DOCSLIB.ORG

1403 NLS Annual Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1403 NLS Annual Report Life NATIONAL stories Annual Report and Accounts 2005/2006 IN PARTNERSHIP WITH National Life Stories When many people think about history, they think about of innovative interviewing programmes funded almost entirely books and documents, castles or stately homes. In fact history from sponsorship, charitable and individual donations and is all around us, in our own families and communities, in the voluntary effort. living memories and experiences of older people. Everyone has a story to tell about their life which is unique to them. Each collection comprises recorded in-depth interviews of a Whilst some people have been involved in momentous high standard, plus content summaries and transcripts to assist historical events, regardless of age or importance we all users. Access is provided via the Sound Archive’s catalogue at have interesting life stories to share. Unfortunately, because www.cadensa.bl.uk and a growing number of interviews are memories die when people do, if we don’t record what being digitised for remote web use. Each individual life story people tell us, that history can be lost forever. interview is several hours long, covering family background, childhood, education, work, leisure and later life. National Life Stories was established in 1987 to ‘record first-hand experiences of as wide a cross-section of present- Alongside the BL Sound Archive’s other oral history holdings, day society as possible’. As an independent charitable trust which stretch back to the beginning of the twentieth century, within the Oral History Section of the British Library Sound NLS’s recordings form a unique and invaluable record of Archive, NLS’s key focus and expertise has been oral history people’s lives in Britain today. fieldwork. Over the past two decades it has initiated a series PRESIDENT TRANSCRIBERS Earth: An Oral History of TRUSTEES Lord Asa Briggs Susan Hutton British Horticulture) Bob Boas Susan Nicholls Penelope Curtis Lord Briggs PAST CHAIRMAN (Artists’ Lives) Sir John Craven Martyn Goff CBE PROJECT WORKERS Rachel Cutler Sir Nicholas Goodison Sue Bradley (Oral History of British Crispin Jewitt FOUNDER (Book Trade Lives) Athletics) Sharon Johnson Professor Paul Thompson Niamh Dillon Barbara Gibson Penelope Lively OBE (Tesco: An Oral History) (Oral History of the Circus, Dr Robert Perks CHAIRMAN Anna Dyke HIV/Aids Testimonies) Dorothy Sheridan MBE Sir Nicholas Goodison (Artists’ Lives, Oral History Mel Gooding (Artists’ Lives) Sir Harry Solomon of British Fashion) Tanya Harrod (Crafts Lives) Jonathan Taylor DIRECTOR Hawksmoor Hughes Corinne Julius (Design) Professor Paul Thompson Dr Robert Perks (Crafts Lives) Vanessa Nicolson Caroline Waldegrave OBE Cos Michael (Artists’ Lives) David Webster ASSOCIATE DIRECTOR (Food: From Source Lydia O’Ryan Jennifer Wingate Jennifer Wingate to Salespoint) (Oral History of Theatre Polly Russell Design, Artists’ Lives) NLS ADVISORS TREASURER (Food: From Source Monica Petzal Sir Terence Beckett Bob Boas to Salespoint) (Artists’ Lives) Eric de Bellaigue Elizabeth Wright Shirley Read Sir Douglas Black PROJECT OFFICER (Oral History of (Oral History of Lord Blake Cathy Courtney Theatre Design) British Photography) Lord Bragg Wendy Rickard Dr David Butler ADMINISTRATOR FREELANCE ORAL HISTORY (HIV/Aids Testimonies) Professor Mary Chamberlain Mary Stewart INTERVIEWERS Eva Simmons Sir Roger Gibbs Martin Barnes (Food, Fashion, Dr Mark Girouard CATALOGUER (Oral History of British Artists’ Lives) Martyn Goff CBE Dr Alex King Photography) Jenny Simmons Dundas Hamilton CBE Susan Bright (Artists’ Lives, Professor Leslie Hannah VOLUNTEERS (Oral History of British Book Trade Lives) Dame Jennifer Jenkins Brenda Corti Photography) Jon Wood Jack Jones Margaret Lalley Louise Brodie (Artists’ Lives) Austin Mitchell MP Audrie Mundy (Pioneers in Charity and Victoria Worsley Professor John Saville Gill Owens Social Welfare, Down to (Artists’ Lives) Bill Williams Katherine Thompson Lord Young of Graffham Chairman’s Foreword Tom Phillips, Sir Nicholas Goodison, c. 1996 (collection of the London Stock Exchange) We have shortened our everyday name – to National Life We are currently fundraising for An Oral History of British Stories – and redesigned our literature and notepaper. We Fashion. Our partner in this project is the London College of believe that the new design will help us to attract more notice Fashion, who collaborated with us over the successful Fashion and support. The formal name of the charity remains the Lives exhibition at the British Library. The exhibition helped to National Life Story Collection, but we will promote all our raise awareness within the fashion industry about the project. activities in future under our new brand. We are also raising money towards Crafts Lives and for new projects on Authors (we are aiming to raise £125,000 over I am happy to report that the British Library has strengthened three years for a project starting in 2007) and on Water. its support for our work, with a very welcome further contribution to our core funding and help with fundraising We have made modest progress with Newspapers and have through the Library’s Development Office. We have also received support from the British Library for some interviews: transferred our accounting arrangements to the Library’s and we are considering a major project on Science, which we Finance Office, which saves us some more cost. We still are discussing with potential partners. If we can achieve it, need to find funds towards core costs each year, and I this could be one of our most exciting projects. would like to thank our advisor Sir Roger Gibbs for his continuing efforts in helping us to find donors. He has I would like to thank Eric de Bellaigue, who has retired as a been a splendid supporter. Trustee, both for his long term of office and for his sterling work as our Treasurer. Bob Boas has taken on the Our efforts to raise funds towards our projects are constant. Treasurership. Our new trustees are Sir Harry Solomon, We are particularly grateful this year to the Rootstein Hopkins David Webster, Caroline Waldegrave and Sharon Johnson, Foundation for their major donation towards our Artists’ Lives who bring us a wealth of experience and talent. project which, along with the continued support from the Henry Moore Foundation, will allow us to add a steady stream All in all it has been an active and successful year. of interviews with painters and sculptors in the coming years. We are grateful to Rob Perks, our Director, and to all our staff and volunteers for making it so. Sir Nicholas Goodison Chairman of Trustees 1 Review of 2005 Rob Perks, Director, National Life Stories Collections During 2005 the Book Trade Lives project was completed. Lives in the Oil Industry, a collaborative project with the Since it was launched with a grant from the Unwin Charitable University of Aberdeen, was completed in 2005. 177 Trust in December 1998, 118 interviews have been collected interviews were collected by Hugo Manson over a five-year by project worker Sue Bradley (with some assistance in 2000 period, recording the major changes which have occurred in from Jenny Simmons), totalling some 1600 hours of the UK oil and gas industry in the twentieth century, focusing recordings. Interviews range from bookselling in the 1920s particularly on North Sea exploration. Men and women (Tommy Joy at Thornton’s University Bookshop, Oxford and representing all sectors of the industry – management, off- Frank Stoakley at Heffers of Cambridge) and publishing in the shore workers, technical professionals and specialists and 1930s (Sir John Brown at Oxford University Press and Charles personnel from government and regulatory bodies were Pick at Victor Gollancz Ltd), to accounts of work at Simpkin interviewed, together with people from associated Marshall wholesalers both before and after the Second World organisations and communities, as well as Americans linked War (Bert Taylor, Ian Kiek, Karl Lawrence). Included are to what is arguably the twentieth century’s most important recollections about Leonard Woolf at Chatto & Windus industry. Along with intrepid bravery displayed by the deep- (Peter Cochrane), of Collet’s trade with Eastern Europe sea divers and engineers, the voices of those workers, such as during the Cold War (John Prime), of Collins (Ian Chapman), caterers and cleaners, who perform routine yet essential tasks Blackie’s, Nelson’s and Odhams from the 1950s onwards, as that ensure the smooth running of oil rigs, also feature. Aside well as of independent family bookselling firms (from James from the archive itself, project outcomes included a website, Thin of Edinburgh to Maureen Prime of King’s Lynn). www.abdn.ac.uk/oillives/, and On Charlie, an exhibition of Interviews with well-known figures such as André Deutsch, photographs taken by Hugo when he was offshore in the far and Max Reinhardt of The Bodley Head have been enhanced north of the North Sea on the Brent Charlie platform. The by recordings with those who worked with them. Secretaries, exhibition at the Marischal Museum Gallery in Aberdeen, sales managers, editors and publishers’ representatives was curated by Pat Ballantyne (Piper Alpha survivor describe their own perspectives on the book trade, and a series Bob Ballantyne’s widow). of recordings has been made with specialists in production and design (including Ronald Eames, Allen & Unwin; Ron Costley, Faber & Faber; Iain Bain, The Bodley Head). John and Maureen Prime’s bookshop, King’s Lynn, showing John and daughter Welcome Party II. Brent Charlie platform. Isobel c.1970. Photo supplied by John Prime and Maureen Condon. Hugo Manson 2 The Oral History of the Wine Trade, funded by the Vintners’ Patrick Reytiens (famous for his work at Coventry Cathedral). Company and the Institute of Masters of Wine, was completed Whilst ceramicists comprise the largest craft group, interviews with the recording of 40 key figures in the UK wine trade. A also cover glass-making, jewellery, furniture/basket-making, total of 252 recorded hours was gathered, an average interview metalworkers, and textiles.
Load more

Recommended publications
  • TURNER PRIZE: Most Prestigious— Yet Also Controversial
    TURNER PRIZE: Most prestigious— yet also controversial Since its inception, the Turner Prize has been synonymous with new British art – and with lively debate. For while the prize has helped to build the careers of a great many young British artists, it has also generated controversy. Yet it has survived endless media attacks, changes of terms and sponsor, and even a year of suspension, to arrive at its current status as one of the most significant contemporary art awards in the world. How has this controversial event shaped the development of British art? What has been its role in transforming the new art being made in Britain into an essential part of the country’s cultural landscape? The Beginning The Turner Prize was set up in 1984 by the Patrons of New Art (PNA), a group of Tate Gallery benefactors committed to raising the profile of contemporary art. 1 The prize was to be awarded each year to “the person who, in the opinion of the jury, has made the greatest contribution to art in Britain in the previous twelve months”. Shortlisted artists would present a selection of their works in an exhibition at the Tate Gallery. The brainchild of Tate Gallery director Alan Bowness, the prize was conceived with the explicit aim of stimulating public interest in contemporary art, and promoting contemporary British artists through broadening the audience base. At that time, few people were interested in contemporary art. It rarely featured in non-specialist publications, let alone in the everyday conversations of ordinary members of the public. The Turner Prize was named after the famous British painter J.
    [Show full text]
  • Artists' Lives
    National Life Stories The British Library 96 Euston Road London NW1 2DB Tel: 020 7412 7404 Email: [email protected] Artists’ Lives C466: Interviews complete and in-progress (at January 2019) Please note: access to each recording is determined by a signed Recording Agreement, agreed by the artist and National Life Stories at the British Library. Some of the recordings are closed – either in full or in part – for a number of years at the request of the artist. For full information on the access to each recording, and to review a detailed summary of a recording’s content, see each individual catalogue entry on the Sound and Moving Image catalogue: http://sami.bl.uk . EILEEN AGAR PATRICK BOURNE ELISABETH COLLINS IVOR ABRAHAMS DENIS BOWEN MICHAEL COMPTON NORMAN ACKROYD FRANK BOWLING ANGELA CONNER NORMAN ADAMS ALAN BOWNESS MILEIN COSMAN ANNA ADAMS SARAH BOWNESS STEPHEN COX CRAIGIE AITCHISON IAN BREAKWELL TONY CRAGG EDWARD ALLINGTON GUY BRETT MICHAEL CRAIG-MARTIN ALEXANDER ANTRIM STUART BRISLEY JOHN CRAXTON RASHEED ARAEEN RALPH BROWN DENNIS CREFFIELD EDWARD ARDIZZONE ANNE BUCHANAN CROSBY KEITH CRITCHLOW DIANA ARMFIELD STEPHEN BUCKLEY VICTORIA CROWE KENNETH ARMITAGE ROD BUGG KEN CURRIE MARIT ASCHAN LAURENCE BURT PENELOPE CURTIS ROY ASCOTT ROSEMARY BUTLER SIMON CUTTS FRANK AVRAY WILSON JOHN BYRNE ALAN DAVIE GILLIAN AYRES SHIRLEY CAMERON DINORA DAVIES-REES WILLIAM BAILLIE KEN CAMPBELL AILIAN DAY PHYLLIDA BARLOW STEVEN CAMPBELL PETER DE FRANCIA WILHELMINA BARNS- CHARLES CAREY ROGER DE GREY GRAHAM NANCY CARLINE JOSEFINA DE WENDY BARON ANTHONY CARO VASCONCELLOS
    [Show full text]
  • Get “Buzzed” at St. Baldrick's Help Homeless
    City Awards Lancer Wrestlers Schools Funds Finish Strong PAGE 2 For Cordova PAGE 13 Grapevine ndependent VOLUMEI 5047 •• ISSUEISSUE 0925 PROUDLY PROUDLY SERVING SERVING RANCHORANCHO CORDOVA CORDOVA & SACRAMENTO& SACRAMENTO COUNTY COUNTY June MARCH 19, 3, 20152017 CRPD HONORED Help Homeless FOR PROGRAM Get “Buzzed” at St. Baldrick’s OF THE YEAR Children with Project 680 RANCHO CORDOVA, CA (MPG) - Local homeless children need your help! Project 680, a grassroots organization led by local residents with the mission of supporting PAGE homeless students in Rancho 3 Cordova, is kicking off its Spring Drive on Monday, March 6th to collect clothing and other necessities. CORDOVA In 2008, a group of com- munity members joined BASKETBALL forces to hold a sock drive for the homeless youth in SEASON ENDS our area. After learning from Folsom Cordova Unified IN PLAYOFFS School District (FCUSD) that there were 680 homeless students in our commu- nity, Project 680 was born. Today, there are over 800 documented cases of home- less students in the Folsom Cordova Unified School District, as well as their 75 infant and toddler siblings. “Homelessness is some- thing that can affect everyone,” said Reveca Owens, Education Services PAGE 13 “It’s a small sacrifice with a huge reward – raising awareness and funding to help children conquer this awful disease” said Mayor Donald Terry. Liaison for Homeless Photo courtesy City of Rancho Cordova Students at FCUSD. “These RANCHO CORDOVA, CA (MPG) - River Brewing Company, to show my support for chil- and passed away this last year children are lacking basic According to the St. Baldrick’s 11151 Trade Center Drive.
    [Show full text]
  • DAME BARBARA HEPWORTH 1903 Wakefield - St
    LE CLAIRE KUNST SEIT 1982 DAME BARBARA HEPWORTH 1903 Wakefield - St. Ives 1975 Marble Form Oil and pencil over gesso-prepared board. Signed and dated lower left Barbara Hepworth 1963. Further signed, titled, dated and inscribed on the reverse. 455 x 660 mm PROVENANCE: Mr and Mrs H. Davidson, Toronto – Private collection, U.S.A. EXHIBITIONS: Barbara Hepworth: Sculpture and Drawings, Gimpel-Hanover Galerie, Zurich, 16 November 1963 - 11 January 1964 (drawings not listed) – Barbara Hepworth: Sculptures and Drawings, Gimpel Fils, London, 2 - 27 June 1964 (drawings not listed) – Focus on Drawings, Art Gallery of Toronto, Toronto, 15 October – 7 November 1965, cat. no. 117. RELATED DRAWINGS IN PUBLIC COLLECTIONS: Art Gallery of Ontario, Toronto – Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C. – National Gallery of Australia, Canberra – Manchester City Art Gallery – Milwaukee Art Gallery – Piers Art Centre, Stromness, Orkney Islands – Rijksmuseum Kröller-Müller, Otterlo – Tate, London Vision is not sight ‒ it is the perception of the mind. It is the discernment of the reality of life, a piercing of the superficial surfaces of material existence that gives a work of art its own life and purpose and significant power.1 (Barbara Hepworth, 1937) In 1966, in her autobiographical essay A Sculptor’s Landscape, Barbara Hepworth reiterated the mental, rather than the visual inspiration that informed virtually all of her abstract, sculptural drawings from the early 1940s onwards, when she wrote: I rarely draw what I see – I draw what I feel in my body.2 By sculp- tural, I mean that the drawings echoed, were a two-dimensional exploration of her current three- dimensional obsessions.
    [Show full text]
  • John Wells: Centenary Display Jonty Lees: Artist in Residence Autumn 2005 Winter 2007 6 October 2007 – 13 January 2008
    Kenneth Martin & Mary Martin: Constructed Works John Wells: Centenary Display Jonty Lees: Artist in Residence Autumn 2005 Winter 2007 6 October 2007 – 13 January 2008 Notes for Teachers - 1 - Contents Introduction 3 Kenneth Martin & Marty Martin: Constructed Works 4 John Wells: Centenary Display 11 Jonty Lees: Artist in Residence 14 Bernard Leach and his Circle 17 Ways of Looking – Questions to Ask of Any Artwork 19 Suggested Activities 20 Tate Resources & Contacts 22 Further Reading 22 Key Art Terms 24 - 2 - Introduction The Winter 2007 displays present: Kenneth Martin and Mary Martin: Constructed Works (Gallery 1, 3, 4, and the Apse) This exhibition shows the work of two of Britain’s key post-war abstract artists, Kenneth Martin and Mary Martin. The exhibition includes nearly 50 works and focuses on Kenneth Martin’s mobiles and his later Chance and Order series of abstract paintings, alongside Mary Martin’s relief sculptures. Modernism and St Ives from 1940 (Lower Gallery 2) This display of artists associated with St Ives from the Tate Collection is designed to complement the Kenneth Martin and Mary Martin exhibition. It includes work by Mary Martin, Victor Pasmore, Anthony Hill and Adrian Heath alongside St Ives artists such as Peter Lanyon, Terry Frost and Ben Nicholson. John Wells: Centenary Display (The Studio) A small display of paintings and relief constructions by John Wells, designed to celebrate the centenary of his birth. Bernard Leach and his Circle (Upper Gallery 2) Ceramics by Bernard Leach and key studio potters who worked alongside him. These works form part of the Wingfield-Digby Collection, recently gifted to Tate St Ives.
    [Show full text]
  • Sculpting Lives S1E1, Barbara Hepworth
    Sculpting Lives podcast transcript Series 1, Episode 1: Barbara Hepworth This document is an accessible transcript of the podcast audio. Subscribe and listen: https://audioboom.com/posts/7525504-sculpting-lives-barbara-hepworth [music] Sara Matson: She managed her brand, fair play. Eleanor Clayton: A normal person from Wakefield; A remarkable artist but a remarkable woman. Stephen Feeke: Hepworth was odd because she didn't see herself as a feminist at all and didn't see herself as “I'm a pioneering woman”. She just felt she was a pioneering sculptor. Barbara Hepworth: I was born with the ideas of certain shapes in my mind. At least I remember as far back as seven. The whole time one's been working at it and working, trying to simplify and make more mature, get the right scale, and develop it according to the development of society. [music] Jo Baring: Hello, and welcome to Sculpting Lives the podcast by me, Jo Baring. Sarah Victoria Turner: And me, Sarah Turner. Jo, this is our first podcast and episode. Why are we doing this? Jo Baring: We met in our professional lives. You are Deputy Director of the Paul Mellon Centre, and I am Director of the Ingram Collection. We have a shared interest in art, but we realised when we met that we are really fascinated by sculpture in particular. Also, during the course of our discussions, we realised that women artists and women sculptors, in general, are less commercially successful than men, less represented in national institutions, museums, possibly have less gallery shows and we really wanted to unpick why that happens.
    [Show full text]
  • CV New 2020 Caronpenney (CRAFTSCOUNCIL)
    Caron Penney Profile Caron Penney is a master tapestry weaver, who studied at Middlesex University and has worked in textile production for over twenty-five years. Penney creates and exhibits her own artist led tapestries for exhibition and teaches at numerous locations across the UK. Penney is also an artisanal weaver and she has manufactured the work of artists from Tracey Emin to Martin Creed. Employment DATES October 2013 - Present POSITION Freelance Sole Trader BUSINESS NAME Atelier Weftfaced CLIENTS Martin Creed, Gillian Ayres, Hauser & Wirth Gallery, Campaign for Wool, Simon Martin & Pallant House Gallery TYPE OF BUSINESS Manufacture of Tapestry DATES 2016, 2017 & 2018 POSITION Special Lecturer EMPLOYER Central Saint Martins, University of Arts London LEVEL BA Hons Textile Design TYPE OF BUSINESS Education DATES January 2014 - July 2015 POSITION Consultant EMPLOYER West Dean Tapestry Studio, W. Sussex, PO18 0QU CLIENTS Basil Beattie, Hayes Gallery, Craft Study Centre for ‘Artists Meets their Makers’ exhibition, Pallant House. TYPE OF BUSINESS Manufacture of Tapestry DATES December 2009 - October 2013 POSITION Director EMPLOYER West Dean Tapestry Studio, W. Sussex, PO18 0QU RESPONSIBILITIES The main duties included directing a team of weavers, while creating commissions, curating exhibitions, developing new innovations, assisting with fundraising, and creating a conservation and archiving procedure for the department. CLIENTS Tracey Emin, White Cube Gallery, Martin Creed, Hauser & Wirth Gallery, Historic Scotland. TYPE OF BUSINESS Manufacture of Textiles/Tapestry DATES 2000 - Present POSITION Short Course Tutor EMPLOYERS Fashion and Textiles Museum, Ashmolean Museum, Morley College, Hauser & Wirth Somerset, Ditchling Museum , Fleming Collection, Charleston Farmhouse, West Dean College, William Morris Gallery, and many others.
    [Show full text]
  • Generation Painting: Abstraction and British Art, 1955–65 Saturday 5 March 2016, 09:45-17:00 Howard Lecture Theatre, Downing College, Cambridge
    Generation Painting: Abstraction and British Art, 1955–65 Saturday 5 March 2016, 09:45-17:00 Howard Lecture Theatre, Downing College, Cambridge 09:15-09:40 Registration and coffee 09:45 Welcome 10:00-11:20 Session 1 – Chaired by Dr Alyce Mahon (Trinity College, Cambridge) Crossing the Border and Closing the Gap: Abstraction and Pop Prof Martin Hammer (University of Kent) Fellow Persians: Bridget Riley and Ad Reinhardt Moran Sheleg (University College London) Tailspin: Smith’s Specific Objects Dr Jo Applin (University of York) 11:20-11:40 Coffee 11:40-13:00 Session 2 – Chaired by Dr Jennifer Powell (Kettle’s Yard) Abstraction between America and the Borders: William Johnstone’s Landscape Painting Dr Beth Williamson (Independent) The Valid Image: Frank Avray Wilson and the Biennial Salon of Commonwealth Abstract Art Dr Simon Pierse (Aberystwyth University) “Unity in Diversity”: New Vision Centre and the Commonwealth Maryam Ohadi-Hamadani (University of Texas at Austin) 13:00-14:00 Lunch and poster session 14:00-15:20 Session 3 – Chaired by Dr James Fox (Gonville & Caius College, Cambridge) In the Thick of It: Auerbach, Kossoff and the Landscape of Postwar Painting Lee Hallman (The Graduate Center, CUNY) Sculpture into Painting: John Hoyland and New Shape Sculpture in the Early 1960s Sam Cornish (The John Hoyland Estate) Painting as a Citational Practice in the 1960s and After Dr Catherine Spencer (University of St Andrews) 15:20-15:50 Tea break 15:50-17:00 Keynote paper and discussion Two Cultures? Patrick Heron, Lawrence Alloway and a Contested
    [Show full text]
  • Blackadder Goes Forth Audition Pack
    Blackadder Goes Forth Audition Pack Key Dates Audition Dates: • Tuesday 8 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 12 th May – 10.30am – 5.00pm • Sunday 13 th May – 10:00am – 3.00pm Recalls (if required): • Friday 18 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 19 th May – 10:00am – 1:00pm (Everyman Clubroom) Actors who are successfully cast need to understand that they MUST be available for all the following key dates • Technical Rehearsal: Sunday 11 th November (cast need to be available all day) • Dress Rehearsal: Monday 12 th November (evening) • Performance Dates: Tuesday 13 th – Saturday 17 th November; Evening Performances at 7.30pm, Saturday matinee at 2.30pm Rehearsal Nights Rehearsals will begin w/c Monday 3 rd September. Exact rehearsal nights will be confirmed nearer the time but are quite likely to be Tuesdays, Thursdays and Sundays. Not all cast will be required for every rehearsal. Plot Blackadder Goes Forth is set in 1917 on the Western Front in the trenches of World War I. Captain Edmund Blackadder is a professional soldier in the British Army who, until the outbreak of the Great War, has enjoyed a relatively danger-free existence fighting natives who were usually "two feet tall and armed with dried grass". Finding himself trapped in the trenches with another "big push" planned, his concern is to avoid being sent over the top to certain death. The show thus chronicles Blackadder's attempts to escape the trenches through various schemes, most of which fail due to bad fortune, misunderstandings and the general incompetence of his comrades.
    [Show full text]
  • Dorchester Beerex2020
    GIANT DONGLE ISSUE 40 : WINTER 2019/20 Dorchester Beerex2020 7th & 8th February 2020 see page 5 In this issue: • Bermondsey Beer Mile • Community Hop Brew Day • Dead Brewers’ Society • plus Latest News & What’s On The FREE magazine from the West Dorset branch of CAMRA The Wyke Smugglers Real Ales * Fresh Food * Log Fire * Pool * Darts Skittles * Crib * Live Music * Car Park * Beer Garden A real community pub Newly refurbished function room available for hire - weddings, birthdays, anniversaries, private parties 76 Portland Road, Wyke Regis Tel: 01305 760010 For more details check out facebook.com/wykesmugglers GIANT DONGLE is published by the West Dorset branch of the Campaign for Real Ale Welcome to the winter Editors Alex Scrivener edition of the Giant Dongle 9 Lydgate Street Poundbury DT1 3SJ I kick off this edition with a plea for more involvement and 07917 263 681 [email protected] information sharing among members and non-members John Parker come to that. Have you ever missed an event in a pub 07769 511700 because you didn’t know about it – annoying isn’t it!? Design & Print James Bennett I often have discussions with landlords about events and [email protected] publicity and am frequently told “well there’s a notice on Distribution the wall” – not all that useful if I am in Dorchester and the 2,500 copies distributed every pub is in Lyme Regis. quarter to over 200 West Dorset pubs, over 600 branch members, at local CAMRA Beer I am wondering if CAMRA members, regulars in said pub Festivals and online at with “the notice on the wall”, might consider “adopting” www.camrawdorset.org.uk the pub and passing info to a central source.
    [Show full text]
  • Disabling Comedy: “Only When We Laugh!”
    Disabling Comedy: “Only When We Laugh!” Dr. Laurence Clark, North West Disability Arts Forum (Paper presented at the ‘Finding the Spotlight’ Conference, Liverpool Institute for the Performing Arts, 30th May 2003) Abstract Traditionally comedy involving disabled people has extracted humour from people’s impairments – i.e. a “functional limitation”. Examples range from Shakespeare’s ‘fool’ character and Elizabethan joke books to characters in modern TV sitcoms. Common arguments for the use of such disempowering portrayals are that “nothing is meant by them” and that “people should be able to laugh at themselves”. This paper looks at the effects of such ‘disabling comedy’. These include the damage done to the general public’s perceptions of disabled people, the contribution to the erosion of a disabled people’s ‘identity’ and how accepting disablist comedy as the ‘norm’ has served to exclude disabled writers / comedians / performers from the profession. 1. Introduction Society has been deriving humour from disabled people for centuries. Elizabethan joke books were full of jokes about disabled people with a variety of impairments. During the 17th and 18th centuries, keeping 'idiots' as objects of humour was common among those who had the money to do so, and visits to Bedlam and other 'mental' institutions were a typical form of entertainment (Barnes, 1992, page 14). Bilken and Bogdana (1977) identified “the disabled person as an object of ridicule” as one of the ten media stereotypes of disabled people. Apart from ridicule, disabled people have been largely excluded from the world of comedy in the past. For example, in the eighties American stand-up comedian George Carlin was arrested whilst doing his act for swearing in front of young disabled people.
    [Show full text]
  • A History: 1993–2018
    r e d l E m a d A @ : t i d e r C Scottish Grocers Federation 222/224 Queensferry Road A History: Edinburgh EH4 2BN 199 3– 2018 T: 0131 343 3300 E: [email protected] W: scottishshop.org.uk By Lawrie Dewar MBE Edited by Karen Peattie Foreword by Pete Cheema 1981 Tom Hood President 1962-1963 1981 Jack Suttie President 1966-1967 1981 David Woodside President 1969-1970 1981 Archie Alexander Federation Secretary 1982 Roy McFarlane President 1963-1964 1982 Malcolm MacLeod President 1967-1968 1982 John Aitken President 1968-1969 1982 Bruce Aitkenhead President 1973-1974 1982 Roger Rogerson President 1974-1975 1982 Stan Clarke President 1978-1979 Our industry is worth Honorary 1983 May Christie SGF NEX £5.2 billion per annum Members of the 1983 Ian Adam President 1956-1957 “ 1983 James McGuire President 1972-1973 1983 James Renwick President 1977-1978 to the Scottish economy Scottish Grocers’ 1984 John Irving President 1976-1977 1984 Willie McPhail and directly employs Federation 1984 BenSavage 1984 Geoff Walker over 41,000 people 1986 Madge Alexander 1987 Sam Kilburn ” 1987 Archie McNicol McCurrach’s 1989 Michæl Kempton Federation Accountant 1993 Lionel Cashin Mars UK 1996 Andrew Nicol President 1987-1988 1996 Walter McCubbin SGF NEX 1997 John Paterson SGF NEX 1998 Sarah Jeffrey MD, PGMA 1999 Calum Duncan SGF NEX 1999 Lambert Munro SGF NEX 2001 Lawrie Dewar President 1975-1976/Fed Sec 2001 Ross Kerr Walkers Crisps 2006 Eddie Thompson President 1998-2000 2006 Scott Landsburgh President 1994-1996/Fed Sec 2008 Dougie Edgar President 2000-2002 2012 Jim Botterill President 2002-2004 2012 David Sands President 1996-1998 2017 Tom Wilson President, 1980/81 and 1986/87 2017 Ian McDonald JW Filshill 2017 Alan McCaffer PepsiCo 2017 Bep Dhaliwal Mars Chocolate 2017 Sandy Wilkie Retired Milkman Foreword It is remarkable to think that the Scottish Technology, meanwhile, has been our Grocers’ Federation has reached such a friend and allows retailers to work in pivotal moment in its history.
    [Show full text]