Transculturalism: a Path to the Integration of the Multilingual/Multi-Ethnic Learners of English As a Second Language in Nigeria
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The Cultural Landscape Past of the Eastern Mediterranean: the Border Lord’S Gardens and the Common Landscape Tradition of the Arabic and Byzantine Culture
land Article The Cultural Landscape Past of the Eastern Mediterranean: The Border Lord’s Gardens and the Common Landscape Tradition of the Arabic and Byzantine Culture Konstantinos Moraitis School of Architecture, National Technical University of Athens (NTUA), 8A Hadjikosta Str., 11521 Athens, Greece; [email protected]; Tel.: +30-210-6434101 Received: 5 January 2018; Accepted: 21 February 2018; Published: 26 February 2018 Abstract: An evaluation of landscape tradition, in Near and Middle East area, could emphasize a profound past of agricultural experience, as well as of landscape and garden art. In reference to this common past, Byzantine and Arabic landscape and garden art paradigms appear to be geographically and culturally correlated, as proved by a Byzantine 12th century folksong, presenting the construction of a villa, with its surrounding gardens and landscape formations, in the territory of Euphrates River. This song refers to Vasilios Digenes Akritas or ‘Border Lord’, a legendary hero of mixed Byzantine-Greek and Arab blood; ‘Digenes’ meaning a person of dual genes, both of Byzantine and Arabic origin, and ‘Akritas’ an inhabitant of the borderline. At the end of the narration of the song, contemporary reader feels skeptical. Was modern landscape and garden art born in the European continent or was it transferred to Western world through an eastern originated lineage of Byzantine and Arabic provenance? Keywords: Arabic landscape and garden art; Byzantine landscape and garden art; cultural sustainability; political sustainability; Twain-born Border Lord 1. Introductory References: The Western Interest for Landscape and Its Eastern Precedents We ought to remark in advance that the present article is written by a professional design practitioner who believes, however, that space formative practices are not of mere technological importance. -
Transculturalism in Chicano Literature, Visual Art, and Film Master's
Transculturalism in Chicano Literature, Visual Art, and Film Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Department of Global Studies Jerónimo Arellano, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Global Studies by Sarah Mabry August 2018 Transculturalism in Chicano Literature, Visual Art, and Film Copyright by Sarah Mabry © 2018 Dedication Here I acknowledge those individuals by name and those remaining anonymous that have encouraged and inspired me on this journey. First, I would like to dedicate this to my great grandfather, Jerome Head, a surgeon, published author, and painter. Although we never had the opportunity to meet on this earth, you passed along your works of literature and art. Gleaned from your manuscript entitled A Search for Solomon, ¨As is so often the way with quests, whether they be for fish or buried cities or mountain peaks or even for money or any other goal that one sets himself in life, the rewards are usually incidental to the journeying rather than in the end itself…I have come to enjoy the journeying.” I consider this project as a quest of discovery, rediscovery, and delightful unexpected turns. I would like mention one of Jerome’s six sons, my grandfather, Charles Rollin Head, a farmer by trade and an intellectual at heart. I remember your Chevy pickup truck filled with farm supplies rattling under the backseat and a tape cassette playing Mozart’s piano sonata No. 16. This old vehicle metaphorically carried a hard work ethic together with an artistic sensibility. -
Transforming Teacher Cultural Landscapes by Reflecting on Multicultural Literature
Promising Practices Transforming Teacher Cultural Landscapes by Reflecting on Multicultural Literature Tunde Szecsi, Carolyn Spillman, Elia Vázquez-Montilla, & Sally C. Mayberry Children cannot be expected to develop a personal attitudes and understandings, and beliefs, and consciously making and sensitivity toward others merely because often called landscapes (Greene, 1994), and implementing plans that bring about new they are told so. Attitudes are difficult to reflecting on behaviors and practices. ways of defining their worlds. change ... Literature allows individuals The teacher candidates described here Wilson, Switzer, Parrish, and the to share in the lives of others; it can also provide an avenue for multicultural un- were engaged primarily with multicultural IDEAL Research Lab (2006) note that derstanding. (Wham, Barnhart, & Cook, literature—this involved readings, discus- the transformative learning experience 1996, p. 2) sion, and reflection. After reading assigned includes these elements: picture books, young adult novels, and u Lasting impression. The learner A major goal of most teacher education then dramatic, often highly charged adult holds in memory details about the programs is the development of teachers literature from countries and cultures not learning experience. who are sensitive supporters of all stu- previously known by the readers, these dents, embrace diversity, and plan and teacher candidates shared their reflections u Part of the person's self-narrative. implement inclusive and culturally respon- and their insights about the changes that The learner references the learning sive instruction. Student populations, even they experienced. Analyses of these experi- experience within a narrative about within teacher education programs, are not ences and reflections are the basis for the himself/herself or in relation to a always endowed with the desired attitudes conclusions in this article. -
The Cultural Learning Process : Diffusion Versus Evolution
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1979 The cultural learning process : diffusion versus evolution. Paul Shao University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Shao, Paul, "The cultural learning process : diffusion versus evolution." (1979). Doctoral Dissertations 1896 - February 2014. 3539. https://scholarworks.umass.edu/dissertations_1/3539 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE CULTURAL LEARNING PROCESS; DIFFUSION VERSUS EVOLUTION A Dissertation Presented By PAUL PONG WAH SHAO Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION February 1979 Education Paul Shao 1978 © All Rights Reserved THE CULTURAL LEARNING PROCESS: DIFFUSION VERSUS EVOLUTION A Dissertation Presented By PAUL PONG WAH SHAO Approved as to style and content by: ABSTRACT The Cultural Learning Process: Diffusion Versus Evolution February, 1979 Paul Shao, B.A., China Art College M.F.A., University of Massachusetts Ed. D., University of Massachusetts Directed By: Professor Daniel C. Jordan Purpose of the Study This study attempts to shed -
Tourism and Cultural Identity: the Case of the Polynesian Cultural Center
Athens Journal of Tourism - Volume 1, Issue 2 – Pages 101-120 Tourism and Cultural Identity: The Case of the Polynesian Cultural Center By Jeffery M. Caneen Since Boorstein (1964) the relationship between tourism and culture has been discussed primarily in terms of authenticity. This paper reviews the debate and contrasts it with the anthropological focus on cultural invention and identity. A model is presented to illustrate the relationship between the image of authenticity perceived by tourists and the cultural identity felt by indigenous hosts. A case study of the Polynesian Cultural Center in Laie, Hawaii, USA exemplifies the model’s application. This paper concludes that authenticity is too vague and contentious a concept to usefully guide indigenous people, tourism planners and practitioners in their efforts to protect culture while seeking to gain the economic benefits of tourism. It recommends, rather that preservation and enhancement of identity should be their focus. Keywords: culture, authenticity, identity, Pacific, tourism Introduction The aim of this paper is to propose a new conceptual framework for both understanding and managing the impact of tourism on indigenous host culture. In seminal works on tourism and culture the relationship between the two has been discussed primarily in terms of authenticity. But as Prideaux, et. al. have noted: “authenticity is an elusive concept that lacks a set of central identifying criteria, lacks a standard definition, varies in meaning from place to place, and has varying levels of acceptance by groups within society” (2008, p. 6). While debating the metaphysics of authenticity may have merit, it does little to guide indigenous people, tourism planners and practitioners in their efforts to protect culture while seeking to gain the economic benefits of tourism. -
Chapter 4: Local Culture, Popular Culture, and Cultural Landscapes
CHAPTER 4: LOCAL CULTURE, POPULAR CULTURE, AND CULTURAL LANDSCAPES Copyright © 2012 John Wiley & Sons, Inc. All rights APHUG | BHS | Ms. Justice reserved. Key Questions: Chapter 4 4.1 What are local and popular cultures? 4.2 How are local cultures sustained? 4.3 How is popular culture diffused? 4.4 How can local and popular cultures be seen in the cultural landscape? Field Note: Preserving Culture “The signs with the Tata Corporation’s “ logo were everywhere on the landscape of the city of Hyderabad in India (Fig. 4.1): a Tata corporate building across the street from our flat; Tata emblazoned on the grill of trucks through out the city; Tata sky satellite dishes bringing television into homes; Tata International consulting buildings in the high-tech district of the city. I asked my host what the Tata Corporation was and where the name came from. He explained, “Tata is a family name. The Tata family are members of the Parsi religion, and they own many businesses throughout India and the world.” © 2012 John Wiley & Sons, Inc. All rights reserved. Key Question 4.1 What are local and popular cultures? © 2012 John Wiley & Sons, Inc. All rights reserved. What Are Local & Popular Cultures? A culture is a group of belief systems, norms, and values practiced by a people. A group of people can be recognized as a culture in one of two ways: 1. The people call themselves a culture. 2. Other people (including academics) can label a certain group of people as a culture. What Are Local & Popular Cultures? Folk culture is small, incorporates a homogeneous population, is typically rural, and is cohesive in cultural traits. -
Multiculturalism Vs Interculturalism: New Paradigm? (Sociologic and Juridical Aspects of the Debate Between the Two Paradigms)"?
Journal of Education & Social Policy Vol. 4, No. 2; June 201 "Multiculturalism vs Interculturalism: New Paradigm? (Sociologic and Juridical Aspects of the Debate between the two Paradigms)"? Shkelzen Hasanaj PhD PhD student Department of Social Sciences University of Pisa Italy Abstract This paper retraces the debate between the main scholars of the multicultural approach and those of the intercultural approach, recently developed in the United Kingdom. After emphasizing the peculiari-ties and the criticism of multiculturalism, concerning the recognition of diversities and the inclusion of foreigners, the comparison of such model with the actual challenges faced by the United Kingdom, marked by the dynamicity and differentiation of the ethnic minori-ties, leads to consider some of the intercultural theses as a better approach for representing and reacting to the ethnic and religious diver-sities. Finally, the applicability of inter culturalism was tested on the case study of Quebec, through a revision of the theories of Gerard Bouchard and Charles Taylor. Keywords: Minorities, Diversity, Identity, Multiculturalism, Interculturalism Introduction Today's society is becoming increasingly diverse, to the point that cultural homogeneity and national belonging are losing their importance. The question we ask today is not so much how to live with diversity, but how to live in diversity (Antonsich, 2012). It is a conceptual change in which the term diversity no longer refers to the arrival of migrants in the host communities, which often provoke shock and turmoil, but the ongoing demographic change in these communities that gradually changes the very meaning of identity and group membership, including that of traditional nationalities. -
The Discourse of Transculturality and Mohsin Hamid's the Reluctant
Southeast Asian Review of English, Vol. 53, no.1, 2016, pp:1-11. Multiculturalism, Interculturalism, Transculturalism and The Reluctant Fundamentalist1 JOSÉ MANUEL ESTÉVEZ-SAÁ University of A Coruña, Spain Abstract The most influential theorists of multiculturalism and interculturalism have attempted a rigorous re-examination of their proposals, as demonstrated by recent publications such as “Interculturalism versus multiculturalism –The Cantle-Modood debate” (2015) and Multiculturalism and Interculturalism: Debating the Dividing Lines (2016). Both Ted Cantle and Tariq Modood have acknowledged the need to revise the concepts of interculturalism and multiculturalism as a response to the rapidly changing circumstances of contemporary societies. This paper seeks to: briefly review recent assessments of interculturalism and multiculturalism; attempt to establish a dialogue between the interculturalism-multiculturalism debate and the precept of transculturalism (Dagnino 2012, McLeod 2011); and exemplify the usefulness of the transcultural approach in the exegesis of literary fictions such as Mohsin Hamid’s The Reluctant Fundamentalist (2007), a novel that because it operates at the level of both multicultural and intercultural encounters is able to richly contribute to these debates and discourses. The paper argues for the salience of critical terms such as “transnational writer”, “transnational literature”, “transculturality” and “transculturalism” as they offer a critical vocabulary particularly appropriate for the study of the movements and migrations of people that are depicted with increasing regularity in twenty-first century literature in English. Keywords: Multiculturalism, interculturalism, transculturalism, contemporary literature in English, Mohsin Hamid, The Reluctant Fundamentalist Many changes and inevitable readjustments have taken place in Western societies (specifically the UK and the USA) since they began to be considered exponents of multiculturalism in the 1960s. -
MODULE 1. Unit 2. INTERCULTURAL COMPETENCE and SENSITIVITY to DIVERSITY Additional Information
Training packages for health professionals to improve access and quality of health services for migrants and ethnic minorities, including the Roma MEM‐TP MODULE 1. Unit 2. INTERCULTURAL COMPETENCE AND SENSITIVITY TO DIVERSITY Additional Information Prepared by: Ainhoa Rodriguez and Olga Leralta Andalusian School of Public Health © European Union, 2015 For any reproduction of textual and multimedia information which are not under the © of the European Union, permission must be sought directly from the copyright holders. © Cover Illustrations: Observatorio de la Infancia de Andalucía, Escuela Andaluza de Salud Pública. Junta de Andalucía. Migrants & Ethnic Minorities Training Packages Funded by the European Union in the framework of the EU Health Programme (2008‐2013) in the frame of a service contract with the Consumer, Health, Agriculture and Food Executive Agency (Chafea) acting under the mandate from the European Commission. The content of this report represents the views of the Andalusian School of Public Health (EASP) and is its sole responsibility; it can in no way be taken to reflect the views of the European Commission and/or Chafea or any other body in the European Union. The European Commission and/or Chafea do not guarantee the accuracy of the data included in this report, nor do they accept responsibility for any use made by third parties thereof. 1 September, 2015 MEM‐TP Module 1, Unit 2: Additional Information 1. Multiculturalism, Interculturalism, Intercultural Dialogue, Cultural Competence, Intercultural Competence, Difference Sensitivity and Diversity Sensitivity: Concepts A broad theoretical discussion1,2,3,4,5 related to “multiculturalism” and “interculturalism” is ongoing. Some authors6,7 conceive both concepts as differentiated. -
The Culture of Power Adapted from Uprooting Racism: How White People Can Work for Racial Justice
The Culture of Power adapted from Uprooting Racism: How White People Can Work for Racial Justice by Paul Kivel IF YOU ARE A WOMAN and you have ever walked into a men’s meeting, or a person of color and have walked into a white organization, or a child who walked into the principal’s office, or a Jew or Muslim who entered a Christian space, then you know what it is like to walk into a culture of power that is not your own. You may feel insecure, unsafe, disrespected, unseen or marginalized. You know you have to tread carefully. Whenever one group of people accumulates more power than another group, the more powerful group creates an environment that places its members at the cultural center and other groups at the margins. People in the more powerful group (the “in-group”) are accepted as the norm, so if you are in that group it can be very hard for you to see the benefits you receive. Since I’m male and I live in a culture in which men have more social, political, and economic power than women, I often don’t notice that women are treated differently than I am. I’m inside a male culture of power. I expect to be treated with respect, to be listened to, and to have my opinions valued. I expect to be welcomed. I expect to see people like me in positions of authority. I expect to find books and newspapers that are written by people like me, that reflect my perspective, and that show me in central roles. -
Educating Graduate Teaching Assistants in At-Risk Pedagogy Kristen P
Communication and Theater Association of Minnesota Journal Volume 41 Combined Volume 41/42 (2014/2015) Article 3 January 2014 Communication in Action: Educating Graduate Teaching Assistants in At-Risk Pedagogy Kristen P. Treinen Minnesota State University - Mankato, [email protected] Follow this and additional works at: https://cornerstone.lib.mnsu.edu/ctamj Part of the Communication Commons, and the Curriculum and Instruction Commons Recommended Citation Treinen, K. (2014/2015). Communication in Action: Educating Graduate Teaching Assistants in At-Risk Pedagogy. Communication and Theater Association of Minnesota Journal, 41/42, 6-28. This Teacher's Workbook is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Communication and Theater Association of Minnesota Journal by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Treinen: Communication in Action: Educating Graduate Teaching Assistants i 6 CTAMJ 2014/2015 TEACHERS’ WORKBOOK FEATURED MANUSCRIPT Communication in Action: Educating Graduate Teaching Assistants in At-Risk Pedagogy Kristen P. Treinen, PhD Associate Professor of Communication Studies Minnesota State University, Mankato [email protected] Abstract I begin this paper with a glimpse into the literature concerning at-risk and antiracist theory in order to understand the connections between the two bodies of literature. Next, by combining two bodies of literature, I argue for the implementation of a pedagogy of hope, culturally relevant teaching, and empowerment for students in the classroom. Finally, I outline a course for graduate teaching assistants that explores the utility of a pedagogy of hope, culturally relevant teaching, and empowerment for students in the communication classroom. -
Interculturalism in the Cultural Policies of European Cities
INTERCULTURALISM IN THE CULTURAL POLICIES OF EUROPEAN CITIES Interculturalism in the cultural policies of European cities – Pascale Bonniel Chalier C K N O W L E D G M E N T S A C K N O W L E D G M E N T S . Jordi Pascual from the United Cities and Local Governments Committee on Culture for his wise advice. Elise Courouble from La Terre est ronde consultants for her documentary research. Jacques Bonniel from the Université Lumière Lyon 2 for rereading the text. La Terre est ronde – October 2009 2 / 31 Interculturalism in the cultural policies of European cities – Pascale Bonniel Chalier C O N T E N T S D) The role of interculturalism in cities’ strategic planning E) Cross-subsidisation Introduction F) New types of policy engineering for ‘intercultural culture’ 1 – Conceptual approaches G) Interculturalism: a challenge for local democracy 2 – Method and sustainable development 3 – Interculturalism in urban dynamics H) Defining culture means defining a cultural policy A) The arts, culture and social inclusion 5 – Recommendations on intercultural urban governance B) Memory, identity and culture 6 – Select bibliography C) Cultures, public spaces and artists at work D) Diversity of cultures, cultural and arts education E) Interculturalism and international cooperation F) One active ingredient: recognition 4 – Cultural diversity in city policies A) Forms providing a higher profile B) Forms encouraging participation C) Centrality and marginality La Terre est ronde – October 2009 3 / 31 Interculturalism in the cultural policies of European cities – Pascale Bonniel Chalier Introduction the benefit of the human race as a whole.