapped’ (No. 12) and Kelsea “Little Rock,” Dia- Page 11 Ballerini’s “Hole in mond Rio’s “You’re the Bottle” (No. 14) Gone” and Kenny — posit an alcohol Chesney’s “That’s Makin’ Tracks: reference boldly in Why I’m Here” — took ‘Hung Up’ On the title. -
1715 Total Tracks Length: 87:21:49 Total Tracks Size: 10.8 GB
Total tracks number: 1715 Total tracks length: 87:21:49 Total tracks size: 10.8 GB # Artist Title Length 01 Adam Brand Good Friends 03:38 02 Adam Harvey God Made Beer 03:46 03 Al Dexter Guitar Polka 02:42 04 Al Dexter I'm Losing My Mind Over You 02:46 05 Al Dexter & His Troopers Pistol Packin' Mama 02:45 06 Alabama Dixie Land Delight 05:17 07 Alabama Down Home 03:23 08 Alabama Feels So Right 03:34 09 Alabama For The Record - Why Lady Why 04:06 10 Alabama Forever's As Far As I'll Go 03:29 11 Alabama Forty Hour Week 03:18 12 Alabama Happy Birthday Jesus 03:04 13 Alabama High Cotton 02:58 14 Alabama If You're Gonna Play In Texas 03:19 15 Alabama I'm In A Hurry 02:47 16 Alabama Love In the First Degree 03:13 17 Alabama Mountain Music 03:59 18 Alabama My Home's In Alabama 04:17 19 Alabama Old Flame 03:00 20 Alabama Tennessee River 02:58 21 Alabama The Closer You Get 03:30 22 Alan Jackson Between The Devil And Me 03:17 23 Alan Jackson Don't Rock The Jukebox 02:49 24 Alan Jackson Drive - 07 - Designated Drinke 03:48 25 Alan Jackson Drive 04:00 26 Alan Jackson Gone Country 04:11 27 Alan Jackson Here in the Real World 03:35 28 Alan Jackson I'd Love You All Over Again 03:08 29 Alan Jackson I'll Try 03:04 30 Alan Jackson Little Bitty 02:35 31 Alan Jackson She's Got The Rhythm (And I Go 02:22 32 Alan Jackson Tall Tall Trees 02:28 33 Alan Jackson That'd Be Alright 03:36 34 Allan Jackson Whos Cheatin Who 04:52 35 Alvie Self Rain Dance 01:51 36 Amber Lawrence Good Girls 03:17 37 Amos Morris Home 03:40 38 Anne Kirkpatrick Travellin' Still, Always Will 03:28 39 Anne Murray Could I Have This Dance 03:11 40 Anne Murray He Thinks I Still Care 02:49 41 Anne Murray There Goes My Everything 03:22 42 Asleep At The Wheel Choo Choo Ch' Boogie 02:55 43 B.J. -
Artist/Group Song Title
ARTIST/GROUP SONG TITLE V.I.C. WOBBLE VALENS, RICHIE DONNA VALENS, RITCHIE COME ON LET'S GO VALLI, FRANKIE CAN'T TAKE MY EYES OFF YOU VALLI, FRANKIE MY EYES ADORED YOU VAN BEETHOVEN, CAMPER TAKE THE SKINHEADS BOWLING VAN DYKE, LEROY AUCTIONEER [THE] VAN DYKE, LEROY WALK ON BY VAN HALEN AIN'T TALKIN' 'BOUT LOVE VAN HALEN AND THE CRADLE WILL ROCK VAN HALEN BEAUTIFUL GIRLS VAN HALEN DANCE THE NIGHT AWAY VAN HALEN DON'T TELL ME (WHAT LOVE CAN DO) VAN HALEN DREAMS VAN HALEN EVERYBODY WANTS SOME (EXPLICIT) VAN HALEN FEEL YOUR LOVE TONIGHT VAN HALEN FINISH WHAT YA STARTED VAN HALEN HOT FOR TEACHER VAN HALEN HUMANS BEING VAN HALEN ICE CREAM MAN VAN HALEN I'LL WAIT VAN HALEN JAMIE'S CRYIN' VAN HALEN JUMP VAN HALEN OH, PRETTY WOMAN VAN HALEN PANAMA VAN HALEN POUNDCAKE VAN HALEN RIGHT NOW VAN HALEN RUNNIN' WITH THE DEVIL VAN HALEN TOP OF THE WORLD VAN HALEN UNCHAINED VAN HALEN WHEN IT'S LOVE VAN HALEN WHY CAN'T THIS BE LOVE VAN HALEN WITHOUT YOU VAN HALEN YOU REALLY GOT ME VAN SHELTON, RICKY BACKROADS VAN SHELTON, RICKY I AM A SIMPLE MAN VAN SHELTON, RICKY I MEANT EVERY WORD HE SAID VAN SHELTON, RICKY I'LL LEAVE THIS WORLD LOVING YOU VAN SHELTON, RICKY I'VE CRIED MY LAST TEAR FOR YOU VAN SHELTON, RICKY JUST AS I AM VAN SHELTON, RICKY KEEP IT BETWEEN THE LINES VAN SHELTON, RICKY LIFE TURNED HER THAT WAY VAN SHELTON, RICKY LIVING PROOF VAN SHELTON, RICKY LOLA'S LOVE VAN SHELTON, RICKY SHE NEEDS ME VAN SHELTON, RICKY SOMEBODY LIED VAN SHELTON, RICKY STATUE OF A FOOL VAN SHELTON, RICKY WEAR MY RING AROUND YOUR NECK VAN SHELTON, RICKY WHERE WAS I VAN -
Printer-Friendly Version (PDF)
NAME STATISTIC NAME STATISTIC Jim Abbott No-Hitter 9/4/93 Ralph Branca 3x All-Star Bobby Abreu 2005 HR Derby Champion; 2x All-Star George Brett Hall of Fame - 1999 Tommie Agee 1966 AL Rookie of the Year Lou Brock Hall of Fame - 1985 Boston #1 Overall Prospect-Named 2008 Boston Minor Lars Anderson Tom Browning Perfect Game 9/16/88 League Off. P.O.Y. Sparky Anderson Hall of Fame - 2000 Jay Bruce 2007 Minor League Player of the Year Elvis Andrus Texas #1 Overall Prospect -shortstop Tom Brunansky 1985 All-Star; 1987 WS Champion Luis Aparicio Hall of Fame - 1984 Bill Buckner 1980 NL Batting Champion Luke Appling Hall of Fame - 1964 Al Bumbry 1973 AL Rookie of the Year Richie Ashburn Hall of Fame - 1995 Lew Burdette 1957 WS MVP; b. 11/22/26 d. 2/6/07 Earl Averill Hall of Fame - 1975 Ken Caminiti 1996 NL MVP; b. 4/21/63 d. 10/10/04 Jonathan Bachanov Los Angeles AL Pitching prospect Bert Campaneris 6x All-Star; 1st to Player all 9 Positions in a Game Ernie Banks Hall of Fame - 1977 Jose Canseco 1986 AL Rookie of the Year; 1988 AL MVP Boston #4 Overall Prospect-Named 2008 Boston MiLB Daniel Bard Steve Carlton Hall of Fame - 1994 P.O.Y. Philadelphia #1 Overall Prospect-Winning Pitcher '08 Jesse Barfield 1986 All-Star and Home Run Leader Carlos Carrasco Futures Game Len Barker Perfect Game 5/15/81 Joe Carter 5x All-Star; Walk-off HR to win the 1993 WS Marty Barrett 1986 ALCS MVP Gary Carter Hall of Fame - 2003 Tim Battle New York AL Outfield prospect Rico Carty 1970 Batting Champion and All-Star 8x WS Champion; 2 Bronze Stars & 2 Purple Hearts Hank -
2020 Winter BMAM Newsletter
Bluegrass Music Association of Maine Winter 2020 75TH ANNIVERSARY OF BLUEGRASS BOOKS ABOUT BLUEGRASS MUSIC by Stan Keach I can think of three reasons why writing a short article covering books about bluegrass music might be a good idea for the winter newsletter: 1. There’s just not much current “news” about bluegrass music — not here in Maine, and not anywhere. Bands are mostly pretty inactive; there are no jams. 2. Some people have more time to read than usual, because there are no live concerts right now, no festivals, no jams. And, though I think a lot of bluegrass fans don’t realize this, there are many excellent books available about our fa- vorite subject. 3. If we can get this edition of The Bluegrass Express out early enough, it may spur a few Bill Monroe and Earl Scruggs on the Grand Ole Opry, Dec. 8, 1945 people to buy a book or 2 for their favorite blue- grass music fans for a holiday gift. Seventy-five years ago, on December 8th, 1945, Bill Monroe and the So . here are seven of my favorite books Bluegrass Boys appeared on the Grand Ole Opry with a new line-up that related to bluegrass music. Most of these books, included 21-year-old Earl Scruggs playing a style of syncopated 3-finger though not brand new, are readily available from picking on the banjo that had never been heard before, and it absolutely booksellers of all kinds. And even if your local electrified the audience. Scruggs’ fiery banjo picking, Monroe’s frantic library doesn’t have one of these books, it can mandolin picking, and Chubby Wise’s bluesy fiddling, all done at a blis- likely get it through interlibrary loan; ask your tering pace; the bass thumping on the down beat, Monroe’s chop on the off librarian about that. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Jim Shumate and the Development of Bluegrass Fiddling
JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2018 Center for Appalachian Studies JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER May 2018 APPROVED BY: Sandra L. Ballard Chairperson, Thesis Committee Gary R. Boye Member, Thesis Committee David H. Wood Member, Thesis Committee William R. Schumann Director, Center for Appalachian Studies Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Natalya Weinstein Miller 2018 All Rights Reserved Abstract JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING Natalya Weinstein Miller, B.A., University of Massachusetts M.A., Appalachian State University Chairperson: Sandra L. Ballard Born and raised on Chestnut Mountain in Wilkes County, North Carolina, James “Jim” Shumate (1921-2013) was a pioneering bluegrass fiddler. His position at the inception of bluegrass places him as a significant yet understudied musician. Shumate was a stylistic co-creator of bluegrass fiddling, synthesizing a variety of existing styles into the developing genre during his time performing with some of the top names in bluegrass in the 1940s, including Bill Monroe in 1945 and Lester Flatt & Earl Scruggs in 1948. While the "big bang" of bluegrass is considered to be in 1946, many elements of the bluegrass fiddle style were present in Bill Monroe's Blue Grass Boys prior to 1945. Jim Shumate’s innovative playing demonstrated characteristics of this emerging style, such as sliding double-stops (fingering notes on two strings at once) and syncopated, bluesy runs. -
1999-00 NCAA Men's Baseball Championships
Bsball_M (99-00) 11/28/00 8:32 AM Page 14 14 DIVISION I Ba s e b a l l DIVISION I 2000 Championship Hi g h l i g h t s Tigers End Dream Season with Fifth Title: LSU catcher Brad Cresse drilled a single to left field off of Stanford’s Justin Wayne in the bottom of the ninth, plating Ryan Theriot from second base, giving the Tigers a 6-5 win and their fifth College World Series championship since 1991. Cresse was mired in a miserable College World Series before his final at-bat. The senior was 1- for-12 in the CWS prior to his game-winning single. Trey Hodges pitched four scoreless innings for his second win of the tournament. Hodges, who Brad Cresse overcame a slump at the plate to retired 10 of the 11 batters he faced, also picked up a save and was selected as the most out- drive in the title-winning run for LSU June 17. standing player of the College World Series. The catcher’s single to left field scored team - mate Ryan Theriot, giving LSU a 6-5 win over Wayne gave up four hits and four runs in relief of starter Jason Young. Wayne started the fifth St a n f o r d . inning and seven of his first nine outs were strikeouts, four looking. The Tigers’ normally strong offensive game seemed to be silent. But LSU (52-17) tied it in the eighth inning with two home runs, setting up Cresse’s dramatics. -
1992 Topps Baseball Card Set Checklist
1992 TOPPS BASEBALL CARD SET CHECKLIST 1 Nolan Ryan 2 Rickey Henderson RB 3 Jeff Reardon RB 4 Nolan Ryan RB 5 Dave Winfield RB 6 Brien Taylor RC 7 Jim Olander 8 Bryan Hickerson 9 Jon Farrell RC 10 Wade Boggs 11 Jack McDowell 12 Luis Gonzalez 13 Mike Scioscia 14 Wes Chamberlain 15 Dennis Martinez 16 Jeff Montgomery 17 Randy Milligan 18 Greg Cadaret 19 Jamie Quirk 20 Bip Roberts 21 Buck Rodgers MG 22 Bill Wegman 23 Chuck Knoblauch 24 Randy Myers 25 Ron Gant 26 Mike Bielecki 27 Juan Gonzalez 28 Mike Schooler 29 Mickey Tettleton 30 John Kruk 31 Bryn Smith 32 Chris Nabholz 33 Carlos Baerga 34 Jeff Juden 35 Dave Righetti 36 Scott Ruffcorn Draft Pick RC 37 Luis Polonia 38 Tom Candiotti 39 Greg Olson 40 Cal Ripken/Gehrig 41 Craig Lefferts 42 Mike Macfarlane Compliments of BaseballCardBinders.com© 2019 1 43 Jose Lind 44 Rick Aguilera 45 Gary Carter 46 Steve Farr 47 Rex Hudler 48 Scott Scudder 49 Damon Berryhill 50 Ken Griffey Jr. 51 Tom Runnells MG 52 Juan Bell 53 Tommy Gregg 54 David Wells 55 Rafael Palmeiro 56 Charlie O'Brien 57 Donn Pall 58 Brad Ausmus 59 Mo Vaughn 60 Tony Fernandez 61 Paul O'Neill 62 Gene Nelson 63 Randy Ready 64 Bob Kipper 65 Willie McGee 66 Scott Stahoviak Dft Pick RC 67 Luis Salazar 68 Marvin Freeman 69 Kenny Lofton 70 Gary Gaetti 71 Erik Hanson 72 Eddie Zosky 73 Brian Barnes 74 Scott Leius 75 Bret Saberhagen 76 Mike Gallego 77 Jack Armstrong 78 Ivan Rodriguez 79 Jesse Orosco 80 David Justice 81 Ced Landrum 82 Doug Simons 83 Tommy Greene 84 Leo Gomez 85 Jose DeLeon 86 Steve Finley 87 Bob MacDonald 88 Darrin Jackson 89 Neal