Venice Eclectic: Modern Architecture from the '70S and '80S
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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
Bloomberg Center Design Fact Sheet
SEPTEMBER 13, 2017 Bloomberg Center Design Fact Sheet 02 PRESS RELEASE 05 ABOUT MORPHOSIS 06 BIOGRAPHY OF THOM MAYNE 07 ABOUT CORNELL TECH 08 PROJECT INFORMATION 09 PROJECT CREDITS 11 PROJECT PHOTOS 13 CONTACT 1 Bloomberg Center Press Release// The Bloomberg Center at Cornell Tech Designed by Morphosis Celebrates Formal Opening Innovative Building is Academic Hub of New Applied Science Campus with Aspiration to Be First Net Zero University Building in New York City NEW YORK, September 13, 2017 – Morphosis Architects today marked the official opening of The Emma and Georgina Bloomberg Center, the academic hub of the new Cornell Tech campus on Roosevelt Island. With the goal of becoming a net zero building, The Bloomberg Center, designed by the global architecture and design firm, forms the heart of the campus, bridging academia and industry while pioneering new standards in environmental sustainability through state-of- the-art design. Spearheaded by Morphosis’ Pritzker Prize-winning founder Thom Mayne and principal Ung-Joo Scott Lee, The Bloomberg Center is the intellectual nerve center of the campus, reflecting the school’s joint goals of creativity and excellence by providing academic spaces that foster collective enterprise and collaboration. “The aim of Cornell Tech to create an urban center for interdisciplinary research and innovation is very much in line with our vision at Morphosis, where we are constantly developing new ways to achieve ever-more-sustainable buildings and to spark greater connections among the people who use our buildings. With the Bloomberg Center, we’ve pushed the boundaries of current energy efficiency practices and set a new standard for building development in New York City,” said Morphosis founder and design director Thom Mayne. -
The Romanization of Romania: a Look at the Influence of the Roman Military on Romanian History and Heritage Colleen Ann Lovely Union College - Schenectady, NY
Union College Union | Digital Works Honors Theses Student Work 6-2016 The Romanization of Romania: A Look at the Influence of the Roman Military on Romanian History and Heritage Colleen Ann Lovely Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, European History Commons, and the Military History Commons Recommended Citation Lovely, Colleen Ann, "The Romanization of Romania: A Look at the Influence of the Roman Military on Romanian History and Heritage" (2016). Honors Theses. 178. https://digitalworks.union.edu/theses/178 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. The Romanization of Romania: A Look at the Influence of the Roman Military on Romanian History and Heritage By Colleen Ann Lovely ********* Submitted in partial fulfillment of the requirements for Honors in the Departments of Classics and Anthropology UNION COLLEGE March 2016 Abstract LOVELY, COLLEEN ANN The Romanization of Romania: A Look at the Influence of the Roman Military on Romanian History and Heritage. Departments of Classics and Anthropology, March 2016. ADVISORS: Professor Stacie Raucci, Professor Robert Samet This thesis looks at the Roman military and how it was the driving force which spread Roman culture. The Roman military stabilized regions, providing protection and security for regions to develop culturally and economically. Roman soldiers brought with them their native cultures, languages, and religions, which spread through their interactions and connections with local peoples and the communities in which they were stationed. -
Pritzker Prize to Doshi, Designer for Humanity in Search of a Win-Win
03.19.18 GIVING VOICE TO THOSE WHO CREATE WORKPLACE DESIGN & FURNISHINGS Pritzker Prize to Doshi, Designer for Humanity The 2018 Pritzker Prize, universally considered the highest honor for an architect, will be conferred this year on the 90-year- old Balkrishna Doshi, the first Indian so honored. The citation from the Pritzker jury recognizes his particular strengths by stating that he “has always created architecture that is serious, never flashy or a follower of trends.” The never-flashy-or-trendy message is another indication from these arbiters of design that our infatuation with exotic three-dimensional configurations initiated by Frank Gehry and Zaha Hadid – and emulated by numerous others – may have run its course. FULL STORY ON PAGE 3… In Search of a Win-Win: The Value Engineering Process When most design professionals hear the term value engineering, a dreaded sinking feeling deep in the pit of their stomach ensues. Both the design firm and the contractor are at a disadvantage in preserving the look and design intent of the project, keeping construction costs to a minimum, and delivering the entire package on time. officeinsight contributorPeter Carey searches for solutions that make it all possible. FULL STORY ON PAGE 14… Concurrents – Environmental Psychology: Swedish Death Cleaning First, Chunking Second Swedish death cleaning has replaced hygge as the hottest Scandinavian life management tool in the U.S. Margareta CITED: Magnussen’s system for de-cluttering, detailed in her book, The “OUR FATE ONLY SEEMS Gentle Art of Swedish Death Cleaning: How to Make Your Loved HORRIBLE WHEN WE PLACE Ines’ Lives Easier and Your Own Life More Pleasant, is a little IT IN CONTRAST WITH more straightforward than Marie Kondo’s more sentimental tact, SOMETHING THAT WOULD SEEM PREFERABLE.” described in The Life-Changing Magic of Tidying Up. -
A Book Review Taking It to the Streets in LA the Beat
03.12.18 GIVING VOICE TO THOSE WHO CREATE WORKPLACE DESIGN & FURNISHINGS 20th Century Top 100: a Book Review “100 Buildings 1900-2000”, produced by The Now Institute, presents 100 built projects essential to a young architect’s education, according to a sampling of the world’s most respected architects, including Tadao Ando, Steven Holl, Richard Meier, Cesar Pelli, Zaha Hadid, Sir Richard Rogers, Moshe Safdie, Robert A.M. Stern, Robert Venturi + Denise Scott Brown, Tod Williams + Billie Tsien and Thom Mayne. officeinsight contributor John Morris Dixon provides a review of the book – but go get yourself a copy! FULL STORY ON PAGE 3… Taking it to the Streets in L.A. Recently the IIDA SoCal, Los Angeles City Center chapter, hosted its inaugural Designwalk L.A, an event conceived to allow industry peers to reconnect and stay updated on the newest industry products and innovations. Since WestWeek has long since faded as a relevant contract market event, there hasn’t really been an opportunity for the L.A. commercial design community to have a NeoCon-like experience and see the industry’s newest offerings. Officeinsight L.A. correspondent Harriet Morgan chronicles the night, which showed off downtown L.A.’s re-emergence as Southern California’s center for commerce AND design. FULL STORY ON PAGE 8… The Beat: 3 Groups You Need to Know People with new ideas in architecture and design circles can and do actually bring them to fruition, and the architecture and design fields have a way of nurturing those ideas through the CITED: depth and intricacies of the relationships said fields are built “THE ANSWER IS ALWAYS NO on. -
State(S) of Practice
professional practice issue 08.1 architecture california the journal of the american institute of architects california council 08.1 Serial Departure professional practice issue Urbana 90s Generation 90s GENERATION California: State(s) of Practice Licensure and Time Stretching the M. Arch. Blog is in the Details Technology and the Culture of the Profession arc Off the Grid Competition CA Multiple Generations arcCA professional practice issue 08.1 ‘90s Generation Content Cabinet for Sleeping Standing Up 15 ➔ Annie Chu, AIA California: State(s) of Practice 19 ➔ Peter Zellner Two Generations: a Conversation 23 ➔ David Erdman and Thom Mayne, FAIA The 1990s: a Theoretical Post Mortem 27 ➔ Patricia Morton and Paulette Singley Five Schools, Eight Voices, Two Surveys 30 Stretching the M. Arch.: 33 ➔ Christopher Sensenig Dual Degree Students at Cal Technology and the Culture of the Profession 37 ➔ Edward Mojica, AIA Licensure and Time 41 ➔ Casius Pealer Multiple Generations: 45 ➔ David Roccosalva, Assoc. AIA an Interview with Sean Fine Blog is in the Details: 49 ➔ Jimmy Stamp Spread the Good Word A Conversation with Shigeru Ban, Hon. FAIA 53 ➔ Michael Franklin Ross, FAIA Off Grid Ideas Competition 56 Under the Radar: Rob Ley 64 ➔ Stephen Slaughter, AIA 05 Comment 07 Contributors 09 Correspondence 67 ... and Counting 68 Coda 3 Cover photo: Mina Javid and Stella Lee Comment arcCA 08.1 arcCA, the journal of the American arcCA is published quarterly and distributed to AIACC members as part Editor Tim Culvahouse, FAIA of their membership dues. In addition, single copies and subscriptions Managing Editor Laura Schatzkin are available at the following rates: Institute of Architects California Culvahouse Consulting Single copies: $6 AIA members; $9 non-members. -
The Weeping Line PR Copy 2
The Weeping Line Koak Mattea Perrotta Mindy Rose Schwartz Alter Space in Los Angeles Four Six One Nine 4619 W Washington Blvd Los Angeles, CA 90019 September 8 – October 8, 2016 Reception: September 8 at 6-9pm Alter Space is pleased to present The Weeping Line, a three-person exhibition featuring San Francisco-based Koak, Los Angeles-based Mattea Perrotta and Chicago-based Mindy Rose Schwartz. The body is a depletive metaphor Exposing a sudden, physical rift Distinguishing memory, Unearthing decay in place Slowing the process of loss, Leaking that of an emotional drain. Koak lives and works in San Francisco, CA. Recent exhibitions include Et al (San Francisco), Material Art Fair 2016 (Mexico City), TBD Gallery (San Francisco), Alter Space | 1158 Howard St. San Francisco CA 94103 | 415.735.1158 | http://alterspace.gallery Ampersand Gallery and Fine Books (Portland), and Current Space (Baltimore). Koak has an upcoming solo exhibition at Alter Space in 2016. Mindy Rose Schwartz lives and works in Chicago, IL. Selected recent exhibitions include Queer Thoughts (New York), Éric Hussenot (Paris), Paramount Ranch (Agoura Hills), Terrain Gallery (Oak Park), Heaven Gallery (Chicago), Arcadia Missa (London), and hotel-art.us (New York). Mattea Perrotta lives and works in Los Angeles, CA. Recent exhibitions include MAMA (Los Angeles), IDIO Gallery (Brooklyn), Abbot Kinney (Venice), and J Gallery (Venice). GALLERY HOURS Thursday - Saturday from 1-6 pm or by appointment. Gallery is located at 4619 W Washington Blvd, Los Angeles CA. INQUIRIES Please contact gallery Director Kevin Krueger at [email protected] Koak Alter Space | 1158 Howard St. San Francisco CA 94103 | 415.735.1158 | http://alterspace.gallery Duck Tooth Nude, 2016 Graphite and milk casein on rag paper 10.5 x 7 in. -
Roman Population Size: the Logic of the Debate
Princeton/Stanford Working Papers in Classics Roman population size: the logic of the debate Version 2.0 July 2007 Walter Scheidel Stanford University Abstract: This paper provides a critical assessment of the current state of the debate about the number of Roman citizens and the size of the population of Roman Italy. Rather than trying to make a case for a particular reading of the evidence, it aims to highlight the strengths and weaknesses of rival approaches and examine the validity of existing arguments and critiques. After a brief survey of the evidence and the principal positions of modern scholarship, it focuses on a number of salient issues such as urbanization, military service, labor markets, political stability, living standards, and carrying capacity, and considers the significance of field surveys and comparative demographic evidence. © Walter Scheidel. [email protected] 1 1. Roman population size: why it matters Our ignorance of ancient population numbers is one of the biggest obstacles to our understanding of Roman history. After generations of prolific scholarship, we still do not know how many people inhabited Roman Italy and the Mediterranean at any given point in time. When I say ‘we do not know’ I do not simply mean that we lack numbers that are both precise and safely known to be accurate: that would surely be an unreasonably high standard to apply to any pre-modern society. What I mean is that even the appropriate order of magnitude remains a matter of intense dispute. This uncertainty profoundly affects modern reconstructions of Roman history in two ways. First of all, our estimates of overall Italian population number are to a large extent a direct function of our views on the size of the Roman citizenry, and inevitably shape any broader guesses concerning the demography of the Roman empire as a whole. -
Before the Public Utilities Commission of the State of California
BEFORE THE PUBLIC UTILITIES COMMISSION OF THE STATE OF CALIFORNIA Application of PacifiCorp (U 901 E) for Approval of its Application ____________ 2017 Transportation Electrification Programs CERTIFICATE OF SERVICE I, Rosa Gutierrez, certify that I have on this 30th day of June 2017 caused a copy of the foregoing APPLICATION OF PACIFICORP (U 901 E) FOR APPROVAL OF ITS 2017 TRANSPORTATION ELECTRIFICATION PROGRAMS to be served on all known parties to R.13-11-007 listed on the most recently updated service list available on the California Public Utilities Commission website, via email to those listed with email and via U.S. mail to those without email service. I also caused copies to be hand- delivered as follows: Commissioner Carla Peterman ALJ John S. Wong California Public Utilities Commission California Public Utilities Commission 505 Van Ness Avenue 505 Van Ness Avenue San Francisco, CA 94102 San Francisco, CA 94102 Amy Mesrobian Energy Division California Public Utilities Commission 505 Van Ness Avenue San Francisco, CA 94102 I declare under penalty of perjury that the foregoing is true and correct. Executed this 30th day of June 2017 at San Francisco, California. /s/ Rosa Gutierrez Rosa Gutierrez 3219/003/X192215.v1 CPUC - Service Lists - R1311007 Page 1 of 17 CPUC Home CALIFORNIA PUBLIC UTILITIES COMMISSION Service Lists PROCEEDING: R1311007 - CPUC - OIR TO CONSID FILER: CPUC LIST NAME: LIST LAST CHANGED: JUNE 27, 2017 Download the Comma-delimited File About Comma-delimited Files Back to Service Lists Index Parties CAMERON SEAN GRAY JEREMY WAEN ENERGY AND TRANSPORTATION MANAGER SR. REGULATORY ANALYST COMMUNITY ENVIRONMENTAL COUNCIL MARIN CLEAN ENERGY EMAIL ONLY EMAIL ONLY EMAIL ONLY, CA 00000 EMAIL ONLY, CA 00000 FOR: COMMUNITY ENVIRONMENTAL COUNCIL FOR: MARIN CLEAN ENERGY JOHN BOESEL JOHN W. -
Public Art, Cultural Landscapes, and Urban Space in Venice, California
The Contours of Creativity: Public Art, Cultural Landscapes, and Urban Space in Venice, California Zia Salim California State University, Fullerton Abstract This cross-sectional study examines spatial and thematic patterns of public art in Venice, Los Angeles’s bohemian beach community, to de- termine how public wall art marks the cultural landscape. To do this, 353 items of public art were field surveyed, photographed, and mapped, with the resulting inventory being subjected to content analysis. Data from secondary sources, including the city’s history and demographics, were used to contextualize the results. The results indicate that most public art is located on commercial buildings, with a smaller concentration on residential buildings. A majority of public art in Venice includes three main types of elements: local elements, people, and nature. Although public art is an especially dynamic and ephemeral subject of study, I conclude that an analysis of the locations and themes of public art helps to explain its aesthetic and historic functions and demonstrates its role in Venice’s cultural landscape. Keywords: cultural landscape, public art, street art, murals, Venice Introduction The beach community of Venice is the eclectic epicenter of Los Angeles: for decades wanderers, non-conformers, hippies, and tourists have congregated in this seaside spot to partake in Venice’s unconventional atmosphere and unique architecture. Images of the beach, the boardwalk, and the canals and their bungalows are predominant in popular imaginations of Venice’s urban geography, while popular understandings of Venice’s social geography con- sider its (counter)cultural dimensions as a haven for poets and performers, surfers and skaters, bodybuilders and bohemians, musicians and mystics, and spiritualists and free spirits. -
7 the Roman Empire
Eli J. S. Weaverdyck 7 The Roman Empire I Introduction The Roman Empire was one of the largest and longest lasting of all the empires in the ancient world.1 At its height, it controlled the entire coast of the Mediterranean and vast continental hinterlands, including most of western Europe and Great Brit- ain, the Balkans, all of Asia Minor, the Near East as far as the Euphrates (and be- yond, briefly), and northern Africa as far south as the Sahara. The Mediterranean, known to the Romans as mare nostrum(‘our sea’), formed the core. The Mediterranean basin is characterized by extreme variability across both space and time. Geologically, the area is a large subduction zone between the African and European tectonic plates. This not only produces volcanic and seismic activity, it also means that the most commonly encountered bedrock is uplifted limestone, which is easily eroded by water. Much of the coastline is mountainous with deep river valleys. This rugged topography means that even broadly similar climatic conditions can pro- duce drastically dissimilar microclimates within very short distances. In addition, strong interannual variability in precipitation means that local food shortages were an endemic feature of Mediterranean agriculture. In combination, this temporal and spatial variability meant that risk-buffering mechanisms including diversification, storage, and distribution of goods played an important role in ancient Mediterranean survival strategies. Connectivity has always characterized the Mediterranean.2 While geography encouraged mobility, the empire accelerated that tendency, inducing the transfer of people, goods, and ideas on a scale never seen before.3 This mobility, combined with increased demand and the efforts of the imperial govern- ment to mobilize specific products, led to the rise of broad regional specializations, particularly in staple foods and precious metals.4 The results of this increased con- It has also been the subject of more scholarship than any other empire treated in this volume. -
Development Guidelines for Division 6 Joint Development
Los Ange les County Metropolitan Transportation Authority DEVELOPMENT GUIDELINES FOR DIVISION 6 JOINT DEVELOPMENT June 2019 ®Metrd TABLE OF CONTENTS 1. OVERVIEW 1 Joint Development Process Community Outreach Site Description 2. VISION FOR DEVELOPMENT 10 Context and Value of Venice Vision for the Site Primary Goals 3. REGULATORY AND POLICY FRAMEWORK 16 City of Los Angeles - General Plan and Zoning City of Los Angeles - Venice Community Plan California Coastal Commission - Venice Local Coastal Program Metro Joint Development Program: Policies and Process Metro Complete Streets Policy Metro First Last Mile Strategic Plan Los Angeles Department of City Planning - Bicycle Plan and Mobility Element Los Angeles Department of City Planning - Plan for a Healthy Los Angeles Metro Green Places Toolkit Vision Zero City of Los Angeles Stormwater Program 4. PROGRAM GUIDELINES 20 Uses Mixed-Income Housing Community- and Visitor-Serving Retail Dedicated Community Space Hotel Parking Mobility Features and Facilities Open Space and Walk Street Public Art 5. DEVELOPMENT GUIDELINES 27 Community Connectivity Community Space Architecture and Building Design Sustainability and Resilience Mobility APPENDIX 39 A. Outreach Summary Report B. Site Development Scenarios Evaluation C. Design Guidelines Checklist D. Market Fact Sheet This page was intentionally left blank. 1. OVERVIEW The Los Angeles County Metropolitan Transportation Authority (“Metro”) has prepared these Development Guidelines (“Guidelines”) to communicate community stakeholders’ and Metro’s desires for the joint development of the Metro-owned property known as Division 6 (see Figure 1). Division 6 (“Site”) is a 3.12-acre property located at 100 Sunset Avenue in Venice. On January 28, 2016, the Metro Board of Directors adopted a motion calling for a community-based process to determine a new use for Division 6 through Metro’s Joint Development program.