Quilt Embellishments

Total Page:16

File Type:pdf, Size:1020Kb

Quilt Embellishments qUILT EMBELLISHMENTS Quilting Daily 5 QUILT EMBELLISHMENT IDEAS Quilt Embellishments 5 FREE QUILT EMBELLISHMENT IDEAS INCLUDING CRAZY QUILTING AND SURFACE EMBELLISHMENT 1 2 3 4 5 Florabundance: Metal as a Surface Embellishment 1 An Embellished and Embroidered Ma 3 RY HETTMANSPERGER Patchwork Paper Collage JILL A. KENNEDY Fun with Silk Rods, Cocoons, 4 and Bark Put a Little Zip in Your Art Quilts: STEF FRANCIS 2 Designing and Embellishing with Zippers Light Up Your Art Quilts: JAMIE FINGAL 5 Embellishing with LED Electronics CheRYL SLEBODA QUILT EMBELLISHMENTS: 5 FRee QUILT EMBELLISHMENT IDEAS QUILTINGDAILY.COM 1 ©F+W Media qUILT EMBELLISHMENTS Quilting Daily 5 QUILT EMBELLISHMENT IDEAS uilting embellishments for art Stef Francis shows you how to have Q quilts run the gamut from beading “Fun with Silk Rods, Cocoons, and and embroidery first popularized when Bark,” turning these hand-dyed natural crazy quilting began in the Victorian treasures into quilting embellishments QUILT era, to metal that lend richness and whimsy to your EMBELLISHMENTS pieces, found fiber art. 5 FREE QUILT objects, and Finally, Cheryl Sleboda shines a light on EMBELLISHMENT IDEAS even lighting. modern embellishment techniques with INCLUDING CRAZY In fact, today’s “Light Up Your Art Quilts: Embellishing QUILTING AND SURFACE contemporary with LED Electronics.” EMBELLISHMENT fiber Quilt Embellishments: 5 Free Quilt artists who EDITOR Vivika Hansen DeNegre Embellishment Ideas including Crazy experiment ONLINE EDITOR Cate Coulacos Prato Quilting and Surface Embellishment will with unusual open your eyes to the possibilities of CREATIVE SERVICES quilt new and old embellishment techniques! DIVISION ART DIRECTOR Larissa Davis embellishments incorporate elements of PHOTOGRAPHERS Larry Stein crazy quilting in their fiber art, breaking Warmly, Projects and information are for inspira- the rules and stretching the boundaries. tion and personal use only. F+W Media In Quilt Embellishments: 5 Free Quilt is not responsible for any liability aris- ing from errors, omissions, or mistakes VIVIKA HANSEN DENEGRE Embellishment Ideas including Crazy contained in this eBook, and readers Quilting and Surface Embellishment, Editor should proceed cautiously, especially you’ll find inspiration and how-tos with respect to technical information. F+W Media grants permission to pho- for creating embellished fiber art in a tocopy any patterns published in this contemporary way. issue for personal use only. In “Florabundance: An Embellished and Embroidered Patchwork Paper Collage,” Jill A. Kennedy shows how to make a crazy quilt-style paper quilt Take Quilting Daily using decorative crazy quilt stitches and beaded embellishment. on the go Jamie Fingal creates modern versions with the FREE Mobile app for of the crazy quilt, using metal your iPhone or iPod Touch. embellishments like zippers, safety pins, and hardware to enhance her rebel A swipe of your fi nger quilting style. In “Put a Little Zip in Your gives you access to: Art Quilts: Designing and Embellishing with Zippers,” Jamie shows how to give e latest posts, free your quilt design some “tooth.” patterns, and eBooks Fiber artist and jewelry maker Mary Over 100 how-to videos Hettmansperger explores “Metal as a Tips and techniques from Surface Embellishment,” focusing on industry leading experts how to use metal cloth for quilting embellishments. Heat, patina solution, Get your FREE and hammering can all change the Quilting Daily app at look and texture of hardware cloth, www.QuiltingDaily.com/app mesh, and screen for use in fabric *Apple, iPad, iPhone, iPod touch, and iTunes are trademarks of Apple Inc., embellishing. registered in the U.S. and other countries. App Store is a service mark of Apple Inc. Non-US residents: if the above link does not work for you, feel free to browse our selection of Apps from within the Apple App Store itself by searching for “Interweave”. QUILT EMBELLISHMENTS: 5 FRee QUILT EMBELLISHMENT IDEAS QUILTINGDAILY.COM 2 ©F+W Media qUILT EMBELLISHMENTS Quilting Daily 5 QUILT EMBELLISHMENT IDEAS ADAPTED FROM QUILTING ARTS MAGAZINE abundance UNE ULY ‘flor ’ J /J 2009 AN EMBELLISHED AND EMBROIDERED pATCHWORK PAPER COLLAGE BY JILL A. KENNEDY QUILT EMBELLISHMENTS: 5 FRee QUILT EMBELLISHMENT IDEAS QUILTINGDAILY.COM 3 ©F+W Media qUILT EMBELLISHMENTS Quilting Daily 5 QUILT EMBELLISHMENT IDEAS or me, nothing is more satisfying than being able to create artwork MATERIALS Fthat combines several of my favorite mixed-media art techniques with embroidery, incorporating, too, my passion for pattern and love of • Construction paper or handmade paper: a few sheets in different color which, especially at this time of year, are in abundance. color tones • Wax crayons PATCHWORK PAPER-FABRIC • Gold paint stick • Pointed tool such as an awl or a BACKGROUND dry pen • Colored inks (or leftover fabric dyes) BACKGROUND PAPERS • Paintbrushes: soft bristle or sponge • WonderUnder®, ½ yard 1. Choose a color scheme and gather ® your materials. Take 3 sheets of • Iron-on Pellon interfacing, ½ yard paper (construction or handmade) • Parchment paper and draw shapes, patterns, and • Iron and ironing board lines with colored wax crayons. • Sewing machine and accessories (A Cover 1 sheet of paper with size-90 needle is a good choice.) circular patterns, another with • Machine threads: rayon, silk, linear patterns, and the third sheet polyneon, and metallic with just plain colored areas and • Needles and hoop for hand embroidery no pattern. Push down firmly on the crayon to ensure that you leave • Scissors enough wax on the paper’s surface • Decorative yarns and threads to resist the ink. Try rubbing the • Felt crayon sideways across the paper For embellishment leaving a broken textured effect, • Beads, sequins More decorative yarns and threads as this will give nice resist results 3. Take a large, soft paintbrush or a • when the ink is brushed on top. sponge brush and apply colored • Acrylic paints Layer different colors on top of inks. Let them blend together • Muslin each other, and leave some areas and flood over the waxed paper, • Rubber stamps of the paper without crayon so sponging off any excess if it gets • Gold stamp pad that the ink will soak in, giving too wet. Leave the papers to dry, • Soldering iron and heat-resistant mat a contrast to the waxed areas. allowing the ink to resist the wax. • Sheer fabrics such as organza, Build up a collection of at least 3 twinkle, voile different decorated papers. 4. To build up a rich surface, apply • Tissue paper or water-soluble gold paint stick. Let the design stabilizer Note: Hard wax crayons will resist the guide you as to where to use it. • Hoop for machine embroidery ink more than soft wax crayons. Now apply a darker ink over the 2. Now use a pointed tool and scratch gold wax and leave the papers to into the wax to create marks and dry again. give texture. These marks will 5. Iron the decorated papers between suggest areas to stitch later. sheets of parchment paper, melting Tip: For pattern inspiration, check out the wax into the paper. Repeat with books on oriental rugs and carpets. more wax crayon and ink. Dry the papers and iron once again. QUILT EMBELLISHMENTS: 5 FRee QUILT EMBELLISHMENT IDEAS QUILTINGDAILY.COM 4 ©F+W Media qUILT EMBELLISHMENTS Quilting Daily 5 QUILT EMBELLISHMENT IDEAS TURN PAPER INTO Tip: Make sure you use a large-eyed PAPER-FABRIC machine needle to cope with the metallic threads, the thickness of the paper- 1. Iron a piece of iron-on interfacing fabric, and the embellishments being to the backs of your papers. Use a stitched. medium heat, between the wool and cotton settings, and remember to 2. Machine stitch along the lines use parchment paper over and under forming the patterns; use both your papers to protect them, as well straight and varied-width zigzag as your iron and ironing surface. 2. Once you have cut out the pieces, stitches. Working from light to lay them face down in position on dark, change threads regularly, 2. Take a piece of WonderUnder and parchment paper. Make sure all of building up an interesting stitched iron it to the fronts of the papers. the edges butt up to each other, surface. Variegated threads look Leave it to cool and then peel away leaving no spaces or gaps between. good, too, and add subtle color the backing paper. 3. Now lay a piece of iron-on changes. Do not over-stitch the Note: If you remove the backing interfacing on top, cover with more paper-fabric; aim to enhance the paper while it is still warm, you will parchment paper, and iron well to design with stitching that still get a duller surface than if you leave fix it in place. allows the design to show through. the fusible to cool before removing the 3. To add a different stitched backing paper. 4. Determine your desired finished size and cut out your favorite area texture to the surface, wind 3. Now comes the really fun part! This from the paper-fabric. I chose a embroidery floss onto the bobbin, always scares my students, but I 9" × 9" square. bypassing the tension spring in assure them, and you, that it won’t your machine, and machine a be disastrous. Taking your decorated straight stitch upside down. Be papers in hand, completely crumple STITCH, sure to lower the upper tension and scrunch them up. This will EMBROIDER, before stitching. Draw a pattern soften the fibers in the papers and onto the wrong side of the make them feel more like fabric. EMBELLISH paper-fabric where you wish to Make sure you crumple them well, Now that you have created your place your design, and machine all over, to ensure that sufficient patchwork paper-fabric it is ready stitch following the drawn lines. softening occurs. for embroidery, embellishment, and Alternatively, for a more random stitch.
Recommended publications
  • Convertible Collar Construction
    Convertible Collar Construction Directory Click any image to go to that section Yoke/Facing Options: Intro and Gallery By far the most common set-up for a The purpose of this introductory section is to convertible-collar shirt is that it has front facings feature and compare the range of other options and a yoke, and that these two details don’t touch, also, if less commonly, in use beyond this classic as in the example at right. one, before I proceed to work step-by-step through a handful of useful variants . Many other possible That is, the facings don’t extend far enough combinations, and of course, variations on the towards the shoulders at the neckline that they’ll ones here, are conceiveable and may suit your meet with or join to the fronts of the yoke layers. As project better, so feel free to experiment. a result, the yoke construction steps aren’t integrated into the collar steps and are completed, in front at least, before the collar is begun, so the options for using the yoke as a back facing are eliminated. The steps for this classic arrangement are described below in Variation #5, in the Front Facing Only category. Collar Insertion Options Step-By-Step No Yoke or Facings Required Front facings Only Front and Back Facings, or Yoke Used as Facing Variation 1: Collar Applied as Band Variation 3: Collar’s Back Neckline Edge-Stitched Variation 6: Back Facings 1 3 and Facings Secured at Shoulder Seams 6 Options: Options: 1. Edge-stitched neckline 2.
    [Show full text]
  • Jan's Bonus Embellishment Tips
    Jan's Bonus Embellishment Tips BONUS! Add a sliver of color to your quilting! This technique is simple and effective for adding a touch of color and style to any quilt project. You'll see this technique on many of Jan's quilts. We are going to make a sample that you'll keep in your notebook for reference. Adding a sliver of color – Determine the width for the accent color. For our sample, we will make a 1/4" sliver of color between two strips of fabric. You can see this effect by examining Jan's Spiral Lone Star quilt (look at the outer diamond units nearest the binding). a – Two fabrics, joined by a single seam. b – Determine the desired width of the accent strip. Add 1/4" seam allowance. Multiply X 2 for accent strip width. c – The same two fabrics plus a contrasting accent strip, attached to the left fabric. For your samples – Cut: 1 – 2" strip of fabric, selvage to selvage. sub-cut into into two pieces. Cut : 1 – 1" x 12" strip of accent color – choose cotton or lamé fabric. Follow the steps below. Attach the samples to the pages and keep in your notebook. 1 – Two 2" strips of fabric one 1" strip of accent color (white strip in illustrations) 2 – Set the sewing machine to stitch at 1/2" by positioning a ruler beneath the presser foot. Lower the needle to touch the 1/2" 2 – Option: add blue tape to follow mark. Lower the presser foot to hold the ruler in place.
    [Show full text]
  • 23. Embroidery As an Embellishment in Fabric Decoration
    EMBROIDERY AS AN EMBELLISHMENT IN FABRIC DECORATION By OLOWOOKERE PETER OLADIPO Department of Fine and Applied Arts, Federal College of Education, Osiele, Abeokuta. Abstract Nigeria is endowed with abundant human, natural and material resources, which could be used in different vocational practices. Practitioners have consistently practiced their art with attention to uniqueness and high quality forms, styles and content. Embroidery as a decorative process in Art has played principal roles in entrepreneurship development. Hence, this paper made a critical analysis of the forms, content and significant of embroidery in art, the thread colours, fabric motifs and pattern suitable for a successful embroidery design would also be considered. The general conclusion is that if embroidery is properly done, it would increase the embroiderers sense of creativity in our societal growth and the interested individual should be encourage to learn the craft so that the tradition will remain forever. Embroidery is an interesting stitching technique by which coloured threads, generally of silk or wool are used with a special needle to make a variety of stitches, and it is used to make an attractive design on garment, wall hanging or upholstery pieces. In Nigeria today, embroidery clothing are used far and wide and its unique feature and elegance remain the ability to trill and appeal to the people’s fervent love for it whereby the artisan considered different textile materials such as guinea brocade, damask and bringing out the significance of thread with which it is worked. Ojo (2000) defined, embroidery as an art of making pattern on textiles, leather, using threads of wool, linen, silk and needle.
    [Show full text]
  • October 2018
    YMOCT18Cover.FINAL:Layout 1 11/1/18 5:21 PM Page CV1 CAN YOU KEEP BE THE LISTEN A SECRET? CHANGE UP! Protect shared The retail Podcasts get you information with landscape is inside the heads of a nondisclosure changing your customers— agreement. quickly.Are literally. you ready? OCTOBER/NOVEMBER 2018 2019: A YARN ODYSSEY FREE COPY DelicatE wslavender eucalyptus grapefruit unscented jasmine h p teatmen o you in ashable YMN1018_Eucalan_AD.indd 1 10/23/18 12:49 PM Plymouth Yarn Pattern #3272 Drape Front Cardi Plymouth Yarn Pattern #3272 Drape Front Cardi 60% Baby Alpaca 25% Extrafine Merino 15% Yak 60% Baby Alpaca 25% Extrafine Merino 15% Yak WWW.PLYMOUTHYARN.COMWWW.PLYMOUTHYARN.COM YMN1018_Plymouth_AD.indd 1 10/23/18 12:48 PM YMOCT18EdLetter.FINAL:Layout 1 10/31/18 2:24 PM Page 2 EDITOR’S LETTER Looking Back, Looking Forward ROSE CALLAHAN Where were you five years ago? It was the fall of 2013. Some of you may not have even owned your business in the yarn industry yet, while others of you had been at it for well over 20 years. Some of you had not yet become parents; others were close to becoming empty nesters. A lot can change in five years, but of course, a lot can stay the same. Five years ago, Yarn Market News made a change. Because of dwindling advertising dollars, we announced that we would be publishing three issues a year instead of five. And this issue marks our first all-digital issue, born out of both a desire to go green and to help the magazine’s struggling bottom line.
    [Show full text]
  • Masonic Imagery in Baltimore Album Quilts
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2000 Mysterious Messages: Masonic Imagery in Baltimore Album Quilts Anne Bayne Battaile College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Art and Design Commons Recommended Citation Battaile, Anne Bayne, "Mysterious Messages: Masonic Imagery in Baltimore Album Quilts" (2000). Dissertations, Theses, and Masters Projects. Paper 1539626245. https://dx.doi.org/doi:10.21220/s2-hjy1-7t02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. MYSTERIOUS MESSAGES: MASONIC IMAGERY IN BALTIMORE ALBUM QUILTS A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts By Anne Bayne Battaile 2000 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Anne Bayne Battaile Approved April, 2000 Kimbei Barbara Watkinson TABLE OF CONTENTS LIST OF ILLUSTRATIONS iv ACKNOWLEDGEMENTS vi ABSTRACT vii INTRODUCTION 2 CHAPTER I. THE EDUCATED EYE 4 CHAPTER II. WOMEN, RELIGION AND EDUCATION IN BALTIMORE 15 CHAPTER III.
    [Show full text]
  • How to Make Spaghetti Straps and Your Life Easier By: Loyl8
    How to make spaghetti straps and your life easier By: loyl8 http://www.burdastyle.com/techniques/how-to-make-spaghetti-straps-and-your-life-easier--3 When I was making spaghetti straps for my Sweet Neopolitan dress for the first time I was ready to rip my hair out. Then after a little research I found the most miraculous tool ever!! Joann Fabrics carries one “turn-it-all”: http://www.joann.com/joann/catalog/productdetail.jsp?pageName=search&flag=true&PRODID=prd10485 (not my favorite, but the other is hard to find) and then the cadillacs of tube turners “fastturn”: http://www.fasturn.net/xcart/home.php . You should always have a “loop turner”: http://www.joann.com/joann/catalog/productdetail.jsp?pageName=search&flag=true&PRODID=prd299 on hand. I tried all the other tricks and i was not successful at all (well at least one of my straps worked but it was torn to shreds and so were my fingers). Step 1 — Materials Gather your materials You can make your own tube turner by purchasing a small hallow tube 1How(metal or plastic) from a hardware or pluming store and by cutting the ends (making sure there not sharp so your fabric won't get ruined). Step 2 — Measuring Depending on your need and the fabric chosen there a few ways you can cut your strip. I cut mine from selvage to selvage. You can cut on the bias it will stretch more, but usually easier to turn. If you cut on the bias you may want to add elastic or cording for extra strength.First, make the fabric straight (I rip my cotton so it's perfectly straight).
    [Show full text]
  • Mead Library Listing As of December 2019 MEAD QUILTERS LIBRARY Page 2 of 14
    MEAD QUILTERS LIBRARY Page 1 of 14 Surname Forename Title Publisher ISBN Date Adams Pauline Quiltmaking Made Easy Little Hills Press 1-86315-010-2 1990 Alderman Betty Precious Sunbonnet Quilts American Quilters Society 978-1-57432-951-3 2008 Alexander Karla Stack A New Deck Martindale 1-56477-537-2 Anderson Charlotte Warr Faces & Places C & T Publishing 1-57120-000-2 1995 Anderson F. Crewel Embroidery Octopus Books Ltd. 0-7064-0319-3 1974 Asher & Shirley & Beginner's Guide To Feltmaking Search Press 1-84448-004-6 2006 Bateman Jane Austin Mary Leman American Quilts Primedia Publications 1999 Baird Liliana The Liberty Home Contemporary Books 0-80922-988-9 1997 Balchin Judy Greetings Cards to Make & Treasure Search Press 978-1-84448-394-5 2010 Bannister & Barbara & The United States Patchwork Pattern Book Dover Publications Ltd. 0-486-23243-3 1976 Ford Edna Barnes Christine Colour- the Quilters Guide That Patchwork Place 1-56477-164-4 1997 Bell Louise 201 Quilt Blocks, Motifs, Projects & Ideas Cico Books London 0-19069-488-1 2008 Berg & Alice & Little Quilts All Through The House That Patchwork Place 1-56477-033-8 1993 Von Holt Mary Ellen Berlyn Ineke Landscape in Contemporary Quilts Batsford 0-7134-8974-X 2006 Berlyn Ineke Sketchbooks & Journal Quilts Ineke Berlyn 2009 Besley Angela Rose Windows for Quilters Guild of Master Craftsman 1-86108-163-4 2000 Bishop & Robert & Amish Quilts Laurence King 1-85669-012-1 1976 Safandia Elizabeth Bonesteel Georgia Lap Quilting Oxmoor House Inc. 0-8487-0524-6 1982 Mead Library Listing as of December 2019 MEAD QUILTERS LIBRARY Page 2 of 14 Surname Forename Title Publisher ISBN Date Bonesteel Georgia Bright Ideas for Lap Quilting Oxmoor House Inc.
    [Show full text]
  • FTG Bsoc Website
    But what do you do with it? Key fobs, jewellery, dog leads, cushion piping, bag handles, bathroom light cord, shoelaces, buttons or Fill the Gap other closures, passementerie, special cord for hanging objects or wrapping (small) presents 3 2 Books about straw-work have many similar 1 patterns, but they are not all suitable for using yarn. Straw was plaited for hats in Switzerland, Italy and England from the 1700’s on. You may Gap be familiar with corn-dollies and other decorative straw pieces. Based on a seven thread More recently, Braid Society members, straw-plaiting braid especially Jean Thornton and Anne Dyer, have given it new life. These directions are thanks to Veronica Try me! Johnston, Margot Lees, Ruth MacGregor and Shirley Berlin. 3 How to braid: 1. Hold the card with the gap at the bottom, towards your tummy. Cover the centre hole with your left thumb. 2 2. Starting with the thread to the right of the gap, count up wards 1 - 2 - 3. 3. Lift the #3 thread out of its nick and place it firmly into the gap. 4. Turn the card until the new gap is facing you. 1 Gap Repeat steps 1 to 4. You can mutter “jump 2 and fill the gap” as you work. Keeping your thumb over the centre hole helps to make a smooth braid. Every so often tug the braid gently downwards and look under the card to admire your creation. Another way to think about it: If you think of the card as a clock, the gap is at 6 o’clock.
    [Show full text]
  • Patchwork and Quilting Holidays - 2021 Project Choices & Kit List
    Patchwork and Quilting Holidays - 2021 Project Choices & Kit List Project Choices: Samplers, Seminole, Beautiful Bargello & Delectable Mountain For 2021 we are going to continue our exploration of all things sampler and stripy, as well as offering the lovely Delectable Mountain! Sampler Blocks and the new Seminole Sampler Patchwork (where the patchwork patterns are worked in rows rather than blocks) are fun and very versatile and great for learning lots of new patchwork techniques. Choose from a wide range of designs to make useful and beautiful items. Beautiful Bargello projects will still be available, plus Clare‘s new Modern Art Bargello designs - one using wonderful batik landscape fabric for a quick and easy `cheats‘ Bargello and the other a pictoral quilt with a flexible Bargello section within it. New for 2021 are several variations of the traditional design - 'Delectable Mountain'! This is a lovely design with a modern feel if made with just two contrasting plain fabrics - or it is an ideal scrap buster or layer cake project for a very different look. Once the blocks are made (with Clare’s favourite ‘speedy’ method) there are many different ways they can be used, so lots to play with! Christmas 2021 - Join us for a festive Christmas Patchwork Weekend! Make a quick Christmas quilt, wall hanging, table runner, placemats, coasters, or bunting; lovely for your home or to give as gifts. We’ll be focusing on quick techniques and projects in time for Christmas! Guests will as ever be very welcome to bring along their own projects to work on. Our patchwork and quilting holidays offer a great opportunity to finish those UFOs (Unfinished Objects) or WIPs (Works In Progress) - with the luxury of time, space and expert advice on hand if needed – you can finally see those projects completed! If you have a kit you've started and gotten stuck - or been unable to start at all - do bring it along and we'll get things moving.
    [Show full text]
  • Expression2038 - 2048
    expression2038 - 2048 Owner’s manual This household sewing machine is designed to comply with IEC/EN 60335-2-28 and UL1594 IMPORTANT SAFETY INSTRUCTIONS When using an electrical appliance, basic safety precautions should always be followed, including the following: Read all instructions before using this household sewing machine. DANGER - To reduce the risk of electric shock: • A sewing machine should never be left unattended when plugged in. Always unplug this sewing machine from the electric outlet immediately after using and before cleaning. • Always unplug before relamping. Replace bulb with same type rated 5 Watt. WARNING - To reduce the risk of burns, fi re, electric shock, or injury to persons: • Do not allow to be used as a toy. Close attention is necessary when this sewing machine is used by or near children or infi rm person. • Use this sewing machine only for its intended use as described in this manual. Use only attachments recommended by the manufacturer as contained in this manual. • Never operate this sewing machine if it has a damaged cord or plug, if it is not working properly, if it has been dropped or damaged, or dropped into water. Return the sewing machine to the nearest authorised dealer or service center for examination, repair, electrical or mechanical adjustment. • Never operate the sewing machine with any air openings blocked. Keep ventilation openings of the Sewing machine and foot controller free from the accumulation of lint, dust, and loose cloth. • Keep fi ngers away from all moving parts. Special care is required around the Sewing machine needle. • Always use the proper needle plate.
    [Show full text]
  • Anniescraftstore.Com AWB9
    QUILTING | FABRIC | SEWING NOTIONS | CROCHET | KNITTING page 2 page 4 page 2 page 30 page 11 FEBRUARY 2019 AnniesCraftStore.com AWB9 CrochetCraft & Craft Store Catalog inside 2–40 Quilt Patterns & Fabric 41–57 Quilt & Sew Supplies 58–61 Knit 62–83 Crochet Rocky Mountain Table Runner Pattern Use your favorite fabrics to make this runner truly unique! You can use 2½" strips or fat eighths to make this table runner. skill level key Finished size: 15" x 46". Skill Level: Easy Beginner: For first-time 421824 $6.49 stitchers. Easy: Projects using basic stitches. Intermediate: Projects with a variety of stitches and mid-level shaping. Experienced: Projects using advanced techniques and stitches. our guarantee If you are not completely satisfied with your purchase, you may return it, no questions asked, for a full and prompt refund. Exclusively Annie's NEW! Poppy Fields Quilt Pattern This design is composed of basic units that, when combined, rotated and infused with bold and beautiful fabrics, create a sparkling masterpiece. Finished size is 63" x 63". Skill Level: Intermediate Y886416 Print $8.99 A886416 Download $7.99 2 Connect with us on Facebook.com NEW! Owl You Need is Love Quilted Quilt Pattern Owls are all the rage, regardless of the time of year. With These little fellas are meant for Valentine’s Day— Love! or for any other day you choose to display them! Finished size: 40" x 52". Skill Level: Intermediate RAQ1751 $12.49 (Download only) Exclusively Annie’s NEW! Rustic Romance Quilt Pattern These pieced blocks NEW! Have a Heart Quilt Pattern at first glance give Use your favorite color to make this lovely the appearance quilt.
    [Show full text]
  • Embellishment Patterns No.1 (Designed to Compliment the Making Adorable Buttons Collections 1 & 2 - Booklet Nos
    Embellishment Patterns No.1 (Designed To Compliment The Making Adorable Buttons Collections 1 & 2 - Booklet Nos. 2010123 & 2010124) Designed by Karina Hittle of Artful Offerings™ These patterns are provided FREE for personal use only. © 2010 Artful Offerings™ ~ www.Artful-Offerings.com Materials 1 ~ Size 3” x 4” Rectangle Of Plaid or Floral Cotton Fabric {For Each Pocket} 1 ~ Size 3” x 5” Rectangles Of Over-Dyed Cotton Muslin Fabric {For Each Bunny & Kitten Body & Paws} Hand Sewing Needle & 6-Strand Cotton Floss To Contrast With Cotton Muslin Fabric Important Note Hot Glue & Glue Gun Lady Bug Vignettes: Making Adorable Buttons Collection 1 Booklet Background Fabric For Vignette Placement & Display Bunny Vignette: Making Adorable Buttons Collection 1 Booklet Kitten Vignette: Making Adorable Buttons Collection 2 Booklet Pocket Cut 1 (for each button) Used For Bunny & Kitten Vignettes Bunny & Kitten Body Bunny & Kitten Directions: Cut 1 pocket , 1 body Cut 1 (for each button) & 2 paws out from cotton fabrics. Use 3-6 strands Used For Bunny & Kitten Vignettes of cotton floss & sew a primitive running stitch around the perimeter of the pocket & stitch paws. See bunny/kitten vignette photos in the Making Adorable Buttons Collections 1 & 2 Booklets, & assemble the pocket vignette on background fabric using hot glue. Sew a completed bunny or kitten button head to the body. Clover Directions: Cut 1 complete large or small clover out of wool felt. See lady bug vignette photos in the Making Adorable Buttons Collections 1 Booklet, & assemble the clover vignette on background fabric using hot glue. Sew a completed large or small lady bug button under the clover.
    [Show full text]